Please answer this: Where does the radio station janitor meet Charlie's owner?  Answer the above question based on the context below:  Joe Dirt is the janitor at a Los Angeles radio station. A producer drags him into the studio to talk live on the air with famous a disc jockey, shock jock Zander Kelly. Joe tells his life story. As a baby, he had a mullet wig installed because the top of his skull had never formed. At age 8, he was left behind by his parents and sister at the Grand Canyon. He does not know his real surname. After growing up in a series of foster homes and travelling on the road as a kid while camping in the woods, Joe arrived in Silvertown, a small town in the Pacific Northwest, where he met the beautiful Brandy and her dog, Charlie, and became a target for jealousy from Robby, the town bully. After Brandy's alcoholic father shoots Charlie dead, Joe decides to try to find his parents. He strikes up a friendship with Kicking Wing, an unsuccessful Native American fireworks salesman. In Indiana, Joe has an encounter with a skin cannibal named Buffalo Bob. This brings him unwanted attention from the media, but helps his search.  He travels to Louisiana and works as a high school janitor with "Clem Doore", a former NYC mobster in the Witness Protection Program, with whom he becomes good friends. Joe discovers the address of his old family home and travels to Baton Rouge. Listening to Joe's story, both Zander and the radio audience initially find him an object of scorn, but Joe's kindness and optimistic outlook on life, as well as his good-natured self deprecation, win them over.
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Answer: Silvertown


Please answer this: What is the name of the building whose lowest level is located deep in the hill?  Answer the above question based on the context below:  The House with Chimaeras was designed in such a way that the tenants would occupy the whole floor, each floor had all the necessary household rooms ranging from private kitchens to small powder rooms. The open floor plan and extra rooms featured throughout the building are characteristic of the houses of the wealthy of the early 20th century. In total, the building has an area of 3,309.5 m2 (35,623.16 sq ft).On the lowest level of the building, which is located deep in the hill, were two stables, two rooms for coachmen, a shared laundry, and two separate apartments. Each of the two apartments consisted of a foyer, a kitchen, one bathroom, and a storage room. The first of these apartments had two residential rooms, and the second three rooms. Each floor above the lowest level was designed to house a single apartment only. The apartment on the second floor consisted of six residential rooms in addition to a foyer, kitchen, buffet, three servant's rooms, a bathroom, two toilets, and two storage rooms. There were also four wine cellars on the same level. The cellars belonged to the apartments on the upper levels. On the third floor, the apartment consisted of eight residential rooms, a foyer, a kitchen, dish washing room, two rooms for servants, a bathroom, and two toilets. This apartment was placed slightly lower than the level of Bankova Street, from the front entrance. The grandest apartment, which belonged to Horodecki, consisted of a study, a great room and a living room, a dining room, a boudoir, a bedroom, a children's room, a room for a governess, a guest room, three rooms for servants, a kitchen, dishwashing room, bathroom, two toilets, and two storage rooms. On the floor above was an apartment similar in size and design to Horodecki's apartment. The apartment on the top floor had one less room; to make up for this, there was a connecting terrace which provided a panoramic view of the city.
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Answer: House with Chimaeras


Please answer this: What is the name of the person that had a solo album named Radio K.A.O.S?  Answer the above question based on the context below:  In Waters' absence, Gilmour had been recruiting musicians for a new project. Months previously, keyboardist Jon Carin had jammed with Gilmour at his Hookend studio, where he composed the chord progression that became "Learning to Fly", and so was invited onto the team. Gilmour invited Bob Ezrin (co-producer of 1979's The Wall) to help consolidate their material; Ezrin had turned down Waters' offer of a role on the development of his new solo album, Radio K.A.O.S., saying it was "far easier for Dave and I to do our version of a Floyd record". Ezrin arrived in England in mid-1986 for what Gilmour later described as "mucking about with a lot of demos".At this stage, there was no commitment to a new Pink Floyd release, and Gilmour maintained that the material might become his third solo album. CBS representative Stephen Ralbovsky hoped for a new Pink Floyd album, but in a meeting in November 1986, told Gilmour and Ezrin that the music "doesn't sound a fucking thing like Pink Floyd". Gilmour later said that the new project was difficult without Waters. He experimented with songwriters such as Eric Stewart and Roger McGough, but eventually settled on Anthony Moore, who was credited as co-writer of "Learning to Fly" and "On the Turning Away". Whereas many prior Pink Floyd albums are concept albums, Gilmour settled for the more conventional approach of a collection of songs without a thematic link. By the end of that year, he had decided to make the material into a Pink Floyd project.
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Answer:
Waters