Given the following context:  Lawrence Morton, in a study of the origins of The Rite, records that in 1907–08 Stravinsky set to music two poems from Sergey Gorodetsky's collection Yar. Another poem in the anthology, which Stravinsky did not set but is likely to have read, is "Yarila" which, Morton observes, contains many of the basic elements from which The Rite of Spring developed, including pagan rites, sage elders, and the propitiatory sacrifice of a young maiden: "The likeness is too close to be coincidental". Stravinsky himself gave contradictory accounts of the genesis of The Rite. In a 1920 article he stressed that the musical ideas had come first, that the pagan setting had been suggested by the music rather than the other way round. However, in his 1936 autobiography he described the origin of the work thus: "One day [in 1910], when I was finishing the last pages of L'Oiseau de Feu in St Petersburg, I had a fleeting vision ... I saw in my imagination a solemn pagan rite: sage elders, seated in a circle, watching a young girl dance herself to death. They were sacrificing her to propitiate the god of Spring. Such was the theme of the Sacre du Printemps".By May 1910 Stravinsky was discussing his idea with Nicholas Roerich, the foremost Russian expert on folk art and ancient rituals. Roerich had a reputation as an artist and mystic, and had provided the stage designs for Diaghilev's 1909 production of the Polovtsian Dances. The pair quickly agreed on a working title, "The Great Sacrifice" (Russian: Velikaia zhertva); Diaghilev gave his blessing to the work, although the collaboration was put on hold for a year while Stravinsky was occupied with his second major commission for Diaghilev, the ballet Petrushka.In July 1911 Stravinsky visited Talashkino, near Smolensk, where Roerich was staying with the Princess Maria Tenisheva, a noted patron of the arts and a sponsor of Diaghilev's magazine World of Art. Here, over several days, Stravinsky and Roerich finalised the structure of the ballet. Thomas F. Kelly, in his history of the Rite...  answer the following question:  What is the name of the person that finished  L'Oiseau de Feu in St Petersburg?
Ans: Stravinsky

Given the following context:  Sonora Webster lives with her sister and abusive aunt during the Great Depression.  She learns that because of her accidentally letting the cows loose and her suspension from school, her treasured horse Lightning has been sold and she will be placed in an orphanage.  Instead, Sonora slips out of the house during the night. She ends up at a county fair and sees a performance by Marie, a diving girl who rides a horse off a platform, and aspires to do the same. Doc Carver, Marie's employer, tells her she is too young but gives Sonora a job as a stable hand due to her ability with horses, and she begins traveling with them. Doc's son Al wins a wild horse in a card game and Sonora names him Lightning. She later surprises Doc by taming and riding Lightning, so he promises to train her as a diving girl if she can mount it while it's moving, which she succeeds after multiple attempts.   Marie falls and dislocates her shoulder, leaving her unable to perform, and Sonora steps in. Although she has never dived with Lightning, their first jump is successful.  Marie becomes jealous, and as Doc tires of her diva-like behavior, she quits rather than share billing with Sonora. Al develops a romance with Sonora that strains his relationship with his father, leaving after a particularly bad fight.  Al promises to write to Sonora, but Doc hides his letters.  As Doc and the new stable hand Clifford leave the farm in search of work, Lightning falls ill with colic. Al returns, and he and Sonora work together to heal Lightning. Doc fails to find any jobs, but Al announces he has arranged a six-month contract to perform at the Steel Pier in Atlantic City, New Jersey, reconciling father and son. Doc passes away en route from a heart attack, and Al assumes his father's role as show presenter.  Sonora searches for Doc's jacket to give Al confidence on his first show, and finds one of Al's letters inside, confessing his love for her, letting him know she feels the same.  answer the following question:  The son of which person has a romantic attachment with Sonora?
Ans: Doc Carver

Given the following context:  Ben Mockridge is a young man proud of his $4 handgun and enamored of "cowboyin'". He asks Frank Culpepper if he can join his cattle drive to Fort Lewis, Colorado. Culpepper (a reformed gunslinger) reluctantly agrees and sends Ben to the cook to be his "little Mary". Ben quickly discovers that the adults have little interest in young'ns, and no interest in "showing him the ropes". Culpepper nevertheless assigns Ben tasks the greenhorn handles poorly—or simply fails at—repeatedly causing serious trouble. After rustlers stampede the herd, Culpepper tracks them to a box canyon. When the rustlers' leader demands 50 cents a head for having rounded up and taken care of the cattle, Culpepper will have none of it. He and his hands kill the rustlers, not hesitating to gun down disarmed men, or repeatedly shoot anyone still moving. They lose four of their own in the fight. Culpepper directs Ben to a cantina a day's ride off, to find Russ Caldwell. Before he can reach the cantina, Ben is accosted by trappers who take his horse and gun. Once Ben finds Caldwell, he and three of his buddies agree to join the drive. When they cross the trappers' path, there is no parlaying—they immediately kill the trappers and take their possessions. When Ben stands night watch, he's unprepared for a one-eyed man trying to steal the horses. Instead of immediately shooting him, Ben lets the man distract him with his talk, and is overcome by another thief. Culpepper is outraged at Ben's stupidity.  answer the following question:  Who distracts Ben with talk?
Ans: a one-eyed man trying to steal the horses