Q: In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
Passage: In the same year, Etty painted the first version of Musidora: The Bather 'At the Doubtful Breeze Alarmed', an illustration from the poem Summer by James Thomson and arguably Etty's last history painting painted while he still had all his powers. Musidora shows a scene in which the titular character, having removed the last of her clothes, steps into "the lucid coolness of the flood" to "bathe her fervent limbs in the refreshing stream", unknowing that she is being watched by her suitor Damon. Etty's composition is shown from the viewpoint of Damon; by so doing Etty aimed to induce the same reactions in the viewer as Damon's dilemma as described by Thomson; that of whether to enjoy the spectacle despite knowing it to be inappropriate, or to follow the accepted morality of the time and look away, in what art historian Sarah Burnage has described as "a titillating moral test for spectators to both enjoy and overcome". Musidora met with almost universal acclaim, compared favourably to Titian and Rembrandt, and described by The Critic as "a preeminent work" and "the triumph of the British school".By the time Musidora was exhibited, Etty's health was in serious decline. Suffering severe asthma, it was not unusual for passers-by to accuse him of drunkenness as he made his way wheezing through the London streets, and he was beginning to plan his retirement from polluted London to his beloved York. Abandoning the smaller paintings which kept him profitable, he strived to complete his Joan of Arc triptych before his health gave out. This was on a huge scale, 28 ft (8.5 m) in total width and 9 ft 9 in (3 m) high; the three pictures from left to right depicted Joan devoting herself to the service of God and her country, Joan scattering the enemies of France, and Joan dying a martyr.Etty sold the triptych for the huge sum of 2500 guineas (about £240,000 in 2019 terms) to dealer Richard Colls and the engraver C. W. Wass. Colls and Wass had ambitious plans to recoup their money by selling engravings of the pictures and by taking the paintings on a tour of Britain and Europe. The paintings proved less popular than expected. Very few engravings were sold and the tours did not take place; Wass declared bankruptcy in 1852. The paintings were separated, and sold on to a series of buyers, with the third panel fetching just 7​1⁄2 guineas in 1893 as Etty's popularity continued to wane. By the 1950s all three panels of Joan of Arc were believed lost or destroyed, although some preliminary studies survive.
A:
What is the full name of the person depicted as devoting herself to the service of God and her country?