Q: Question: "Where did the Grynszpan family move from in 1938?"  Context: "After 1937 the Lord Mayor and the state commissioners of Hanover were members of the NSDAP (Nazi party). A large Jewish population then existed in Hanover. In October 1938, 484 Hanoverian Jews of Polish origin were expelled to Poland, including the Grynszpan family. However, Poland refused to accept them, leaving them stranded at the border with thousands of other Polish-Jewish deportees, fed only intermittently by the Polish Red Cross and Jewish welfare organisations. The Gryszpan's son Herschel Grynszpan was in Paris at the time. When he learned of what was happening, he drove to the German embassy in Paris and shot the German diplomat Eduard Ernst vom Rath, who died shortly afterwards."  Answer:
A: Hanover

Q: Question: "When did construction start?"  Context: "The primary responsibility for a boy's studies lies with his House Master, but he is assisted by an additional director of studies, known as a tutor. Classes, colloquially known as "divs" (divisions), are organised on a School basis; the classrooms are separate from the houses. New school buildings have appeared for teaching purposes every decade or so since New Schools, designed by Henry Woodyer and built 1861-3. Despite the introduction of modern technology, the external appearance and locations of many of the classrooms have remained unchanged for a long time."  Answer:
A: 1861

Q: Question: "Which comic theorist began studying comics after the start of the 21st century?"  Context: "European comics studies began with Töpffer's theories of his own work in the 1840s, which emphasized panel transitions and the visual–verbal combination. No further progress was made until the 1970s. Pierre Fresnault-Deruelle then took a semiotics approach to the study of comics, analyzing text–image relations, page-level image relations, and image discontinuities, or what Scott McCloud later dubbed "closure". In 1987, Henri Vanlier introduced the term multicadre, or "multiframe", to refer to the comics a page as a semantic unit. By the 1990s, theorists such as Benoît Peeters and Thierry Groensteen turned attention to artists' poïetic creative choices. Thierry Smolderen and Harry Morgan have held relativistic views of the definition of comics, a medium that has taken various, equally valid forms over its history. Morgan sees comics as a subset of "les littératures dessinées" (or "drawn literatures"). French theory has come to give special attention to the page, in distinction from American theories such as McCloud's which focus on panel-to-panel transitions. Since the mid-2000s, Neil Cohn has begun analyzing how comics are understood using tools from cognitive science, extending beyond theory by using actual psychological and neuroscience experiments. This work has argued that sequential images and page layouts both use separate rule-bound "grammars" to be understood that extend beyond panel-to-panel transitions and categorical distinctions of types of layouts, and that the brain's comprehension of comics is similar to comprehending other domains, such as language and music."  Answer:
A: Neil Cohn

Q: Question: "What type of plants produce true wood?"  Context: "Structural material that resembles ordinary, "dicot" or conifer wood in its gross handling characteristics is produced by a number of monocot plants, and these also are colloquially called wood. Of these, bamboo, botanically a member of the grass family, has considerable economic importance, larger culms being widely used as a building and construction material in their own right and, these days, in the manufacture of engineered flooring, panels and veneer. Another major plant group that produce material that often is called wood are the palms. Of much less importance are plants such as Pandanus, Dracaena and Cordyline. With all this material, the structure and composition of the structural material is quite different from ordinary wood."  Answer:
A:
dicot