Question: Given the following context:  The film stars Don McKellar as Pokey Jones, an orphaned barber in a small town near Thunder Bay, who dreams of becoming a jazz musician. One morning, Jones discovers a frozen corpse in his backyard, and soon meets Jackie Bangs, a tough and mysterious roadie who claims the dead man is her brother. Jackie's real intention is to use the body, a vagrant unknown to anyone in town, to smuggle stolen drugs into the United States. She convinces Pokey to use his parents' car, which has not been driven in decades, to drive her to New Orleans to bury her brother. So Jackie and Pokey set out along Highway 61, coffin strapped to the top of the car, and follow Bob Dylan's famous U.S. Highway 61 south through the heart of the United States. They are pursued by Mr. Skin, who believes he is Satan and wants to claim the body because the dead man sold Mr. Skin his soul. Peter Breck is fourth-billed as Mr. Watson, the "stage-mom" father of three girls: Mississippi, Minnesota, and Louisiana. The film also includes cameo appearances by Tav Falco, Jello Biafra, and Art Bergmann. The film's soundtrack album includes songs by Bourbon Tabernacle Choir, Rita Chiarelli, Nash the Slash, Acid Test, Jellyfishbabies, and Tom Jones. Nash the Slash also composed the film's instrumental score. In 2001, Playback named Highway 61 the 15th best Canadian film since 1986. McDonald won "Best Director" honours at both San Sebastián International Film Festival and Brussels International Festival of Fantasy Film, two of the top festivals in the world.  answer the following question:  What job did Jackie do before meeting Pokey?
Answer: roadie

Question: Given the following context:  Burges died, aged 53, in his Red Bed at the Tower House, at 11.45 p.m. on Wednesday 20 April 1881. While on a tour of works at Cardiff, he caught a chill and returned to London, half-paralysed, where he lay dying for some three weeks. Among his last visitors were Oscar Wilde and James Whistler. He was buried in the tomb he designed for his mother at West Norwood, London. On his death, John Starling Chapple, Burges's office manager and close associate for more than twenty years, wrote "a constant relationship ... with one of the brightest ornaments of the profession has rendered the parting most severe. Thank God his work will live and ... be the admiration of future students. I have hardly got to realize my lonely position yet. He was almost all the world to me." Lady Bute, wife of his greatest patron, wrote, "Dear Burges, ugly Burges, who designed such lovely things – what a duck." In Saint Fin Barre's, together with memorials to his mother and sister, there is a memorial plaque to Burges, designed by him, and erected by his father. It shows the King of Heaven presiding over the four apostles, who hold open the Word of God. Under the inscription "Architect of this cathedral" is a simple shield and a small, worn, plaque with a mosaic surround, bearing Burges's entwined initials and name. Legal complications obstructed Burges's wish to be buried in the cathedral he had built. Burges's own words on Saint Fin Barre's, in his letter of January 1877 to the Bishop of Cork, sum up his career, "Fifty years hence, the whole affair will be on its trial and, the elements of time and cost being forgotten, the result only will be looked at. The great questions will then be, first, is this work beautiful and, secondly, have those to whom it was entrusted, done it with all their heart and all their ability."  answer the following question:  What is the name of the person Oscar Wilde visited on their death bed?
Answer: Burges

Question: Given the following context:  The Rokeby Venus is the only surviving nude by Velázquez, but three others by the artist are recorded in 17th-century Spanish inventories. Two were mentioned in the Royal collection, but may have been lost in the 1734 fire that destroyed the main Royal Palace of Madrid. A further one was recorded in the collection of Domingo Guerra Coronel. These records mention "a reclining Venus", Venus and Adonis, and a Psyche and Cupid.Although the work is widely thought to have been painted from life, the identity of the model is subject to much speculation. In contemporary Spain it was acceptable for artists to employ male nude models for studies; however, the use of female nude models was frowned upon. The painting is believed to have been executed during one of Velázquez's visits to Rome, and Prater has observed that in Rome the artist "did indeed lead a life of considerable personal liberty that would have been consistent with the notion of using a live nude female model". It has been claimed that the painting depicts a mistress Velázquez is known to have had while in Italy, who is supposed to have borne his child. Others have claimed that the model is the same as in Coronation of the Virgin and Las Hilanderas, both in the Museo del Prado, and other works.The figures of both Venus and Cupid were significantly altered during the painting process, the result of the artist's corrections to the contours as initially painted. Pentimenti can be seen in Venus's upraised arm, in the position of her left shoulder, and on her head. Infra-red reveals that she was originally shown more upright with her head turned to the left. An area on the left of the painting, extending from Venus's left foot to the left leg and foot of Cupid, is apparently unfinished, but this feature is seen in many other works by Velázquez and was probably deliberate. The painting was given a major cleaning and restoration in 1965–66, which showed it to be in good condition, and with very little paint added later by other artists, contrary to what some...  answer the following question:  What is the title of the painting given a major cleaning and restoration in 1965–66?
Answer:
Rokeby Venus