Problem: Given the below context:  In 2004, Broadway diva Kylie Swanson opened the musical The Haunting of the Opera (a reference to real-life musical The Phantom of the Opera) to a packed audience. However, that same night, she was murdered backstage by an unknown assailant wearing the mask of the play's villain, Opera Ghost. 10 years later in the present-day, Kylie's children Camilla and Buddy have grown up raised by Roger McCall, a former lover of Kylie's and the producer of a musical theater summer camp on the brink of bankruptcy. When Camilla hears that the camp will be producing a kabuki version of The Haunting of the Opera, she decides that she will sneak into auditions one way or another. She manages to convince a camper overseeing the auditions, Joel Hopton, to let her in and Camilla easily impresses the stage director Artie and wins the lead role of Sofia - much to Buddy's dismay. As the opening day grows closer and closer, Camilla discovers that Artie will only let her perform on opening day as long as she provides him with sexual favors. He emotionally blackmails her by playing her off of Liz Silver, a camper that will do anything to perform on opening night. Camilla tries to ward off Artie's attentions by only making out with him, which disgusts Joel - whom Camilla has largely ignored since the audition. The night before the performance, Artie gives Camilla an ultimatum: either she sleeps with him or he gives the opening night performance to Liz. Camilla initially acquiesces to Artie's overtures, but decides at the last minute that she can't go through with it. After she leaves, Artie is brutally murdered by someone wearing the Opera Ghost mask, but Roger tells everyone that Artie died by car accident. Unwilling to potentially lose a visit from important Broadway agent Victor Brady, who is only willing to watch the performance if Camilla is performing, Roger manages to persuade everyone to perform opening night as planned.  Guess a valid title for it!

A: Stage Fright (2014 film)


Problem: Given the question: Given the below context:  "R U Professional" was made available on YouTube and MediaFire on February 3, 2009. The video description on YouTube by the group stated, "Song By The Mae Shi celebrating the life and work of Xtian Bale. Bale's performance as John Connor in the upcoming Terminator 4 'Redemption' Film will no doubt be one of the greatest of all time. He will win every Oscar for his performance, even the special effects and animation ones." The Independent reported that the band would appear at a music festival, "The Fans Strike Back", and requested they perform "R U Professional".Several media outlets attempted to place the work within a particular genre. MTV compared the song's style to the group Devo and new wave music. El País described the piece as an electropop song that contributed to the viral spread of the Christian Bale rant after its release on the Internet. Dose described it as an electro jam session which made adept use of sampling from the audio of Bale's rhetoric. The Los Angeles Times called the piece a lively pop music tribute to the actor. USA Today called the song fun dance music and creatively motivated. The Toronto Sun praised its original lyrics and use of audio from the incident, and described the piece as a fusion of electro-pop styles and a good song for dancing. New Musical Express recommended the piece, and described it as electro-rock which astutely sampled Bale throughout the song. The St. Louis Post-Dispatch described the piece as a form of new wave music which used the most spasmodic segments of the incident, and commented that the end product was comedic. The Arizona Daily Star described the piece as a pop music dance song.Multiple sources remarked upon the speed with which The Mae Shi were able to put the song together and release it. The A.V. Club highlighted the song among Internet memes inspired by the Bale melee, and wrote that though the piece was put together quickly it was quite entertaining and inventive. The Irish Independent was surprised at the speed multiple different satirical...  Guess a valid title for it!
++++++++++++++++++++++++++++++++
The answer is:
R U Professional 2


input question: Given the below context:  At his home in Much Hadham, Moore built up a collection of natural objects; skulls, driftwood, pebbles, rocks and shells, which he would use to provide inspiration for organic forms. For his largest works, he usually produced a half-scale, working model before scaling up for the final moulding and casting at a bronze foundry. Moore often refined the final full plaster shape and added surface marks before casting. Moore produced at least three significant examples of architectural sculpture during his career. In 1928, despite his own self-described "extreme reservations", he accepted his first public commission for West Wind for the London Underground Building at 55 Broadway in London, joining the company of Jacob Epstein and Eric Gill. In 1953, he completed a four-part concrete screen for the Time-Life Building in New Bond Street, London, and in 1955 Moore turned to his first and only work in carved brick, "Wall Relief" at the Bouwcentrum in Rotterdam. The brick relief was sculpted with 16,000 bricks by two Dutch bricklayers under Moore's supervision. The aftermath of World War II, The Holocaust, and the age of the atomic bomb instilled in the sculpture of the mid-1940s a sense that art should return to its pre-cultural and pre-rational origins. In the literature of the day, writers such as Jean-Paul Sartre advocated a similar reductive philosophy. At an introductory speech in New York City for an exhibition of one of the finest modernist sculptors, Alberto Giacometti, Sartre spoke of "The beginning and the end of history". Moore's sense of England emerging undefeated from siege led to his focus on pieces characterised by endurance and continuity.  Guess a valid title for it!???
output answer: Henry Moore


[Q]: Given the below context:  During the Blitz, Charlie, Carrie, and Paul are evacuated from London to Pepperinge Eye, where they are placed in the reluctant care of Miss Eglantine Price, who agrees to the arrangement temporarily. The three children attempt to run back to London, but after observing Miss Price attempting to fly on a broomstick, they change their minds. Miss Price reveals she is learning witchcraft through a correspondence school with hopes of using her spells in the British war effort, and offers the children a transportation spell in exchange for their silence. She casts the spell on a bedknob, and adds only Paul can work the spell, since he's the one who handed it to her.  Later, Miss Price receives a letter from her school announcing its closure, thus preventing her from learning the final spell. She convinces Paul to use the enchanted bed to return the group to London, and locate Professor Emelius Browne. They discover Browne is actually a charismatic showman who created the course from an old book, and is surprised to learn the spells actually work for Miss Price. He gives the book to Miss Price, who is distraught to discover the final spell, "Substitutiary Locomotion," is missing. The group travels to Portobello Road to locate the rest of the book. They are approached by Swinburne, who takes them to the Bookman, who possesses the remainder of the book. They exchange their pieces, but learn only the spell was inscribed on a medallion, the Star of Astaroth, that belonged to a sorcerer of that name. The Bookman reveals the medallion may have been taken by a pack of wild animals, given anthropomorphism by Astaroth, to a remote island called Naboombu. It was said in the 17th century, a lascar claimed he saw Naboombu. The Bookman, however, does not believe the island exists, as he looked in every chart for it, until Paul confirms its existence via a storybook.  Guess a valid title for it!
****
[A]:
Bedknobs and Broomsticks