Given the below context:  Stanford did not employ a full-time professor in religion until 1951 and did not establish a religious studies department until 1973, later than most other universities in the U.S.  Earlier courses in religion were largely offered by the chaplains of Stanford Memorial Church.  David Charles Gardner offered a course in Biblical history and literature beginning in 1907, and by 1910, he was teaching New Testament Greek and Bible classes.  Gardner's successor, D. Elton Trueblood, whose goal was the establishment of a non-denominational graduate school in religious studies at Stanford, taught classes about the philosophy of religion.  In 1941 Trueblood's efforts to expand the study of religion resulted in the creation of a minor in religion, as well as twenty-one courses offered by him and four faculty members.  By 1960, the chaplains of Stanford Memorial Church no longer had to run the program, which had expanded to allow students the option of majoring in the study of religion.  By the mid-1960s, the religious studies program at Stanford was enjoying "enormous success".In the 1960s, the study of religion at Stanford began to focus more on social and ethical issues like race and the Vietnam War.  Leading this focus was Stanford Memorial Church Dean of the Chapel and Professor of Religion B. Davie Napier, who was "a powerful critic of U.S. policy in Vietnam".  Napier, along with Stanford professors Michael Novak and Robert McAfee Brown, who had previously been faculty members of seminaries, were the subject of a Time Magazine article in 1966, describing "the renaissance of faith and learning at Stanford".  Students crowded into the church to hear anti-war speeches by them, as well as by "notables" such as Linus Pauling and William Sloan Coffin.  Harvey credited Napier for making the church a popular meeting place on campus for undergraduates and for turning it into "Christian theater—the introduction of jazz and other types of experimental worship as well as provocative preaching".Stanford University was the first...  Guess a valid title for it!
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Answer: Stanford Memorial Church


Given the below context:  In December 2008, MTV reported that DJ AM would be making his first appearance with Barker since the two survived the plane crash. The duo performed at New Year's Nation's Los Angeles 2008 New Year's Eve Party. That same month it was reported that Goldstein had split from Moore and was dating model Haley Wood. In April 2009, Goldstein left his position at Caesars Palace to become Rain Nightclub's regular Friday night DJ in the Palms Casino Resort, Las Vegas.Goldstein filmed a cameo for the movie Iron Man 2 in June 2009, appearing as himself deejaying at the birthday party of Tony Stark (played by Robert Downey Jr.). Jon Favreau, the film's director, said that he was a fan of Goldstein; the cameo was supposed to be filmed in one day but the crew and Downey Jr. took a liking to Goldstein and his stay on set extended to approximately one week. He set up turntables and gave Favreau tips on how to DJ in between takes. Goldstein was involved with Activision's DJ Hero video game, contributing original mixes to and also appearing as a playable character. Goldstein and Barker performed at an Electronic Entertainment Expo event promoting the game in 2009. Goldstein was the host of Gone Too Far, a drug intervention reality show for MTV. He had approached MTV in mid-2008, pitching the idea of a reality show that focused on his life to Tony DiSanto. DiSanto said that such shows were declining in popularity, and instead suggested a drug intervention show to which Goldstein agreed. The show was still in pre-production when Goldstein was injured in the plane crash. Following the crash, the show's producer Cheryl Sirulnick said she assumed the show would not go ahead, but Goldstein insisted on continuing. Eight episodes were filmed; three days before his death, Goldstein tweeted that filming had been completed.  Guess a valid title for it!
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Answer: DJ AM


Given the below context:  In 1929 young Brooklynite Moss Hart, influenced by the great playwrights, devotes his leisure time to writing for the theater. Failing in his aspirations, however, he accepts a job as social director in the Catskills and then stages plays at the YMHA in Newark.  Eventually he takes the advice of agent Richard Maxwell and writes a comedy, Once in a Lifetime, which deals with the early days of Hollywood films, despite the fact that his knowledge of the movie industry is derived from the pages of Variety.  After being subsidized by a friend, Joe Hyman, he sends the manuscript to producer Warren Stone, who promises a decision within a week. When months pass without any word, Hart's friends sneak a copy of the play to Sam Harris, who agrees to produce it if George Kaufman will collaborate on the script and also direct.  Although Kaufman consents, the Atlantic City opening is a failure, and he considers quitting until Hart comes up with an idea that both men feel will turn the play into a hit. It finally opens to rave reviews in New York City in September 1930, thus beginning the long-lasting Kaufman-Hart collaboration.  Guess a valid title for it!
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Answer:
Act One (film)