Q: The following article contains an answer for the question: When was the Chicxulub crater discovered? , can you please find it?   The Chicxulub crater (; Mayan: [tʃʼikʃuluɓ]) is an impact crater buried underneath the Yucatán Peninsula in Mexico. Its center is located near the town of Chicxulub, after which the crater is named. It was formed by a large asteroid or comet about 11 to 81 kilometres (6.8 to 50.3 miles) in diameter, the Chicxulub impactor, striking the Earth. The date of the impact coincides precisely with the Cretaceous–Paleogene boundary (K–Pg boundary), slightly less than 66 million years ago, and a widely accepted theory is that worldwide climate disruption from the event was the cause of the Cretaceous–Paleogene extinction event, a mass extinction in which 75% of plant and animal species on Earth became extinct, including all non-avian dinosaurs. The crater is estimated to be 150 kilometres (93 miles) in diameter and 20 km (12 mi) in depth, well into the continental crust of the region of about 10–30 km (6.2–18.6 mi) depth. It is the second largest confirmed impact structure on Earth and the only one whose peak ring is intact and directly accessible for scientific research.The crater was discovered by Antonio Camargo and Glen Penfield, geophysicists who had been looking for petroleum in the Yucatán during the late 1970s. Penfield was initially unable to obtain evidence that the geological feature was a crater and gave up his search. Later, through contact with Alan Hildebrand in 1990, Penfield obtained samples that suggested it was an impact feature. Evidence for the impact origin of the crater includes shocked quartz, a gravity anomaly, and tektites in surrounding areas. In 2016, a scientific drilling project drilled deep into the peak ring of the impact crater, hundreds of meters below the current sea floor, to obtain rock core samples from the impact itself. The discoveries were widely seen as confirming current theories related to both the crater impact and its effects.
A: late 1970s

Question: The following article contains an answer for the question: What is the last name of the person the Kinks third album was named after? , can you please find it?   In early 1969, Quaife told the band he was leaving. The other members did not take his statement seriously, until an article appeared in New Musical Express on 4 April featuring Quaife's new band, Maple Oak, which he had formed without telling the rest of the Kinks. Ray Davies pleaded with him to return for the sessions for their upcoming album, but Quaife refused. Davies immediately called up John Dalton, who had filled in for Quaife in the past, as a replacement. Dalton remained with the group until 1977, when the album Sleepwalker was released.Ray Davies travelled to Los Angeles in April 1969 to help negotiate an end to the American Federation of Musicians' ban on the group, opening up an opportunity for them to return to touring in the US. The group's management quickly made plans for a North American tour, to help restore their standing in the US pop music scene. Before their return to the US, the Kinks recorded another album, Arthur (Or the Decline and Fall of the British Empire). As with the previous two albums, Arthur was grounded in characteristically English lyrical and musical hooks. A modest commercial success, it was well received by American music critics. Conceived as the score for a proposed but unrealised television drama, much of the album revolved around themes from the Davies brothers' childhood; their sister Rosie, who had migrated to Australia in the early 1960s with her husband, Arthur Anning, the album's namesake; and life growing up during the Second World War. The Kinks embarked on their tour of the US in October 1969. The tour was generally unsuccessful, as the group struggled to find cooperative promoters and interested audiences; many of the scheduled concert dates were cancelled. The band did, however, manage to play a few major venues such as the Fillmore East and Whisky a Go Go.
Answer: Anning

Question: The following article contains an answer for the question: What is the name of the person that Carl Grasso invited to the Magic Castle? , can you please find it?   Following the Pixies' breakup, Lovering drummed with several artists, including Nitzer Ebb, but turned down an invitation to join the Foo Fighters. Lovering then joined Santiago's band The Martinis, appearing on their song "Free" on the soundtrack of Empire Records. However, he soon left the band to become a touring drummer for Cracker. Lovering moved from band to band, drumming with Tanya Donelly's group on 1997's Lovesongs for Underdogs and with Boston band Eeenie Meenie. After facing difficulty finding new work, Lovering gave up the drums and moved into a rented house that banned drumming.Towards the end of the 1990s, Lovering's friend Grant-Lee Phillips took him to a magic convention. Lovering was very impressed by some of the illusions, and later said "I had to learn how to do it". Mutual friend Carl Grasso invited them to a show at the Magic Castle, a magic-oriented nightclub in Los Angeles. There Lovering met Possum Dixon frontman Rob Zabrecky, and the pair soon became friends. Zabrecky convinced Lovering to apply for a performers' membership to the Magic Castle. After gaining his membership, Lovering reinvented himself as "The Scientific Phenomenalist". His act combined his electrical engineering knowledge with his stage performance experience. His decision to pursue a career in magic was influenced by the fact that as a musician, he "couldn't top the Pixies".As the Scientific Phenomentalist, Lovering performs science and physics experiments in a lab coat while on stage. He shuns traditional magic tricks, and prefers "things that are more mental, using mental powers". He later explained: "It's all kind of upbeat, really weird physics experiments that you'll never see. [...] I'd rather have them [the audience] going 'Is it [magic] or isn't it?' rather than 'It's all science' or 'It's all magic'. So I do kinda weird things that other magicians don't do". Lovering cites sleight-of-hand artist Ricky Jay, mind reader Max Maven and Eugene Burger as influences on his technique. His performances often involve...
Answer:
Lovering