Given the below context:  "R U Professional" was made available on YouTube and MediaFire on February 3, 2009. The video description on YouTube by the group stated, "Song By The Mae Shi celebrating the life and work of Xtian Bale. Bale's performance as John Connor in the upcoming Terminator 4 'Redemption' Film will no doubt be one of the greatest of all time. He will win every Oscar for his performance, even the special effects and animation ones." The Independent reported that the band would appear at a music festival, "The Fans Strike Back", and requested they perform "R U Professional".Several media outlets attempted to place the work within a particular genre. MTV compared the song's style to the group Devo and new wave music. El País described the piece as an electropop song that contributed to the viral spread of the Christian Bale rant after its release on the Internet. Dose described it as an electro jam session which made adept use of sampling from the audio of Bale's rhetoric. The Los Angeles Times called the piece a lively pop music tribute to the actor. USA Today called the song fun dance music and creatively motivated. The Toronto Sun praised its original lyrics and use of audio from the incident, and described the piece as a fusion of electro-pop styles and a good song for dancing. New Musical Express recommended the piece, and described it as electro-rock which astutely sampled Bale throughout the song. The St. Louis Post-Dispatch described the piece as a form of new wave music which used the most spasmodic segments of the incident, and commented that the end product was comedic. The Arizona Daily Star described the piece as a pop music dance song.Multiple sources remarked upon the speed with which The Mae Shi were able to put the song together and release it. The A.V. Club highlighted the song among Internet memes inspired by the Bale melee, and wrote that though the piece was put together quickly it was quite entertaining and inventive. The Irish Independent was surprised at the speed multiple different satirical...  Guess a valid title for it!
Ans: R U Professional 2

Given the below context:  George Frederic Watts was born in 1817, the son of a London musical instrument manufacturer. His two brothers died in 1823, and his mother in 1826, giving Watts an obsession with death throughout his life. Watts was apprenticed as a sculptor at the age of 10, and by his mid-teens was proficient enough as an artist to be earning a living as a portrait painter. At the age of 18 he gained admission to the Royal Academy schools, although he disliked their methods and his attendance was intermittent. From 1837, Watts was successful enough to devote himself full-time to painting.In 1843 Watts travelled to Italy where he remained for four years. On his return to London he suffered from melancholia, and painted many notably gloomy works. His skills were widely celebrated, and in 1856 he decided to devote himself to portrait painting. His portraits were extremely highly regarded, and in 1867 he was elected to the Royal Academy, at the time the highest honour available to an artist, although he rapidly became disillusioned with its culture. From 1870 onwards he became widely renowned as a painter of allegorical and mythical subjects; by this time, he was one of the most highly regarded artists in the world. In 1881 he added a glass-roofed gallery to his home at Little Holland House, which was open to the public at weekends, further increasing his fame.  Guess a valid title for it!
Ans: After the Deluge (painting) 1

Given the below context:  Pierre Benjamin Monteux (pronounced [pjɛʁ mɔ̃.tø]; 4 April 1875 – 1 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907.  He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's The Rite of Spring and other prominent works including Petrushka, Ravel's Daphnis et Chloé, and Debussy's Jeux. Thereafter he directed orchestras around the world for more than half a century. From 1917 to 1919 Monteux was the principal conductor of the French repertoire at the Metropolitan Opera in New York. He led the Boston Symphony Orchestra (1919–24), Amsterdam Concertgebouw Orchestra (1924–34), Orchestre Symphonique de Paris (1929–38) and San Francisco Symphony (1936–52).  In 1961, aged eighty-six, he accepted the chief conductorship of the London Symphony Orchestra, a post which he held until his death three years later.  Although known for his performances of the French repertoire, his chief love was the music of German composers, above all Brahms. He disliked recording, finding it incompatible with spontaneity, but he nevertheless made a substantial number of records. Monteux was well known as a teacher. In 1932 he began a conducting class in Paris, which he developed into a summer school that was later moved to his summer home in Les Baux in the south of France. After moving permanently to the US in 1942, and taking American citizenship, he founded a school for conductors and orchestral musicians in Hancock, Maine. Among his students in France and America who went on to international fame were Lorin Maazel, Igor Markevitch, Neville Marriner, Seiji Ozawa, André Previn  and David Zinman. The school in Hancock has continued since Monteux's death.  Guess a valid title for it!
Ans: Pierre Monteux

Given the below context:  This camp screwball comedy of errors, that includes many over-the-top stereotypes, is set at Halloween against the backdrop of West Hollywood, California. Five friends, interior designer Evan (played by London); interior designer Harvey (played by Cheng); African American stockbroker Dave (played by Meadows); Latino spinning instructor Fredrico (played by Sabàto); and Emme (played by Ubach), a sassy young woman obsessed with style and classic movies, have all been anticipating the West Hollywood Halloween Parade on Santa Monica Boulevard, which is the biggest and brashest block party of the year. Their annual tradition of joining the festivities in outrageous costumes has become part of local legend. It is the night before Halloween, however, and they still have not decided what to be. Evan and Harvey, who are femme gay boyfriends and business partners, have come up with food-themed sushi costumes that everyone refers to as "wasabi tuna." Emme offers another suggestion — that they all dress up as gang members. They all opt for the gang theme, but are unable to find the appropriate attire at the local stores. They then decide to seek out real life gang members in order to achieve the authentic, straight-from-the-hood look they want. While doing interior design work for an extremely wealthy Armenian woman who is actually in the illegal drug trade, Harvey and Evan become unwitting drug couriers. After they are arrested, there is a comic scene at the WeHo sheriff's station with them attempting to talk their way out of trouble. Dave goes to East L.A., where he comes across a real gang member named Romeo (played by Díaz). He makes a deal with Romeo to loan him his Porsche in exchange for his lowrider gang car. A case of mistaken identity makes a vengeful, rival gang get after them. There is a comic drive-by shooting scene. Also, by driving Romeo's lowrider they are unknowingly carrying an illegal cache of weapons.  Guess a valid title for it!
Ans: Wasabi Tuna