input: Please answer the following: Given the following context:  In the 18th century, Shakespeare became associated with rising British nationalism, and Boydell tapped into the same mood that many other entrepreneurs were exploiting. Shakespeare appealed not only to a social elite who prided themselves on their artistic taste, but also to the emerging middle class who saw in Shakespeare's works a vision of a diversified society. The mid-century Shakespearean theatrical revival was probably most responsible for reintroducing the British public to Shakespeare. Shakespeare's plays were integral to the theatre's resurgence at this time. Despite the upsurge in theatre-going, writing tragedies was not profitable, and thus few good tragedies were written. Shakespeare's works filled the gap in the repertoire, and his reputation grew as a result. By the end of the 18th century, one out of every six plays performed in London was by Shakespeare.The actor, director, and producer David Garrick was a key figure in Shakespeare's theatrical renaissance.  His reportedly superb acting, unrivalled productions, numerous and important Shakespearean portraits, and his spectacular 1769 Shakespeare Jubilee helped promote Shakespeare as a marketable product and the national playwright. Garrick's Drury Lane theatre was the centre of the Shakespeare mania which swept the nation.The visual arts also played a significant role in expanding Shakespeare's popular appeal. In particular, the conversation pieces designed chiefly for homes generated a wide audience for literary art, especially Shakespearean art. This tradition began with William Hogarth (whose prints reached all levels of society) and attained its peak in the Royal Academy exhibitions, which displayed paintings, drawings, and sculptures. The exhibitions became important public events: thousands flocked to see them, and newspapers reported in detail on the works displayed.  They became a fashionable place to be seen (as did Boydell's Shakespeare Gallery, later in the century).  In the process, the public was refamiliarized with Shakespeare's works.  answer the following question:  What two classes of people did Shakespeare appeal to?
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output: emerging middle class

Please answer this: Given the following context:  Set in New York City, Candy Mountain tells the tale of a struggling guitarist named Julius. After he promises a rock star he can find an elusive guitar maker and acquire his valuable products, he sets off on a quest to Canada to find the legendary Elmore Silk, in order to strike a deal with him. Along his journey via T-Bird, Volkswagen, and hitchhiking, he experiences a series of encounters and misadventures with those who claim to have known the reclusive Silk. Each encounter provides him with valuable insight into the kind of man Silk is, and his journey is filled with "musicians playing small roles: David Johanson as the star who wants to buy up the guitars, Tom Waits as Elmore's middle-class brother, Joe Strummer as a punk, Dr. John as Elmore's cranky son-in-law, Leon Redbone as one-half of a peculiar Canadian family who enjoy imprisoning passers-by". As he ventures further North, and reaches Canada, he is finally in the presence of the famous guitarist he had been searching for. Once he meets Silk, he is faced with the realization that financial gain is nothing compared to the development of one's artistic ability.  answer the following question:  What is the name of the person who faces the realization that financial gain is nothing compared to the development of one's artistic ability?
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Answer: Julius

Problem: Given the following context:  The "State Anthem of the Russian Federation" (Russian: Госуда́рственный гимн Росси́йской Федера́ции, tr. Gosudarstvennyj gimn Rossijskoj Federacii, IPA: [ɡəsʊˈdarstvʲɪnɨj ˈɡʲimn rɐˈsʲijskəj fʲɪdʲɪˈratsɨj])  is the name of the official national anthem of Russia. It uses the same music as the "State Anthem of the Soviet Union", composed by Alexander Alexandrov, and new lyrics by Sergey Mikhalkov, who had collaborated with Gabriel El-Registan on the original anthem.  From 1944, that earliest version replaced "The Internationale", as a new, more Soviet-centric, and Russia-centric Soviet anthem.  The same melody, but without lyrics mentioning dead Stalin by name, was used after 1956. A second version of the lyrics was written by Mikhalkov in 1970 and adopted in 1977, placing less emphasis on World War II and more on the victory of communism. The Russian SFSR was the only constituent republic of the Soviet Union without its own regional anthem. The lyric-free "Patrioticheskaya Pesnya", composed by Mikhail Glinka, was officially adopted in 1990 by the Supreme Soviet of Russia and confirmed in 1993, after the dissolution of the Soviet Union, by the President of the Russian Federation, Boris Yeltsin. This anthem proved to be unpopular with the Russian public and with many politicians and public figures, because of its tune and lack of lyrics, and consequently its inability to inspire Russian athletes during international competitions. The government sponsored contests to create lyrics for the unpopular anthem, but none of the entries were adopted. Glinka's anthem was replaced soon after Yeltsin's successor as President of the Russian Federation, Vladimir Putin, first took office on 7 May 2000. The federal legislature established and approved the music of the National Anthem of the Soviet Union, with newly written lyrics, in December 2000, and it became the second anthem used by Russia after the dissolution of the Soviet Union. The government sponsored a contest to find lyrics, eventually settling upon a new...  answer the following question:  What is the full name of the person whose anthem was replaced soon after Yeltsin's successor as President of the Russian Federation, Vladimir Putin, first took office?

A: Mikhail Glinka

input question: Given the following context:  Agnes Hurley is a disillusioned housewife, married to Bronx cabdriver Tom Hurley. She wants something better for her daughter, Jane. When Jane announces her engagement to Ralph Halloran, Aggie sees this as an opportunity to have a romantic elaborate wedding, with caterers and all the trimmings, like she never had because they could never afford it. However, the daughter does not want it because it is causing awkward conflicts with her family and friends, and her father has been saving that money for many years to purchase a taxi medallion and become self-employed. The film deals with the ensuing money troubles and conflicts within the family, which also involve Uncle Jack Conlon and most of the neighborhood. It is not until the end of the film that the mother realizes that it is the happiness of her family, rather than the expensive ceremony, that is most important, as they go off to watch their daughter get married at their church in the new taxi.  answer the following question:  What is Agnes Hurley's nickname????
output answer:
Aggie