Please answer this: Given the below context:  Charles-Valentin Alkan (French: [ʃaʁl valɑ̃tɛ̃ alkɑ̃]; 30 November 1813 – 29 March 1888) was a French-Jewish composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life. Alkan earned many awards at the Conservatoire de Paris, which he entered before he was six. His career in the salons and concert halls of Paris was marked by his occasional long withdrawals from public performance, for personal reasons. Although he had a wide circle of friends and acquaintances in the Parisian artistic world, including Eugène Delacroix and George Sand, from 1848 he began to adopt a reclusive life style, while continuing with his compositions – virtually all of which are for the keyboard. During this period he published, among other works, his collections of large-scale studies in all the major keys (Op. 35) and all the minor keys (Op. 39). The latter includes his Symphony for Solo Piano (Op. 39, nos. 4–7) and Concerto for Solo Piano (Op. 39, nos. 8–10), which are often considered among his masterpieces and are of great musical and technical complexity. Alkan emerged from self-imposed retirement in the 1870s to give a series of recitals that were attended by a new generation of French musicians. Alkan's attachment to his Jewish origins is displayed both in his life and his work. He was the first composer to incorporate Jewish melodies in art music. Fluent in Hebrew and Greek, he devoted much time to a complete new translation of the Bible into French. This work, like many of his musical compositions, is now lost. Alkan never married, but his presumed son Élie-Miriam Delaborde was, like Alkan, a virtuoso performer on both the piano and the pedal piano, and edited a number of the elder composer's works. Following his death (which according to persistent but unfounded legend was caused by a falling bookcase) Alkan's music became neglected,...  Guess a valid title for it!
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Answer: Charles-Valentin Alkan


Problem: Given the below context:  Frank Moses, retired black-ops CIA agent, lives alone in Cleveland, Ohio. Lonely, Frank creates opportunities to talk to Sarah Ross, a worker at the General Services Administration's pension office in Kansas City, Missouri, by tearing up his pension checks and calling to say they haven't arrived. One night, an assassination squad raids Frank's house and attempts to kill him but he easily wipes them out. Knowing they will have tapped his phone, he believes Sarah will be targeted. In Kansas City Sarah refuses to go with him so he kidnaps her. Meanwhile CIA agent William Cooper is assigned by his boss Cynthia Wilkes (Pidgeon) to hunt down and kill Frank. To find out who is targeting him Frank tracks down his old associates for help. He goes to New Orleans, Louisiana, and visits his CIA mentor Joe Matheson, who tells him the same hit squad murdered a New York Times reporter. An agent posing as a police officer tries to abduct Sarah but Frank returns in time. Cooper chases them but Frank tricks the police into arresting Cooper and escapes with Sarah. The two head to New York City and find clues left by the reporter which lead them to a hit list. They find Marvin Boggs, another old associate and a paranoid conspiracy theorist, who tells them the people on the list, including Frank and Marvin, are connected to a secret 1981 mission in Guatemala. A pilot on the list, Gabriel Singer, tells them the mission involved extracting a person from a Guatemalan village. Singer is shot by a helicopter-borne machine-gunner and the team escapes as Cooper closes in.  Guess a valid title for it!

A: Red (2010 film)


Q: Given the below context:  The Ballroom, also known as the Upper Banqueting Hall, has an arched roof and according to Dean likely dates from the 16th century. It contains rare 16th-century wall murals, including one which according to Dean may depict the nursery rhyme "Ride a cock horse", and another along the east wall depicting a man playing a mandolin. Above the Chapel is the Chapel Room, also known as the Queen Anne Room, the Priest's Room, and Nevill's Room. It had been two rooms, a state bedroom and ante-room, but was almost totally transformed in the late 19th century into one larger room. A blocked-up door next to the fireplace was thought to have been a priest hole, but is more likely to have been the entrance to the first floor of the house from an external staircase before the wing was restructured, probably in the late 16th century or the early 17th century.North of the Chapel Room is the Paradise Room, whose name derives from the bed hangings which include embroidered images of Adam and Eve and their fall from paradise, as well as the use in Tudor times of the name "paradise" for a favourite room, often a bedchamber. This room has panelled walls, and a fireplace with a cupboard on the right hand side. On the other side there is a small recess, which was described in an 1882 newspaper as "a dark passage which is said to lead to some region unknown". It is possible that this was a priest's hide, adjacent to the Chapel and Chapel Room. Less romantically, it may, alternatively, have been a garderobe or privy. This room became associated with sightings of ghosts in the 19th century, and legends of a secret passage that led from the room outside or to the Chapel arose, though no such passages exist. The largest room on the first floor is the Withdrawing Room, situated above the Great Hall. It has an elaborate plaster ceiling, and the overmantel above the fireplace bears the arms of Queen Elizabeth I. The frieze of the Withdrawing Room incorporates shields of arms representing marriages of the Davenports. The northern wing of...  Guess a valid title for it!
A:
Bramall Hall