In this task, you are given a question and a context passage. You have to answer the question based on the given passage.

[EX Q]: What happened in the 62nd year of the 18th century?, Context: In 1762, George III acquired Buckingham House and it was enlarged over the next 75 years. During the 18th century, London was dogged by crime, and the Bow Street Runners were established in 1750 as a professional police force. In total, more than 200 offences were punishable by death, including petty theft. Most children born in the city died before reaching their third birthday. The coffeehouse became a popular place to debate ideas, with growing literacy and the development of the printing press making news widely available; and Fleet Street became the centre of the British press.
[EX A]: George III acquired Buckingham House

[EX Q]: How is a husband referred to?, Context: Knights Grand Cross and Knights Commander prefix Sir, and Dames Grand Cross and Dames Commander prefix Dame, to their forenames.[b] Wives of Knights may prefix Lady to their surnames, but no equivalent privilege exists for husbands of Knights or spouses of Dames. Such forms are not used by peers and princes, except when the names of the former are written out in their fullest forms. Clergy of the Church of England or the Church of Scotland do not use the title Sir or Dame as they do not receive the accolade (i.e., they are not dubbed "knight" with a sword), although they do append the post-nominal letters.
[EX A]: no equivalent privilege exists for husbands

[EX Q]: What style was acceptable along with dub, avant-garde, disco, noise, jazz, krautrock, and world music?, Context: Though the music varied widely between regions and artists, the post-punk movement has been characterized by its "conceptual assault" on rock conventions and rejection of aesthetics perceived of as traditionalist, hegemonic or rockist in favor of experimentation with production techniques and non-rock musical styles such as dub, electronic music, disco, noise, jazz, krautrock, world music and the avant-garde. While post-punk musicians often avoided or intentionally obscured conventional influences, previous musical styles did serve as touchstones for the movement, including particular brands of glam, art rock and "[the] dark undercurrent of '60s music".[nb 1] According to Reynolds, artists once again approached the studio as an instrument, using new recording methods and pursuing novel sonic territories. Author Matthew Bannister wrote that post-punk artists rejected the high cultural references of 1960s rock artists like the Beatles and Bob Dylan as well as paradigms that defined "rock as progressive, as art, as 'sterile' studio perfectionism ... by adopting an avant-garde aesthetic".
[EX A]:
electronic