In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

[Q]: Passage: Located on the Gulf of Antalya on the Anatolian coastal plain of Pamphylia, the town is situated between the Taurus Mountains to the north and the Mediterranean Sea, and is part of the Turkish riviera, occupying roughly 70 kilometres (43 mi) of coastline. From west to east, the Alanya district is bordered by the Manavgat district along the coast, the mountainous Gündoğmuş inland, Hadim and Taşkent in the Province of Konya, Sarıveliler in the Province of Karaman, and the coastal Gazipaşa district. Manavgat is home to the ancient cities of Side and Selge. East of the city, the Dim River flows from the mountains in Konya on a south-west route into the Mediterranean.
The Pamphylia plain between the sea and the mountains is an isolated example of an Eastern Mediterranean conifer-sclerophyllous-broadleaf forest, which include Lebanon Cedar, evergreen scrub, fig trees, and black pine. The Alanya Massif refers to the area of metamorphic rocks east of Antalya. This formation is divided into three nappes from lowest to highest, the Mahmutlar, the Sugözü, and the Yumrudağ. The similar lithology extends beneath the city in a tectonic window. Bauxite, an aluminum ore, is common to the area north of city, and can be mined.
The town is divided east–west by a rocky peninsula, which is the distinctive feature of the city. The harbor, city center, and Keykubat Beach, named after the Sultan Kayqubad I, are on the east side of the peninsula. Damlataş Beach, named for the famous "dripping caves", and Kleopatra Beach are to the west. The name "Cleopatra" possibly derives from either the Ptolemaic princess' visit here or the area's inclusion in her dowry to Mark Antony. Atatürk Bulvarı, the main boulevard, runs parallel to the sea, and divides the southern, much more touristic side of Alanya from the northern, more indigenous side that extends north into the mountains. Çevre Yolu Caddesi, another major road, encircles the main town to the north.
[A]: What is the aluminum ore that can be mined in the town on the Turkish riviera?


[Q]: Passage: "The World Is Not Enough" received mainly positive reviews from music critics. Kerrang! magazine noted that "Nothing takes a band into the truly immortal like a Bond theme, and Garbage's ever-burgeoning celebrity will be done no harm whatsoever by this appropriately lush and orchestral anthem." A Radio Times reviewer wrote that the song "sounds like Shirley Bassey revisited", while AllMusic's Steve Thomas Erlewine wrote that Garbage "expertly modernized the classic Bond sound, while turning in a strong melodic tune. A first class theme song". PopMatters called the song a "top-notch Bond theme", following the Shirley Bassey template. In a Billboard review, Chuck Taylor wrote that Garbage was an inspired choice and the song "rings of international intrigue, with the slinky gait, noir-ish guitar line and grand chorus we have come to expect ... the song's darkly sexy, electronic ambience is wholly in keeping with Garbage's distinctive soundprint. [It is] not only the best 007 theme in eons, it is a great Garbage track that should thrill fans of band and Bond alike". IGN ranked "The World Is Not Enough" ninth on its list of top 10 James Bond songs: "Shirley Manson's warbling croon is a perfect fit for an opening sequence and her bandmates gel well with Arnold's sweeping symphonics."Negative reviews revolved around the theme's classic Bond sound. LAUNCHcast's James Poletti called the song a "perfectly competent Bond theme", but "the formula seems a little too easy. Perhaps they would have done better to rise to the challenge of doing something a little different, something a little more knowingly tongue-in-cheek." Melody Maker stated, "You know what this sounds like before you hear it. If the people in charge want Garbage, then why not let them do what Garbage do?" In its review of Absolute Garbage, Pitchfork called the song a "predictable 'Goldfinger' permutation signaling the band's limitless affinity for big-budget theatrics."The song appeared in two "best of 1999" radio-station polls: number 87 in 89X's Top 89 Songs of 1999 and number 100 in Q101's Top 101 of 1999. In 2012 Grantland ranked "The World Is Not Enough" the second-best Bond song of all time, behind "Goldfinger".
[A]: What is the full name of the person whose bandmates gel well with Arnold's sweeping symphonics?


[Q]: Passage: There was considerable overlap between panel painting and illumination; van Eyck, van der Weyden, Christus and other painters designed manuscript miniatures. In addition, miniaturists would borrow motifs and ideas from panel paintings; Campin's work was often used as a source in this way, for example in the "Hours of Raoul d'Ailly". Commissions were often shared between several masters, with junior painters or specialists assisting, especially with details such as the border decorations, these last often done by women. The masters rarely signed their work, making attribution difficult; the identities of some of the more significant illuminators are lost.Netherlandish artists found increasingly inventive ways to highlight and differentiate their work from manuscripts from surrounding countries; such techniques included designing elaborate page borders and devising ways to relate scale and space. They explored the interplay between the three essential components of a manuscript: border, miniature and text. An example is the Nassau book of hours (c. 1467–80) by the Vienna Master of Mary of Burgundy, in which the borders are decorated with large illusionistic flowers and insects. These elements achieved their effect by being broadly painted, as if scattered across the gilded surface of the miniatures. This technique was continued by, among others, the Flemish Master of James IV of Scotland (possibly Gerard Horenbout), known for his innovative page layout. Using various illusionistic elements, he often blurred the line between the miniature and its border, frequently using both in his efforts to advance the narrative of his scenes.During the early 19th century, the collection of 15th- and 16th-century Netherlandish cut-out, as miniatures or parts for albums, became fashionable amongst connoisseurs such as William Young Ottley, leading to the destruction of many manuscripts. Originals were highly sought after, a revival that helped the rediscovery of Netherlandish art in the later part of the century.
[A]:
What is the name of the man that used an innovative page layout that often blurred the line between the miniature and its border?