Given the following context:  In July 2009, it was announced that Smith was hoping to release her second album later in the year. In an interview, she expressed surprise and pleasure that the label wanted her to record another album so soon after the first. In September, further details about the album were released, including its name, Wonderland, and planned release date, 30 November. Smith claimed that Faryl "was an introduction to me and an introduction for me to recording", while Cohen, producer of both Faryl and Wonderland, said Smith had "matured as an artist since the first album and I have no doubt that once again, people will be astonished and moved by her performances". The album, which was recorded at Sarm Studios in Notting Hill, London, was completed in early October, and is loosely based on Lewis Carroll's Alice's Adventures in Wonderland. Wonderland was released on 30 November. To publicise the album, Smith appeared on numerous radio shows, as well as making television appearances including on Ready Steady Cook, Blue Peter, the BBC News Channel, The Alan Titchmarsh Show and Sky News Sunrise.Wonderland was well received by critics; Paul Callan, reviewing the album for the Daily Express, described it as "a joy". He compared it to other Christmas albums, saying that "[t]oo many are tired, much-repeated carol selections". He described Smith's "control, tone and warmth" as "very moving". Andy Gill, reviewing Wonderland for The Independent, gave a less positive review. He said that the influence of Alice's Adventures in Wonderland was often hard to perceive and that Cohen and Smith had "sweetened the classical elements". However, he praised the arrangements of "Adiemus", "Barcarolle", "Merry Christmas, Mr Lawrence" and "Blow The Wind Southerly", but noted that on tracks including "Close To You", "the lack of emotional weight is telling". Overall, Gill gave Wonderland 3 out of 5. The album failed to perform as well as Faryl; it entered the British album charts at number 56 for the week ending 12 December before dropping to number...  answer the following question:  What is the name of the album that the second release of the artist who was contracted with Universal not live up to?
----
Answer: Faryl


Given the following context:  When Namkhai Norbu Rinpoche escaped Tibet in 1959, he settled in Italy, where he married and had two children, of which Yeshi was the first. Yeshi was recognized as the reincarnation of Rinpoche's uncle, a renowned Dzogchen master, who had died after the Chinese invaded Tibet. Yeshi grew up in Italy and wanted nothing to do with this legacy. He had no interest in being a teacher like his father. Nor did he want to return to Tibet and the monastery of Rinpoche's uncle to meet the students waiting for him since his birth – something that his father continually admonished him to do. Instead, he dreamed of a normal life, away from the hordes of devoted students that always surrounded his father. Through intimate scenes Yeshi is shown growing from 18 years old to 39 years old and maturity, and his father who begins the story in his 50-year-old prime ages to 70 years and his senior years. As the story unravels, what is at stake for Namkhai Norbu Rinpoche is his spiritual tradition, for Yeshi it is his own identity. Will Yeshi's Western lifestyle replace his family tradition and his spiritual roots? Will his father succeed at transplanting the vanishing Tibetan heritage to the Western world? As time moves forward, both father and son begin to change. The image of water and swimming, Namkhai Norbu's beloved pastime, is used as a repetitive thematic pillar through the film as a representation of his teachings of integration and emptiness. The natural sounds of chanting and song, combined with added effects and carefully scored music, is used to express a non-verbal sense of the spiritual world Norbu Rinpoche seeks to transmit to his son, and to the West.  answer the following question:  Who dreamed of a normal life?
----
Answer: Yeshi


Given the following context:  A newspaper story in the Barnyard News predicts a cold winter. To avoid freezing in his shack, Foghorn decides to woo Miss Prissy ("I need your love to keep me warm"), who lives in a warm, cozy cottage across the way. Miss Prissy is flattered by Foghorn's two-second courtship but tells him that, to prove his worthiness as her mate, he needs to show that he can be a worthy father to her bookish-looking son. The little boy – Egghead Jr., a chick similar in appearance to Tweety, dressed in a stocking cap and oversized glasses – would rather read about "Splitting the Fourth Dimension" than engage in typical little boy games. Foghorn immediately catches on to this and sets out to win his audition by showing Egghead Jr. how to play various sports games. Although he apparently has never participated in any of the below-listed events before, Egghead Jr. effortly masters them all, as depicted in the cartoon's gags:  Baseball. After Egghead Jr. swallows the ball whole and clonks Foghorn over the head with the bat causing Foghorn to yell "NO! NO, boy! You're supposed to hit the ball with it! The ball!" the rooster has Egghead Jr. properly use both items. Egghead goes to bat and smashes a line drive down Foghorn's throat, and later fires a fast-pitch offering that slices through Foghorn's bat and a row of trees in the grove. When asked to explain, Egghead produces a series of scientific formulas. Making paper airplanes. Foghorn makes a conventional one, but Egghead Jr. creates a fighter that not only floats sleekly through the air, it shoots Foggy's plane down in flames. Foghorn is handed another scientific explanation, but Foghorn rejects.  answer the following question:  Who needs to show that he can be a worthy father?
----
Answer:
Foghorn