Q: Given the below context:  Although the Silk Road from China to Europe and the Western World was initially formulated during the reign of Emperor Wu (141–87 BC) during the Han, it was reopened by the Tang in 639 when Hou Junji (d. 643) conquered the West, and remained open for almost four decades. It was closed after the Tibetans captured it in 678, but in 699, during Empress Wu's period, the Silk Road reopened when the Tang reconquered the Four Garrisons of Anxi originally installed in 640, once again connecting China directly to the West for land-based trade. The Tang captured the vital route through the Gilgit Valley from Tibet in 722, lost it to the Tibetans in 737, and regained it under the command of the Goguryeo-Korean General Gao Xianzhi. When the An Lushan Rebellion ended in 763, the Tang Empire had once again lost control over its western lands, as the Tibetan Empire largely cut off China's direct access to the Silk Road. An internal rebellion in 848 ousted the Tibetan rulers, and Tang China regained its northwestern prefectures from Tibet in 851. These lands contained crucial grazing areas and pastures for raising horses that the Tang dynasty desperately needed.Despite the many expatriate European travelers coming into China to live and trade, many travelers, mainly religious monks and missionaries, recorded the strict border laws that the Chinese enforced. As the monk Xuanzang and many other monk travelers attested to, there were many Chinese government checkpoints along the Silk Road that examined travel permits into the Tang Empire. Furthermore, banditry was a problem along the checkpoints and oasis towns, as Xuanzang also recorded that his group of travelers were assaulted by bandits on multiple occasions. The Silk Road also affected Tang dynasty art. Horses became a significant symbol of prosperity and power as well as an instrument of military and diplomatic policy. Horses were also revered as a relative of the dragon.  Guess a valid title for it!
A: Tang dynasty

Q: Given the below context:  Musician, Charlie Rogers, is fired from a gig at a teahouse run by Lou, after brawling with several college students in the parking lot. After a night in jail, Charlie hits the road on his Honda 305 Superhawk motorcycle. He spots Cathy Lean driving with her father Joe, and their employer, Maggie Morgan. When Charlie tries to become friendly with Cathy, Joe forces him off the road and the bike is wrecked after crashing into a wooden fence. Maggie offers him a place to stay and a job with her struggling traveling carnival while the bike is being repaired. Charlie becomes a "carnie", a roustabout. Maggie recognizes his musical talents and promotes him to feature attraction. His act soon draws large crowds. Off stage, Charlie romances Cathy, which creates animosity with Joe. After the two men repeatedly clash and Charlie is accused of holding back a customer's lost wallet that Joe was accused of stealing, Charlie leaves to star in the much better financed show of rival carnival producer Harry Carver. Once again, he is a great success. However, when Charlie learns that Maggie is facing bankruptcy, he returns to her carnival. In the musical finale, he is happily reunited with Cathy.  Guess a valid title for it!
A: Roustabout (film)

Q: Given the below context:  In 1654, after a decade in Rome, Wright travelled to Brussels where his abilities were recognised by Archduke Leopold Wilhelm of Austria then governor of the Spanish Netherlands. Leopold employed him not as an artist, but as an advisor on antiquities. As the younger brother of the Emperor Ferdinand III and cousin of Philip IV of Spain, the Archduke had the wherewithal to amass a large collection of paintings and antiquities. Moreover, in the spring of 1655, the Archduke was enjoying a period of cordial relations with Oliver Cromwell, then Lord Protector of England. (Indeed, the two had been exchanging gifts of horses, and Leopold had provided Cromwell with choice tapestries and other artefacts for the refurbishment of the Palace of Whitehall. Cromwell also received an embassy from the Habsburgs congratulating him on his new office.)  Since the execution of Charles I in 1649, Leopold had been purchasing artworks from the royal collections and those of various aristocrats, and, against this background, commissioned Wright to travel to London and acquire further specimens. A passport was issued to him as "'Juan Miguel Rita, pintor Ingles, qua va a Inglaterra a procurar pinturas, medalas, antiguedades, y otras costa señaladas, que le hemosencargado..." to allow him to travel to England. The passport is dated 22 May 1655, and signed by the Archduke at Brussels, indicating that Wright had left Italy for Flanders by this time. (The addition of the saint's name name, John, probably marks his conversion to Roman Catholicism at some time prior.) As one on an official mission, Wright would probably have offered greetings to Leopold's ambassador extraordinary in London, the Marqués de Lede, and to Alonso de Cárdenas, the regular Habsburg ambassador, who had also been engaged since 1649 in art procurement for the Spanish Monarch. The lack of records means that the timing and duration of this visit remain uncertain. However, de Lede left in late June, and de Cárdenas a few weeks later – as relations between Cromwell and...  Guess a valid title for it!
A: John Michael Wright

Q: Given the below context:  In the months following Pink Moon's release, Drake became increasingly asocial and distant. He returned to live at his parents' home in Tanworth-in-Arden, and while he resented the regression, he accepted that his illness made it necessary. "I don't like it at home," he told his mother, "but I can't bear it anywhere else." His return was often difficult for his family; Gabrielle said, "good days in my parents' home were good days for Nick, and bad days were bad days for Nick. And that was what their life revolved around, really."Drake lived a frugal existence; his only income was a £20-a-week retainer he received from Island Records (equivalent to £238 in 2018). At one point he could not afford a new pair of shoes. He would disappear for days, sometimes arriving unannounced at friends' houses, uncommunicative and withdrawn. Robert Kirby described a typical visit: "He would arrive and not talk, sit down, listen to music, have a smoke, have a drink, sleep there the night, and two or three days later he wasn't there, he'd be gone. And three months later he'd be back." Nick's supervision partner at Cambridge, John Venning, saw him on a tube train in London and felt he was seriously depressed: "There was something about him which suggested that he would have looked straight through me and not registered me at all. So I turned around."John Martyn (who in 1973 wrote the title song of his album Solid Air about Drake) described Drake in this period as the most withdrawn person he had ever met. He would borrow his mother's car and drive for hours without purpose, until he ran out of petrol and had to ring his parents to ask to be collected. Friends recalled the extent to which his appearance had changed. During particularly bleak periods, he refused to wash his hair or cut his nails. Early in 1972, Drake had a nervous breakdown, and was hospitalized for five weeks. He was initially believed to suffer from major depression, although his former therapist suggested he was suffering from schizophrenia. His health problems...  Guess a valid title for it!
A:
Nick Drake