The following article contains an answer for the question: What was the full name of the person who suggested that should the generals feel unwilling to alter their position immediately, they should refrain from actions that would preclude a later change of heart? , can you please find it?   The four officers were taken aback by Taylor's searing words and felt they had been humiliated. A decade after the incident, Kỳ described Taylor as "the sort of man who addressed people rather than talked to them", referencing the confrontation. Karnow said "For the sake of their own pride, they [the Vietnamese officers] resented being treated in ways that reminded them of their almost total dependence on an alien power. How could they preserve a sense of sovereignty when Taylor, striving to push them into 'getting things done', behaved like a viceroy?" However, Thi also took a perverse pleasure in riling Taylor. He was seen by a CIA officer soon after, grinning. When asked why he was happy, Thi said "Because this is one of the happiest days of my life ... Today I told the American ambassador that he could not dictate to us." Nevertheless, Taylor's conduct had rankled the officers, stirring their latent sense of nationalism and anti-Americanism; Khánh would exploit this to strengthen his fragile position in the junta.Khánh's quartet of delegates responded to Taylor in a circumlocutory way. They remained calm and did not resort to direct confrontation. Kỳ said the change was necessary, as "the political situation is worse than it ever was under Diệm". Kỳ explained that the situation mandated the dissolution of the council, saying "We know you want stability, but you cannot have stability until you have Unity." He claimed some HNC members were disseminating coup rumors and creating doubt among the population, and that "both military and civilian leaders regard the presence of these people in the High National Council as divisive of the Armed Forces due to their influence". Kỳ further accused some of the HNC members of being communist sympathizers and cowards who wanted to stop the military from strengthening. He promised to explain the decision at a media conference and vowed that he and his colleagues would return to purely military roles in the near future. Thiệu added "I do not see how our action has hurt...
Ans: U. Alexis Johnson

The following article contains an answer for the question: What was the full name of the symphony Hildesheimer said was an orginality of melody and modulation which goes beyond routine methods of his contemporaries? , can you please find it?   During Leopold's illness performances were impossible, so Wolfgang turned to composition. According to the writer and musician Jane Glover, Wolfgang was inspired to write symphonies after meeting Johann Christian Bach. It is not clear when this meeting occurred, or when Wolfgang first heard J. C. Bach's symphonies, although he had played the older composer's harpsichord works in his May 1764 royal recital. Wolfgang soon completed his Symphony No. 1 in E flat, K. 16, and started his No. 4 in D major, K. 19 (which Zaslaw concludes was more likely composed, or at least completed, in The Hague). The D major symphony has, in Hildesheimer's words, "an originality of melody and modulation which goes beyond the routine methods of his [grown-up] contemporaries". These are Wolfgang's first orchestral writings, although Zaslaw hypothesises a theoretical "Symphony No. 0" from sketches in Wolfgang's musical notebook. Three lost symphonies, identified in the Köchel catalogue of Mozart's works only by their incipits (first few bars of music), may also have originated from the London period. Other works composed by Wolfgang in London include several instrumental sonatas, the jewel of which, according to Hildesheimer, is the C major sonata for piano, four hands, K. 19d. A set of violin sonatas, with extra flute and cello parts, was dedicated to Queen Charlotte at her request, and presented to her with an appropriate inscription in January 1765. Wolfgang also wrote his first vocal works, the motet "God is our Refuge", K. 20, and the tenor aria Va, dal furor portata, K. 21.
Ans: No. 4 in D major, K. 19

The following article contains an answer for the question: What is the name of the group that wanted to return to their old recording ethos of "the band in a room playing together"? , can you please find it?   Following the mixed success of their musical pursuits in the 1990s, U2 sought to simplify their sound; the Edge said that with Pop, the group had "taken the deconstruction of the rock 'n' roll band format to its absolute 'nth degree". For their tenth album, All That You Can't Leave Behind, the group wanted to return to their old recording ethos of "the band in a room playing together". Reuniting with Eno and Lanois, U2 began working on the album in late 1998. After their experiences with being pressured to complete Pop, the band were content to work without deadlines. With Bono's schedule limited by his commitments to debt relief for Jubilee 2000 and the other band members spending time with their families, the recording sessions stretched through August 2000.Released in October of that year, All That You Can't Leave Behind was seen by critics as a "back to basics" album, on which the group returned to a more mainstream, conventional rock sound. For many of those not won over by the band's forays into dance music, it was considered a return to grace; Rolling Stone called it U2's "third masterpiece" alongside The Joshua Tree and Achtung Baby. The album debuted at number one in 32 countries and sold 12 million copies. Its lead single, "Beautiful Day", was a worldwide hit, reaching number one in Ireland, the UK, Australia, and Canada, while peaking at number 21 in the US. The song earned Grammy Awards for Song of the Year, Best Rock Performance by a Duo or Group with Vocal, and Record of the Year. At the awards ceremony, Bono declared that U2 were "reapplying for the job ... [of] the best band in the world". The album's other singles were worldwide hits as well; "Stuck in a Moment You Can't Get Out Of", "Elevation", and "Walk On" reached number one in Canada, while charting in the top five in the UK and top ten in Australia.
Ans: U2