Given the below context:  Jim is a promising young English merchant seaman who rises to first officer under Captain Marlow. However, Jim is injured and left at Java. When he is fit again, he signs on with the first available ship, a dilapidated freighter called the S.S. Patna, crammed with hundreds of Muslims on pilgrimage to Mecca. When a storm threatens the leaking ship, the crew panics and takes to the lifeboats, abandoning their passengers; in a moment of weakness Jim joins them. When they reach port, the sailors are stunned to find an intact Patna already there before them. The rest of the crew disappears, but Jim insists on confessing his guilt at an official inquiry and is stripped of his sailing papers. Filled with self-loathing, Jim becomes a drifter. One day, he saves a boatload of gunpowder from sabotage. Stein, the cargo's owner, offers him an extremely dangerous job: transporting it and some rifles by river to distant Patusan to help Stein's old friend, the town's chief, lead an uprising against bandits led by the General. When Schomberg is bribed to deny Stein the use of the motorboat he had promised, Jim takes a sailboat with two native crewmen, leaving the aged Stein behind. As they near their destination, one of the crewmen reveals himself to be working for the General. He kills the other sailor then flees to warn the warlord. Jim manages to hide the cargo before he is captured. Though tortured, he refuses to divulge the location. This surprises Cornelius, the drunken, cowardly agent of Stein's trading company, who in fact obeys the General. That night, the Girl leads Jim's rescue.  Guess a valid title for it!
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Answer: Lord Jim (1965 film)


Given the below context:  At that time, a Parisian ballet audience typically consisted of two diverse groups: the wealthy and fashionable set, who would be expecting to see a traditional performance with beautiful music, and a "Bohemian" group who, the poet-philosopher Jean Cocteau asserted, would "acclaim, right or wrong, anything that is new because of their hatred of the boxes". Monteux believed that the trouble began when the two factions   began attacking each other, but their mutual anger was soon diverted towards the orchestra: "Everything available was tossed in our direction, but we continued to play on". Around forty of the worst offenders were ejected—possibly with the intervention of the police, although this is uncorroborated. Through all the disturbances the performance continued without interruption. The unrest receded significantly during Part II, and by some accounts Maria Piltz's rendering of the final "Sacrificial Dance" was watched in reasonable silence. At the end there were several curtain calls for the dancers, for Monteux and the orchestra, and for Stravinsky and Nijinsky before the evening's programme continued.Among the more hostile press reviews was that of Le Figaro's critic, Henri Quittard, who called the work "a laborious and puerile barbarity" and added "We are sorry to see an artist such as M. Stravinsky involve himself in this disconcerting adventure". On the other hand, Gustav Linor, writing in the leading theatrical magazine Comoedia, thought the performance was superb, especially that of Maria Piltz; the disturbances, while deplorable, were merely "a rowdy debate" between two ill-mannered factions. Emile Raudin, of Les Marges, who had barely heard the music, wrote: "Couldn't we ask M. Astruc ... to set aside one performance for well-intentioned spectators? ... We could at least propose to evict the female element". The composer Alfredo Casella thought that the demonstrations were aimed at Nijinsky's choreography rather than at the music, a view shared by the critic Michel-Dimitri Calvocoressi, who...  Guess a valid title for it!
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Answer: The Rite of Spring


Given the below context:  After the end of World War II, Peter Kuban, a Hungarian displaced person and survivor of the Nazi concentration camps, stows away on a ship bound for New York City. However, he is spotted and held for the authorities. When they arrive, he claims that he qualifies for entry under an exception for those who helped Allied soldiers during the war, but all he knows about the paratrooper he hid from the enemy is that his name is Tom and he plays clarinet in a jazz band in New York City's Times Square.The immigration authorities led by Inspector Bailey say that without better documentation he must be sent back to Europe. He jumps off the ship, breaking some ribs, and starts searching for Tom. He encounters an unemployed ex-factory worker named Maggie Summers. When she steals a coat in a restaurant, Peter helps her elude the police. They go to her apartment, where she tends his injury as best she can and learns his story. When her landlady, Mrs. Hinckley, threatens to evict her for being behind on her rent, Peter gives her all the money he has. Eddie Hinckley, the landlady's  son, barges in and tries to get amorous with Maggie. Peter bursts out of hiding and starts fighting him, but gets the worst of it. Maggie knocks Eddie out with a chair and flees with Peter.  The Hinckleys notify the police. Meanwhile, Tom sees Peter's picture on the front page of a newspaper. He wants to go to the immigration department, but his girlfriend Nancy persuades him to attend an important audition instead. Tom impresses band leader Jack Teagarden, but leaves abruptly to try to help Peter.  Guess a valid title for it!
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Answer:
The Glass Wall