input question: What is the first name of the person that the sheriff admits his identity to?  Answer the above question based on the context below:  Ray Dolezal, a bored Torrance County Deputy Sheriff, is called to the scene of an apparent suicide in the desert. Alongside the body of Bob Spencer is a suitcase containing $500,000.  During the autopsy, they find a digested piece of paper with a phone number; Dolezal, posing as Spencer, calls the number and goes to a meeting, where he is robbed and instructed to meet Gorman Lennox at a restaurant. FBI agent Greg Meeker intercepts Dolezal and informs him that Spencer was an undercover agent. Now that Dolezal has lost the money, Meeker suggests he continue posing as Spencer to recover the money or help arrest Lennox. Dolezal meets Lennox and his wealthy associate Lane Bodine and learns the money is intended for the purchase of unused military weaponry to arm left-wing freedom fighters in South America.  The arms dealers demo the guns for Dolezal and Lennox, but demand an additional $250,000 due to unforeseen expenses; Meeker, unwilling to provide more money, pushes the responsibility on Dolezal, who romances his way into Lane's life so she will attract rich humanitarian donors to fund the deal. Meanwhile, two FBI internal affairs agents suspect Dolezal of killing Spencer and stealing the money. Dolezal is forced to admit to Lane he is not really Spencer, but she agrees to help raise the money because she finds Dolezal a better alternative to the volatile Lennox. Dolezal learns from Noreen, who had an affair with the real Spencer, that he was working with an FBI agent who likely killed him. Noreen runs away at the sight of Meeker and the internal affairs agents grab Dolezal.  Lennox runs the agents off the road; Dolezal flees and returns to Lane.  He discovers Noreen shot dead and a Polaroid of her with Spencer and Meeker.???
output answer: Lane
What was the name of the person who drew Man of Sorrows?  Answer the above question based on the context below:  The three-quarter view was widely used in southern German portraiture of the late-15th century. Rosary beads were often included to indicate the piousness and modesty of the sitters, although by the 16th century religious motifs and sentiments like this were falling out of fashion. Dürer distinguishes himself from his contemporaries through his tight and detailed focus on his parents' faces, a technique that draws comparison to the work of the first generation of Early Netherlandish painters active 50 years earlier. Albrecht the Elder had travelled to Flanders and from working with Netherlandish artists had acquired a strong appreciation for the work of both Jan van Eyck and Rogier van der Weyden.  That he passed on this influence to his son is evident from the early use of silverpoint, a medium which according to Erwin Panofsky requires "an exceptional degree of confidence, accuracy and sensitive feeling for its successful handling". Dürer would have been aware of Hans Pleydenwurff's portrait of the ageing Count Georg von Lowenstein, through his teacher Michael Wolgemut. Pleydenwurff's portrait was in turn likely influenced by van Eyck's 1438 Portrait of Cardinal Niccolò Albergati. Von Fircks believes the portrait of Dürer's father took from Pleydenwurff's portrait, which she describes as a "highly detailed representation of [a] white haired old man, who defies the pains of growing old with an alert mind and an inner animation".Von Fircks notes that Dürer's 1484 self-portrait was created with the use of a mirror while his most iconic work is a self-portrait; the 1500 Self-Portrait at Twenty-Eight. From these she concludes that the "accurate observation and documentary recording" of both his own and his parents' appearances over time was not just a compulsion, but that is indicative of a deeper interest in the effects of time and age on human appearance. Although Dürer was fascinated by the effects of ageing on others, he seems to have had some hesitancy at examining how it might affect him personally. The...
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Answer: Dürer
Problem: Given the question: Who are the outlaws that subdue the couple after the leader wants their daughter to sit on his lap?  Answer the above question based on the context below:  In Cuchillo, New Mexico, 1887, a group of five Outlaws, led by Henry, are robbing the town bank, which culminates in a shoot-out with the residents of the town. A posse of bounty hunters, led by Josiah, is formed and are in hot pursuit, "only being a half-day behind them". The outlaws are now down to four after one of the men was shot dead after the robbery.  They are met on the path by a couple, who are the aunt and uncle of Charlie, and brought them supplies.  They find out that there is a bounty of 8000 dollars on their heads. They shoot the couple so they cannot turn them in for the reward money. The posse comes upon the scene of the dead couple, and Josiah talks to the couples' granddaughter Lulu, who hid in the bushes when her grandparents were shot.  She tells them that they are headed East through White Sands, to make them more difficult to track. The outlaws are down to three, when one passes out and they shoot him to put him out of his misery. They spot the Tildon farm, where Preacher George and Ada live with their teenage daughters, Charlotte and Florence, and make plan to descend on them at dark. They burst in to the house, and start eating and drinking whiskey and intend to have relations with the women. Florence catches Henry's eye and he calls her to sit on his lap.  Ada and George plead with the men because she is only 15, but both are brutally subdued by Charlie and Little Joe. George says he is the preacher of the chapel on the property, but nobody attends now because the town was ravaged by consumption.
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The answer is:
Little Joe