Given the below context:  Louis Salinger, an Interpol detective, and Eleanor Whitman, an Assistant District Attorney from Manhattan, are investigating the International Bank of Business and Credit, which funds activities such as money laundering, terrorism, arms trading, and the destabilization of governments. Salinger's and Whitman's investigation takes them from Berlin to Milan, where the IBBC assassinates Umberto Calvini, an arms manufacturer who is an Italian prime ministerial candidate. The bank's assassin diverts suspicion to a local assassin with political connections, who is promptly killed by a corrupt policeman. Salinger and Whitman get a lead on the second assassin, but the corrupt policeman shows up again and orders them out of the country. At the airport they are able to check the security camera footage for clues on the whereabouts on the bank's assassin, and follow a suspect to New York City. In New York, Salinger and Whitman are met by two New York Police Department detectives, Iggy Ornelas and Bernie Ward, who have a photograph of the assassin's face when he arrived in New York airport. Salinger, Ornelas, and Ward locate Dr. Isaacson to whose practice the assassin's leg brace has been traced. They find the assassin and follow him to the Solomon R. Guggenheim Museum. Jonas Skarssen, the chairman of the IBBC, reveals to his senior men White and Wexler that the bank had Calvini killed so that they could deal with his sons to buy missile guidance systems in which the bank has invested. Since the bank knows that Salinger and Whitman are close to finding their assassin, they send a hit team to kill him at a meeting between him and his handler, Wexler. Wexler leaves and is arrested by Ornelas. As Salinger speaks to the assassin, a shootout at the Guggenheim erupts when a number of gunmen attempt to kill them with automatic weapons. They escape, but the assassin is mortally wounded.  Guess a valid title for it!
Ans: The International (2009 film)

Given the below context:  Poulenc made his début as a composer in 1917 with his Rapsodie nègre, a ten-minute, five-movement piece for baritone and chamber group; it was dedicated to Satie and premiered at one of a series of concerts of new music run by the singer Jane Bathori. There was a fashion for African arts in Paris at the time, and Poulenc was delighted to run across some published verses purportedly Liberian, but full of Parisian boulevard slang. He used one of the poems in two sections of the rhapsody. The baritone engaged for the first performance lost his nerve on the platform, and the composer, though no singer, jumped in. This jeu d'esprit was the first of many examples of what Anglophone critics came to call "leg-Poulenc". Ravel was amused by the piece and commented on Poulenc's ability to invent his own folklore. Stravinsky was impressed enough to use his influence to secure Poulenc a contract with a publisher, a kindness that Poulenc never forgot. In completely arbitrary fashion Collet chose the names of six composers, Auric, Durey, Honegger, Poulenc, Tailleferre and myself, for no other reason than that we knew each other, that we were friends and were represented in the same programmes, but without the slightest concern for our different attitudes and our different natures. Auric and Poulenc followed the ideas of Cocteau, Honegger was a product of German Romanticism and my leanings were towards a Mediterranean lyrical art ... Collet's article made such a wide impression that the Groupe des Six had come into being. Cocteau, though similar in age to Les Six, was something of a father-figure to the group. His literary style, "paradoxical and lapidary" in Hell's phrase, was anti-romantic, concise and irreverent. It greatly appealed to Poulenc, who made his first setting of Cocteau's words in 1919 and his last in 1961. When members of Les Six collaborated with each other, they contributed their own individual sections to the joint work. Their 1920 piano suite L'Album des Six consists of six separate and unrelated pieces....  Guess a valid title for it!
Ans: Francis Poulenc

Given the below context:  After learning that Texian troops had attacked Castañeda at Gonzales, Cos made haste for Béxar. Unaware of his departure, on October 6, Texians in Matagorda marched on Presidio La Bahía in Goliad to kidnap him and steal the $50,000 that was rumored to accompany him. On October 10, approximately 125 volunteers, including 30 Tejanos, stormed the presidio.  The Mexican garrison surrendered after a thirty-minute battle. One or two Texians were wounded and three Mexican soldiers were killed with seven more wounded.The Texians established themselves in the presidio, under the command of Captain Philip Dimmitt, who immediately sent all the local Tejano volunteers to join Austin on the march to Béxar. At the end of the month, Dimmitt sent a group of men under Ira Westover to engage the Mexican garrison at Fort Lipantitlán, near San Patricio.  Late on November 3, the Texians took the undermanned fort without firing a shot.  After dismantling the fort, they prepared to return to Goliad.  The remainder of the Mexican garrison, which had been out on patrol, approached. The Mexican troops were accompanied by 15–20 loyal centralists from San Patricio, including all members of the ayuntamiento.  After a thirty-minute skirmish, the Mexican soldiers and Texian centralists retreated. With their departure, the Texian army controlled the Gulf Coast, forcing Mexican commanders to send all communication with the Mexican interior overland. The slower land journey left Cos unable to quickly request or receive reinforcements or supplies.On their return to Goliad, Westover's group encountered Governor Viesca.  After being freed by sympathetic soldiers, Viesca had immediately traveled to Texas to recreate the state government.  Dimmitt welcomed Viesca but refused to recognize his authority as governor.  This caused an uproar in the garrison, as many supported the governor.  Dimmitt declared martial law and soon alienated most of the local residents.  Over the next few months, the area between Goliad and Refugio descended into civil...  Guess a valid title for it!
Ans: Texas Revolution