Please answer this: What is the name of the character whose belief in Judaism is restored by a rendition of "Walk Hard"?  Answer the above question based on the context below:  In Springberry, Alabama, 1946, young Dewey Cox accidentally cuts his brother Nate in half with a machete. The trauma causes Dewey to lose his sense of smell. Dewey meets a blues guitarist, who discovers Dewey is a natural musician. In 1953, after a successful talent show performance, 14-year-old Dewey leaves Springberry with his 12-year-old girlfriend Edith; they soon marry and have a baby. Working at an all-African American nightclub, Dewey replaces singer Bobby Shad onstage and impresses Hasidic Jewish record executive L'Chaim. While recording a rockabilly rendition of "That's Amore," Dewey is berated by an executive. A desperate Dewey performs "Walk Hard," a song inspired by a speech he gave Edith, which restores the executive's belief in Judaism and rockets Dewey to superstardom. The song becomes a hit within 35 minutes, and Dewey becomes caught up in the rock-and-roll lifestyle. Dewey is introduced to marijuana by his drummer Sam, and becomes unfaithful to Edith. Dewey's father informs him that his mother has died while dancing to Dewey's song, and blames Dewey's music for her death. Distraught, Dewey finds Sam using cocaine and partakes, resulting in a cocaine-fueled punk rock performance. Choirgirl Darlene Madison enters Dewey's life, and he produces several hit records amid their courtship laden with sexual tension. He weds Darlene while still married to Edith, which leads to both women leaving him, and purchases drugs from an undercover cop. After he serves time in prison and in rehab, Darlene returns.
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Answer: L'Chaim


Please answer this: What is the last name of the journalist who believed the act that attempted to reduce immigration "gave official sanction to xenophobic reflexes which might ... have remained dormant"?  Answer the above question based on the context below:  In the 19th century the Russian Empire, then including Latvia, was home to about five million Jews, the largest Jewish community in the world at the time. Subjected to religious persecution and violent pogroms, many emigrated, and between 1875 and 1914 around 120,000 arrived in the United Kingdom, mostly in England. The influx reached its peak in the late 1890s when large numbers of Jewish immigrants—mostly poor and semi-skilled or unskilled—settled in the East End of London; the concentration of Jews in some areas of London was almost 100 per cent of the population. Because of the influx of Jews and Russians into one part of Tottenham in North London, the area gained the nickname Little Russia.Some of the expatriates were revolutionaries, and many were unable to adapt to life in London. The social historian William J. Fishman writes that "the meschuggena (crazy) Anarchists were almost accepted as part of the East End landscape"; the terms "socialist" and "anarchist" had been conflated by the British press to refer generally to those with revolutionary beliefs.Several revolutionary factions were active in East and North London. One tactic often employed by revolutionaries in Russia was the expropriation of private property to fund radical activities. The influx of émigrés, and the associated rising rates of violent crime, led to widespread concerns and press coverage. As a result, the British government passed the Aliens Act 1905 in an attempt to reduce immigration. The popular press reflected the opinions of many; a leading article in the Manchester Evening Chronicle supported the bill to bar "the dirty, destitute, diseased, verminous and criminal foreigner who dumps himself on our soil". The journalist Robert Winder, in his examination of immigration into Britain, opines that the Act "gave official sanction to xenophobic reflexes which might ... have remained dormant".
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Answer: Winder


Please answer this: What was the next album released by The Mothers of Invention after We're Only in It for the Money?  Answer the above question based on the context below:  The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater (at 152 Bleecker Street, above the Cafe au Go Go) during Easter 1967. This proved successful and Herb Cohen extended the booking, which eventually lasted half a year. As a result, Zappa and his wife, along with the Mothers of Invention, moved to New York. Their shows became a combination of improvised acts showcasing individual talents of the band as well as tight performances of Zappa's music. Everything was directed by Zappa using hand signals. Guest performers and audience participation became a regular part of the Garrick Theater shows. One evening, Zappa managed to entice some U.S. Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a "gook baby".Zappa uniquely contributed to the avant-garde, anti-establishment music scene of the 1960s, sampling radio tape recordings and incorporating his own philosophical ideals to music and freedom of expression in his pieces. Bands such as AMM and Faust also contributed to the radio sampling techniques of the 1960s. Situated in New York, and only interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. He sampled plundered surf music in We're only in It for the Money, as well as the Beatles' tape work from their song Tomorrow Never Knows. The cover photo parodied that of the Beatles' Sgt. Pepper's Lonely Hearts Club Band. The cover art was provided by Cal Schenkel whom Zappa met...
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Answer:
Cruising with Ruben & the Jets