Question: The following article contains an answer for the question: What is the name of the protégé given not only a home but a stimulating cultural education by the Sitwells? , can you please find it?   The Sitwells looked after their protégé both materially and culturally, giving him not only a home but a stimulating cultural education. He took music lessons with Ernest Ansermet, Ferruccio Busoni and Edward J. Dent. He attended the Russian ballet, met Stravinsky and Gershwin, heard the Savoy Orpheans at the Savoy Hotel and wrote an experimental string quartet heavily influenced by the Second Viennese School that was performed at a festival of new music at Salzburg in 1923. Alban Berg heard the performance and was impressed enough to take Walton to meet Arnold Schoenberg, Berg's teacher and the founder of the Second Viennese School.In 1923, in collaboration with Edith Sitwell, Walton had his first great success, though at first it was a succès de scandale. Façade was first performed in public at the Aeolian Hall, London, on 12 June. The work consisted of Edith's verses, which she recited through a megaphone from behind a screen, while Walton conducted an ensemble of six players in his accompanying music. The press was generally condemnatory. Walton's biographer Michael Kennedy cites as typical a contemporary headline: "Drivel That They Paid to Hear". The Daily Express loathed the work, but admitted that it was naggingly memorable. The Manchester Guardian wrote of "relentless cacophony". The Observer condemned the verses and dismissed Walton's music as "harmless". In The Illustrated London News, Dent was much more appreciative: "The audience was at first inclined to treat the whole thing as an absurd joke, but there is always a surprisingly serious element in Miss Sitwell's poetry and Mr Walton's music ... which soon induced the audience to listen with breathless attention." In The Sunday Times, Ernest Newman said of Walton, "as a musical joker he is a jewel of the first water".Among the audience were Evelyn Waugh, Virginia Woolf and Noël Coward. The last was so outraged by the avant-garde nature of Sitwell's verses and the staging, that he marched out ostentatiously during the performance. The players did...
Answer: Walton

Question: The following article contains an answer for the question: What is the name of the album Cobain originally wanted to name the album I Hate Myself and I Want to Die? , can you please find it?   Cobain originally wanted to name the album I Hate Myself and I Want to Die, a phrase that had originated in his journals in mid-1992.  At the time, the singer used the phrase as a response whenever someone asked him how he was doing.  Cobain intended the album title as a joke; he stated he was "tired of taking this band so seriously and everyone else taking it so seriously".  Novoselic convinced Cobain to change the title due to fear that it could potentially result in a lawsuit.  The band then considered using Verse Chorus Verse—a title taken from its song "Verse Chorus Verse", and an earlier working title of "Sappy"—before eventually settling on In Utero.  The final title was taken from a poem written by Courtney Love.The art director for In Utero was Robert Fisher, who had designed all of Nirvana's releases on DGC.  Most of the ideas for the artwork for the album and related singles came from Cobain.  Fisher recalled that "[Cobain] would just give me some loose odds and ends and say 'Do something with it.'"  The cover of the album is an image of a Transparent Anatomical Manikin, with angel wings superimposed.  Cobain created the collage on the back cover, which he described as "Sex and woman and In Utero and vaginas and birth and death", that consists of model fetuses, a turtle shell and models of turtles, and body parts lying in a bed of orchids and lilies.  The collage had been set up on the floor of Cobain's living room and was photographed by Charles Peterson after an unexpected call from Cobain.  The album's track listing and re-illustrated symbols from Barbara G. Walker's The Woman's Dictionary of Symbols and Sacred Objects were then positioned around the edge of the collage.
Answer: In Utero

Question: The following article contains an answer for the question: What is the name of the person that Joy is left on her own with? , can you please find it?   18-year-old Joy starts her catalogue of bad choices by running away from home with Tom. They marry and have a son, Johnny. When Tom, a thief who mentally and physically abuses Joy, is jailed for four years after attempting a big robbery, she is left on her own with their son. After briefly sharing a room with her Aunt Emm, an aging prostitute, she moves in with Dave, one of Tom's former associates. Dave is tender and understanding in his treatment of Johnny and Joy, but the idyll is punctured when Dave gets 12 years for robbery. Intending to be faithful, Joy writes to him constantly, moves back with Aunt Emm, and initiates divorce proceedings against Tom. She takes a job as a barmaid, starts modelling for a seedy photographers' club and drifts into promiscuity. But when Tom is released, Joy agrees to go back to him for Johnny's sake. One evening, after Tom has beaten her up, she runs out of their flat and returns to discover that Johnny is missing. After a frantic search, she finds him on a demolition site. Realising how much Johnny means to her, she accepts the need of compromise and stays with Tom, but she continues to dream of a distant future with Dave.
Answer:
Johnny