[Q]: Read the following paragraph and extract the answer for the question: What is the full name of the person who used a bass combo amp equipped with a 15-inch speaker?  Other key pedals used by grunge bands included four brands of distortion pedals (the Big Muff, DOD and BOSS DS-2 and BOSS DS-1 distortion pedals) and the Small Clone chorus effect, used by Kurt Cobain on "Come As You Are" and by the Screaming Trees on "Nearly Lost You". The RAT distortion pedal played a key role in Cobain's switching from quiet to loud and back to quiet approach to songwriting. The use of small pedals by grunge guitarists helped to start off the revival of interest in boutique, hand-soldered, 1970s-style analog pedals. The other effect that grunge guitarists used was one of the most low-tech effects devices, the wah-wah pedal. Both "[Kim] Thayil and Alice in Chains' Jerry Cantrell ... were great advocates of the wah wah pedal." Wah was also used by the Screaming Trees, Pearl Jam, Soundgarden, Mudhoney and Dinosaur Jr.Grunge guitarists played loud, with Kurt Cobain's early guitar sound coming from an unusual set-up of four 800 watt PA system power amplifiers. Guitar feedback effects, in which a highly amplified electric guitar is held in front of its speaker, were used to create high-pitched, sustained sounds that are not possible with regular guitar technique. Grunge guitarists were influenced by the raw, primitive sound of punk, and they favored "... energy and lack of finesse over technique and precision"; key guitar influences included the Sex Pistols, The Dead Boys, Celtic Frost, Voivod, Neil Young (Rust Never Sleeps, side two), The Replacements, Hüsker Dü, Black Flag and The Melvins. Grunge guitarists often downtuned their instruments for a lower, heavier sound. Soundgarden's guitarist, Kim Thayil, did not use a regular guitar amplifier; instead, he used a bass combo amp equipped with a 15-inch speaker as he played low riffs, and the bass amp gave him a deeper tone.
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[A]: Kim Thayil


[Q]: Read the following paragraph and extract the answer for the question: What was the last name of the person who mocked the bureaucratic steps needed to implement change from wood to paper?  Since medieval times the Exchequer had used tally sticks, pieces of carved, notched wood, normally willow, as part of their accounting procedures.   The parliamentary historian Caroline Shenton has described the tally sticks as "roughly as long as the span of an index finger and thumb". These sticks were split in two so that the two sides to an agreement had a record of the situation. Once the purpose of each tally had come to an end, they were routinely destroyed. By the end of the eighteenth century the usefulness of the tally system had likewise come to an end, and a 1782 Act of Parliament stated that all records should be on paper, not tallies. The Act also abolished sinecure positions in the Exchequer, but a clause in the act ensured it could only take effect once the remaining sinecure-holders had died or retired. The final sinecure-holder died in 1826 and the act came into force, although it took until 1834 for the antiquated procedures to be replaced. The novelist Charles Dickens, in a speech to the Administrative Reform Association, described the retention of the tallies for so long as an "obstinate adherence to an obsolete custom"; he also mocked the bureaucratic steps needed to implement change from wood to paper. He said that "all the red tape in the country grew redder at the bare mention of this bold and original conception." By the time the replacement process had finished there were two cart-loads of old tally sticks awaiting disposal.In October 1834 Richard Weobley, the Clerk of Works, received instructions from Treasury officials to clear the old tally sticks while parliament was adjourned. He decided against giving the sticks away to parliamentary staff to use as firewood, and instead opted to burn them in the two heating furnaces of the House of Lords, directly below the peers' chambers. The furnaces had been designed to burn coal—which gives off a high heat with little flame—and not wood, which burns with a high flame. The flues of the furnaces ran up the walls of the basement in which...
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[A]: Dickens


[Q]: Read the following paragraph and extract the answer for the question: What is the first name of the man that pretends to be homosexual to avoid being drafted?  The story focuses on the Turtles in the days leading up to and following the success of their single "Happy Together". Howard Kaylan and Mark Volman receive their draft cards and Frank Zappa tells them to seek advice from Herb Cohen, Zappa's manager and Kaylan's cousin, to avoid being drafted in the Vietnam War. Cohen advises Kaylan to show up to the draft board intoxicated from drug use, not to bathe or sleep, and to behave so obnoxiously that the Army will not draft him, leading Kaylan and Volman to engage in a sleepless night of marijuana smoking before their draft review, which they fail due to being high while taking the tests, and Kaylan pretending to be homosexual in front of the physician and expressing psychotic views to the psychiatrist. Because they avoid the draft, the Turtles fly to England where Graham Nash and Donovan play them an advance reel to reel recording of the unreleased Beatles album Sgt. Pepper's Lonely Hearts Club Band, which the Turtles declare to be the greatest album they ever heard. At a nearby pub, the Turtles have a disastrous meeting with the Beatles, in which Turtles guitarist Jim Tucker is verbally abused by John Lennon, leading the Turtles to leave the bar as Kaylan stays behind and Brian Jones, the founder of the Rolling Stones, introduces Kaylan to Jimi Hendrix, who Kaylan ends up having dinner and a conversation with, while the two drink much alcohol and smoke marijuana, with the evening ultimately ending with Kaylan vomiting on Hendrix' suit. Kaylan ultimately purchases copies of Sgt. Pepper and the Jimi Hendrix Experience's debut, Are You Experienced? and Tucker quits the Turtles and the music industry, never getting over his treatment by John Lennon, although the postscript states that Tucker remains a fan of the Beatles' music.
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[A]:
Howard