Problem: Given the question: Given the following context:  Handsome, young Chance Wayne returns to his hometown of St. Cloud, Florida, accompanied by a considerably older film star, Alexandra Del Lago. She is needy and depressed, particularly about a film she has just finished making, and speaks of retiring from the acting world forever. Chance had gone to Hollywood to seek fame and fortune at the behest of St. Cloud's most powerful and influential citizen, "Boss" Finley, either too naive or unwilling to appreciate that Finley merely wants Chance, a waiter from the country club, to keep away from his beautiful daughter, Heavenly. A political kingpin, Finley enjoys putting Heavenly on display as a model of purity and chastity. His ruthless son, Tom Jr., aids his father's ambitions in any way he can. He, too, is unhappy to have Chance Wayne back in town. Desperate to have Alexandra further his fantasy of becoming a star, Chance has become her lover. He goes so far as to blackmail her with a tape recording, on which she speaks openly of a dependence on drugs. Alexandra defies him, becoming irate at the realization that Chance's romantic interests in Heavenly are more important to him than her own needs. Just when Alexandra is at her most vulnerable, a call comes from Hollywood to notify her that the new movie she's just made appears to be a certain success, reviving her career. In a scene with Finley, Chance is shown being muscled off the screen by Finley's henchmen for purposes of either being roughed up or castrated. Meanwhile, Finley's discarded mistress, Miss Lucy, exposes Finley's underhanded tactics to the government authorities. Chance, with nowhere else to turn and still on his own two feet, persuades Heavenly to leave town with him. Able now to face the truth about himself, Chance and Heavenly reconcile and leave town together, leaving her father to face indictment.  answer the following question:  What's the first name of the man whose son is unhappy to have Chance back in St. Cloud?
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The answer is:
Finley

input question: Given the following context:  The Kannada poets and scholars of the empire produced important writings supporting the Vaishnava Bhakti movement heralded by the Haridasas (devotees of Vishnu), Brahminical and Veerashaiva (Lingayatism) literature. The Haridasa poets celebrated their devotion through songs called Devaranama (lyrical poems) in the native meters of Sangatya (quatrain), Suladi (beat based), Ugabhoga (melody based) and Mundige (cryptic). Their inspirations were the teachings of Madhvacharya and Vyasatirtha. Purandaradasa and Kanakadasa are considered the foremost among many Dasas (devotees) by virtue of their immense contribution. Kumara Vyasa, the most notable of Brahmin scholars wrote Gadugina Bharata, a translation of the epic Mahabharata. This work marks a transition of Kannada literature from old Kannada to modern Kannada. Chamarasa was a famous Veerashaiva scholar and poet who had many debates with Vaishnava scholars in the court of Devaraya II. His Prabhulinga Leele, later translated into Telugu and Tamil, was a eulogy of Saint Allama Prabhu (the saint was considered an incarnation of Lord Ganapathi while Parvati took the form of a princess of Banavasi).At this peak of Telugu literature, the most famous writing in the Prabandha style was Manucharitamu. King Krishnadevaraya was an accomplished Telugu scholar and wrote the celebrated Amuktamalyada. Amuktamalyada ("One who wears and gives away garlands") narrates the story of the wedding of the god Vishnu to Andal, the Tamil Alvar saint poet and the daughter of Periyalvar at Srirangam. In his court were eight famous scholars regarded as the pillars (Ashtadiggajas) of the literary assembly. The most famous among them were Allasani Peddana who held the honorific Andhrakavitapitamaha (lit, "father of Telugu poetry") and Tenali Ramakrishna, the court jester who authored several notable works. The other six poets were Nandi Thimmana (Mukku Timmana), Ayyalaraju Ramabhadra, Madayyagari Mallana, Bhattu Murthi (Ramaraja Bhushana), Pingali Surana, and Dhurjati. This was the age of...  answer the following question:  What is the full name of the teacher that had a  pupil the ascetic, Tattuvarayar, who wrote a shorter anthology, Kurundirattu????
output answer: Svarupananda Desikar

Please answer this: Given the following context:  Curtis was the band's sole lyricist, and he typically composed his lyrics in a notebook, independently of the eventual music to evolve. The music itself was largely written by Sumner and Hook as the group jammed during rehearsals. Curtis's imagery and word choice often referenced "coldness, pressure, darkness, crisis, failure, collapse, loss of control". In 1979, NME journalist Paul Rambali wrote, "The themes of Joy Division's music are sorrowful, painful and sometimes deeply sad." Music journalist Jon Savage wrote that "Curtis's great lyrical achievement was to capture the underlying reality of a society in turmoil, and to make it both universal and personal," while noting that "the lyrics reflected, in mood and approach, his interest in romantic and science-fiction literature." Critic Robert Palmer wrote that William S. Burroughs and J. G. Ballard were "obvious influences" to Curtis, and Morris also remembered the singer reading T. S. Eliot. Deborah Curtis also remembered Curtis reading works by writers such as Fyodor Dostoevsky, Friedrich Nietzsche, Jean-Paul Sartre, Franz Kafka, and Hermann Hesse.Curtis was unwilling to explain the meaning behind his lyrics and Joy Division releases were absent of any lyric sheets. He told the fanzine Printed Noise, "We haven't got a message really; the lyrics are open to interpretation. They're multidimensional. You can read into them what you like." The other Joy Division members have said that at the time, they paid little attention to the contents of Curtis' lyrics. In a 1987 interview with Option, Morris said that they "just thought the songs were sort of sympathetic and more uplifting than depressing. But everyone's got their own opinion." Deborah Curtis recalled that only with the release of Closer did many who were close to the singer realise "[h]is intentions and feelings were all there within the lyrics". The surviving members regret not seeing the warning signs in Curtis's lyrics. Morris said that "it was only after Ian died that we sat down and listened to the...  answer the following question:  What are the last names of the two people who Palmer said were obvious influences to Curtis?
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Answer:
Ballard