instruction:
In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
question:
Passage: "The World Is Not Enough" received mainly positive reviews from music critics. Kerrang! magazine noted that "Nothing takes a band into the truly immortal like a Bond theme, and Garbage's ever-burgeoning celebrity will be done no harm whatsoever by this appropriately lush and orchestral anthem." A Radio Times reviewer wrote that the song "sounds like Shirley Bassey revisited", while AllMusic's Steve Thomas Erlewine wrote that Garbage "expertly modernized the classic Bond sound, while turning in a strong melodic tune. A first class theme song". PopMatters called the song a "top-notch Bond theme", following the Shirley Bassey template. In a Billboard review, Chuck Taylor wrote that Garbage was an inspired choice and the song "rings of international intrigue, with the slinky gait, noir-ish guitar line and grand chorus we have come to expect ... the song's darkly sexy, electronic ambience is wholly in keeping with Garbage's distinctive soundprint. [It is] not only the best 007 theme in eons, it is a great Garbage track that should thrill fans of band and Bond alike". IGN ranked "The World Is Not Enough" ninth on its list of top 10 James Bond songs: "Shirley Manson's warbling croon is a perfect fit for an opening sequence and her bandmates gel well with Arnold's sweeping symphonics."Negative reviews revolved around the theme's classic Bond sound. LAUNCHcast's James Poletti called the song a "perfectly competent Bond theme", but "the formula seems a little too easy. Perhaps they would have done better to rise to the challenge of doing something a little different, something a little more knowingly tongue-in-cheek." Melody Maker stated, "You know what this sounds like before you hear it. If the people in charge want Garbage, then why not let them do what Garbage do?" In its review of Absolute Garbage, Pitchfork called the song a "predictable 'Goldfinger' permutation signaling the band's limitless affinity for big-budget theatrics."The song appeared in two "best of 1999" radio-station polls: number 87 in 89X's Top 89 Songs of 1999 and number 100 in Q101's Top 101 of 1999. In 2012 Grantland ranked "The World Is Not Enough" the second-best Bond song of all time, behind "Goldfinger".
answer:
What is the full name of the person whose bandmates gel well with Arnold's sweeping symphonics?


question:
Passage: In mid-1917 nine-year-old Frances Griffiths and her mother—both newly arrived in the UK from South Africa—were staying with Frances' aunt, Elsie Wright's mother, in the village of Cottingley in West Yorkshire; Elsie was then 16 years old. The two girls often played together beside the beck (stream) at the bottom of the garden, much to their mothers' annoyance, because they frequently came back with wet feet and clothes. Frances and Elsie said they only went to the beck to see the fairies, and to prove it, Elsie borrowed her father's camera, a Midg quarter-plate. The girls returned about 30 minutes later, "triumphant".Elsie's father, Arthur, was a keen amateur photographer, and had set up his own darkroom. The picture on the photographic plate he developed showed Frances behind a bush in the foreground, on which four fairies appeared to be dancing. Knowing his daughter's artistic ability, and that she had spent some time working in a photographer's studio, he dismissed the figures as cardboard cutouts. Two months later the girls borrowed his camera again, and this time returned with a photograph of Elsie sitting on the lawn holding out her hand to a 1-foot-tall (30 cm) gnome. Exasperated by what he believed to be "nothing but a prank", and convinced that the girls must have tampered with his camera in some way, Arthur Wright refused to lend it to them again. His wife Polly, however, believed the photographs to be authentic.
Towards the end of 1918, Frances sent a letter to Johanna Parvin, a friend in Cape Town, South Africa, where Frances had lived for most of her life, enclosing the photograph of herself with the fairies. On the back she wrote "It is funny, I never used to see them in Africa. It must be too hot for them there."The photographs became public in mid-1919, after Elsie's mother attended a meeting of the Theosophical Society in Bradford. The lecture that evening was on "fairy life", and at the end of the meeting Polly Wright showed the two fairy photographs taken by her daughter and niece to the speaker. As a result, the photographs were displayed at the society's annual conference in Harrogate, held a few months later. There they came to the attention of a leading member of the society, Edward Gardner. One of the central beliefs of theosophy is that humanity is undergoing a cycle of evolution, towards increasing "perfection", and Gardner recognised the potential significance of the photographs for the movement:
the fact that two young girls had not only been able to see fairies, which others had done, but had actually for the first time ever been able to materialise them at a density sufficient for their images to be recorded on a photographic plate, meant that it was possible that the next cycle of evolution was underway.
answer:
What are the full names of the girls who had taken the photographs that Polly Wright showed at the meeting?


question:
Passage: Serving with the Eighth Army, Wheeler was present in North Africa when the Axis armies pushed the Allies back to El Alamein. He was also part of the Allied counter-push, taking part in the Second Battle of El Alamein and the advance on Axis-held Tripoli. On the way he became concerned that the archaeological sites of North Africa were being threatened both by the fighting and the occupying forces. After the British secured control of Libya, Wheeler visited Tripoli and Leptis Magna, where he found that Roman remains had been damaged and vandalised by British troops; he brought about reforms to prevent this, lecturing to the troops on the importance of preserving archaeology, making many monuments out-of-bounds, and ensuring that the Royal Air Force changed its plans to construct a radar station in the midst of a Roman settlement. Aware that the British were planning to invade and occupy the Italian island of Sicily, he insisted that measures be introduced to preserve the historic and archaeological monuments on the island.Promoted to the rank of brigadier, after the German surrender in North Africa, Wheeler was sent to Algiers where he was part of the staff committee planning the invasion of Italy. There, he learned that the India Office had requested that the army relieve him of his duties to permit him to be appointed Director General of Archaeology in India. Although he had never been to the country, he agreed that he would take the job on the condition that he be permitted to take part in the invasion of Italy first. As intended, Wheeler and his 12th Anti-Aircraft Brigade then took part in the invasion of Sicily and then mainland Italy, where they were ordered to use their anti-aircraft guns to protect the British 10th Corps. As the Allies advanced north through Italy, Wheeler spent time in Naples and then Capri, where he met various aristocrats who had anti-fascist sympathies.Wheeler left Italy in November 1943 and returned to London. There, he resigned as the director of the London Museum and focused on organising the Institute of Archaeology, preparing it for its adoption of a new director, V. Gordon Childe, after the war. He also resigned as director of the Society of Antiquaries, but was appointed the group's representative to the newly formed Council for British Archaeology. He developed a relationship with a woman named Kim Collingridge, and asked her to marry him. As she was a devout Roman Catholic, he officially converted to the religion, something which shocked many of his friends, who believed that he was being dishonest because he did not genuinely believe in the doctrines of the faith. He then set sail for Bombay aboard a transport ship, the City of Exeter, in February 1944.
answer:
What was the name of the country where Wheeler had never been and agreed that he would take a job on the condition that he be permitted to take part in the invasion of Italy first?