Question: What is first name of the person who gave Prince's Minneapolis sound a distinctly feminine spin?  Answer the above question based on the context below:  Music critic J. D. Considine noted "on albums, Jackson's sound isn't defined by her voice so much as by the way her voice is framed by the lush, propulsive production of Jimmy Jam and Terry Lewis." Wendy Robinson of PopMatters said "the power of Janet Jackson's voice does not lie in her pipes. She doesn't blow, she whispers ... Jackson's confectionary vocals are masterfully complemented by gentle harmonies and balanced out by pulsing rhythms, so she's never unpleasant to listen to."Matthew Perpetus of Fluxblog suggested Jackson's vocal techniques as a study for indie rock music, considering it to possess "a somewhat subliminal effect on the listener, guiding and emphasizing dynamic shifts without distracting attention from its primal hooks." Perpetus added: "Her voice effortlessly transitions from a rhythmic toughness to soulful emoting to a flirty softness without overselling any aspect of her performance ... a continuum of emotions and attitudes that add up to the impression that we're listening to the expression of a fully-formed human being with contradictions and complexities."Jackson's music has encompassed a broad range of genres. Her records from the 1980s have been described as being influenced by Prince, as her producers are ex-members of the Time. Sal Cinquemani wrote that in addition to defining Top 40 radio, she "gave Prince's Minneapolis sound a distinctly feminine—and, with songs like 'What Have You Done for Me Lately?,' 'Nasty,' 'Control,' and 'Let's Wait Awhile,' a distinctly feminist—spin."On Control, Richard J. Ripani documented that she, Jam and Lewis had "crafted a new sound that fuses the rhythmic elements of funk and disco, along with heavy doses of synthesizers, percussion, sound effects, and a rap music sensibility." Author Rickey Vincent stated that she has often been credited for redefining the standard of popular music with the industrial-strength beats of the album. She is considered a trendsetter in pop balladry, with Richard Rischar stating "the black pop ballad of the mid-1980s...
Answer: Janet

Question: What is the name of the daughter of the woman that is struggling to adapt to her new home?  Answer the above question based on the context below:  The film opens in St. Louis, Missouri, on Lutie Cameron's (Katharine Hepburn) wedding day. She has had a short courtship with a cattle rancher of New Mexico. As she dresses, she receives a telegram from her fiancé Col. Brewton telling her to board the train for New Mexico to marry him in the small town of Salt Fork. The first person she meets in town is Brice Chamberlain, who warns her of likely unhappiness with Brewton, locally considered a tyrant. He takes her to the courthouse, where she sees Brewton testifying against a settler who had tried to stake a claim to part of the government-owned land where Brewton runs his cattle.   Back at the ranch, Brewton takes her out to see the vast prairie. He explains how he had fought with Indians to run his cattle there and to make it fit for ranching. He runs his cattle on government-owned land, and opposes homesteaders because he believes the Great Plains do not get enough rain to sustain farming. Lutie struggles to understand Brewton's attraction to the forbidding prairie, but she tries to make the most of her new home. She convinces Brewton to allow a family of settlers onto the ranch, because she had befriended one of them. Brewton warns her that the settlers will not last more than six months, due to some unforeseeable, but certain, circumstance. When Lutie visits the settlers as they build their sod house, she is surprised to see Chamberlain. He is visiting the settlers because he had helped them file their claim on the land. He rides with Lutie on her way back home and confesses his attraction to her. Lutie confesses her struggles to adapt to her new home and her husband's emotional distance. Lutie gives birth to a daughter, Sara Beth.
Answer: Sara Beth

Question: What was developed by the federal government as a segregated community?  Answer the above question based on the context below:  The Clinton Engineer Works (CEW) was the production installation of the Manhattan Project that during World War II produced the enriched uranium used in the 1945 bombing of Hiroshima, as well as the first examples of reactor-produced plutonium. It consisted of production facilities arranged at three major sites, various utilities including a power plant, and the town of Oak Ridge. It was in East Tennessee, about 18 miles (29 km) west of Knoxville, and was named after the town of Clinton, eight miles (13 km) to the north. The production facilities were mainly in Roane County, and the northern part of the site was in Anderson County. The Manhattan District Engineer, Kenneth Nichols, moved the Manhattan District headquarters from Manhattan to Oak Ridge in August 1943. During the war, Clinton's advanced research was managed for the government by the University of Chicago. Construction workers were housed in a community known as Happy Valley. Built by the Army Corps of Engineers in 1943, this temporary community housed 15,000 people. The township of Oak Ridge was established to house the production staff. The operating force peaked at 50,000 workers just after the end of the war. The construction labor force peaked at 75,000 and the combined employment peak was 80,000. The town was developed by the federal government as a segregated community; black residents lived only in an area known as Gamble Valley, in government-built "hutments" (one-room shacks) on the south side of what is now Tuskegee Drive.
Answer:
Oak Ridge