Instructions: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
Input: Passage: Axelrod's music was also rediscovered and sampled by leading disc jockeys in the 1990s including hip hop producers. When sampling in hip hop peaked during the early and mid-1990s, they searched for archived records with atmospheric beats and strings to sample. Los Angeles-based disc jockey B+ recalled finding a copy of Song of Innocence at a Goodwill in Culver City and said it appealed to him because of its dissonant quality, musical dynamics, and string sound: "This big sound. It was like somehow [Axelrod] was summoning the future, that you can project this environment, this moment into the future." Electronica pioneers such as DJ Cam and DJ Shadow also sampled Song of Innocence. The latter producer sampled the record's choral themes and piano motifs on his influential debut album Endtroducing..... (1996). "The Smile" was sampled by Pete Rock on his 1998 song "Strange Fruit" and by DJ Premier on Royce da 5'9"'s 2009 song "Shake This". "Holy Thursday" was frequently sampled by producers, including The Beatnuts on their 1994 song "Hit Me with That", UNKLE on their 1998 song "Rabbit in Your Headlights", and Swizz Beatz on Lil Wayne's 2008 song "Dr. Carter".The renewed interest in Axelrod's work prompted Stateside Records to reissue Song of Innocence in 2000. Reviewing the re-release, Now wrote that after sounding odd during the 1960s, the songs had become "a sampler's dream come true – who knew?" David Keenan attributed Axelrod's sampling legacy to "the original badass drummer" Palmer. In his appraisal for The Wire, he facetiously critiqued that the songs "may reek of stale joss sticks and patchouli-scented self-actualisation, but in their very datedness they somehow sound very modern." Pitchfork journalist Sean Fennessey later said Axelrod's first two records were "essential if only as a tour guide through early 90s hip-hop", having "literally been a rap producer's delight for years". In a 2013 list for Complex, DJ and production duo Kon and Amir named "Holy Thursday" the greatest hip hop sample of all time. In 2018, Song of Innocence was given another re-release, this time by Now-Again Records. It featured a new remaster by Randi, H. B. Barnum, and Axelrod's widow, Terri; and sleeve notes written by Eothen Alapat, Now-Again's CEO. According to Alapat's notes, Axelrod once told him that Miles Davis played the album before conceiving his own fusion of jazz and rock for Bitches Brew (1970).
Output:
What is the first name of the person who critiqued that the songs "may reek of stale joss sticks and patchouli-scented self-actualisation, but in their very datedness they somehow sound very modern?"?