Please answer this: Given the following context:  In 1935 England, Briony Tallis is a 13-year-old from a wealthy family. She has just completed writing her first play to mark her brother's homecoming and plans to stage it later that day with her visiting cousins. Looking out of her bedroom window, she spies on her older sister, Cecilia, and the housekeeper's son, Robbie Turner, on whom Briony has a crush. Cecilia is undressing and dips into the fountain pool; a moment later, she climbs out, her undergarments wet, all while Robbie watches. Cecilia had gone to the pond to fill a vase, Robbie grabbed one of the handles, and it broke. A part fell into the pond, and Cecilia jumped in to retrieve it, but to Briony, it looked as if Robbie had ordered Cecilia to undress and go under the water. Robbie drafts a series of notes to Cecilia apologizing for the incident, namely breaking the vase and laughing about it. One contains an explicit expression of his sexual desire for her, including frequent and crude usage of the word "cunt": he writes it only as a joke, and it makes him laugh to himself. He writes another, more formal letter, and asks Briony to deliver it. Only after she has gone does he realise he has given her the explicit letter. Briony reads the letter before giving it to Cecilia. Later, she describes it to her older visiting cousin, Lola, who calls Robbie a "sex maniac". Paul Marshall, a visiting friend of Briony's older brother's and a chocolate magnate, introduces himself to the visiting cousins and appears to be attracted to Lola. Before dinner, Robbie apologises for the obscene letter, but Cecilia surprises him and confesses her secret love for him. They then proceed to make passionate love in the library when Briony walks in, and thinks that Cecilia is under attack. Cecilia and Robbie try to pass the incident off.  answer the following question:  What is the full name of the person who writes a note containing frequent usage of the word "cunt"?
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Answer: Robbie Turner


Please answer this: Given the following context:  The film is set in Australia 1919, just a year after World War I. Australia begins to question the value of continuing as an outpost to the British Empire. Since his sister's death years ago, Jack Dickens has raised his niece Sally, aided by his sharp-tongued maid Hannah. Sally's father, Alexander Voysey, abandoned her after her mother's death and took off for the bright lights of the city, ostensibly making a name for himself as a literary critic and writer in London. Jack and Sally have sacrificed their own hopes and dreams to run the farm while Voysey disports himself in the city. Despite the claims of success, Voysey is a self-centered, self-aggrandizing, pompous windbag with no visible means of support beyond leeching off his brother-in-law's labor on the farm. Voysey has remarried a younger woman, Deborah, who has come to regret her marriage. Voysey subjects Deborah to cruel behavior from him, such as fetching things he's dropped at his whim and making advances to other women right in front of her. Deborah is deeply unhappy, and feels that she has wasted her youth and squandered her life in marrying Voysey. Both Jack and the town doctor are soon smitten by Deborah, while Sally pines for the town doctor herself.  The true natures, characters, and hopes and dreams within the family are revealed as things fall apart.  answer the following question:  Who was abandoned after her mother's death?
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Answer: Sally


Please answer this: Given the following context:  Diamandis released 11 music videos through YouTube during the promotional campaign for Electra Heart. She claimed that their production led her record label into bankruptcy, but stated that they would be released and "finish this era the way I want to." The first, titled "Part 1: Fear and Loathing", was released on 8 August 2011, and sees Diamandis cutting her long brown hair and singing the track on a balcony during the nighttime. It was followed by "Part 2: Radioactive" on 22 August, which depicts a blonde-wigged Diamandis travelling across the United States with her romantic interest. The track was released through the iTunes Store on 23 September, and peaked at number 25 on the UK Singles Chart on 15 October. The black-and-white clip "Part 3: The Archetypes" shows the close-up of a blonde Diamandis while the introduction of "The State of Dreaming" is played; it introduced the archetypes "housewife", "beauty queen", "homewrecker", and "idle teen" on 15 December. "Part 4: Primadonna" served as the music video for the lead single from the record on 12 March 2012.Uploaded on 18 May, the black-and-white "Part 5: Su-Barbie-A" is set to the introduction of "Valley of the Dolls" with overlapped commentary mentioning "Quick-Curl Barbie" and "Mod-Hair Ken"; it depicts Diamandis standing on the porch of a house with her back to the front door. It was followed by "Part 6: Power & Control" on 30 May, where Diamandis is seen engaging in a series of mind games with her romantic interest. Diamandis alleged that Atlantic Records delayed the premiere of "Part 7: How to Be a Heartbreaker" because they felt she was "ugly" in the clip; it was made publicly available on 28 September, and sees Diamandis interacting with several shirtless men in a community shower. "Part 8: E.V.O.L." introduced the previously-unreleased track "E.V.O.L" on 14 February 2013. The black-and-white visual shows a brown-wigged Diamandis looking about a room with white-tiled walls."Part 9: The State of Dreaming", premiered on 2 March, presents Diamandis...  answer the following question:  What was the name of the video that was released on 15 December?
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Answer:
Part 3: The Archetypes