In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Input: Consider Input: Passage: Despite undergoing various changes of emphasis, Bush's music retained a voice distinct from that of any of his contemporaries. One critic describes the typical Bush sound as "Mild dominant discords, of consonant effect, used with great originality in uncommon progressions alive with swift, purposeful harmonic movement ... except in [Benjamin] Britten they are nowhere used with more telling expression, colour and sense of movement than in Bush".John Ireland, Bush's early mentor, instilled "the sophisticated and restrained craftsmanship which marked Bush's music from the beginning",   introducing him to folksong and Palestrina, both important building blocks in the development of Bush's mature style. Daula comments that "Bush's music does not [merely] imitate the sound-world of his Renaissance predecessors", but   creates his unique fingerprint by "[juxtaposing] 16th century modal counterpoint with late- and post-romantic harmony".Bush's music, at least from the mid-1930s, often carried political overtones. His obituarist Rupert Christiansen writes that, as a principled Marxist, Bush  "put the requirements of the revolutionary proletariat at the head of the composer's responsibilities", a choice which others, such as Tippett, chose not to make.   However, Vaughan Williams thought that, despite Bush's oft-declared theories of the purposes of art and music, "when the inspiration comes over him he forgets all about this and remembers only the one eternal rule for all artists, 'To thine own self be true'.".

Output: What is the last name of the person who wrote that the composer who retained a voice distinct from that of any of his contemporaries "remembers only the one eternal rule for all artists, 'To thine own self be true'."?


Input: Consider Input: Passage: In 1865, Burges met John Patrick Crichton-Stuart, 3rd Marquess of Bute. This may have resulted from Alfred Burges's engineering firm, Walker, Burges and Cooper, having undertaken work on the East Bute Docks in Cardiff for the second Marquess. The 3rd Marquess became Burges's greatest architectural patron; both were men of their times; both had fathers whose industrial endeavours provided the means for their sons' architectural achievements, and both sought to "redeem the evils of industrialism by re-living the art of the Middle Ages".On his succession to the Marquessate at the age of one, Bute inherited an income of £300,000 a year, and, by the time he met Burges, he was considered the richest man in Britain, if not the world. Bute's wealth was important to the success of the partnership: as Burges himself wrote, "Good art is far too rare and far too precious ever to be cheap." But, as a scholar, antiquarian, compulsive builder and enthusiastic medievalist, Bute brought more than money to the relationship and his resources and his interests allied with Burges's genius to create what McLees considers to be "Bute's most memorable overall achievement."
However occasioned, the connection lasted the rest of Burges's life and led to his most important works. To the Marquess and his wife, Burges was the "soul-inspiring one". The architectural writer Michael Hall considers Burges's rebuilding of Cardiff Castle and the complete reconstruction of the ruin of Castell Coch, north of the city, as representing his highest achievements. In these buildings, Crook contends that Burges escaped into "a world of architectural fantasy" which Hall describes as "amongst the most magnificent the Gothic Revival ever achieved.".

Output: What are the specific names of the two buildings in which Cook contends that Burges escaped into "a world of architectural fantasy"?


Input: Consider Input: Passage: Regulations for the performance of the national anthem are set forth in the law signed by President Putin on 25 December 2000. While a performance of the anthem may include only music, only words, or a combination of both, the anthem must be performed using the official music and words prescribed by law. Once a performance has been recorded, it may be used for any purpose, such as in a radio or television broadcast. The anthem may be played for solemn or celebratory occasions, such as the annual Victory Day parade in Moscow, or the funerals of heads of state and other significant figures. When asked about playing the anthem during the Victory Day parades, Defense Minister Anatoliy Serdyukov stated that because of the acoustics of the Red Square, only an orchestra would be used because voices would be swallowed by the echo.The anthem is mandatory at the swearing-in of the President of Russia, for opening and closing sessions of the Duma and the Federation Council, and for official state ceremonies. It is played on television and radio at the beginning and end of the broadcast day. If programming is continuous, the anthem is played once at 0600 hours and again at midnight. The anthem is also played on New Year's Eve after the New Year Address by the President. It is played at sporting events in Russia and abroad, according to the protocol of the organisation hosting the games. According to the law, when the anthem is played officially, everybody must stand up (in case the national flag is raising, facing to the flag), men must remove their headgear (in practice, excluding those in military uniform and clergymen). Uniformed personnel must give a military salute when the anthem plays.The anthem is performed in 4/4 (common time) or in 2/4 (half time) in the key of C major, and has a tempo of 76 beats per minute. Using either time signature, the anthem must be played in a solemn and singing manner (Russian: Торжественно and Распевно). The government has released different notations for orchestras, brass bands and wind bands.According to Russian copyright law, state symbols and signs are not protected by copyright. As such, the anthem's music and lyrics may be used and modified freely. Although the law calls for the anthem to be performed respectfully and for performers to avoid causing offence, it does not define what constitutes offensive acts or penalties. Standing for the anthem is required by law but the law does not specify a penalty for refusing to stand.
Output: Which government has released different notations for orchestras, brass bands and wind bands?