[Q]: Given the below context:  The band's third album, Fables of the Reconstruction (1985), demonstrated a change in direction. Instead of Dixon and Easter, R.E.M. chose producer Joe Boyd, who had worked with Fairport Convention and Nick Drake, to record the album in England. The band members found the sessions unexpectedly difficult, and were miserable due to the cold winter weather and what they considered to be poor food; the situation brought the band to the verge of break-up. The gloominess surrounding the sessions worked its way into the context for the album's themes. Lyrically, Stipe began to create storylines in the mode of Southern mythology, noting in a 1985 interview that he was inspired by "the whole idea of the old men sitting around the fire, passing on ... legends and fables to the grandchildren".They toured Canada in July and August 1985, and Europe in October of that year, including The Netherlands, England (including one concert at London's Hammersmith Palais), Ireland, Scotland, France, Switzerland, Belgium and West Germany. On October 2, 1985, the group played a concert in Bochum, West Germany, for the German TV show Rockpalast. Stipe had bleached his hair blond during this time. Fables of the Reconstruction performed poorly in Europe and its critical reception was mixed, with some critics regarding it as dreary and poorly recorded. As with the previous records, the singles from Fables of the Reconstruction were mostly ignored by mainstream radio. Meanwhile, I.R.S. was becoming frustrated with the band's reluctance to achieve mainstream success.For its fourth album, R.E.M. enlisted John Mellencamp's producer Don Gehman. The result, Lifes Rich Pageant (1986), featured Stipe's vocals closer to the forefront of the music. In a 1986 interview with the Chicago Tribune, Peter Buck related, "Michael is getting better at what he's doing, and he's getting more confident at it. And I think that shows up in the projection of his voice." The album improved markedly upon the sales of Fables of the Reconstruction and reached number...  Guess a valid title for it!
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[A]: R.E.M.


[Q]: Given the below context:  Pavement was formed in 1989 in Stockton, California, by Stephen Malkmus and Scott Kannberg. Malkmus and Kannberg had previously performed together in the band Bag O' Bones. Pavement had its start playing at open mike nights at clubs and bars. The songs the band played during this time were mostly covers, although they also performed many original songs that would later be released on Slay Tracks. Malkmus recalls, "It was pretty reasonable to be able to make a single for $1,000, so we decided to go for it. We didn't have any real plans because we weren't a real band." Two local studios existed in Stockton, the cheaper and less professionally minded of which was Gary Young's Louder Than You Think Studio. The band decided to record at Young's studio due to their admiration of other local punk bands who had recorded there, including The Young Pioneers and The Authorities. Kannberg reportedly borrowed $800 from his father to record Slay Tracks.Slay Tracks was recorded during a four-hour session on January 17, 1989, at Young's studio. Kannberg, describing the studio and the recording process, said, "You go into his house and it's stuff everywhere, old dogs lying around, big pot plants everywhere, and Gary tells us that he got all his equipment by selling pot! It was us going in and pretty much just laying down the songs with a guide guitar and a detuned guitar through a bass amp and then we'd play drums over the top." Young, though bewildered by the band's sound, contributed by playing drums. He recalled, "[Malkmus and Kannberg] come in and they play this weird guitar noise and it just sounds like noise, with no background. My drums were in there so I said, 'Should I drum?' and they said 'Okay.'" Kannberg said, "We did it really fast. We probably spent one day tracking and one day mixing it." The title of the EP had been decided prior to its recording, and the pseudonyms S.M. and Spiral Stairs were used to credit Malkmus and Kannberg respectively.  Guess a valid title for it!
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[A]: Slay Tracks: 1933–1969


[Q]: Given the below context:  Fishing season has begun and park ranger J. Audubon Woodlore goes out on the lake to check on the anglers. Humphrey the Bear is trying to catch some fish, but cannot seem to hold onto one once he catches it.  Woodlore sees the fish disappearing before his eyes, so he decides to stock the lake some more. As he heads to the fish hatchery, he sees Humphrey with a few fishing nets and rods, and asks him what he is doing.  When the bear tells him that he is going to catch some fish, Woodlore takes the rods and nets and tells him to "Go fish like a bear!" At the hatchery, Woodlore selects an envelope of fish eggs from a collection of eggs from such trout species as dolly vardens and rainbows. He fills a tub with water and inserts the eggs into it.  In a matter of seconds, several fishes pop up out of the water like plants out of soil. When the ranger gets to the lake to dump the fish, he finds Humphrey in there, trying to eat one of the small fishes, which is then consumed by a much larger fish. Humphrey manages to remove the small fish from the mouth of the large fish, and then uses it to lure five other large fishes that jump out of the water, but then Woodlore appears to measure the fish, while at the same time punishing Humphrey by hitting him on the head, causing him to sink into the depths of the lake. When Humphrey grabs some more fish and emerges from the lake, he discovers a fish larger than any of the others; this turns out to be a fish balloon with which a young boy is playing. Humphrey pops the balloon, and both the boy and Woodlore kick the bear in the knee.  Guess a valid title for it!
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[A]:
Hooked Bear