input question: What is the full name of the person that provides the voice of reason opposite the Japanse strong man?  Answer the above question based on the context below:  The film opens on 12 April 1945 with the death of Franklin Roosevelt and the succession of Harry Truman to the presidency. In Europe, the Germans are close to surrender, but in the Pacific the bloody battle for Okinawa is still underway and an invasion of the Japanese home islands is not foreseen until the autumn. American battle casualties have almost reached 900,000, with Japanese casualties at 1.1 million, and some 8 million Asian civilians have died in the war that began with Japan's invasion of Manchuria in 1931. The new president knows nothing about the nuclear weapons being developed at Los Alamos, and he must soon decide on whether to use them and how. The US Secretary of War, Henry Stimson, has doubts even about the wisdom of the American fire-bombing raids on Japan. "One of these Gadgets [bombs]", U.S. Secretary of State James F. Byrnes says, "could end the war in one blow." When nuclear physicist Leo Szilard delivers a petition signed by 73 scientists urging the president not to deploy the bomb, Byrnes tells him: "You do not spend two billion dollars and then show them [American voters] nothing." The film suggests that Byrnes never mentioned Szilard's visit to the president. Also urging deployment is Maj. Gen. Leslie Groves, director of the Manhattan Project. "We've come this far", Groves says; "there's no going back." A demonstration is ruled out because "it might be a dud." In Japan, the strong man is Gen. Anami Korechika, the minister of war, who argues that if the homeland is defended at the cost of every Japanese, the Americans will tire of war and sue for peace. "Surrender is out of the question", he says. The voice of reason is the new civilian prime minister, Suzuki Kantaro, who says in private, "We must end this damned war."???
output answer: Suzuki Kantaro

input question: What is the last name of the person who won the Medal of the City of Paris?  Answer the above question based on the context below:  Toward the end of 1961, Kertész broke his contract to Condé Nast Publishing after a minor dispute, and started doing his own work again.  This later period of his life is often referred to as the "International period", when he gained worldwide recognition and his photos were exhibited in many countries. In 1962 his work was exhibited in Venice; in 1963, he was one of the invited artists of the IV Mostra Biennale Internazionale della Fotografia there and he was awarded a gold medal for his dedication to the photographic industry.  Later in 1963, his work was shown in Paris at the Bibliothèque nationale de France. He later visited Argentina to see his younger brother Jenő for the first time in years.  Kertész experimented with color photographs, but only produced a few. In 1964, soon after John Szarkowski became the photography director at the Museum of Modern Art, he featured Kertész in a solo show. With his work critically acclaimed, Kertész gained recognition in the photographic world as an important artist.  The work of Kertész was featured in numerous exhibitions throughout the world in his later life, even into his early nineties. Due to his newfound success, in 1965 Kertész was appointed as a member of the American Society of Media Photographers. His awards rapidly accumulated:  1974, Guggenheim Fellowship; 1974, Commander of the French Ordre des Arts et des Lettres; 1977, Mayor's Award of Honor for Arts and Culture in New York, 1980 the Medal of the City of Paris, and the first Annual Award of the Association of International Photography Art Dealers in New York; and 1981, honorary Doctorate of Fine Arts from Bard College, and the New York Mayor's Award of Honor for Arts and Culture that year.During this period, Kertész produced a number of new books.  He was able to recover some of the negatives he had left in France decades before. Despite his successes, Kertész still felt unrecognised as a photographer. His last years were spent travelling to various locations around the globe for his exhibitions,...???
output answer: Kertész

input question: What was the name of the album that peaked at number 8 on the charts?  Answer the above question based on the context below:  A significant stylistic shift in the Kinks' music became evident in late 1965, with the appearance of singles like "A Well Respected Man" and "Dedicated Follower of Fashion", as well as the band's third album, The Kink Kontroversy, on which session musician Nicky Hopkins made his first appearance with the group on keyboards. These recordings exemplified the development of Davies' songwriting style, from hard-driving rock numbers toward songs rich in social commentary, observation and idiosyncratic character study, all with a uniquely English flavour.The satirical single "Sunny Afternoon" was the biggest UK hit of summer 1966, topping the charts and displacing the Beatles' "Paperback Writer". Before the release of The Kink Kontroversy, Ray Davies suffered a nervous and physical breakdown, caused by the pressures of touring, writing and ongoing legal squabbles. During his months of recuperation, he wrote several new songs and pondered the band's direction. Quaife was involved in an automobile accident, and after his recovery decided to step back from the band for much of 1966. Bassist John Dalton filled in until Quaife returned to the group at the end of the year."Sunny Afternoon" was a dry run for the band's next album Face to Face, which displayed Davies' growing ability to craft gentle yet cutting narrative songs about everyday life and people. Hopkins returned for the sessions to play various keyboard instruments, including piano and harpsichord. He played on the band's next two studio albums as well, and was involved on a number of their live BBC recordings before joining the Jeff Beck Group in 1968. Face to Face was released in October 1966 in the UK, where it was well received and peaked at number eight. It was released in the US in December and was tipped as a potential "chart winner" by Billboard magazine. Despite this, it managed only a meagre chart peak of 135—a sign of the band's flagging popularity in the American market.The Kinks' next single was a social commentary piece entitled "Dead End...???
output answer:
Face to Face