[Q]: Read the following paragraph and extract the answer for the question: Who did Edna Buxton tell she wrote the song herself?  The film opens in the year 1958, where steel heiress Edna Buxton enters a talent contest. Her overbearing mother is at odds with her, arguing that Edna should choose a specific song and wardrobe for the contest. At the contest, Edna swaps dresses with a blue singer named Doris, and even changes her song at the last minute, infuriating her mother, who leaves before seeing Edna win the competition. An excited Edna decides to use her grand prize winnings to record a demo. The studio producer tactfully delivers the painful truth to Edna that not only are girl singers not getting signed, the record companies are trying to get rid of the ones currently on their rosters. However, when Edna tells him that she wrote the song, he is impressed enough to direct her to Joel Milner who takes her under his wing, renames her "Denise Waverly" and invents a blue-collar persona for her. Milner reworks her song for a male doo-wop group, the Stylettes, as male solo artists are groups are far more marketable. The song becomes a hit. Denise (formerly Edna) moves to New York City and becomes a songwriter in the Brill Building. At a party, she meets the arrogant songwriter Howard Caszatt, and despite an awkward initial meeting they become romantically involved. She also reunites with Doris. Denise offers to and writes a song specifically for Doris and her two girlfriends, persuading Milner to audition and hire the group.  In 1965, Howard and Denise begin writing together; they pen a song called "Unwanted Number," based on a young girl's unwanted pregnancy.  Although it is banned, it attracts the attention of prominent and influential disc jockey John Murray who, despite the negative attention of the song, credits Denise with sparking the craze for girl groups.
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[A]: studio producer


[Q]: Read the following paragraph and extract the answer for the question: What was Fall's lead singers name?  Hex Enduction Hour was the first Fall album to make the UK Albums Chart, where it spent three weeks, peaking at no. 71. By mid-1983 it had sold 20,000 copies, reflecting a surge in the band's popularity, and five years into their career brought them to the attention of record labels. Critics were highly enthusiastic; according to Simon Ford, they could "have hardly been more supportive". Reviewing the album in the NME, Richard Cook described the band as tighter and more disciplined than in earlier recordings, "their master piece to date", while still maintaining their impact. He praised the band's use of recording-studio techniques and atmospherics without resorting to glamorisation. Melody Maker's Colin Irwin said it was "incredibly exciting and utterly compelling".  A dissenter was Neil McCormick of Irish fortnightly Hot Press, who dismissed the album as secondhand melodramatic punk and wondered if the album was "meant to be minimalist or primitive then it fatally ignores the true primitivism of the strong melody and accessible lyrics found in folk music."Later, Record Collector described the album as a "taut, twitchy and ominous masterclass in DIY post-punk", and singled out Smith's lyrics for praise. The Quietus, in 2009, wrote of the album as "arguably ... The Fall's mightiest hour", while Stylus Magazine wrote that "Hex demonstrates the culmination of 'early' Fall: a monolithic beast of ragged grooves piloted through the embittering miasma of English society by the verbose acidity/Joycean all-inclusiveness of Mark E. Smith." Pitchfork listed Hex Enduction Hour as the 33rd best album of the 1980s. Comedian Stewart Lee has called it his favourite album and "probably the best album of all time."According to Smith, the album's lyrics had a negative impact on the band's later career. In 1984, Motown Records expressed interest in signing the band to a new UK division, with a provisional offer of a £46,000 up-front advance. A label executive asked to hear something from the Fall's back catalogue, but Hex was...
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[A]: Mark E. Smith


[Q]: Read the following paragraph and extract the answer for the question: What are the last names of the two men in love with Kit?  Richard Palmer Grant Dorcy Jr., a.k.a. "the Canary" and "the singing bird of the tropics," is an enlisted man in the United States Army. Stationed in the Hawaiian Islands, he has a contentious but friendly relationship with his sergeant, Scrapper Thornhill. When General Fitts visits the post with his daughter Kit on their way to Manila, Dick is assigned to drive her to a reception that evening. Falling victim to the moonlit night, Kit and Dick attend a luau instead. They are discovered in each other's arms by Scrapper and Lieutenant Biddle, who is also in love with Kit. Biddle accuses Dick of ruining Kit's reputation and forcing her to accompany him off post. Dick decides to desert. Scrapper begs Kit to straighten things out with Biddle. To prevent Dick from deserting, Kit tells him that she was responding to a crazy impulse and he means nothing to her. Stung by her words, and Biddle's condescending statement that "if you were an officer and a gentleman, you'd understand," Dick decides to compete with Biddle as an equal and applies for West Point. He is accepted and does very well, to Scrapper's delight. In his First Class year, Dick becomes First Captain and General Fitts is appointed Academy superintendent, with Biddle present as his aide. While most of his classmates are infatuated with Kit, Dick is cold to her. Consequently, he is not very happy when the rest of the men insist that she participate in the traditional "Hundredth Night" theatrical performance that he is to direct.
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[A]:
Biddle