Given the following context:  Bingo is an outcast circus dog whose owners, Steve and Ginger, pay little attention to. Their star puppy, Lauren, develops an infection from having stepped on a nail, so they use Bingo in place of her for their next act, The Ring of Fire. But Bingo is afraid of fire (due to the fact that he experienced it as a young puppy and furthermore lost his own mother that way) and chickens out. In rage of the embarrassment, Steve gets ready to shoot him, but his wife, Ginger stops him and while trying to restrain him, tells Bingo to start over and find a family. Bingo does so when Ginger finally agrees with Steve to kill him when Bingo mistakes her orders several times. The next day, Chuckie and his brother, Chickie along with friends of his go for a bike ride but Chuckie is too slow. To prove to the clan that he isn't scared, he attempts to jump a bridge (with sunglasses), but based on lack of skills, nearly kills himself in the process. Bingo sees the whole thing and jumps on Chuckie's stomach to get the water out of him. The next day after that, Chuckie wakes up to find himself completely naked and all his clothes have been hung up on the washing line (including Bingo's collar). He eventually finds Bingo and thanks him for saving his life, and that they'll be friends for life. Bingo finds a fish for Chuckie to eat but encounter a bear in the process, to which Bingo manages to drive off.  answer the following question:  Who nearly kills themself?
Ans: Chuckie

Given the following context:  Bizet's first opera, the one-act Le docteur Miracle, was written in 1856 when the 18-year-old composer was a student at the Conservatoire de Paris. It was Bizet's winning entry in a competition organised by the celebrated composer Jacques Offenbach, and gained him a cash award, a gold medal, and a performance of the prize work at the Théâtre des Bouffes-Parisiens. In 1857 Bizet was awarded the prestigious Prix de Rome, and as a result spent most of the following three years in Italy, where he wrote Don Procopio, a short opera buffa in the style of Donizetti. By this time Bizet had written several non-stage works, including his Symphony in C, but the poor reception accorded to his 1858 Te Deum, a religious work he composed in Rome, helped convince him that his future lay primarily with the musical theatre. He planned and possibly began several operatic works before his return to Paris in 1860, but none of these projects came to fruition.In Paris, Bizet discovered the difficulties faced by young and relatively unknown composers trying to get their operas performed. Of the capital's two state-subsidised opera houses, the Opéra and the Opéra-Comique, the former offered a static repertoire in which works by foreign composers, particularly Rossini and Meyerbeer, were dominant. Even established French composers such as Gounod had difficulty getting works performed there. At the Opéra-Comique, innovation was equally rare; although more French works were performed, the style and character of most productions had hardly changed since the 1830s. However, one condition of the Opéra-Comique's state funding was that from time to time it should produce one-act works by former Prix de Rome laureates. Under this provision, Bizet wrote La guzla de l'Emir, with a libretto by Jules Barbier and Michel Carré, and this went into rehearsal early in 1862.In April 1862, as the La guzla rehearsals proceeded, Bizet was approached by Léon Carvalho, manager of the independent Théâtre Lyrique company. Carvalho had been offered an annual...  answer the following question:  What was the full name of the work by Bizet that went into rehearsal early in 1862?
Ans: La guzla de l'Emir

Given the following context:  Are You Experienced was an immediate commercial success, selling more than one million copies within seven months of its release. Reviewing the album in 1967, Melody Maker praised its artistic integrity and the Experience's varied use of tempo. NME's Keith Altham said it is "a brave effort by Hendrix to produce a musical form which is original and exciting". However, not all contemporary writers gave the LP a favorable review; in November 1967, Rolling Stone's Jon Landau wrote that although he considered Hendrix a "great guitarist and a brilliant arranger", he disapproved of his singing and songwriting. He criticized the quality of the material and described the lyrics as inane: "Above all this record is unrelentingly violent, and lyrically, inartistically violent at that."Many music critics have since named Are You Experienced as one of the greatest rock and roll debut albums. Journalist Ritchie Unterberger described it as "one of the definitive albums of the psychedelic era." Author Chris Smith said the release was "a landmark in a summer of landmark albums". Noe Goldwasser, the founding editor of Guitar World magazine, called it "a veritable textbook of what a musician can do with his instrument" and "the measure by which everything ... in rock and roll has been compared since." According to music journalist Charles Shaar Murray, the album "completely changed notions of what a guitar could sound like, or indeed, what music could sound like", while The Miami Herald credited Are You Experienced with introducing acid rock, classic rock, and the guitar aesthetic of heavy metal. Critic Robert Christgau called it a "bombshell debut" in his review for Blender and said its songs were innovative for how they utilized three-minute pop structures as a medium for Hendrix's unprecedentedly heavy and turbulent guitar and loud, powerful hooks, which greatly appealed to young listeners.Rolling Stone includes the album and several songs on various "best of" lists, such as: 500 Greatest Albums of All Time – No. 15, calling...  answer the following question:  What is the full name of the person who wrote a review for Bender?
Ans: Robert Christgau