Question: Given the below context:  A man unveils a valuable painting he picked up for $50,000 and is killed. A card with a large black ace (of spades) is put on his chest. Another "Black Ace" victim. The killer sends his victims a Black Ace card, warning them they are to die and then kills them, his way of taunting the police. Neil Broderick, an author, intends writing a book about him and is on his way to see Thornton Drake to get more information about him. Austin Winters is his secretary and Neil met his daughter Martha on the train, on the way to Chicago. Drake has just received a Black Ace, with the words: "At seven tomorrow night", the time he is to be killed. Two plainclothes cops arrive from police headquarters, having had a call, Clancy and Dugan (both incompetents). Martha suggests that they leave for Drake's Louisiana plantation tomorrow morning and be far away from there at seven tomorrow night. Drake agrees and suggests they all go. On the flight, the lights go off for some seconds and when they come on again, Austin Winters is dead without a mark on him. At the plantation, Clancy ineptly questions the suspects till Neil points out that they are now in another state, so out of their jurisdiction. Neil goes to another room and makes a phone call, then signals to someone outside. After he finishes his call, the line is cut. Meanwhile one of the pilots has taken off in the plane, leaving the other pilot, Henderson, behind who claims he does not know anything though he was out of the cockpit when Winters was killed. The coroner finds a letter on the dead man which is to be read if Winters dies. It will reveal the identity of the Black Ace. Clancy starts reading it aloud and unsurprisingly the lights go off and the letter has vanished when the lights are turned on again. People locked in their rooms that night and Neil has a hidden car outside signal to him.  Guess a valid title for it!
Answer: Tomorrow at Seven

Question: Given the below context:  The crew of a malfunctioning alien cargo ship make an emergency landing on Earth. This draws the attention of four sexually-frustrated humans in a nearby park: Oliver and Prudence (a mild-mannered professional and his highly-strung fiancée), Willy (a bumbling shop assistant) and Cliff (a middle-aged man). Oliver, Prudence, Willy and Cliff wander into the ship and encounter three aliens resembling human women: engineer Partha, nurse Cosia and the captain, known only as Skipper. Willy inadvertently drops some pornographic magazines that he has recently bought. The aliens mistake some approaching cows for a hostile force and hurriedly take off, despite warnings from the long-suffering computer about the precarious state of the ship's systems. Resuming their original course, they study their guests in detail. Fascinated by the anatomy of the males, they decide to sell them to a zoo for exotic lifeforms on a distant planet. They also debate the significance of the acts depicted in Willy's magazines. Partha is particularly keen to emulate them and enthusiastically has sex with Cliff. Skipper, Cosia and Partha subject the males to a series of tests to learn more about their abilities. Oliver and Cliff fail miserably. However, Willy, looking for his magazines, beats Skipper's combat simulation by unknowingly evading her attacks, causing her to collapse with exhaustion and infer that he is a stronger being. While conducting a physical examination on Willy, Cosia discovers that his biology is more advanced than anything known to their species; encouraging Cosia with exaggerated claims about his sexual prowess, Willy loses his virginity to her. Later, he passes an intelligence test by a fluke and has sex with Partha.  Guess a valid title for it!
Answer: Spaced Out (film)

Question: Given the below context:  Despite his lack of experience in composing film music, Prokofiev began his Kijé score confidently, later writing: "I somehow had no doubts whatever about the musical language for the film". He told the producers, "What is important to me is the era, the internal meaning of each event, the personality of each hero", and warned them not to expect mere musical "illustrations". He attended rehearsals and made detailed notes of the action and the acting. The period setting of the film appealed to Prokofiev; Robinson comments that the Kijé score is one of several works, including the Classical Symphony, The Love of Three Oranges, Cinderella, and War and Peace, that show "the composer's fondness for the eighteenth century". The language he chose combined elements of humour and romance with an underlying melancholy—he interpreted the story as more tragic than comic. Prokofiev had heard Ravel's Boléro in Paris, and had been much impressed by the French composer's use of the saxophone, an instrument then rarely used in orchestral compositions outside France but which suited Prokofiev's intentions perfectly. The composer Gerard McBurney has pointed out the "haunting sounds of the tenor saxophone" that punctuate the Kijé music.The critic Ernest Chapman refers to Prokofiev's "unfailingly witty and melodious score". It comprises only about 15 minutes of music, written as a series of 16 short fragments or leitmotifs which are repeated at appropriate times during the film's duration, to highlight specific moments in the drama. This approach was a departure in film music from the established form of broad symphonic movements, and was described by Prokofiev's biographer Daniel Jaffé as "well ahead of its time ... one of the most celebrated [film scores] of that era".  Guess a valid title for it!
Answer:
Lieutenant Kijé (Prokofiev)