Q: What is the name of the dog the main character identifies strongly with?  Answer the above question based on the context below:  Laika is memorialised in the form of a statue and plaque at Star City, Russia, the Russian Cosmonaut training facility. Created in 1997, Laika is positioned behind the cosmonauts with her ears erect. The Monument to the Conquerors of Space, constructed in 1964, also includes Laika. On 11 April 2008  at the military research facility where staff had been responsible for readying Laika for the flight, officials unveiled a monument of her poised on top of a space rocket. Stamps and envelopes picturing Laika were produced, as well as branded cigarettes and matches.Future space missions carrying dogs would be designed to be recovered. Four other dogs died in Soviet space missions: Bars and Lisichka were killed when their R-7 rocket exploded shortly after launch on 28 July 1960; Pchyolka and Mushka died when Korabl-Sputnik 3 was purposely destroyed with an explosive charge to prevent foreign powers from inspecting the capsule after a wayward atmospheric reentry trajectory on 1 December 1960.Although never shown, Laika is prominently mentioned in the 1985 film My Life as a Dog, in which the main character (a young Swedish boy in the late 1950s) identifies strongly with the dog. Laika, a 2007 graphic novel by Nick Abadzis giving a fictionalized account of Laika's life, won the Eisner Award for Best Publication for Teens. Laika is also mentioned in the 2004 song "Neighborhood #2 (Laika)" by Arcade Fire, included on their debut album Funeral. Lajka (in English: Laika) is a 2017 Czech animated science fiction comedy film inspired by Laika.
A: Laika
Question: How does the dancer know Clay?  Answer the above question based on the context below:  A musician named Dixie Dwyer begins working with mobsters to advance his career but falls in love with the girlfriend of gangland kingpin Dutch Schultz. A dancer from Dixie's neighborhood, Sandman Williams, is hired with his brother by the Cotton Club, a jazz club where most of the performers are black and the customers white. Owney Madden, a mobster, owns the club and runs it with his right-hand man, Frenchy. Dixie becomes a Hollywood film star, thanks to the help of Madden and the mob but angering Schultz. He also continues to see Schultz's moll, Vera Cicero, whose new nightclub has been financed by the jealous gangster. In the meantime, Dixie's ambitious younger brother Vincent becomes a gangster in Schultz's mob and eventually a public enemy, holding Frenchy as a hostage. Sandman alienates his brother Clay at the Cotton Club by agreeing to perform a solo number there. While the club's management interferes with Sandman's romantic interest in Lila, a singer, its cruel treatment of the performers leads to an intervention by Harlem criminal "Bumpy" Rhodes on their behalf. Dutch Schultz is violently dealt with by Madden's men while Dixie and Sandman perform on the Cotton Club's stage.
Answer: his brother
[Q]: What is the first name of the person who filed a suit in retaliation?  Answer the above question based on the context below:  Zappa's relationship with long-time manager Herb Cohen ended in 1976. Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve. Cohen filed a lawsuit against Zappa in return, which froze the money Zappa and Cohen had gained from an out-of-court settlement with MGM over the rights of the early Mothers of Invention recordings. It also prevented Zappa having access to any of his previously recorded material during the trials. Zappa therefore took his personal master copies of the rock-oriented Zoot Allures (1976) directly to Warner Bros., thereby bypassing DiscReet.In the mid-1970s Zappa prepared material for Läther (pronounced "leather"), a four-LP project. Läther encapsulated all the aspects of Zappa's musical styles—rock tunes, orchestral works, complex instrumentals, and Zappa's own trademark distortion-drenched guitar solos. Wary of a quadruple-LP, Warner Bros. Records refused to release it. Zappa managed to get an agreement with Phonogram Inc., and test pressings were made targeted at a Halloween 1977 release, but Warner Bros. prevented the release by claiming rights over the material. Zappa responded by appearing on the Pasadena, California radio station KROQ, allowing them to broadcast Läther and encouraging listeners to make their own tape recordings. A lawsuit between Zappa and Warner Bros. followed, during which no Zappa material was released for more than a year. Eventually, Warner Bros. issued different versions of much of the Läther material in 1978 and 1979 as four individual albums (five full-length LPs) with limited promotion.Although Zappa eventually gained the rights to all his material created under the MGM and Warner Bros. contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–77 with relatively small, mainly rock-oriented, bands. Drummer Terry Bozzio became a regular band member, Napoleon Murphy Brock stayed on for a while, and...
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[A]: Herb
Question: What is the last name of person whose ancestral home was denied to her through agnatic primogeniture?  Answer the above question based on the context below:  Vita Sackville-West, poet, author, and gardener, was born at Knole, about 25 miles from Sissinghurst, on 9 March 1892. The great Elizabethan mansion, home of her ancestors but denied to her through agnatic primogeniture, held enormous importance for her throughout her life. Sissinghurst was a substitute for Knole, and she greatly valued its familial connections. In 1913 Sackville-West married Harold Nicolson, a diplomat at the start of his career. Their relationship was unconventional, with both pursuing multiple, mainly same-sex, affairs. After breaking with her lover Violet Trefusis in 1921, Sackville-West became increasingly withdrawn. She wrote to her mother that she would like "to live alone in a tower with her books", an ambition she achieved in the tower at Sissinghurst where only her dogs were regularly admitted. From 1946 until a few years before her death, Sackville-West wrote a gardening column for The Observer, in which, although she never referred directly to Sissinghurst, she discussed a wide array of horticultural issues. In an article, "Some Flowers", she discussed the challenge of writing effectively about flowers: "I discovered this only when I started to do so. Before ... I found myself losing my temper with the nauseating phraseology ... and sickly vocabulary employed." In 1955, in recognition of her achievement at Sissinghurst, "bending some stubborn acres to my will", she was awarded the Royal Horticultural Society's Veitch Medal. Her biographer Victoria Glendinning considers Sissinghurst to be Sackville-West's "one magnificent act of creation".
Answer:
Sackville-West