Given the below context:  Writing in 1952, after the first section of the buildings was complete, J. M. Richards, the editor of the Architectural Review, said that Nuffield was "a large-scale example of period-style architecture which has no justification whatever on grounds of consideration for the neighbours and represents missed opportunity of a really tragic kind". As the site was away from the "ancient colleges" of the city centre and in an area of "undistinguished nineteenth century commercial building", there had been a "rare opportunity" of building something "belonging ... to the twentieth century, and of showing that Oxford does not live only in the past". He said that the "compromise between contemporary needs and what is imagined to be the English collegiate tradition is quite unworthy of the educational enterprise the new foundation represents". He was, however, "thankful" that the building used smooth-faced stone "in the proper Oxford style" rather than rubble facing, which he said had been used elsewhere in Oxford "with extraordinarily unpleasing results".The architectural correspondent of The Times wrote that the architecture of the college was incongruous – it was "remarkable" that a college with connections to modern industry should be looking backwards in this way.  "That a college devoted to modern scientific studies should be dressed up [in the style of an antique Cotswold manor house] has already been the subject of puzzled comment by many foreign visitors to Oxford." Writing in The Observer, Patience Gray also disliked the college's design, referring to the "Cotswold dementia" of the architecture, and the college's "pokey windows and grotesque sugarloaf tower." The chapel was described by the travel writer Jan Morris as "one of the sweetest little sanctuaries in Oxford"; "very simple, almost stern" with a contrast between the black and white pews and the "rich colour" of the stained glass. However, she said that whilst Oxford colleges change in style over time as buildings are added or altered, "Nuffield was a...  Guess a valid title for it!
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Answer: Buildings of Nuffield College, Oxford


Given the below context:  Spencer Armacost is an astronaut working for NASA, and his wife Jillian is a second-grade elementary school teacher. While he and Alex Streck are walking in space on a mission there is an explosion that knocks out their communication with the command center. They land but when their spouses arrive to see them they are in the hospital; both asleep until they recover. Armacost eventually wakes up without problems, but Streck has a medical emergency requiring him to have an electrical cardioversion. Neither speak about the in-flight emergency. Armacost accepts a position with a New York-based company, McClaren. At a farewell party, Streck's aggressive behavior catches Jillian's attention before he suddenly dies from what NASA attributes to a stroke. At the Streck house Natalie Streck electrocutes herself in the bath with a radio.  In New York at a party, Jillian asks Spencer to tell her about the space walk incident. He answers while he starts to make love to her. At home he makes aggressive love to her. In the background is a crackling radio noise. She finds out she is pregnant, and at an ultrasound discovers she is having twins. She tells the doctor that earlier in her life, after her parents died, she sought psychiatric care because she started to see her loved ones dead, including herself.  Guess a valid title for it!
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Answer: The Astronaut's Wife


Given the below context:  Athens' local music is based primarily in the small downtown area of the northern part of the town. The nightclub 40 Watt Club is among the most famous indie rock venues on the East Coast; the club opened on Halloween in 1978, with a band called Strictly American featuring Curtis Crowe, founder of the club and future member of the band Pylon. Other major music venues in the city include the Georgia Theater, (a converted cinema that hosted both local and touring performers. The Theater burned down in June 2009, but has been fully remodelled into a state of the art music venue reopening in early August 2011), the Caledonia Lounge, the historic Foundry Music Venue (which was originally built in 1850 as an iron foundry), and the UGA Performing Arts Center, home to the Ramsey Concert Hall and the Hugh Hodgson Concert Hall. The Morton Theater is a historic venue, a major part of the city's African American community in the early 20th century; it claims to be the only theater from that era remaining in operation.Athens is home to the summer music festival Athfest,  AlanFest, the Athens Popfest and the late spring Athens Human Rights Festival and North Georgia Folk Festival. The college radio station WUOG (90.5 FM), the low-power (100.7) FM WPPP-LP and the free weekly Flagpole are the city's most prominent modern music media. Athens has never produced a major local label like many similar indie rock towns; the most important label of the 1970s and 1980s was DB Records, based out of Atlanta, though jangle pop pioneers Kindercore Records and Wuxtry Records were also Athens-based. Athens is home to long-running indie label Happy Happy Birthday To Me Records, which has been operating consistently since 1999.  Guess a valid title for it!
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Answer:
Music of Athens, Georgia