Question: Given the below context:  Trailer  On New Year's Eve in 1997, Shane Batesman organizes a big party to which he invites all of his friends and classmates, but around 200 guests show up. In the house across the street the McIntoshes are also celebrating with some friends, but they are disturbed by the noise. Bob the householder decides to go looking for Shane to ask him to turn down the volume. Bob can not find Shane, who is away buying more alcohol for the unexpected guests, and finds himself in what presumably is the master bedroom. Here a group of boys has secluded themselves away to drink and take drugs. Bob, knowing the father of Shane, asks the boys to get out but they react badly, attacking him. Bob is found on the ground severely injured, and the intervention of the ambulance is useless. He dies during the ride to hospital. Katy, Bob's widow, is distraught. After learning that her husband did not die of a heart attack as was initially hypothesized, but was murdered, she seeks justice. She presses on Jackson, the detective, to find the culprit. They come up against the silence of the boys and their parents, who do everything to protect them. The community is also opposed to Katy because they feel she is persecuting innocent young people. Just when you think Katy is throwing in the towel, one of the boys sends an anonymous email which sheds a new light on the investigation That light is Jordan, who has realized that her boyfriend Ryan is hiding something. Ryan is arrested but at first does not want to answer questions from the police. Then Katy convinces him to tell the truth about the incident and promises that in return he will have all her support. Ryan decides to confess, and admits that he was the one who hit Bob repeatedly and kicked him, while his friends only shoved him. He blames the influence of alcohol. Ryan was sentenced to five years in prison and, once released, he and Katy start speaking at high schools to warn young people about the dangers of alcohol.  Guess a valid title for it!
Answer: Bond of Silence

Question: Given the below context:  Sir Edwin Lutyens was among the most distinguished architects for war memorials in Britain. He became a nationally renowned designer of war memorials following his work as an adviser to (and later one of the principal architects for) the Imperial War Graves Commission and his design for the Cenotaph on London's Whitehall. As well as dozens of public war memorials in towns and cities across Britain, Lutyens designed several private memorials to individual casualties, usually the sons of friends or clients. Many were heirs to the country houses Lutyens had built earlier in his career, as in Mells where he renovated the manor at the beginning of the 20th century. His work in Mells arose through his friend and collaborator Gertrude Jekyll, who introduced him to the Horners through a family connection. Lutyens established a friendship which led to multiple commissions in the village. In addition to his work on the manor, he redesigned its gardens and worked on several related buildings and structures, and after the war was responsible for a tribute to Raymond Asquith (Edward's brother-in-law), also located in St Andrew's Church, and the village war memorial. Lutyens designed two other memorials to Horner: a wooden board featuring a description of the events leading up to his death, which was placed on a wall in the family chapel in St Andrew's Church; and a stone tablet in Cambrai Cathedral.Alfred Munnings was a painter specialising in horses. He volunteered for military service at the outbreak of war but was deemed unfit due to lack of sight in one eye. He volunteered to tend to army horses and was later recruited as a civilian war artist attached to Canadian cavalry. In 1919, he was beginning to move into sculpture. The Horner memorial was his first public work of sculpture, for which Lutyens commissioned him based on a pre-existing friendship. The work led to several further commissions for equine statues, including from the Jockey Club for a sculpture of the racehorse Brown Jack at Epsom Downs Racecourse....  Guess a valid title for it!
Answer: Equestrian statue of Edward Horner

Question: Given the below context:  Deal began recording again in 1999, first in Austin, Texas, and then at Electrical Audio studio in Chicago with Steve Albini, with whom she had previously worked on Pod, Pacer, and the Pixies' album Surfer Rosa. Although Deal performed most of the instruments herself at the 1999 sessions, her sister had some involvement. They recorded "The She", "Forced to Drive", and "Too Alive" in Chicago, with Deal's drum performance on the third track taken from the Texas session.Deal was satisfied with the material recorded up to this point, but realized she would not be able to tour without a band. She returned to New York to look for a backing group in March 2000. After a chance meeting with members of Fear, she invited drummer Andrew Jaimez, bassist Mando Lopez, and guitarist Richard Presley to jam with her at the studio she was renting. Deal wanted to continue playing with these musicians, and so within three months she moved to Fear's hometown Los Angeles. Jaimez, Lopez, and Presley joined the Breeders, and Kelley Deal rejoined the group soon after. About a month after Kim Deal's arrival, Jose Medeles replaced Jaimez, who decided he did not have enough time for the Breeders because of his involvement in other musical projects. The new line-up spent the rest of the year writing and rehearsing.The Breeders returned to Chicago in mid-2001 to continue recording with Albini. "Little Fury", "London Song", "Off You", "Put on a Side", "Full on Idle", "T and T", and "Huffer" were recorded in 2001. At some point from 2000 to 2002, the group spent time at the Grandmaster Recording Ltd. studio in Los Angeles. The session at Grandmaster Recording, engineered by Mark Arnold and Andrew Alekel, resulted in "Son of Three" and "Sinister Foxx". "Fire the Maid", a song from these sessions written and sung by Kelley Deal, was performed in concert in 2000 and 2001 but was not included on the album.Kelley Deal has stated that "Little Fury" and "Sinister Foxx" started as "just ideas" by the sisters that turned into full collaborations by...  Guess a valid title for it!
Answer:
Title TK