input: Please answer the following: Who get thrown into an ally?  Answer the above question based on the context below:  Somewhere in the 17th century, after attacking and boarding one of the Kingdom of Monterria's ships, the pirate Robert the Terrible captures the Prince Alexander and sends his men in search of Princess Eloise. Eluding the pirates, Eloise and her servant Willory emerge and send a device that the king made, called a "Helpseeker," to find heroes to save Alexander. In modern times, three misfits: the "yes man" George, the lazy Sedgewick, and the timid Elliot (Larry the Cucumber) are employees at a dinner theater. Although they want to be seen as heroes by their loved ones, as lowly cabin boys they think their dream is unattainable. After wrecking the show, they are fired and thrown into the alley, where the Helpseeker locates them. Elliot activates the device, transporting them to Monterria. Meeting Eloise and Willory, the group sets off to Jolly Joe's Tavern where they learn that Robert, the brother of the king, has kidnapped Alexander in the hopes of exacting revenge on his brother, who banished him. Setting sail in search of the whereabouts of Robert's hideout, the pirate's men capture Eloise and Willory. As George and Elliot continue on their quest, a cowardly Sedgewick decides to stay behind in a cave filled with "cheese curls", afraid to face Robert. After the two leave, however, Sedgewick discovers the curls are living worm-like creatures and is chased out of the cave, overcoming his fear and laziness along the way.
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output: Sedgewick


input: Please answer the following: What was the name of the song that would go on to become a jazz and popular music standard?  Answer the above question based on the context below:  On November 30, 1928, whilst on tour in Cleveland, Beiderbecke suffered what Lion terms "a severe nervous crisis" and Sudhalter and Evans suggest "was in all probability an acute attack of delirium tremens", presumably triggered by Beiderbecke's attempt to curb his alcohol intake. "He cracked up, that's all", trombonist Bill Rank said. "Just went to pieces; broke up a roomful of furniture in the hotel."In February 1929, Beiderbecke returned home to Davenport to convalesce and was hailed by the local press as "the world's hottest cornetist". He then spent the summer with Whiteman's band in Hollywood in preparation for the shooting of a new talking picture, The King of Jazz. Production delays prevented any real work from being done on the film, leaving Beiderbecke and his pals plenty of time to drink heavily. By September, he was back in Davenport, where his parents helped him to seek treatment. He spent a month, from October 14 until November 18, at the Keeley Institute in Dwight, Illinois. According to Lion, an examination by Keeley physicians confirmed the damaging effects of Bix's long-term reliance on alcohol: "Bix admitted to having used liquor 'in excess' for the past nine years, his daily dose over the last three years amounting to three pints of 'whiskey' and twenty cigarettes.....A Hepatic dullness was obvious, 'knee jerk could not be obtained' – which confirmed the spread of the polyneuritis, and Bix was 'swaying in Romberg position' – standing up with his eyes closed".While he was away, Whiteman famously kept his chair open in Beiderbecke's honor, in the hope that he would occupy it again. However, when he returned to New York at the end of January 1930, Beiderbecke did not rejoin Whiteman and performed only sparingly. On his last recording session, in New York, on September 15, 1930, Beiderbecke played on the original recording of Hoagy Carmichael's new song, "Georgia on My Mind", with Carmichael doing the vocal, Eddie Lang on guitar, Joe Venuti on violin, Jimmy Dorsey on clarinet and alto...
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output: "Georgia on My Mind"


input: Please answer the following: What is the last name of the person who left the atelier after a week?  Answer the above question based on the context below:  Despite the grandeur of Florence, Etty was severely depressed, writing to his brother on 5 October that "I feel so lonely, it is impossible for me to be happy" and complaining of "the vermin in the bed, the dirt and the filth" which he considered "such as no Englishman can have any idea of, who has not witnessed it". His emotional state made it impossible for him to study, and within a month of his arrival in Italy, he began the journey back to England, stopping in Paris on 26 October 1816. There he enrolled in the atelier of Jean-Baptiste Regnault but found the atmosphere rowdy and the studio too full of Frenchmen, and he left after a week. While in Paris he also attended the Académie des Beaux-Arts, and amassed a large quantity of prints from the art shops of Paris. Still homesick, Etty left Paris, returning to London in November.Notwithstanding his unhappiness, Etty appears to have developed as a painter during his travels. For the first time, his two paintings exhibited at the 1817 Summer Exhibition (Bacchanalians: a Sketch and Cupid and Euphrosyne) attracted a favourable review in the press, in this case from William Paulet Carey writing in the Literary Gazette who considered Bacchanalians "a fine classical invention" and Cupid as showing "splendid promise". Carey was later to take great pride in being the first critic to recognise Etty's potential, and continued to champion him throughout his career. In 1818 Etty entered a copy of Damiano Mazza's The Rape of Ganymede—at the time thought to be by Titian—in one of the Royal Academy's painting competitions. Easily the most accomplished entry in the competition, Etty was due to win until two of the other contestants complained that he had technically breached RA rules by briefly removing the painting from Academy premises to work on it at home; they further complained that Etty was technically a professional artist and thus ineligible for the contest despite his still being a student. Etty was disqualified from the competition, but the high quality of his...
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output:
Etty