In this task, you are given a question and a context passage. You have to answer the question based on the given passage.

[Q]: Which of the following is a character system: Fujian, Teochew, or pinyin?, Context: Hokkien /hɒˈkiɛn/ (traditional Chinese: 福建話; simplified Chinese: 福建话; pinyin: Fújiànhuà; Pe̍h-ōe-jī: Hok-kiàn oē) or Quanzhang (Quanzhou–Zhangzhou / Chinchew–Changchew; BP: Zuánziū–Ziāngziū) is a group of mutually intelligible Min Nan Chinese dialects spoken throughout Southeast Asia, Taiwan, and by many other overseas Chinese. Hokkien originated from a dialect in southern Fujian. It is closely related to the Teochew, though mutual comprehension is difficult, and is somewhat more distantly related to Hainanese. Besides Hokkien, there are also other Min and Hakka dialects in Fujian province, most of which are not mutually intelligible with Hokkien.
[A]: pinyin


[Q]: Storms have lots of?, Context: The Scooter is another storm, a white cloud group farther south than the Great Dark Spot. This nickname first arose during the months leading up to the Voyager 2 encounter in 1989, when they were observed moving at speeds faster than the Great Dark Spot (and images acquired later would subsequently reveal the presence of clouds moving even faster than those that had initially been detected by Voyager 2). The Small Dark Spot is a southern cyclonic storm, the second-most-intense storm observed during the 1989 encounter. It was initially completely dark, but as Voyager 2 approached the planet, a bright core developed and can be seen in most of the highest-resolution images.
[A]: clouds


[Q]: Who started making films later, Salah Ahmed or Abdisalam Aato?, Context: Growing out of the Somali people's rich storytelling tradition, the first few feature-length Somali films and cinematic festivals emerged in the early 1960s, immediately after independence. Following the creation of the Somali Film Agency (SFA) regulatory body in 1975, the local film scene began to expand rapidly. The Somali filmmaker Ali Said Hassan concurrently served as the SFA's representative in Rome. In the 1970s and early 1980s, popular musicals known as riwaayado were the main driving force behind the Somali movie industry. Epic and period films as well as international co-productions followed suit, facilitated by the proliferation of video technology and national television networks. Said Salah Ahmed during this period directed his first feature film, The Somali Darwish (The Somalia Dervishes), devoted to the Dervish State. In the 1990s and 2000s, a new wave of more entertainment-oriented movies emerged. Referred to as Somaliwood, this upstart, youth-based cinematic movement has energized the Somali film industry and in the process introduced innovative storylines, marketing strategies and production techniques. The young directors Abdisalam Aato of Olol Films and Abdi Malik Isak are at the forefront of this quiet revolution.
[A]:
Abdisalam Aato