Please answer the following question: What is the last name of the critic who thought the fifth studio album by the band that released No Code in 1996 was their "...most cohesive album since their 1991 debut, Ten."?  Answer the above question based on the context below:  Following the round of touring for Vitalogy, the band went into the studio to record its follow-up, No Code. Vedder said, "Making No Code was all about gaining perspective." Released in 1996, No Code was seen as a deliberate break from the band's sound since Ten, favoring experimental ballads and noisy garage rockers. David Browne of Entertainment Weekly stated that "No Code displays a wider range of moods and instrumentation than on any previous Pearl Jam album." The lyrical themes on the album deal with issues of self-examination, with Ament stating, "In some ways, it's like the band's story. It's about growing up." Although the album debuted at number one on the Billboard charts, it quickly fell down the charts. No Code included the singles "Who You Are" (sample ), "Hail, Hail", and "Off He Goes". As with Vitalogy, very little touring was done to promote No Code because of the band's refusal to play in Ticketmaster's venue areas. A European tour took place in the fall of 1996. Gossard stated that there was "a lot of stress associated with trying to tour at that time" and that "it was growing more and more difficult to be excited about being part of the band." Following the short tour for No Code, the band went into the studio in 1997 to record its follow-up. The sessions for the band's fifth album represented more of a team effort between all members of the group, with Ament stating that "everybody really got a little bit of their say on the record...because of that, everybody feels like they're an integral part of the band." On February 3, 1998, Pearl Jam released its fifth album, Yield. The album was cited as a return to the band's early, straightforward rock sound. Tom Sinclair of Entertainment Weekly stated that the band has "turned in an intermittently affecting album that veers between fiery garage rock and rootsy, acoustic-based ruminations. Perhaps mindful of their position as the last alt-rock ambassadors with any degree of clout, they've come up with their most cohesive album since their 1991...
Answer:
Sinclair