[Q]: Given the below context:  The story begins in England approximately two centuries after the Norman Conquest, or around 1300 A.D. Saxon scholar Walter of Gurnie is the illegitimate son of the Earl of Lessford and has been dispossessed of his inheritance by his father's Norman widow. After joining a group of Saxons who free hostages held by Lessford, Walter is forced into exile when he is recognized. Walter flees England, accompanied by his friend Tristram Griffen, a Saxon archer, and sets out to make his fortune in Cathay during the times of Pax Mongolica.  Walter seeks the patronage of Mongol warlord General Bayan of the Hundred Eyes and agrees to fight for him.  The "Black Rose" of the title is the beauteous Maryam, a half-English, half-Mongol girl who has escaped from the harem Bayan is escorting to China.  Disguised as a servant boy, she travels with Walter and Tristram in the caravan. Maryam loves Walter, but he is too interested in his adventure to pay her any attention. Tristram doesn't like all the killing and decides to get away. He takes Maryam with him because she wants to go to England. Bayan sends Walter on a mission to see the Sung Dynasty Empress of that part of China not yet under Mongol rule When he arrives he is told that he must stay in China as a "guest" for the rest of his life. Then he finds Tristram and Maryam had also been. captured and imprisoned. During this time, Walter realizes he loves Maryam. The three of them decide to escape. Tristram dies. The small boat in which Maryam is waiting for Walter in drifts away before Walter can catch her. Walter returns to England alone.  Walter is welcomed back by the Norman King Edward because of all the cultural and scientific knowledge (including gunpowder) he has brought back from China. The king knights Walter and grants him a coat of arms. Two Mongol emissaries from Bayan show up. They have brought the Black Rose to England to join Walter there.  Guess a valid title for it!
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[A]: The Black Rose


input: Please answer the following: Given the below context:  With the Anglican church, as a strong and continuous link in the history of the Anglican church in Australia. As a leader in the development of the Anglo-Catholic tradition in the Anglican church in Australia. With considerable numbers of important Sydney families, as represented in its memorials and with families who have celebrated rites of passage (baptisms, weddings and funerals) in the church. With the historical community generally as an acknowledged part of the history of Australia. With those who value the heritage values of the built environment, as an acknowledged "icon" of the early 19th century heritage. As the traditional church of the legal fraternity in Sydney. For its long and active association with the staff and patients of Sydney Hospital. With many of the Governors of New South Wales and their families as the vice-regal parish church. With the families, friends and military and defence organisations associated with those commemorated in the war memorials. With the organists, choirmasters, chorister and organ builders who have been associated with the musical life of the church and city. With its parishioners, past and present, who have maintained a worshipping community in the church from 1824 to the present day and who from the 20th century onwards represent a significant link between the city church and a non-resident congregation.The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales. The church, its crypt and curtilage have the potential to yield information relating to all periods of construction and use of the building from 1819 to the present, including original construction and fabric. As a site with some archaeological potential which may yield information relating to all periods of construction and use of the building from 1819 to the present.The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales. St James' Church contains rare aspects of...  Guess a valid title for it!
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output: St James' Church, Sydney


Please answer this: Given the below context:  The album cover features a photograph of Dylan with Suze Rotolo. It was taken in February 1963—a few weeks after Rotolo had returned from Italy—by CBS staff photographer Don Hunstein at the corner of Jones Street and West 4th Street in the West Village, New York City, close to the apartment where the couple lived at the time. In 2008, Rotolo described the circumstances surrounding the famous photo to The New York Times: "He wore a very thin jacket, because image was all. Our apartment was always cold, so I had a sweater on, plus I borrowed one of his big, bulky sweaters. On top of that I put on a coat. So I felt like an Italian sausage. Every time I look at that picture, I think I look fat." In her memoir, A Freewheelin' Time, Rotolo analyzed the significance of the cover art: It is one of those cultural markers that influenced the look of album covers precisely because of its casual down-home spontaneity and sensibility. Most album covers were carefully staged and controlled, to terrific effect on the Blue Note jazz album covers ... and to not-so great-effect on the perfectly posed and clean-cut pop and folk albums. Whoever was responsible for choosing that particular photograph for The Freewheelin' Bob Dylan really had an eye for a new look.  Critic Janet Maslin summed up the iconic impact of the cover as "a photograph that inspired countless young men to hunch their shoulders, look distant, and let the girl do the clinging".The cover photo is recreated in the 2001 Tom Cruise film Vanilla Sky.  Guess a valid title for it!
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Answer: The Freewheelin' Bob Dylan


Problem: Given the below context:  The Pyramid of Neferirkare (in ancient Egyptian the Ba of Neferirkare) was built for the Fifth Dynasty pharaoh Neferirkare Kakai – referred to as Neferirkare – in the 25th century BC. It was the tallest structure located on the highest site at the necropolis of Abusir – found between Giza and Saqqara – and still towers over the necropolis today. The pyramid is also significant because its evacuation led to the discovery of the Abusir papyri. The Fifth Dynasty marked the end of the great pyramid constructions during the Old Kingdom. Pyramids of the era were smaller and becoming more standardized, though intricate relief decoration also proliferated. Neferirkare's pyramid deviated from convention as it was originally built as a step pyramid: a design that had been antiquated after the Third Dynasty (26th or 27th century BC). This was then encased in a second step pyramid with alterations intended to convert it into a true pyramid; however, the pharaoh's  death left the work to be completed by his successors. The remaining works were completed in haste, using cheaper building material. Because of the circumstances, Neferirkare's monument lacked several basic elements of a pyramid complex: a valley temple, a causeway, and a cult pyramid. Instead, these were replaced by a small settlement of mudbrick houses south of the monument from where cult priests could conduct their daily activities, rather than the usual pyramid town near the valley temple. The discovery of the Abusir papyri in the 1890s is owed to this. Normally, the papyrus archives would have been contained in the pyramid town where their destruction would have been assured. The pyramid became part of a greater family cemetery. The monuments to Neferirkare's consort, Khentkaus II; and his sons, Neferefre and Nyuserre Ini, are found in the surrounds. Though their construction began under different rulers, all four of these monuments were completed during the reign of Nyuserre.  Guess a valid title for it!

A:
Pyramid of Neferirkare