Problem: Given the question: Given the below context:  Of Etty's two original works exhibited at the RA in 1830, The Storm, inspired by Psalm 22, attracted little interest and was dismissed by The Gentleman's Magazine—typically a staunch supporter of Etty's work—as "a sad failure". The other painting exhibited was Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed, which was to prove one of the most controversial works of Etty's career. Candaules is based on a story from Herodotus in which king Candaules arranges for his servant Gyges to spy on his wife Nyssia undressing without her knowledge. Gyges is discovered and at Nyssia's behest kills Candaules, marries Nyssia and rules the kingdom in his stead. The painting shows the moment at which Nyssia removes the last of her clothes. By positioning the figures in such a way that none are looking out of the picture, and the viewer is directly behind Nyssia, Etty aimed for the viewer to feel the same sense of voyeurism and intrusion that Gyges would have felt, forced to spy on his master's naked wife against his will and without her knowledge. The works Etty painted following his return began to show a departure in style from his previous efforts. While the figures in his previous original paintings had been painted from sketches of models made in the studio or life classes, from now on he began to work from memory, and as a consequence his figures began to appear more idealised; Farr (1958) describes his figures from now on as "[conforming] less to a particular aspect of the model than to a preconceived notion of what the model ought to look like".  Guess a valid title for it!
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The answer is:
William Etty


input question: Given the below context:  Delinquent gang members Tom, Pig, Ape, and String are trying to break out from the reformatory their confined to, but they are caught and brought to the parole officer Cathy Crookshank. All of the gang members are sons of gangsters, which makes it even harder for them to get paroled. They tell their superintendent this, and that they have no sponsor.  To remedy this, Miss Crookshank asks the leader of the boys fathers' gang, Valentine, to come to her office. Valentine is barely released from prison. He is reluctant to help the boys, arguing that he is a reformed man and is now living on a farm with his wife Molly and their daughter Pat. He has also decided to take a new name, "Ryan." Miss Crookshank explains the boys' predicament, however, and Valentine agrees to take them in under his wings. One of the younger members of the gang, Pesky, is also taken in by the ex-gangster. The would-be mobsters in reformatory are quite disappointed when they are sent away to the horse-breeding farm in the country instead of out into the city streets. When the boys are transported out to the farm, a gangster named Spike the Butcher, who had killed Valentine's men ten years earlier, follows Valentine to his farm in hopes of finishing the job and kill Valentine too. Spike brings his two henchmen, Creeper and Dingbat, to ambush Valentine/Ryan in his new home. District attorney Paul Revere Smith, who is Pat's boyfriend, arrives at the farm at the same time. Later that day the delinquent boys try to steal Valentine's station wagon, but the car has a flat tire and an old hunting dog gets in the way of the car, spoiling the boys' plan to escape.  Guess a valid title for it!???
output answer: Hit the Road


Given the below context:  Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. Tosca premiered at a time of unrest in Rome, and its first performance was delayed for a day for fear of disturbances. Despite indifferent reviews from the critics, the opera was an immediate success with the public. Musically, Tosca is structured as a through-composed work, with arias, recitative, choruses and other elements musically woven into a seamless whole. Puccini used Wagnerian leitmotifs to identify characters, objects and ideas. While critics have often dismissed the opera as a facile melodrama with confusions of plot—musicologist Joseph Kerman called it a "shabby little shocker"—the power of its score and the inventiveness of its orchestration have been widely acknowledged. The dramatic force of Tosca and its characters continues to fascinate both performers and audiences, and the work remains one of the most frequently performed operas. Many recordings of the work have been issued, both of studio and live performances.  Guess a valid title for it!
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Answer: Tosca


Please answer this: Given the below context:  Johnston was entered as a competitor in the second series of Britain's Got Talent by his mother. He passed the first public audition, singing "Pie Jesu" from Andrew Lloyd Webber's Requiem. Amanda Holden, one of the competition's judges, was brought to tears, and the audience offered Johnston a standing ovation. Johnston was tipped as the favourite to win the competition. Later, Johnston described his initial audition as daunting, saying that "it was scary singing in front of 2,500 people. I had never sang on stage before – then there was also Simon, Amanda and Piers". He won his semi-final heat on 27 May 2008, receiving the most public votes on the night and thereby qualifying for the final. He sang "Tears in Heaven" by Eric Clapton; judge Holden told him he had "a gift from God in [his] voice". At the final on 30 May, he again sang "Pie Jesu". He finished in third place, behind the winner, the street dancer George Sampson and runners-up, the dance group Signature. Johnston left the stage in tears, later saying that he "was upset. But when you see the talent that was there, it was an honour just to be in the final". The day after the final, Cowell's publicist Max Clifford said that it was "quite possible" that Cowell would be offering record contracts to some of the finalists, including Johnston. Johnston and other contestants then embarked on a national arena tour.During his initial audition, Johnston claimed that he was bullied and victimised from the age of six because of his singing. When asked how he dealt with the issue, he stated "I carry on singing." There were claims in the Daily Mail, a UK-based tabloid newspaper, that the programme's producers had deliberately overstated the extent of Johnston's bullying as a "sob story", suggesting that sympathy rather than his singing got him many of the votes. However, in The Times, Johnston's success story was described as "the stuff of fairytales", as he was successful despite having been raised in "poverty". Johnston said he did not talk about being bullied...  Guess a valid title for it!
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Answer:
Andrew Johnston (singer)