Q: Given the following context:  David Burke is a former policeman who was ruined when he refused to cooperate with state crime investigators. He has asked Earl Slater, a hard-bitten, racist, ex-con, to help him rob an upstate bank, promising him $50,000 if the robbery is successful. Burke also recruits Johnny Ingram, a nightclub entertainer. He doesn't want the job but is addicted to gambling and is deeply in debt. Slater, who is supported by his girlfriend, Lorry, learns that Ingram is black and refuses the job. Later, he realizes that he needs the money, and joins Ingram and Burke in the enterprise. Tensions between Ingram and Slater increase as they near completion of the crime. Burke is seen by a police officer leaving the scene of the raid, and is mortally wounded in the ensuing shootout with local police. He commits suicide, shooting himself to avoid capture. Slater is cavalier about Burke's death, which infuriates Ingram. Slater and Ingram begin to fight each other even as they try to evade the police.  Ingram and Slater escape and run into a nearby fuel storage depot. They chase each other onto the top of the fuel tanks. When they exchange gunfire, the fuel tanks ignite, causing a large explosion. Afterward, their burned corpses are indistinguishable from each other. The last scene focuses on a sign at the entrance of the fuel storage depot saying, "Stop, Dead End".  answer the following question:  What are the last names of the people whose corpses look alike because they are so charred?
A: Ingram

Question: Given the following context:  Though frequent performing kept them apart for several years, Sasha and Digweed announced that they would reunite for a few Australian performances.  In November 2006, the duo performed at several venues, including Sydney, Brisbane, and Melbourne as well as numerous tour dates throughout 2007.  In 2008, Sasha and Digweed kicked off an American tour with a performance at the Winter Music Conference.  The duo played at mainly larger venues on the weekends and smaller (750-1000 people) shows on weekdays.  Sasha described their music as "driving and dark" with "a little throwback of Twilo sounds".Sasha runs a music studio and lives in New York City, and maintains a house in London.  He brings his wife with him on his frequent tours.  Sasha finds the constant touring to be physically tiring, though he also feels that he thrives on it.  While fans may regard Sasha to be a DJ "hero", he is uneasy with fame; Sasha considers himself "shy at heart" and is typically uncomfortable discussing his personal life.  He has mentioned on numerous occasions that he is so busy with DJing and production that he rarely has any free time. However, he enjoys watching football, cooking, and sampling the cuisine of the countries he visits. The movie "New Emissions of Light & Sound" won the Best Original Score at the X-Dance Film Festival. The score was made up of new and previously unreleased tracks.Sasha and Digweed have re-united again in recent years. The iconic duo Sasha & John Digweed performed a Back to Back set at the Ministry of Sound in London on 24 March 2016. Shortly there after, the Duo announced a list of tour dates for September 2016 to re-launch themselves in a series of Gigs and performing Back to Back.  answer the following question:  What is the first name of the individual who announced alongside Sasha that they would reunite for a few Australian performances?
Answer: John

Question: Given the following context:  Hachijō-daiko (八丈太鼓, trans. "Hachijō-style taiko") is a taiko tradition originating on the island of Hachijō-jima. Two styles of Hachijō-daiko emerged and have been popularized among residents: an older tradition based on a historical account, and a newer tradition influenced by mainland groups and practiced by the majority of the islanders.The Hachijō-daiko tradition was documented as early as 1849 based on a journal kept by an exile named Kakuso Kizan. He mentioned some of its unique features, such as "a taiko is suspended from a tree while women and children gathered around", and observed that a player used either side of the drum while performing. Illustrations from Kizan's journal show features of Hachijō-daiko. These illustrations also featured women performing, which is unusual as taiko performance elsewhere during this period was typically reserved for men. Teachers of the tradition have noted that the majority of its performers were women; one estimate asserts that female performers outnumbered males by three to one. The first style of Hachijō-daiko is thought to descend directly from the style reported by Kizan. This style is called Kumaoji-daiko, named after its creator Okuyama Kumaoji, a central performer of the style. Kumaoji-daiko has two players on a single drum, one of whom, called the shita-byōshi (下拍子, "lower beat"), provides the underlying beat. The other player, called the uwa-byōshi (上拍子, "upper beat"), builds on this rhythmical foundation with unique and typically improvised rhythms. While there are specific types of underlying rhythms, the accompanying player is free to express an original musical beat. Kumaoji-daiko also features an unusual positioning for taiko: the drums are sometimes suspended from ropes, and historically, sometimes drums were suspended from trees.The contemporary style of Hachijō-daiko is called shin-daiko (新太鼓, "new taiko"), which differs from Kumaoji-daiko in multiple ways.  For instance, while the lead and accompanying roles are still present, shin-daiko...  answer the following question:  What is the name of the contemporary style that descended from the one recorded in a journal in 1849?
Answer:
shin-daiko