Please answer this: Given the following context:  Zappa's band at the time, with the additions of Ruth Underwood and a horn section (featuring Michael and Randy Brecker), performed during Christmas in New York, recordings of which appear on one of the albums Warner Bros. culled from the Läther project, Zappa in New York (1978). It mixes complex instrumentals such as "The Black Page" and humorous songs like "Titties and Beer". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure and short, densely arranged passages. Zappa in New York featured a song about sex criminal Michael H. Kenyon, "The Illinois Enema Bandit", which featured Don Pardo providing the opening narrative in the song. Like many songs on the album, it contained numerous sexual references, leading to many critics objecting and being offended by the content. Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: "What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?" The remaining albums released by Warner Bros. Records without Zappa's consent were Studio Tan in 1978 and Sleep Dirt and Orchestral Favorites in 1979, which contained complex suites of instrumentally-based tunes recorded between 1973 and 1976, and whose release was overlooked in the midst of the legal problems.  answer the following question:  What is the name of the album whose release was overlooked in the midst of the legal problems?
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Answer: Orchestral Favorites


Please answer this: Given the following context:  Marion Post is a New York philosophy professor past the age of 50 on a leave of absence to write a new book.  Due to construction work in their building, she sublets a furnished flat downtown to have peace and quiet. Her work there is interrupted by voices from a neighboring office in the building where a therapist conducts his analysis.  She quickly realizes that she is privy to the despairing sessions of another woman, Hope, who is disturbed by a growing feeling that her life is false and empty.  Her words strike a chord in Marion, who begins to question herself in the same way. She comes to realize that, like her father, she has been unfair, unkind and judgmental to the people closest to her: her unsuccessful brother Paul and his wife Lynn, who feel they embarrass her; her best friend from high school Claire, who feels eclipsed by her; her first husband Sam, who eventually committed suicide; and her stepdaughter Laura, who admires her but resents her high-handedness. She also realizes that her marriage to her second husband, Ken, is unfulfilling and that she missed her one chance at love with his best friend Larry.  She finally manages to meet the woman in therapy as she contemplates a Klimt painting called "Hope".  Although she wants to know more about the woman, she ends up talking more about herself, realizing that she made a mistake by having an abortion years ago and that at her age there are many things in life she will not have anymore. She leaves Ken after catching him having an affair. She resolves to change her life for the better, and takes steps to repair her relationship with Paul and Laura.  By the end of the film, she reflects that, for the first time in years, she feels hopeful.  answer the following question:  What is the professor trying to do while being interrupted by the neighboring office?
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Answer: write a new book


Please answer this: Given the following context:  Three years after the death of a young man, Liam Lombard, the story flashes forward to assess the toll it has taken on his parents, brother, and ex-girlfriend, all set against the backdrop of suburban Sydney. Jordan Lombard is a broken man, now hideously obese and unable to function. His once happy marriage is skidding hopelessly out of control. His wife Penelope is trapped in routine, devoid of self-respect. Her pain only deepens with the onset of menopause. This humiliation has driven her straight into the arms of another, younger, man. Their surviving son Ben has developed a peculiar relationship with the local boy Matt. Though an unlikely pair, a romance has begun to blossom. As Ben's sexuality comes further into question, he turns his attentions to the girl next-door Indigo, his dead brothers former lover. Never quite the same since his death, her destructive relationship with a married man, Greg, is fading as is her relationship with her mother Jackie. As Ben sets out to woo her in his own twisted fashion, including dressing like an old neighbour, Indigo comes to find he might be her one true friend. Then history repeats. Jordan suffers a heart attack, shaking his family to their core. In the middle of a night, three years on from the death of her son, Penelope fights for her husband at a hospital bedside. Desperate to reclaim his life, Jordan races to quit his oppressive job in spectacular and uncharacteristic fashion on his bosses doorstep. When Jordan finally gets home that night – he crumbles in his wife's arms - a second chance now awarded. Meanwhile, Ben makes his way to a lonely bus, planning to skip the city with Indigo. While there, he impulsively reaches over and kisses her, hoping all his questions might finally be answered. But there's nothing.  answer the following question:  What is the first name of Penelope's son that died?
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Answer:
Liam