Q: Given the below context:  Blender described Jackson as the "late 20th century's preeminent pop icon", while The New York Times gave the opinion that he was a "musical phenomenon" and that "in the world of pop music, there is Michael Jackson and there is everybody else". Jackson changed the way the industry functioned: both as an artistic persona and as a financial, profitable entity. His attorney John Branca observed that Jackson achieved the highest royalty rate in the music industry to that point: approximately $2 (US$4.82 in 2018 dollars) for each album sold. As a result, Jackson earned record-breaking profits from compact disc sales and from the sale of copies of the documentary, The Making of Michael Jackson's Thriller, produced by Jackson and John Landis. Funded by MTV, the film sold over 350,000 copies in its first few months. In a market then driven by singles, Thriller raised the significance of albums, yet its multiple hit singles changed perceived notions as to the number of successful singles that could be taken from an individual album. The era saw the arrival of novelties like the Michael Jackson doll, that appeared in stores in May 1984 at a price of $12 (US$29 in 2018 dollars). Thriller retains a position in American culture; biographer J. Randy Taraborrelli explains, "At some point, Thriller stopped selling like a leisure item—like a magazine, a toy, tickets to a hit movie—and started selling like a household staple".At the time of the album's release, a press statement from Gil Friesen, the then President of A&M Records, read that, "The whole industry has a stake in this success". Time magazine speculated that "the fallout from Thriller has given the [music] business its best years since the heady days of 1978, when it had an estimated total domestic revenue of $4.1 billion". Time summed up Thriller's impact as a "restoration of confidence" for an industry bordering on "the ruins of punk and the chic regions of synthesizer pop". The publication described Jackson's influence at that point as, "Star of records, radio,...  Guess a valid title for it!
A: Thriller (Michael Jackson album)


Question: Given the below context:  While working as a barroom bouncer, sailor Steve Morgan impresses alcoholic ex-boxing manager "the Professor" (Walter Huston) with his skills. The Professor talks Steve into entering a prize fight with an up-and-coming boxer to make money for both of them. While out training on the road, Steve is nearly run over by a speeding car that crashes into a ditch. He carries nightclub singer Belle Mercer out of the wreckage. Though she is attracted to him, she refuses to have anything to do with Steve. He learns where she lives and goes to see her anyway. He is too cocky to be concerned when she reveals that she is the girlfriend of well-known gangster Willie Ryan. When Willie finds out, Belle reassures him she is in control of her emotions. Willie is not so certain about that, but is too shrewd to have Steve killed out of hand by his bodyguard, whom he jokingly calls his "Adopted Son" (Robert McWade). It turns out that he had cause for concern; Steve persuades Belle to marry him. Deeply in love with Belle himself and still hoping to get her back, Willie lets Steve live. Steve quickly rises through the boxing ranks. However, he cannot keep from fooling around with other women. When Belle catches him in a lie, she tells him that she loves him, but if he cheats on her once more, she will leave him. While waiting for a bout for the heavyweight championship of the world, Steve performs in a musical revue. When Belle unexpectedly goes to his dressing room, she finds a woman hiding there. It is the end of their marriage. She gets her old job back with Willie. Anxious to see the overconfident Steve humiliated, Willie finds out what is holding up the match with the current champion, Primo Carnera (playing himself), and pays $25,000 to set it up. When the Professor tries to get Steve to train properly (without women and liquor), Steve gets angry and slaps him, ending their partnership.  Guess a valid title for it!
Answer: The Prizefighter and the Lady


[Q]: Given the below context:  Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860) married Albert de Broglie on 18 June 1845, and they had five sons together. Although not high royalty, on the occasion of their marriage, they styled themselves Prince and Princesse respectively. Pauline was a highly intelligent and religious woman, who was well read and wrote a number of texts in her lifetime. Her shyness was well known; she was widely considered strikingly beautiful and charming, but those around her would often avoid eye contact so as not to embarrass her. Albert was devoted to his wife, and commissioned the painting after being impressed by Ingres' 1845 portrait of his sister, the Comtesse d'Haussonville. Albert approached Ingres around 1850 to undertake the portrait. Ingres dined with the de Broglie family in January 1850, and according to one eye witness, "seemed to be very happy with his model."Although Ingres' main source of income came from portraiture, it distracted from his main interest in history painting, which early in his career, was far less lucrative. He found acclaim in the 1840s, when he became successful enough to no longer depend on commissions. This painting was Ingres' second-last female portrait, and final society portrait.Influenced by the working methods of Jacques-Louis David, Ingres began with a number of nude preparatory sketches, for which he employed professional models. He built up a picture of the sitter's underlying anatomical structure, as seen in the Musée Bonnat study, before deciding on how to build the lavish costume and accessories. Although there is no surviving record of the commissions, and the exact sequence of events is uncertain, the sketches can be dated from 1850, the year the style of her evening dress came into fashion. Ingres signed and dated the final picture at the left center "J. INGRES. pit 1853".Pauline died in 1860 aged 35 from tuberculosis. After her death, Albert published three volumes of her essays on religious history. Albert (who in 1873 became the 28th...  Guess a valid title for it!
****
[A]: The Princesse de Broglie 0


Question: Given the below context:  In 1971, Camilla Shand meets Charles, Prince of Wales at a polo match. They get to know each other and begin dating. The relationship fizzles out when Charles travels overseas to join the Royal Navy in early 1973. Camilla immediately marries her ex-boyfriend Andrew Parker Bowles. Though Charles is hurt upon hearing about her marriage, they remain friends. Throughout their friendship Charles and Camilla hide their feelings for each other until 1979 when Lord Mountbatten is murdered and Charles visits her more for emotional support. They re-ignite their romantic relationship during this period. Charles is now in his early 30s and his family and the British media begins calling him out to find a suitable bride. He meets Lady Diana Spencer who the media falls in love with and they eventually get engaged. Although everyone is happy Charles is about to settle down, Charles and Camilla are not due to their feelings for each other, however, they end their relationship. The story ends with Charles and Camilla getting ready for his wedding in 1981, both looking grim while dressing up for the occasion.  Guess a valid title for it!
Answer:
Whatever Love Means