input question: Given the below context:  On October 29, 1993, Beatrice High School student Charlie Grimille is accidentally hanged and killed after a prop malfunction during a presentation of the play "The Gallows." His parents, along with the whole audience, witness the tragic event. Twenty years later, on October 28, 2013, the school attempts to put on a new performance of "The Gallows." Reese Houser is excited, as this gives him a chance to grow closer to his crush Pfeifer Ross. His friend Ryan Shoos is dismissive of the play, and comes up with the idea to vandalize the set. Reese is reluctant to take part, but agrees when Ryan promises that he'll be able to console Pfeifer afterwards, giving them a chance to kiss. Later that night, Reese, Ryan, and Ryan's girlfriend Cassidy Spilker sneak into the school, only to run into Pfeifer, who saw Reese's car. Knowing they cannot vandalize the sets with Pfeifer there, the group tries to leave, but finds that they have been locked inside, and there is no cell phone reception. Disturbed, Cassidy admits the trio's real reason for being in the school, which angers Pfeifer. As the group tries to look for a way out of the school, they find news coverage of Charlie's death that includes an interview with his girlfriend Alexis. They also discover that Charlie was not supposed to have performed that day, and was only on stage because he was the understudy for the main actor, Reese's father Rick. The group becomes separated when Reese runs off with the camera, with Ryan being left alone. As he searches for Reese, he sees various things, such as a half finished plate of food, a cup of coffee, a hidden room with a mattress and bed frame, and what looks like a body hanging from above. When the group is reunited, they hear footsteps above them that stop above Cassidy. She is then yanked into the air by seemingly nothing, leaving her with burns on her neck that look like rope burns.  Guess a valid title for it!???
output answer: The Gallows

input question: Given the below context:  After the 1994 release of The Downward Spiral, the live band embarked on the Self-Destruct tour in support of the album. Chris Vrenna and James Woolley performed drums and keyboards respectively, Robin Finck replaced Richard Patrick on guitar and bassist Danny Lohner was added to the line-up. The stage set-up consisted of dirty curtains which would be pulled down for visuals shown during songs such as "Hurt". The back of the stage was littered with darker and standing lights, along with very little actual ones. The tour debuted the band's grungy and messy image in which they would come out in ragged clothes slathered in corn starch. The concerts were violent and chaotic, with band members often injuring themselves. They would frequently destroy their instruments at the end of concerts, attack each other, and stage-dive into the crowd.The tour included a set at Woodstock '94 broadcast on Pay-per-view and seen in as many as 24 million homes. The band being covered in mud was a result of pre-concert backstage play, contrary to the belief that it was an attention-grabbing ploy, thus making it difficult for Reznor to navigate the stage: Reznor pushed Lohner into the mud pit as the concert began and saw mud from his hair going into his eyes while performing. Nine Inch Nails was widely proclaimed to have "stolen the show" from its popular contemporaries, mostly classic rock bands, and its fan base expanded. The band received considerable mainstream success thereafter, performing with significantly higher production values and the addition of various theatrical visual elements. Its performance of "Happiness in Slavery" from the Woodstock concert earned the group a Grammy Award for Best Metal Performance in 1995. Entertainment Weekly commented about the band's Woodstock '94 performance: "Reznor unstrings rock to its horrifying, melodramatic core--an experience as draining as it is exhilarating". Despite this acclaim, Reznor attributed his dislike of the concert to its technical difficulties.  Guess a valid title for it!???
output answer: Nine Inch Nails live performances

input question: Given the below context:  Danie Mellor (born 13 April 1971) is an Australian artist who was the winner of the 2009 National Aboriginal & Torres Strait Islander Art Award. Born in Mackay, Queensland, Mellor grew up in Scotland, Australia, and South Africa before undertaking tertiary studies at North Adelaide School of Art, the Australian National University (ANU) and Birmingham Institute of Art and Design. He then took up a post lecturing at Sydney College of the Arts. He works in different media including printmaking, drawing, painting, and sculpture. Considered a key figure in contemporary Indigenous Australian art, the dominant theme in Mellor's art is the relationship between Indigenous and non-Indigenous Australian cultures.Since 2000, Mellor's works have been included regularly in National Aboriginal & Torres Strait Islander Art Award exhibitions; in 2003 he was awarded a "highly commended", for his print Cyathea cooperi, and in 2009 he won the principal prize, for a mixed media work From Rite to Ritual. His other major exhibitions have included the Primavera 2005 show at the Museum of Contemporary Art, Sydney, and the National Indigenous Art Triennial at the National Gallery of Australia in 2007. In 2012, his work was included in the National Museum of Australia's exhibition Menagerie: Contemporary Indigenous Sculpture as well as in the second National Indigenous Art Triennial, while international recognition came in 2013 with representation in the National Gallery of Canada's exhibition of international indigenous art.  Guess a valid title for it!???
output answer: Danie Mellor

input question: Given the below context:  "City of Angels" is a synthrock song with influences and elements from experimental music. It opens with an instrumental section and "gently burbling" synthesizers. It follows with the sounds of drum beats, including taiko drums, then transitions into a piano melody. After the first verse, the chorus follows, with Leto singing, "Lost in the City of Angels / Down in the comfort of strangers / I found myself in the fire burned hills / In the land of a billion lights". During the bridge, he ornaments his vocal lines with melodic crescendos, affirming "I am home". After the final chorus, the song reaches a drum-heavy climax. Emily Zemler from Billboard cited "City of Angels" as an example of variety and experimentation in Love, Lust, Faith and Dreams. She described the song as a "pulsating, subtler track that employs a blipping electronic beat rather than the band's usual rock backdrop".In a preview of the record, Jeff Benjamin from Fuse acknowledged the 1980s influences that resonated throughout the track and noted that "hard rock guitars and percussion come crashing in on the chorus." Sarah O' Hara, while reviewing Love, Lust, Faith and Dreams for Lowdown, compared the song to "Kings and Queens", a track with a similar structure included on This Is War featuring sparse verses and slow atmospheric builds to the chorus. In an interview with Loudwire, Leto described "City of Angels" as a very personal song about a specific place. He said, "It's the story of my brother and I going to Los Angeles to make our dreams come true. It's a love letter to that beautiful and bizarre land." Leto later explained that the song could refer to any place a person goes to fulfill his or her own dreams. Mary Ouellette, writing for Loudwire, felt that the song "tells a passionate tale of finding comfort in calling the city of Los Angeles home."  Guess a valid title for it!???
output answer:
"City of Angels" (song)