input question: Given the following context:  Wile E. Coyote leaves a telephone at the hole of his neighbor, Bugs Bunny. He calls from his cave, asking to borrow a cup of diced carrots. Bugs' whiskers twitch as he sarcastically looks at the Coyote's mailbox, and realizes what he's up against. He then mocks him: "Are you in, genius? Are you in, capable? In, solent? In, describable? In, bearable?..." Wile E. grabs Bugs, ties him to a stake and prepares to complete his rabbit stew, but Bugs gets the upper hand by hopping on the floorboards, setting off a wine cork that, after it ricochets around the room, triggers Wile E.'s Murphy bed to open, crushing the Coyote into the floor, with only his head sticking out (ll to the tune of Raymond Scott's Powerhouse). Bugs makes his getaway and hops back to his hole. Wile E. then tries a vacuum cleaner to suck up the rabbit, getting a dynamite decoy instead (before the decoy explodes, he says, "Well, well, the boy has talent"), a cannon shot, which Bugs re-directs at the Coyote thanks to some underground pipes (Coyote: "But how? Well, even a genius can have an off-day"), and "Quick-Drying Cement".  The cement dries into a cylindrical block.  As Wile E. laughs, saying, "What a wonderful way to cement a friendship.", he runs right into the block, which tips over on top of him.  Bugs then pops out and says, "Well, now he has concrete evidence that I'm a good neighbor".  answer the following question:  What is the full name of the person who realizes what they're up against????
output answer: Bugs Bunny

input question: Given the following context:  The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. Because it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer did not sanction that name. The work was composed in a single inspired burst, at Maiernigg in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910. The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of direction led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional; instead of the normal framework of several movements, the piece is in two parts. Part I is based on the Latin text of a 9th-century Christian hymn for Pentecost, Veni creator spiritus ("Come, Creator Spirit"), and Part II is a setting of the words from the closing scene of Goethe's Faust. The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes. Mahler had been convinced from the start of the work's significance; in renouncing the pessimism that had marked much of his music, he offered the Eighth as an expression of confidence in the eternal human spirit. In the period following the composer's death, performances were comparatively rare. However, from the mid-20th century onwards the symphony has been heard regularly in concert halls all over the world, and has been recorded many times. While recognising its wide popularity, modern critics have divided opinions on the work; Theodor W....  answer the following question:  What is the last name of the person who offered the Eighth as an expression of confidence in the eternal human spirit????
output answer: Mahler

input question: Given the following context:  Joseph Krauzenberg is a very wealthy Hungarian Jewish industrial tycoon whose fortune is mirrored in the great palaces he owns. However, by 1944 his important businesses are needed by the Nazis and Hitler's 'Final Solution' is sweeping through Europe. The Nazis are greedy to accumulate wealth as easily as possible, and under the terms of the Third Reich's "Europa Plan", Krauzenberg arranges with Nazi leaders to exchange his fortune, his business holdings (textile plants, steel mills, ownership of several banks) and a collection of rare art for safe passage to Switzerland for himself, his wife Rachel, and their family. As the night of transaction approaches, Krauzenberg visits his large family being held by the Gestapo, and reassures them that all will be safe. Such is Krauzenberg's wealth and power that when he agrees to sign over his property, it is two of the most powerful men in the Nazi regime who announce they will be coming to his house to handle the paperwork – Adolf Eichmann and Heinrich Himmler. However, as the Nazi leaders are ushered into Krauzenberg's home, they are struck by something unusual – his two most trusted servants, Hans Vassmann and his wife Ingrid are a married Aryan couple who, despite the law, are still working for Jews. As it happens, Eichmann and Himmler's suspicions are well-founded – despite appearing to be the perfect Aryan couple, Hans and Ingrid are actually Jews working deep undercover with the underground Resistance. Young, married, in love and expecting their first child, they work as valet and maid for the elderly Jewish couple. They have everything to look forward to or so they would have believed.  answer the following question:  What are the first names of the people who believed they had everything to look forward to????
output answer:
Ingrid