Problem: Given the question: Given the following context:  Little is known for certain of the life of Hieronymus Bosch or of the commissions or influences that may have formed the basis for the iconography of his work. His birthdate, education and patrons remain unknown. There is no surviving record of Bosch's thoughts or evidence as to what attracted and inspired him to such an individual mode of expression. Through the centuries art historians have struggled to resolve this question yet conclusions remain fragmentary at best. Scholars have debated Bosch's iconography more extensively than that of any other Netherlandish artist. His works are generally regarded as enigmatic, leading some to speculate that their content refers to contemporaneous esoteric knowledge since lost to history. Although Bosch's career flourished during the High Renaissance, he lived in an area where the beliefs of the medieval Church still held moral authority. He would have been familiar with some of the new forms of expression, especially those in Southern Europe, although it is difficult to attribute with certainty which artists, writers and conventions had a bearing on his work.José de Sigüenza is credited with the first extensive critique of The Garden of Earthly Delights, in his 1605 History of the Order of St. Jerome. He argued against dismissing the painting as either heretical or merely absurd, commenting that the panels "are a satirical comment on the shame and sinfulness of mankind". The art historian Carl Justi observed that the left and center panels are drenched in tropical and oceanic atmosphere, and concluded that Bosch was inspired by "the news of recently discovered Atlantis and by drawings of its tropical scenery, just as Columbus himself, when approaching terra firma, thought that the place he had found at the mouth of the Orinoco was the site of the Earthly Paradise". The period in which the triptych was created was a time of adventure and discovery, when tales and trophies from the New World sparked the imagination of poets, painters and writers. Although the triptych...  answer the following question:  What is the first name of the person whose thoughts on what inspired him to such an individual mode of expression art historians have struggled with?
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The answer is:
Hieronymus

input question: Given the following context:  One evening near the small Serbian village of Stetl, early in the nineteenth century, schoolmaster Albert Müller witnesses his wife Anna taking a little girl, Jenny Schilt, into the castle of Count Mitterhaus, a reclusive nobleman rumored to be a vampire responsible for the disappearances of other children. The rumours prove true, as Anna, who has become Mitterhaus' willing acolyte and mistress, gives Jenny to him to be drained of her blood. Men from the village, directed by Müller and including Jenny's father Mr. Schilt and the Bürgermeister, invade the castle and attack the Count. After the vampire kills several of them, Müller succeeds in driving a wooden stake through his heart. With his dying breath, Mitterhaus curses the villagers, vowing that their children will die to give him back his life. The angry villagers force Anna to run a gauntlet, but when her husband intervenes, she runs back into the castle where the briefly revived Count tells her to find his cousin Emil at "the Circus of Night". After laying his body in the crypt, she escapes through an underground tunnel as the villagers blow the castle with gunpowder and set fire to it.  answer the following question:  What is the name of the character who tells Anna to find Emil????
output answer: Count Mitterhaus

Given the following context:  Shackleton's February 1907 announcement that he intended to base his expedition at the old Discovery headquarters was noted by Scott, whose own future Antarctic plans were at that stage unannounced. In a letter to Shackleton, Scott claimed priority rights to McMurdo Sound. "I feel I have a sort of right to my own field of work," he wrote, adding: "anyone who has had to do with exploration will regard this region primarily as mine". He concluded by reminding Shackleton of his duty of loyalty towards his former commander.Shackleton's initial reply was accommodating: "I would like to fall in with your views as far as possible without creating a position that would be untenable to myself". Edward Wilson, asked by Shackleton to mediate, took an even tougher line than Scott. "I think you should retire from McMurdo Sound", he wrote, advising Shackleton not to make any plans to work from anywhere in the entire Ross Sea quarter until Scott decided "what limits he puts on his own rights". To this Shackleton replied: "There is no doubt in my mind that his rights end at the base he asked for [...] I consider I have reached my limit and I go no further".The matter was unresolved when Scott returned from sea duty in May 1907. Scott pressed for a line of demarcation at 170° W—everything to the west of that line, including Ross Island, McMurdo Sound, and Victoria Land, would be Scott's preserve. Shackleton, with other concerns pressing on him, felt obliged to concede. On 17 May he signed a declaration stating that "I am leaving the McMurdo base to you", and that he would seek to land further east, either at the Barrier Inlet visited briefly during the Discovery Expedition, or at King Edward VII Land. He would not touch the coast of Victoria Land at all. It was a capitulation to Scott and Wilson, and meant forfeiting the expedition's aim of reaching the South Magnetic Pole which was located within Victoria Land. Polar historian Beau Riffenburgh believes this was "a promise that should never ethically have been demanded and...  answer the following question:  What is the name of the person who wrote, "I feel I have a sort of right to my own field of work"?
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Answer: Scott

Please answer this: Given the following context:  People from Chadderton are called Chaddertonians. Historically, Chadderton was chiefly distinguished by the presence of ruling families, including the Asshetons, Radclyffes, Hortons and Chaddertons. Within the extended Chadderton/Chaderton family, two ecclesiastically notable persons were William Chaderton (medieval academic and bishop) and Laurence Chaderton (the first Master of Emmanuel College, Cambridge, a leading Puritan and one of the original translators of the Authorised King James Version of the Bible). John Ashton of Cowhill and Thomas Buckley of Baretrees in Chadderton were two victims of the Peterloo Massacre in 1819. Samuel Collins, 'The Bard Of Hale Moss', was a 19th-century poet and radical who lived at Hale Moss in southern Chadderton.Lydia Becker was a pioneer in the late 19th century of the campaign for Women's Suffrage and founder of the Women's Suffrage Journal, born in Chadderton's Foxdenton Hall. Chadderton born scientist Geoff Tootill helped create the Manchester Baby in 1948, the world's first electronic stored-program computer.  Terry Hall was a pioneering ventriloquist and early children's television entertainer born in Chadderton in 1926. He was one of the first ventriloquists to perform with an animal (the "cowardly and bashful" Lenny the Lion) as his puppet, rather than a traditional child doll. Other notable people from Chadderton include Woolly Wolstenholme, the Chadderton-born vocalist and keyboard player with the British progressive rock band Barclay James Harvest,  David Platt, former captain of the England national football team, and supermodel Karen Elson, who grew up in the town and attended North Chadderton School. Professor Brian Cox was born in Chadderton in 1968. William Ash, is a Chadderton-born actor who has appeared in productions such as Waterloo Road and Hush.  answer the following question:  What is the full name of the actor from Chadderton who acted in the production of Hush?
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Answer:
William Ash