In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
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Question: Passage: In 1861, Rossier was in Siam, where he assisted the French zoologist Firmin Bocourt by taking ethnographic portraits for the latter's scientific expedition of 1861–1862, and in 1863, Negretti and Zambra issued a series of 30 stereographic portraits and landscapes taken in Siam that are almost certainly the work of Rossier. In February 1862, Rossier was again in Shanghai, where he sold his cameras and other photographic equipment before embarking for Europe. During his time in Asia it is possible that Rossier photographed in India; Negretti and Zambra issued a series of views of India at about the same time as Rossier's China views.Rossier returned to Switzerland in early 1862 and, in October 1865, married Catharine Barbe Kaelin (1843–1867). The couple had a son, Christophe Marie Pierre Joseph, who was born on 30 July 1866. Catharine died on 4 April 1867.
Rossier maintained a photographic studio in Fribourg until at least 1876 and he also had a studio in Einsiedeln. During the 1860s and 1870s, he produced a number of stereographs and cartes-de-visite comprising portraits and views of Fribourg, Einsiedeln and other places in Switzerland. An 1871 advertisement in the French-language Fribourg newspaper La Liberté offered photographs by Rossier of religious paintings by the artist Melchior Paul von Deschwanden. In 1872, Rossier applied for a passport to travel to France where he may have produced photographs. At some point between 1871 and 1884, he married again. His second wife, Marie Virginie Overney, was employed as a household servant by the landlords of his studio. They had a son, Joseph Louis, who was born in Paris on 16 March 1884, and who went on to own a café in Vevey, Switzerland. He died in 1927.
Pierre Rossier died in Paris some time between 1883 and 1898.Examples of Rossier's views of Switzerland are held in several institutions and private collections in that country. Rossier took the first commercial photographs of China and Japan, and they are now quite rare. He complained at times of the adverse effects of the climate on his photographic chemicals and some of his negatives may have been damaged en route to London from Asia. Though his surviving images are scarce, his importance to the early history of photography in Asia is great. Before his arrival in Japan in 1859, Japanese students of photography had struggled to produce satisfactory images, but Rossier's experience, instruction, and contacts with suppliers of photographic materials were extremely helpful in the development of an autonomous photographic tradition in Japan.

Answer: What was the full name of the person who died on 4 April 1867?


Question: Passage: In 1946, after fighting in World War II, two former United States Air Force pilots in North Africa, Brynie MacKay and Mike Brewer are forced to work for Lee Harris, an international smuggler to get money needed for their return to civilian life.  The smuggler wants them to fly to France, with Egyptian cotton cargo. When Brynie finds that their real cargo is contraband cigarettes, he extorts Harris for more money. In retaliation, Harris plants narcotics on Brynie's aircraft and informs Colonel Wilson at U. S. Counterintelligence.
With Byrnie's aircraft impounded and his money seized, Elena, Harris's mistress comes to his aid. Harris exacts a promise for 12 more illegal cargo flights, but Mike warns that they will both be killed if they go ahead with this scheme. When Mike tries to trap Harris by informing Col. Wilson about the smuggling runs, Harris, who is flying with the two pilots, kills Mike, but is knocked out by Byrnie.
Fearing Harris's gang is waiting for him at the prearranged destination, Byrnie lands his aircraft at an abandoned military air strip and informs Wilson where the contraband can be found.  With Elena at his side, Byrnie then escapes to North Africa. When Harris tracks them down, Brynie overcomes Harris and turns him over to Wilson, and because of the deal Mike had made, is released. Byrnie decides to return to the United States with Elena and become a teacher, his former profession.

Answer: What is the first name of the man that extorts the smuggler after discovering what the cargo is?


Question: Passage: Much of the scholarly appreciation of Wright's work is fairly recent. In 1982, an exhibition of his work: ‘John Michael Wright – The King’s Painter’ – in the Scottish National Portrait Gallery – led to a renewed interest in his contributions, and the catalogue (edited by Sara Stevenson and Duncan Thomson) re-wrote and uncovered much of the known biographical details. New works continue to be discovered and previously known ones re-attributed to him. Wright is now viewed as amongst the most successful of seventeenth-century Britain's indigenous artists, and is rated alongside contemporaries such as Robert Walker and William Dobson. One modern exhibition catalogue described him as "the finest seventeenth century British-born painter". Certainly, he was one of the few who painted the elite aristocracy of his day, and was responsible for some of the most magnificent royal portraiture surviving. This achievement is particularly significant in an age where even British patrons had tended to favour foreign artists like Holbein and Van Dyck, and would continue to favour immigrants such as Lely and Kneller. Indeed, part of the reason for Wright's success is recognised as being his unusually cosmopolitan training: no prior British artist had so much exposure to European influence. During his Italian sojourn, and his participation in the Accademia di San Luca, not only had Wright collected works attributed to continental giants like Michelangelo, Raphael and Titian, he had also been influenced by, and even copied, much of their tone and style.

Answer:
What is the first name of the person who is now viewed as amongst the most successful of seventeenth-century Britain's indigenous artists?