In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Ex Input:
Passage: From the time of his earliest recordings in the 1960s, Bowie employed a wide variety of musical styles. His early compositions and performances were strongly influenced by rock and rollers like Little Richard and Elvis Presley, and also the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, David Bowie (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk, and pop.Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register ... his voice has an almost crooner-like richness."Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's role playing is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them ... His voice changes dramatically from section to section." In a 2014 analysis of 77 "top" artists' vocal ranges, Bowie was 8th, just behind Christina Aguilera and just ahead of Paul McCartney. In addition to the guitar, Bowie also played a variety of keyboards, including piano, Mellotron, Chamberlin, and synthesizers; harmonica; alto and baritone saxophones; stylophone; viola; cello; koto (in the Heroes track "Moss Garden"); thumb piano; drums (on the Heathen track "Cactus"), and various percussion instruments.

Ex Output:
What is the first name of the person who employed a wide variety of musical styles from the time of his earliest recordings?


Ex Input:
Passage: Born in Germany, Isaac Oscherwitz was a butcher who emigrated to America in the 1880s because of oppression and poverty. When he arrived in Cincinnati, he started his own sausage factory, which created jobs and a delicious product for the city's surprisingly well-populated Jewish community. But the Oscherwitzes also established their public face to the community through a family-run storefront shop, where they sold their meats and other classic Jewish delicacies. Decades later, Isaac's five sons extended the business to Chicago, which had become the center of the meat packing industry, and today the Oscherwitz family is responsible for well-known brands such as Best Kosher, Shofar, and Sinai.
This familial intimacy extends beyond the immediate family members to the way they treat everyone involved in the business, from factory workers to customers. "I don't think my husband ever felt like his customers were his customers," one woman says, "they were his friends." Another man, who took a job with the Oscherwitzes after he lost everything to the Holocaust, speaks highly of his employers. "It was such a family feeling," he explaining how warm and welcoming his coworkers have been.
The appeal of a family-owned product helped make the Oscherwitz brand popular, but fiscal success also jeopardized the family-run nature of the business. Before the swell of success, business meetings between the Oscherwitz brothers were a literal yelling contest, where arguments were won by the most powerful voice and, despite all the screaming, everyone left on good terms. But a big business couldn't run in the same way. The documentary shares the Oscherwitzes' inside struggles to keep their booming business family-run and shows the effects on everyone when they were bought out by a subsidiary of the Sara Lee Corporation.

Ex Output:
What is the first name of the person who started their own sausage factory?


Ex Input:
Passage: In an interview with NME in 2017, Lorde declared "I don’t think about staying in my genre lane". AllMusic's Stephen Thomas Erlewine characterised her style as primarily electropop. Upon the release of Pure Heroine, contemporary critics described her music as electropop, art pop, dream pop, indie pop and indie-electro. Critics also noted the influence of hip hop on the album's song structures, as well as its unconventional pop sound and minimalist production. Consequence of Sound pointed that the minimal production of Pure Heroine "allows [her] to sing any melody she wants, layering them over one another to create a choral effect". The Guardian compared Lorde's music to that of Sky Ferreira and Eliza Doolittle. Melodrama was a departure from the hip hop-oriented minimalist style of its predecessor, incorporating  piano instrumentation and maximalist electronic beats.Lorde utilises her vocals and does not play musical instruments on her records or onstage, elaborating, "[My] voice needs to have the focus. My vocal-scape is really important". PopMatters described Lorde's vocals as "unique and powerfully intriguing", while Billboard characterised her voice as "dynamic, smoky and restrained". The A.V. Club wrote that Lorde's voice "is the alpha and omega of her talent", characterising it as "mystifying and alluring" that harmonised well with the electronic production. Vice noted that her songs incorporated the mixolydian mode, a melodic structure used in "blues-based and alternative rock" music, which set her songs apart from those in pop music for not fitting a common major or minor chord.Regarding her songwriting process, Lorde explained that the foundation to her songs began with the lyrics, which could sometimes stem from a singular word meant to summarise a specific idea she had tried to identify. For "Tennis Court", Lorde wrote the music before lyrics. She stated that the songwriting on Pure Heroine developed from the perspective of an observer. Similarly, in an interview with NME, Lorde acknowledged that she used words of inclusion (such as "we" and "us") throughout her debut album, while her follow-up Melodrama presented a shift in narrative, employing more introspective lyrics inspired by Lorde's personal struggles post-breakup and viewpoints on post-teenage maturity. Lorde's neurological condition chromesthesia influenced her songwriting on the album; it led her to arrange colours according to each song's theme and emotion.

Ex Output:
What does A.V. Club characterize as mystifying and alluring?