no code implementations • 1 Feb 2024 • Hyunyoung Jung, Seonghyeon Nam, Nikolaos Sarafianos, Sungjoo Yoo, Alexander Sorkine-Hornung, Rakesh Ranjan
Shape and geometric patterns are essential in defining stylistic identity.
no code implementations • 5 Feb 2021 • Felix Klose, Oliver Wang, Jean-Charles Bazin, Marcus Magnor, Alexander Sorkine-Hornung
We present a novel, sampling-based framework for processing video that enables high-quality scene-space video effects in the presence of inevitable errors in depth and camera pose estimation.
6 code implementations • 9 Apr 2018 • Yifan Wang, Federico Perazzi, Brian McWilliams, Alexander Sorkine-Hornung, Olga Sorkine-Hornung, Christopher Schroers
Recent deep learning approaches to single image super-resolution have achieved impressive results in terms of traditional error measures and perceptual quality.
Ranked #14 on Image Super-Resolution on BSD100 - 4x upscaling
no code implementations • CVPR 2018 • Simone Meyer, Abdelaziz Djelouah, Brian McWilliams, Alexander Sorkine-Hornung, Markus Gross, Christopher Schroers
We show that this is superior to the hand-crafted heuristics previously used in phase-based methods and also compares favorably to recent deep learning based approaches for video frame interpolation on challenging datasets.
1 code implementation • CVPR 2016 • Patrick Wieschollek, Oliver Wang, Alexander Sorkine-Hornung, Hendrik P. A. Lensch
We present a new approach for efficient approximate nearest neighbor (ANN) search in high dimensional spaces, extending the idea of Product Quantization.
2 code implementations • CVPR 2017 • Anna Khoreva, Federico Perazzi, Rodrigo Benenson, Bernt Schiele, Alexander Sorkine-Hornung
Inspired by recent advances of deep learning in instance segmentation and object tracking, we introduce video object segmentation problem as a concept of guided instance segmentation.
Ranked #6 on Semi-Supervised Video Object Segmentation on YouTube
no code implementations • CVPR 2016 • Nicolas Maerki, Federico Perazzi, Oliver Wang, Alexander Sorkine-Hornung
In this work, we propose a novel approach to video segmentation that operates in bilateral space.
Ranked #76 on Semi-Supervised Video Object Segmentation on DAVIS 2016
1 code implementation • CVPR 2016 • Federico Perazzi, Jordi Pont-Tuset, Brian McWilliams, Luc van Gool, Markus Gross, Alexander Sorkine-Hornung
The dataset, named DAVIS (Densely Annotated VIdeo Segmentation), consists of fifty high quality, Full HD video sequences, spanning multiple occurrences of common video object segmentation challenges such as occlusions, motion-blur and appearance changes.
no code implementations • ICCV 2015 • Charles Malleson, Jean-Charles Bazin, Oliver Wang, Derek Bradley, Thabo Beeler, Adrian Hilton, Alexander Sorkine-Hornung
We present a method to continuously blend between multiple facial performances of an actor, which can contain different facial expressions or emotional states.
no code implementations • ICCV 2015 • Federico Perazzi, Oliver Wang, Markus Gross, Alexander Sorkine-Hornung
We present a novel approach to video segmentation using multiple object proposals.
Ranked #77 on Semi-Supervised Video Object Segmentation on DAVIS 2016
1 code implementation • CVPR 2015 • Simone Meyer, Oliver Wang, Henning Zimmer, Max Grosse, Alexander Sorkine-Hornung
Standard approaches to computing interpolated (in-between) frames in a video sequence require accurate pixel correspondences between images e. g. using optical flow.
no code implementations • CVPR 2015 • Benjamin Resch, Hendrik P. A. Lensch, Oliver Wang, Marc Pollefeys, Alexander Sorkine-Hornung
Videos consisting of thousands of high resolution frames are challenging for existing structure from motion (SfM) and simultaneous-localization and mapping (SLAM) techniques.
no code implementations • CVPR 2013 • Christian Richardt, Yael Pritch, Henning Zimmer, Alexander Sorkine-Hornung
As our first contribution, we describe the necessary correction steps and a compact representation for the input images in order to achieve a highly accurate approximation to the required ray space.