Q: Given the below context:  Yorke said that the starting point for the record was the "incredibly dense and terrifying sound" of Bitches Brew, the 1970 avant-garde jazz fusion album by Miles Davis. He described the sound of Bitches Brew to Q: "It was building something up and watching it fall apart, that's the beauty of it. It was at the core of what we were trying to do with OK Computer." Yorke identified "I'll Wear It Proudly" by Elvis Costello, "Fall on Me" by R.E.M., "Dress" by PJ Harvey and "A Day in the Life" by the Beatles as particularly influential on his songwriting. Radiohead drew further inspiration from the recording style of film soundtrack composer Ennio Morricone and the krautrock band Can, musicians Yorke described as "abusing the recording process". Jonny Greenwood described OK Computer as a product of being "in love with all these brilliant records ... trying to recreate them, and missing."According to Yorke, Radiohead hoped to achieve an "atmosphere that's perhaps a bit shocking when you first hear it, but only as shocking as the atmosphere on the Beach Boys' Pet Sounds." They expanded their instrumentation to include electric piano, Mellotron, cello and other strings, glockenspiel and electronic effects. Jonny Greenwood summarised the exploratory approach as "when we've got what we suspect to be an amazing song, but nobody knows what they're gonna play on it." Spin characterised OK Computer as sounding like "a DIY electronica album made with guitars".Critics suggested a stylistic debt to 1970s progressive rock, an influence that Radiohead have disavowed. According to Andy Greene in Rolling Stone, Radiohead "were collectively hostile to seventies progressive rock ... but that didn't stop them from reinventing prog from scratch on OK Computer, particularly on the six-and-a-half-minute 'Paranoid Android'." Writing in 2017, The New Yorker's Kelefa Sanneh said OK Computer "was profoundly prog: grand and dystopian, with a lead single that was more than six minutes long."  Guess a valid title for it!
A: OK Computer

Q: Given the below context:  Slint formed in 1987 in Louisville, Kentucky, from the remnants of the punk rock band Squirrel Bait; the founding members included Brian McMahan (guitar, vocals), David Pajo (guitar), Britt Walford (drums) and Ethan Buckler (bass guitar). The band's debut album, the Steve Albini-produced Tweez, was released on the group's self-owned label Jennifer Hartman Records and Tapes. The album's sound has been described as a combination of "scratchy guitars, thumping bass lines and hard hitting drums". Buckler promptly left the band out of dissatisfaction with Albini's production, and was replaced with Todd Brashear. The band's second recording was for the instrumental extended play Slint, which included a new version of "Rhoda" from Tweez. The EP, which would not be released until 1994, was a departure from Tweez's sound and reflected the band's new musical direction.After the band ended its brief tour in support of Tweez, most of its members attended college. Around this time McMahan and Walford began writing together for the band's next record, creating six new songs which the band practiced throughout the summer of 1990. Slint entered River North Records in August 1990 to record Spiderland. At that time there were no vocals or lyrics prepared for the album, so the band wrote them while in the studio. The album's producer, Brian Paulson, was known for his "live" recording style in the studio, with minimal takes. Paulson recalled "It was weird while I was doing [Spiderland] because I remember sitting there, and I just knew there was something about it. I've never heard anything like this. I'm really digging this but it's really fucking weird."The recording sessions for Spiderland are reputed to have been difficult for the members of the band and were, according to AllMusic, "intense, traumatic and one more piece of evidence supporting the theory that band members had to be periodically institutionalized during the completion of the album." Rumors circulated that at least one member of Slint had been checked into a...  Guess a valid title for it!
A: Spiderland

Q: Given the below context:  Fields plays a hot-tempered dentist who terrorizes his patients, who verbally/physically abuses his assistants and golfing-caddies alike, and whose daughter desires to marry an ice-delivery man. Fields disapproves of this match, especially after the starry-eyed daughter attempts to elope with her lover. Fields locks his daughter in her upstairs bedroom which is located above his dental office, where she proceeds to stamp her feet, causing plaster chunks to fall as he attempts to treat his patients.  Various patients with unusual physical traits (a tall "horse"-faced woman, a tiny, heavily-bearded man [Fields is obliged to use a stethoscope to locate the man's mouth]) arrive at the office, and he attempts to use his dental drill on them without any apparent pain killer. With one of his patients (Elise Cavanna), he engages in an intimate wrestling match as he attempts to extract a painful tooth. Eventually the ice-delivery man procures a tall ladder and aids the dentist's daughter to escape from her dormitory window.  Fields observes the lovers just as they are prepared to run off, and --- under pressure from the sizable crowd that has gathered at the foot of the ladder --- grudgingly withdraws his opposition to the match.  The film ends with Fields --- who had previously  threatened to purchase an electric refrigerator instead of ordering ice each day --- contemptuously ordering his now-future-son-in-law to deliver "fifty pounds of ice, and be quick about it", prompting the daughter to joyfully embrace her fiance.  Guess a valid title for it!
A:
The Dentist (1932 film)