In this task, you are given a question and a context passage. You have to answer the question based on the given passage.

[EX Q]: What numeral standard was used in the Super Bowl 4 logo?, Context: On June 4, 2014, the NFL announced that the practice of branding Super Bowl games with Roman numerals, a practice established at Super Bowl V, would be temporarily suspended, and that the game would be named using Arabic numerals as Super Bowl 50 as opposed to Super Bowl L. The use of Roman numerals will be reinstated for Super Bowl LI. Jaime Weston, the league's vice president of brand and creative, explained that a primary reason for the change was the difficulty of designing an aesthetically pleasing logo with the letter "L" using the standardized logo template introduced at Super Bowl XLV. The logo also deviates from the template by featuring large numerals, colored in gold, behind the Vince Lombardi Trophy, instead of underneath and in silver as in the standard logo.
[EX A]: Arabic

[EX Q]: How did the empire of ND football begin?, Context: Notre Dame rose to national prominence in the early 1900s for its Fighting Irish football team, especially under the guidance of the legendary coach Knute Rockne. The university's athletic teams are members of the NCAA Division I and are known collectively as the Fighting Irish. The football team, an Independent, has accumulated eleven consensus national championships, seven Heisman Trophy winners, 62 members in the College Football Hall of Fame and 13 members in the Pro Football Hall of Fame and is considered one of the most famed and successful college football teams in history. Other ND teams, chiefly in the Atlantic Coast Conference, have accumulated 16 national championships. The Notre Dame Victory March is often regarded as the most famous and recognizable collegiate fight song.
[EX A]: the guidance of the legendary coach Knute Rockne

[EX Q]: Who invented the ballade?, Context: Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert étude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837).
[EX A]:
Chopin