[Q]: What is the first name of the person whose parent was a musician?  Answer the above question based on the context below:  Sir William Turner Walton, OM (29 March 1902 – 8 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include Façade, the cantata Belshazzar's Feast, the Viola Concerto, the First Symphony, and the British coronation anthems Crown Imperial and Orb and Sceptre. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, Façade, which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left Britain and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a modernist, and some of his compositions of the 1950s were criticised as old-fashioned. His only full-length opera, Troilus and Cressida, was among the works to be so labelled and has made little impact in opera houses. In his last years, his works came back into critical fashion; his later compositions, dismissed by critics at the time of their premieres, were revalued and regarded alongside his earlier works. Walton was a slow worker, painstakingly perfectionist, and his complete body of work across his long career is not large. His most popular compositions continue to be frequently performed in the 21st century, and by 2010 almost all his works had been released on CD.
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[A]: William
input: Please answer the following: What is the name of the individual who has mentioned on numerous occasions that he is so busy with DJing and production that he rarely has any free time?  Answer the above question based on the context below:  Though frequent performing kept them apart for several years, Sasha and Digweed announced that they would reunite for a few Australian performances.  In November 2006, the duo performed at several venues, including Sydney, Brisbane, and Melbourne as well as numerous tour dates throughout 2007.  In 2008, Sasha and Digweed kicked off an American tour with a performance at the Winter Music Conference.  The duo played at mainly larger venues on the weekends and smaller (750-1000 people) shows on weekdays.  Sasha described their music as "driving and dark" with "a little throwback of Twilo sounds".Sasha runs a music studio and lives in New York City, and maintains a house in London.  He brings his wife with him on his frequent tours.  Sasha finds the constant touring to be physically tiring, though he also feels that he thrives on it.  While fans may regard Sasha to be a DJ "hero", he is uneasy with fame; Sasha considers himself "shy at heart" and is typically uncomfortable discussing his personal life.  He has mentioned on numerous occasions that he is so busy with DJing and production that he rarely has any free time. However, he enjoys watching football, cooking, and sampling the cuisine of the countries he visits. The movie "New Emissions of Light & Sound" won the Best Original Score at the X-Dance Film Festival. The score was made up of new and previously unreleased tracks.Sasha and Digweed have re-united again in recent years. The iconic duo Sasha & John Digweed performed a Back to Back set at the Ministry of Sound in London on 24 March 2016. Shortly there after, the Duo announced a list of tour dates for September 2016 to re-launch themselves in a series of Gigs and performing Back to Back.
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output: Sasha
Please answer this: What is the first name of the third child and only son of Robert Bennett?  Answer the above question based on the context below:  Bennett was born in Sheffield, Yorkshire, the third child and only son of Robert Bennett, the organist of Sheffield parish church, and his wife Elizabeth, née Donn. In addition to his duties as an organist, Robert Bennett was a conductor, composer and piano teacher; he named his son after his friend William Sterndale, some of whose poems the elder Bennett had set to music. His mother died in 1818, aged 27, and his father, after remarrying, died in 1819. Thus orphaned at the age of three, Bennett was brought up in Cambridge by his paternal grandfather, John Bennett, from whom he received his first musical education. John Bennett was a professional bass, who sang as a lay clerk in the choirs of King's, St John's and Trinity colleges. The young Bennett entered the choir of King's College Chapel in February 1824 where he remained for two years. In 1826, at the age of ten, he was accepted into the Royal Academy of Music (RAM), which had been founded in 1822. The examiners were so impressed by the child's talent that they waived all fees for his tuition and board.Bennett was a pupil at the RAM for the next ten years. At his grandfather's wish his principal instrumental studies were at first as a violinist, under Paolo Spagnoletti and later Antonio James Oury. He also studied the piano under W. H. Holmes, and after five years, with his grandfather's agreement, he took the piano as his principal study. He was a shy youth and was diffident about his skill in composition, which he studied under the principal of the RAM, William Crotch, and then under Cipriani Potter, who took over as principal in 1832. Amongst the friends Bennett made at the Academy was the future music critic J. W. Davison. Bennett did not study singing, but when the RAM mounted a student production of The Marriage of Figaro in 1830, Bennett, aged fourteen, was cast in the mezzo-soprano role of the page boy Cherubino (usually played by a woman en travesti). This was among the few failures of his career at the RAM. The Observer wryly commented, "of the...
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Answer: William
Problem: What is the first name of the person who has lost their voice?  Answer the above question based on the context below:  In an isolated villa on the small Italian island of Pantelleria, world-famous rock singer Marianne Lane is on holiday with her filmmaker lover Paul. She is recovering from surgery and has lost her voice, communicating only by signs and occasional whispers. He is in recovery from alcohol addiction and a suicide attempt. Neither speaks Italian but solitude is what both need, until an aeroplane from Rome brings a man neither wants to see. This is Harry, an extroverted music promoter who was Marianne's lover until he passed her on to his protegé, Paul. With him is Penelope, a previously unknown daughter of his who says she is 22. Moving into the villa, Harry starts inviting friends around as if it were his home and taking everybody out to various sights and festivities. His arrogant manner bores Pen and annoys Paul, but Marianne starts falling under his spell again; however, when Harry and Marianne begin to become intimate while alone, Marianne stops Harry. She tells him that she does love him, but that she cannot be with him and that she is with Paul. The sultry Pen then makes a play for the unhappy Paul; it is not shown, but implied, that Paul succumbs to Pen's overtures.

A:
Marianne