input question: Given the below context:  At the office where they work together, acting sales manager Evan Sanders talks to his slacker friend and coworker Tim about an upcoming presentation for the Phallucite account. After an awkward moment between Evan and head of HR Amanda in the break room, Tim explains to coworkers Andrew and Mike that Amanda said "I love you" to Evan and Evan's response was, "no." After encounters with the janitor and Frank the security guard, intern Jack is killed while taking trash to the dumpster. Branch president Ted Plunkett passes over Evan for a promotion and instead hires Max Phillips as the new sales manager. Max went to college with Evan and Tim, but Evan had him kicked out after Max slept with his girlfriend. Max moves into Evan's office and starts hitting on Amanda. In the office alone playing video games after hours, Mike is killed in one of the bathroom stalls. Evan finds Mike's body in the morning, but it is gone by the time he alerts everyone. Max secretly turns office employee Dave into a vampire. Formerly passive Dave becomes aggressive in demanding that everyone pay what is owed to the office sports betting pool. Anxious to complete his Phallucite presentation, Evan uses Zabeth, who harbors a crush on him, to retrieve files from the basement. Zabeth is attacked and turned into a vampire. Evan convinces Andrew to work late with him. Andrew goes to the basement and is attacked by Zabeth. Meanwhile, Evan searches Max's office, finding photos of Amanda and personnel files where each employee photograph is marked with an x, circle, or check. Andrew returns upstairs and seemingly drops dead in front of Evan. Evan hides in a supply closet. Determining that Max is behind the murders, Evan calls Amanda with a warning, but Max answers her phone and taunts him. Evan eventually passes out.  Guess a valid title for it!???
output answer: Bloodsucking Bastards

input question: Given the below context:  Despite being one of the most significant anti-war works of art, The Disasters of War had no impact on the European consciousness for two generations, as it was not seen outside a small circle in Spain until it was published by Madrid's Royal Academy of San Fernando in 1863. Since then, interpretations in successive eras have reflected the sensibilities of the time. Goya was seen as a proto-Romantic in the early 19th century, and the series' graphically rendered dismembered carcasses were a direct influence on Théodore Géricault, best known for the politically charged Raft of the Medusa (1818–19). Luis Buñuel identified with Goya's sense of the absurd, and referenced his works in such films as the 1930 L'Âge d'Or, on which he collaborated with Salvador Dalí, and his 1962 The Exterminating Angel.The series' impact on Dalí is evident in Soft Construction with Boiled Beans (Premonition of Civil War), painted in 1936 in response to events leading to the Spanish Civil War. Here, the distorted limbs, brutal suppression, agonised expressions and ominous clouds are reminiscent of plate 39, Grande hazaña! Con muertos! (A heroic feat! With dead men!), in which mutilated bodies are shown against a backdrop barren landscape.In 1993, Jake and Dinos Chapman of the Young British Artists movement created 82 miniature, toy-like sculptures modelled on The Disasters of War. The works were widely acclaimed and purchased that year by the Tate gallery. For decades, Goya's series of etching served as a constant point of reference for the Chapman brothers; in particular, they created a number of variations based on the plate Grande hazaña! Con muertos!. In 2003, the Chapman brothers exhibited an altered version of The Disasters of War. They purchased a complete set of prints, over which they drew and pasted demonic clown and puppy heads. The Chapmans described their "rectified" images as making a connection between Napoleon's supposed introduction of Enlightenment ideals to early-19th-century Spain and Tony Blair and George W. Bush...  Guess a valid title for it!???
output answer: The Disasters of War

input question: Given the below context:  As a predominantly Gaelic society, most Scottish cultural practices throughout this period mirrored closely those of Ireland, or at least those of Ireland with some Pictish borrowings. After David I, the French-speaking kings introduced cultural practices popular in Anglo-Norman England, France and elsewhere. As in all pre-modern societies, storytelling was popular. The English scholar D. D. R. Owen, who specialises in the literature of this era, writes that "Professional storytellers would ply their trade from court to court. Some of them would have been native Scots, no doubt offering legends from the ancient Celtic past performed ... in Gaelic when appropriate, but in French for most of the new nobility". Almost all of these stories are lost, although some have come down in the Gaelic or Scots oral tradition. One form of oral culture extremely well accounted for in this period is genealogy. There are dozens of Scottish genealogies surviving from this era, covering everyone from the Mormaers of Lennox and Moray to the Scottish king himself. Scotland's kings maintained an ollamh righe, a royal high poet who had a permanent place in all medieval Gaelic lordships, and whose purpose was to recite genealogies when needed, for occasions such as coronations.Before the reign of David I, the Scots possessed a flourishing literary elite who regularly produced texts in both Gaelic and Latin that were frequently transmitted to Ireland and elsewhere. Dauvit Broun has shown that a Gaelic literary elite survived in the eastern Scottish lowlands, in places such as Loch Leven and Brechin into the thirteenth century, However, surviving records are predominantly written in Latin, and their authors would usually translate vernacular terms into Latin, so that historians are faced with researching a Gaelic society clothed in Latin terminology. Even names were translated into more common continental forms; for instance, Gilla Brigte became Gilbert, Áed became Hugh, etc. As far as written literature is concerned, there may be more...  Guess a valid title for it!???
output answer:
Scotland in the High Middle Ages