input: Please answer the following: Given the below context:  Middle-aged Mrs. Livingston Baldwin Crane (Edna May Oliver) is selected to serve on a jury for the murder trial of French ex-showgirl Yvette Gordon, accused of killing her rich, much older husband. The prosecutor calls only two witnesses, a doctor and Mrs. Gordon's maid, Evelyn Snow. Snow testifies that after she found Mrs. Gordon kneeling beside the body of her husband holding the murder weapon, a gun, her employer offered to pay her to say that Mr. Gordon committed suicide. Mrs. Gordon, on the other hand, claims that Snow demanded money to tell the police that story. On the witness stand, Mrs. Gordon says she went away for a week to get away from Mr. Gordon for a while, then returned to an angry, suspicious husband who threatened her with a gun. She states they struggled, and the gun went off by accident. During the testimony, Mrs. Crane asks several questions of the witnesses, much to the annoyance of Judge Henry Fish. She discovers that Snow was recommended to Mrs. Gordon by Chauncey Gordon, Mr. Crane's nephew and sole relative (and heir if Mrs. Gordon is convicted). When the jury retires to consider a verdict, Mrs. Crane casts the sole "not guilty" vote. When asked why, she replies, "Woman's intuition." After lots of convincing and several votes, the count is ten to two in favor of acquittal. During the deliberations, the wealthy Mrs. Crane manages to (illegally) pass a note to her maid Suzanne, instructing her to hire a detective agency to investigate further.  Guess a valid title for it!
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output: Ladies of the Jury


Please answer this: Given the below context:  Koschmider had converted a couple of strip clubs in the district into music venues, and he initially placed the Beatles at the Indra Club. After closing Indra due to noise complaints, he moved them to the Kaiserkeller in October. When he learned they had been performing at the rival Top Ten Club in breach of their contract, he gave the band one month's termination notice, and reported the underage Harrison, who had obtained permission to stay in Hamburg by lying to the German authorities about his age. The authorities arranged for Harrison's deportation in late November. One week later, Koschmider had McCartney and Best arrested for arson after they set fire to a condom in a concrete corridor; the authorities deported them. Lennon returned to Liverpool in early December, while Sutcliffe remained in Hamburg until late February with his German fiancée Astrid Kirchherr, who took the first semi-professional photos of the Beatles.During the next two years, the Beatles were resident for periods in Hamburg, where they used Preludin both recreationally and to maintain their energy through all-night performances. In 1961, during their second Hamburg engagement, Kirchherr cut Sutcliffe's hair in the "exi" (existentialist) style, later adopted by the other Beatles. When Sutcliffe decided to leave the band early that year and resume his art studies in Germany, McCartney took up the bass. Producer Bert Kaempfert contracted what was now a four-piece group until June 1962, and he used them as Tony Sheridan's backing band on a series of recordings for Polydor Records. As part of the sessions, the Beatles were signed to Polydor for one year. Credited to "Tony Sheridan & the Beat Brothers", the single "My Bonnie", recorded in June 1961 and released four months later, reached number 32 on the Musikmarkt chart.After the Beatles completed their second Hamburg residency, they enjoyed increasing popularity in Liverpool with the growing Merseybeat movement. However, they were also growing tired of the monotony of numerous...  Guess a valid title for it!
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Answer: The Beatles


Problem: Given the below context:  Holmes and Watson are in Canada attending a conference on the occult, when Lord Penrose receives a message that his wife Lady Penrose has been murdered in the small village of La Mort Rouge. Holmes and Watson are about to return to England when Holmes receives a telegram from Lady Penrose, issued before her death, asking for help as she fears for her life. Holmes decides to investigate her death. Holmes and Watson arrive at the village and discover that the inhabitants are all convinced that the murder is the work of the legendary monster of La Mort Rouge, which roams the marshes around the village. The "monster" is even later seen by Dr. Watson, who describes it as "a ball of fire spitting flames in each direction". Holmes, however, is skeptical, and recognizes Lady Penrose as Lillian Gentry, a former actress, who was involved in a famous murder case several years before when actor Alistair Ramson killed another actor in a jealous rage over her. Ramson was believed to have been killed in a prison escape two years before, but now Holmes believes that Ramson - a master of disguise - is living in the village, having created a new identity, perhaps several, for himself. Holmes then turns his attention to Judge Brisson, another inhabitant of the village with a connection to the case, as he passed sentence on Ramson. Despite Holmes' warnings, Brisson is murdered. Holmes tracks Ramson down to his hideout and discovers there is a third person that Ramson is preparing to kill. While Ramson is holding Holmes at gunpoint, Watson blunders in and Ramson escapes, albeit before Holmes can learn who Ramson's final target is. Holmes learns that the third victim is to be Journet, the local inn-keeper, formerly a prison guard. However Journet has gone into hiding. Ramson then kills Marie, Journet's daughter, for not revealing her father's hideout. Holmes finds Journet and convinces him to spring a trap for the murderer.  Guess a valid title for it!

A: The Scarlet Claw


input question: Given the below context:  Vaughan Williams' program note for A Sea Symphony discusses how the text was to be treated as music. The composer writes, "The plan of the work is symphonic rather than narrative or dramatic, and this may be held to justify the frequent repetition of important words and phrases which occur in the poem. The words as well as the music are thus treated symphonically." Walt Whitman's poems inspired him to write the symphony, and Whitman's use of free verse became appreciated at a time where fluidity of structure was becoming more attractive than traditional, metrical settings of text. This fluidity helped facilitate the non-narrative, symphonic treatment of text that Vaughan Williams had in mind. In the third movement in particular, the text is loosely descriptive and can be "pushed about by the music", some lines being repeated, some not consecutive in the written text immediately following one another in the music, and some left out entirely.Vaughan Williams was not the only composer following a non-narrative approach to his text. Mahler took a similar, perhaps even more radical approach in his Eighth Symphony, presenting many lines of the first part, "Veni, Creator Spiritus", in what music writer and critic Michael Steinberg referred to as "an incredibly dense growth of repetitions, combinations, inversions, transpositions and conflations". He does the same with Goethe's text in Part Two of the symphony, making two substantial cuts and other changes.Other works take the use of text as music still further. Vaughan Williams uses a chorus of women's voices wordlessly in his Sinfonia Antartica, based on his music for the film Scott of the Antarctic, to help set the bleakness of the overall atmosphere. While a chorus is used in the second and third movements of Glass's Seventh Symphony, also known as A Toltec Symphony, the text contains no actual words; the composer states that it is instead formed "from loose syllables that add to the evocative context of the overall orchestral texture".  Guess a valid title for it!???
output answer:
Choral symphony