input question: Given the below context:  Of the main characters, only Otho is not morally contemptible. Agrippina is an unscrupulous schemer; Nero, while not yet the monster he would become, is pampered and hypocritical; Claudius is pompous, complacent, and something of a buffoon, while Poppaea, the first of Handel's sex kittens, is also a liar and a flirt. The freedmen Pallas and Narcissus are self-serving and salacious. All, however, have some redeeming features, and all have arias that express genuine emotion. The situations in which they find themselves are sometimes comic, but never farcical—like Mozart in the Da Ponte operas, Handel avoids laughing at his characters.In Agrippina the da capo aria is the musical form used to illustrate character in the context of the opera. The first four arias of the work exemplify this: Nero's "Con raggio", in a minor key and with a descending figure on the key phrase "il trono ascenderò" ("I will ascend the throne") characterises him as weak and irresolute. Pallas's first aria "La mia sorte fortunata", with its "wide-leaping melodic phrasing" introduces him as a bold, heroic figure, contrasting with his rival Narcissus whose introspective nature is displayed in his delicate aria "Volo pronto" which immediately follows. Agrippina's introductory aria "L'alma mia" has a mock-military form which reflects her outward power, while subtle musical phrasing establishes her real emotional state. Poppaea's arias are uniformly light and rhythmic, while Claudius's short love song "Vieni O cara" gives a glimpse of his inner feelings, and is considered one of the gems of the score.  Guess a valid title for it!???
output answer: Agrippina (opera)

input question: Given the below context:  Kathleen Mary Ferrier, CBE (22 April 1912 – 8 October 1953) was an English contralto singer who achieved an international reputation as a stage, concert and recording artist, with a repertoire extending from folksong and popular ballads to the classical works of Bach, Brahms, Mahler and Elgar. Her death from cancer, at the height of her fame, was a shock to the musical world and particularly to the general public, which was kept in ignorance of the nature of her illness until after her death. The daughter of a Lancashire village schoolmaster, Ferrier showed early talent as a pianist, and won numerous amateur piano competitions while working as a telephonist with the General Post Office. She did not take up singing seriously until 1937, when after winning a prestigious singing competition at the Carlisle Festival she began to receive offers of professional engagements as a vocalist. Thereafter she took singing lessons, first with J.E. Hutchinson and later with Roy Henderson. After the outbreak of the Second World War Ferrier was recruited by the Council for the Encouragement of Music and the Arts (CEMA), and in the following years sang at concerts and recitals throughout the UK. In 1942 her career was boosted when she met the conductor Malcolm Sargent, who recommended her to the influential Ibbs and Tillett concert management agency. She became a regular performer at leading London and provincial venues, and made numerous BBC radio broadcasts. In 1946, Ferrier made her stage debut, in the Glyndebourne Festival premiere of Benjamin Britten's opera The Rape of Lucretia. A year later she made her first appearance as Orfeo in Gluck's Orfeo ed Euridice, a work with which she became particularly associated. By her own choice, these were her only two operatic roles. As her reputation grew, Ferrier formed close working relationships with major musical figures, including Britten, Sir John Barbirolli, Bruno Walter and the accompanist Gerald Moore. She became known internationally through her three tours to the United...  Guess a valid title for it!???
output answer: Kathleen Ferrier

input question: Given the below context:  Gil González Dávila set out from the Caribbean island of Hispaniola early in 1524, with the intention of exploring the Caribbean coast of Nicaragua. His course took him to the north coast of Honduras. After founding Puerto de Caballos, Gil Gónzalez sailed west along the coast to the Amatique Bay, and founded a Spanish settlement somewhere near the Dulce River, within modern-day Guatemala, which he named San Gil de Buena Vista. He launched a campaign of conquest in the mountainous region dividing Honduras from Guatemala. González left some of his men under the command of Francisco Riquelme at San Gil de Buena Vista, and sailed back east along the coast to Honduras. The colonists at San Gil did not prosper, and soon set out in search of a more hospitable location. They resettled in the important indigenous town of Nito, near the mouth of the Dulce River. Although they were in a desperate state, and near-starving, they were still there when Cortés passed through en route to Honduras, and were absorbed into his expedition.The Dominicans established themselves in Xocolo on the shore of Lake Izabal in the mid-16th century. Xocolo became infamous among the Dominican missionaries for the practice of witchcraft by its inhabitants. By 1574 it was the most important staging post for European expeditions into the interior, and it remained important in that role until as late as 1630, although it was abandoned in 1631.In 1598 Alfonso Criado de Castilla became governor of the Captaincy General of Guatemala. Owing to the poor state of Puerto de Caballos on the Honduran coast and its exposure to repeated pirate raids he sent a pilot to scout Lake Izabal. As a result of the survey, and after royal permission was granted, Criado de Castilla ordered the construction of a new port, named Santo Tomás de Castilla, at a favourable spot on the Amatique Bay not far from the lake. Work then began on building a highway from the port to the new capital of the colony, modern Antigua Guatemala, following the Motagua Valley into the...  Guess a valid title for it!???
output answer: Spanish conquest of Guatemala

input question: Given the below context:  Upon returning to Toronto, Jackson published an article about his and Thomson's experience in the Park in the Toronto Sunday World, included in which were several illustrations. After this initial experience, Thomson and another colleague, William Broadhead, went on a two-month expedition, going up the Spanish River and into Mississagi Forest Reserve (today Mississagi Provincial Park). Thomson's transition from commercial art towards his own original style of painting became apparent around this time. Much of his artwork from this trip, mainly oil sketches and photographs, was lost during two canoe spills; the first was on Green Lake in a rain squall and the second in a series of rapids.In fall 1912, Albert Robson, Grip's art director, moved to the design firm Rous & Mann. A month after returning to Toronto, Thomson followed Robson and left Grip to join Rous & Mann too. They were soon joined by Varley, Carmichael and Lismer. Robson later spoke favourably of Thomson's loyalty, calling him "a most diligent, reliable and capable craftsman". Robson's success in attracting great talent was well understood. Employee Leonard Rossell believed that the key to Robson's success "was that the artists felt that he was interested in them personally and did all he could to further their progress. Those who worked there were all allowed time off to pursue their studies ... Tom Thomson, so far as I know, never took definite lessons from anyone, yet he progressed quicker than any of us. But what he did was probably of more advantage to him. He took several months off in the summer and spent them in Algonquin Park."  Guess a valid title for it!???
output answer:
Tom Thomson