In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Example Input: Passage: Prior to her death, Bellette bequeathed the Hill End cottage to the National Parks and Wildlife Service (which manages the Hill End historic site), on condition that it be used as an artists' retreat. It continues to operate for that purpose. As of 2016, Bellette is the only woman to have won the Sulman Prize on more than one occasion. A large number of her works are held by the Art Gallery of New South Wales; other galleries that hold examples include the Art Gallery of South Australia, Art Gallery of Western Australia, Bendigo Art Gallery, Geelong Art Gallery, the National Gallery of Australia, and the Tasmanian Museum and Art Gallery. In 2004–05, a major retrospective exhibition was held at Bathurst Regional Art Gallery, the S. H. Ervin Gallery in Sydney, the University of Queensland Art Museum, Mornington Peninsula Regional Gallery and the Drill Hall Gallery in Canberra.Described by Amanda Beresford as Australia's "only true modern classicist", Bellette is generally regarded as an influential figure in the modern art movement in Sydney in the mid-twentieth century. Art historian Janine Burke described Bellette as "a leader of the post-war art world", and the University of Queensland Art Museum's curator placed her as "a seminal figure in the visual arts from the 1930s until her death in Majorca in 1991". Of her paintings, opinions vary. Burke described her as "arguably the best painter" of the Sydney circle. Historian Geoffrey Dutton was unconvinced about her choice of subject but praised Bellette's "assured if muted" style, while dismissing the lesser efforts of her husband. Art historian and writer Sasha Grishin had a different view. Commenting on Bellette's paintings of Greek mythological subjects created in the 1940s, he wrote, "they were neither very convincing as paintings, nor works that had a particular resonance in Sydney or Australian art at the time". John Passmore and Bellette studied together both in Australia and England, travelled in Europe, and exhibited side by side in group shows. He was highly critical of Bellette's work, while Yvonne Audette, who went to a few of the artist's drawing classes, described her classical works as "dull poses, and very badly drawn, and even more badly painted, like clumsy colouring-in".
Example Output: What is the name of the person who was placed as "a seminal figure in the visual arts from the 1930s until her death in Majorca in 1991?

Example Input: Passage: The saddest sight was seeing people behind the wire fences on both sides of the land frontier yelling at the top of their voices across the wide dividing space to enquire about the state of relatives, as telephone communications had been cut by the Spaniards. Local housewives with Spanish relatives in the Campo area kept their radios tuned to the nearby Spanish stations for news of family members who were gravely ill. In critical cases the parties concerned would rush to Spain via Tangiers but unfortunately sometimes the patient was dead and buried by the time they arrived. The Spanish authorities would not allow access across the land frontier even on compassionate grounds.
Franco's death in 1975 led to the beginnings of diplomatic movement between Britain and Spain on the Gibraltar issue, though not immediately. Spain applied to join the European Economic Community (EEC) and NATO, for which it needed British support. In 1980, talks between British and Spanish ministers led to the Lisbon Agreement, a statement on co-operation between the two countries which committed them to starting negotiations on Gibraltar's future and lifting the Spanish restrictions on communications with Gibraltar. Although Britain promised to "honour the freely and democratically expressed wishes of the people of Gibraltar", Prime Minister Margaret Thatcher indicated in the House of Commons that sovereignty would be on the table, in a change from the previous policy. However, the border was not reopened due to "technical issues" – code for unresolved issues between the two governments – and the agreement was strongly opposed by many Gibraltarians, who did not wish their sovereignty to be under discussion and objected to the lack of Gibraltarian representatives at the talks. The outbreak of the Falklands War in 1982 caused a further delay. Argentina carried out an unsuccessful sabotage operation, kept secret at the time, that was intended to sink a Royal Navy frigate in Gibraltar's harbour; the saboteurs were captured by the Spanish police in Algeciras before they could carry out their attack. A further agreement was reached in Brussels in 1984 which clarified the Lisbon Agreement and required that Britain allow Spaniards to live and work in Gibraltar, which they would have the right to do anyway as EEC citizens. The border was finally fully reopened on 4–5 February 1985.
Example Output: In what city did a further agreement occur that clarified the statement of co-operation issues in 1980 between British and Spanish ministers?

Example Input: Passage: Taylor stated in an interview with The Sun that he was "so proud of [the album] lyrically" and thought the song "Made in the Dark" contained the best lyrics he had ever written. Taylor explained that it was "very easy" for him to focus on the "more serious lyrics, like a love song very dear to [his] heart" but stated that "Wrestlers" was "equally as important and feels like a very different style of music than we have ever got down on record before." He discussed "Wrestlers" in the band's interview with The Sun, explaining that the song is "musically and lyrically quite direct" because "it doesn't have thousands of layers", in contrast to the song "Bendable Poseable". The concept of the song "Wrestlers", originates from a text message from James Murphy of LCD Soundsystem. After Doyle toured with Murphy, Murphy sent a text message that said, "Sorry you can't have Al back, I'll wrestle you for him. And I'll beat you because I'm bigger and stronger than you." Goddard explained that "the words in that song are about wrestling", and the band "have no doubt" that Murphy would defeat them in a wrestling fight.The song "Ready for the Floor" contains an allusion to the 1989 film, Batman, with the line, "You're my number one guy". In an interview with The Fader magazine, Taylor said the reference was a result of thinking about the Batman film, which has many things that Taylor is fond of, such as the Prince soundtrack. He commented that sometimes those items "seep into what we're writing about" and said that he likes to reference "in an oblique way". He conjectured that he had included the line to say something to "everyone in the band, particularly to Joe [Goddard], 'You're my number one guy, why is there any problems between any of us?' ""Shake a Fist" was written by Taylor after Goddard took a legal herbal substance during the Glastonbury Festival which produced feelings akin to teleportation. Goddard said, "it was a brilliant time" and told Alexis to write down words to go with his experience. The song features a voice sample from Todd Rundgren.
Example Output:
What song doesn't have thousands of layers?