input: Please answer the following: Given the below context:  After World War II, a German named Hans Müller is one of a shipload of Jewish refugees who disembark at Haifa in 1949. Like many other concentration camp survivors, Hans has psychological problems, including survivor guilt. At one point, he mistakes a woman and some children for his murdered family. At the first opportunity, he sneaks out of the refugee camp and goes into the city. When he spots a policeman, Hans panics and reacts by fleeing. The policeman chases him down and begins questioning him. Hans becomes very agitated and attacks, leaving the man unconscious in the street. Hans flees and ends up sleeping in the countryside, where he is found by a teenage orphan Sabra, Yehoshua "Josh" Bresler. Hans pretends to be an eccentric American, out to see Israel firsthand. Josh offers to be his guide. During their journey, Hans reveals that he was a professional juggler; Josh persuades him to pass on his knowledge. Meanwhile, police detective Karni sets out to track the fugitive down. On their journey, Josh is injured when he wanders into a minefield. He is taken to a hospital at a nearby kibbutz, but has only broken his leg. While Josh recovers, Hans becomes acquainted with one of the residents, Ya'el (Milly Vitale). They are attracted to each other, but he at first strongly resists her attempt to persuade him to remain at the kibbutz. He reveals to her that he had ignored warnings from friends to flee Nazi Germany before it was too late, making the fatal mistake of counting on his fame and popularity to protect his family. Gradually, however, he begins to settle in. Karni finally tracks Hans down and tries to take him into custody. Hans panics again and barricades himself in Ya'el's room with her rifle, but Ya'el and Karni get him to admit he needs help and to give himself up.  Guess a valid title for it!
++++++++++
output: The Juggler (film)


input: Please answer the following: Given the below context:  Harrison wrote his first song, "Don't Bother Me", while sick in a hotel bed in Bournemouth during August 1963, as "an exercise to see if I could write a song", as he remembered. His songwriting ability improved throughout the Beatles' career, but his material did not earn full respect from Lennon, McCartney and producer George Martin until near the group's break-up. In 1969, McCartney told Lennon: "Until this year, our songs have been better than George's. Now this year his songs are at least as good as ours". Harrison often had difficulty getting the band to record his songs. Most Beatles albums from 1965 onwards contain at least two Harrison compositions; three of his songs appear on Revolver, "the album on which Harrison came of age as a songwriter", according to Inglis. Harrison wrote the chord progression of "Don't Bother Me" almost exclusively in the Dorian mode, demonstrating an interest in exotic tones that eventually culminated in his embrace of Indian music. The latter proved a strong influence on his songwriting and contributed to his innovation within the Beatles. According to Mikal Gilmore of Rolling Stone, "Harrison's openness to new sounds and textures cleared new paths for his rock and roll compositions. His use of dissonance on ... 'Taxman' and 'I Want to Tell You' was revolutionary in popular music – and perhaps more originally creative than the avant-garde mannerisms that Lennon and McCartney borrowed from the music of Karlheinz Stockhausen, Luciano Berio, Edgard Varèse and Igor Stravinsky ..."Of the 1967 Harrison song "Within You Without You", author Gerry Farrell said that Harrison had created a "new form", calling the composition "a quintessential fusion of pop and Indian music". Lennon called the song one of Harrison's best: "His mind and his music are clear. There is his innate talent, he brought that sound together." In his next fully Indian-styled song, "The Inner Light", Harrison embraced the Karnatak discipline of Indian music, rather than the Hindustani style he had used in "Love...  Guess a valid title for it!
++++++++++
output: George Harrison


input: Please answer the following: Given the below context:  The film begins with Naomi Arkoff being taken by her father Carver Arkoff into the basement of their castle home in Rome, Italy, where there lies a rack. Carver ties Naomi to both ends of the rack and turns the wheel, hurting her. Carver claims that her punishment this time is for having a cell phone, which was against the father's wishes. After begging her father to let her go, Carver unties her, but warns her that the next time she has a cellphone in the house, her punishment is not going to be slow and painful. As she gets released, she runs off upstairs, strangely screaming: "I can run faster than you!" over and over again. The next afternoon, Carver comes downstairs into the dining room to be questioned by his wife Lisbeth about what he did to Naomi the previous night. They then encourage Carver's half brother Peter, who is mentally retarded, to have lunch with them, where Carver tells Peter that the lamb that they're eating was Sophia, who Peter had grown an affection with. When Naomi comes downstairs and finds out what's up, she gives her toy animal of a horse to him, which appears to cheer him up. Later, Lisbeth takes a tray of food upstairs to her father, who throughout the entire film has his face not seen. Lisbeth then continues to read Edgar Allan Poe's "From Childhood's Hour" to him. Afterward, she alerts him that his guardian angels are in the room to protect him, which are shown to be small little creatures with big skull heads.  Guess a valid title for it!
++++++++++
output: Skull Heads


input: Please answer the following: Given the below context:  In 1949, former U.S. Army Air Forces officer Harvey Stovall spots a familiar Toby Jug in the window of a London antique shop and learns that it came from Archbury, an airfield where Stovall served during World War II. Convinced that it is the same jug, he buys it and journeys to the derelict airfield.  Stovall remembers the events of 1942, when the 918th Bomb Group at Archbury had gained a reputation as the 'hard luck group'. After a particularly disastrous mission, group commander Colonel Keith Davenport appears exhausted and demoralized. His defeatist attitude spreads to other senior leaders of the group, including his Air Exec, Lieutenant Colonel Ben Gately. Ordered to fly another mission the next day, at a dangerously low altitude, Davenport protests to his friend, Brigadier General Frank Savage, the Assistant Chief of Staff for Operations at VIII Bomber Command. Later, Savage reluctantly shares with Major General Pritchard, the commanding general of VIII Bomber Command, his belief that Davenport has become too emotionally close to his men and may no longer be fit to command. That night, Pritchard and Savage visit the group headquarters to investigate the cause of the mission's heavy losses. Pritchard realizes that Savage is right: Davenport has become over-protective and is unwilling to discipline his men even for costly mistakes. Davenport is relieved of command and Savage is asked to take over.  Guess a valid title for it!
++++++++++
output:
Twelve O'Clock High