Please answer this: Given the below context:  A young woman in labour makes her way to a parish workhouse and dies after giving birth to a boy, who is systematically named Oliver Twist by the workhouse authorities. As the years go by, Oliver and the rest of the child inmates suffer from the callous indifference of the officials in charge: beadle Mr. Bumble and matron Mrs. Corney. At the age of nine, the hungry children draw straws; Oliver loses and has to ask for a second helping of gruel ("Please sir, I want some more"). For his impudence, he is promptly apprenticed to the undertaker Mr. Sowerberry, from whom he receives somewhat better treatment. However, when another worker, Noah, maligns his dead mother, Oliver flies into a rage and attacks him, earning the orphan a whipping. Oliver runs away to London. The Artful Dodger, a skilled young pickpocket, notices him and takes him to Fagin, an old Jew who trains children to be pickpockets. Fagin sends Oliver to watch and learn as the Dodger and another boy try to rob Mr. Brownlow, a rich, elderly gentleman. Their attempt is detected, but it is Oliver who is chased through the streets by a mob and arrested. A witness clears him. Mr. Brownlow takes a liking to the boy, and gives him a home. Oliver experiences the kind of happy life he has never had before, under the care of Mr. Brownlow and the loving housekeeper, Mrs. Bedwin. Meanwhile, Fagin is visited by the mysterious Monks, who has a strong interest in Oliver. He sends Monks to Bumble and Mrs. Corney (now Bumble's domineering wife); Monks buys from them the only thing that can identify Oliver's parentage, a locket containing his mother's portrait.  Guess a valid title for it!
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Answer: Oliver Twist (1948 film)


Problem: Given the below context:  The premiere, originally planned for 14 September 1863, was postponed to the 30th because of the illness of the soprano lead, Léontine de Maësen. The first-night audience at the Théâtre Lyrique received the work well, and called for Bizet at the conclusion. The writer Louis Gallet, who later would provide several librettos for Bizet, described the composer on this occasion as "a little dazed ... a forest of thick curly hair above a round, still rather childish face, enlivened by the quick brown eyes..." The audience's appreciation was not reflected in the majority of the press reviews, which generally castigated both the work and what they considered Bizet's lack of modesty in appearing on stage. Gustave Bertrand in Le Ménestrel wrote that "this sort of exhibition is admissible only for a most extraordinary success, and even then we prefer to have the composer dragged on in spite of himself, or at least pretending to be". Another critic surmised that the calls for the composer had been orchestrated by a "claque" of Bizet's friends, strategically distributed.Of the opera itself, Benjamin Jouvin of Le Figaro wrote: "There were neither fishermen in the libretto nor pearls in the music". He considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner". Bertrand compared the work unfavourably with those of contemporary French composers such as Charles Gounod and Félicien David. "Nevertheless", he wrote, "there is a talent floating in the midst of all these regrettable imitations". Hector Berlioz was a voice apart in the general critical hostility; his review of the work in Journal des Débats praised the music's originality and subtlety: "The score of Les pêcheurs de perles does M. Bizet the greatest honour", he wrote. Among Bizet's contemporaries, the dramatist Ludovic Halévy wrote that this early work announced Bizet as a composer of quality: "I persist in finding in [the score] the rarest virtues". The youthful composer Émile Paladilhe told his father...  Guess a valid title for it!

A: Les pêcheurs de perles


Q: Given the below context:  Immediately southeast of Mount Cayley lies Mount Fee, an extensively eroded volcano containing a north-south trending ridge. It has an elevation of 2,162 m (7,093 ft) and is one of the older volcanic features in the Mount Cayley volcanic field. Its volcanics are undated, but its large amount of dissection and evidence of glacial ice overriding the volcano indicates that it formed more than 75,000 years ago before the Wisconsinan Glaciation. Therefore, volcanism at Mount Fee does not display evidence of interaction with glacial ice. The remaining products from Fee's earliest volcanic activity is a minor portion of pyroclastic rock. This is evidence of explosive volcanism from Fee's eruptive history, as well as its first volcanic event. The second volcanic event produced a sequence of lavas and breccias on the eastern flank of the main ridge. These volcanics were likely deposited when a sequence of lava flows and broken lava fragments erupted from a volcanic vent and moved down the flanks during the construction of a large volcano. Following extensive dissection, renewed volcanism produced a viscous series of lava flows forming its narrow, flat-topped, steep-sided northern limit and the northern end of the main ridge. The conduit for which these lava flows originated from was likely vertical in structure and intruded through older volcanics deposited during Fee's earlier volcanic events. This volcanic event was also followed by a period of erosion, and likely one or more glacial periods. Extensive erosion following the last volcanic event at Mount Fee has created the rugged north-south trending ridge that currently forms a prominent landmark.Pali Dome, located north and northeast of Mount Cayley, is an eroded volcano in the central Mount Cayley volcanic field. Like Cauldron Dome, it consists of two geological units. Pail Dome East is composed of a mass of andesite lava flows and small amounts of pyroclastic material. It lies on the eastern portion of the Powder Mountain Icefield. Much of the lava flows form...  Guess a valid title for it!
A:
Mount Cayley volcanic field 4