Question: What is the last name of the person who noted that "they were doing everything based on how they wanted to do it. As opposed to, 'oh we got signed to this record company, we gotta use their plan?'  Answer the above question based on the context below:  In 1993, Thomas Bangalter and Guy-Manuel de Homem-Christo presented a demo of their electronic music to DJ Stuart Macmillan at a rave at EuroDisney. The contents of the cassette were released on the single "The New Wave" on 11 April 1994, by Soma Quality Recordings, a Scottish techno and house label co-founded in 1991 by MacMillan's band Slam. Daft Punk returned to the studio in May 1995 to record "Da Funk", which was released later that year alongside "Rollin' & Scratchin'" under the Soma label. The increasing popularity of Daft Punk's singles led to a bidding war among record labels, resulting in the duo's signing to Virgin Records in 1996. Their departure was noted by Richard Brown of Soma, who affirmed that "we were obviously sad to lose them to Virgin but they had the chance to go big, which they wanted, and it's not very often that a band has that chance after two singles. We're happy for them." Virgin re-released "Da Funk" with the B-side "Musique" in 1996, a year before releasing Homework. Bangalter later stated that the B-side "was never intended to be on the album, and in fact, 'Da Funk' as a single has sold more units than Homework, so more people own it anyways  [sic] than they would if it had been on the album. It is basically used to make the single a double-feature." The album was mixed and recorded in Daft Punk's studio, Daft House in Paris. It was mastered by Nilesh Patel at the London studio The Exchange.Bangalter stated that "to be free, we had to be in control. To be in control, we had to finance what we were doing ourselves. The main idea was to be free." Daft Punk discussed their method with Spike Jonze, director of the "Da Funk" music video. He noted that "they were doing everything based on how they wanted to do it. As opposed to, 'oh we got signed to this record company, we gotta use their plan.' They wanted to make sure they never had to do anything that would make them feel bummed on making music." Although Virgin Records holds exclusive distribution rights over Daft Punk's...
Answer: Jonze

Question: What was the name of the person who wrote the two demo songs recorded by the New York Dolls and Morton?  Answer the above question based on the context below:  With Morton, the New York Dolls recorded Too Much Too Soon in 1974 at A&R Studios in New York City. The album was later mastered at Sterling Sound and Masterdisk. During the sessions, Morton had Johansen record his vocals several times and incorporated sound effects such as gongs, gunshots, and feminine choruses. In a report on the album's progress for Melody Maker, journalist Lenny Kaye wrote that they were taking more time than they had on their first record, "bringing in occasional strings and horns, following Shadow's advice not 'to settle'." Morton and the band shared an affinity for each other, as he found the group's energy in the studio refreshing, while Johansen was fond of Morton and the "looser" feel he provided for their music. "That man is completely unpretentious", Johansen said of the producer. "He doesn't think he ever did a marvellous thing in his life." The New York Dolls and Morton produced little original material together. To complete the album, they had to record cover songs and re-record some of the band's earlier demos; "Babylon", "Who Are the Mystery Girls?", "It's Too Late" and "Human Being" had been recorded by the band in March 1973 as demos for Mercury before the label signed them. They had also recorded demos of two songs written by guitarist Sylvain Sylvain, "Teenage News" and "Too Much Too Soon", before working with Morton, but neither was considered for the album. Sylvain said he confronted Morton about this decision, recalling he had been in a rush: "He was too quick with me and said that he'd been told only to listen to David Johansen and Johnny Thunders. He didn't want to tell me who had told him that but obviously it was the managers. I just walked out, it was all driving me nuts."According to journalist Tony Fletcher, Morton would have been more productive on Too Much Too Soon had it not been for his alcoholism and the lifestyles of the band members—bassist Arthur Kane was also an alcoholic, while Thunders and drummer Jerry Nolan had heroin addictions. Robert Christgau...
Answer: Sylvain Sylvain

Question: What is the full name of the person whose main teacher, Aadamovich, helped her to find a path of her own?  Answer the above question based on the context below:  The Belarusian government sponsors annual cultural festivals such as the Slavianski Bazaar in Vitebsk, which showcases Belarusian performers, artists, writers, musicians, and actors. Several state holidays, such as Independence Day and Victory Day, draw big crowds and often include displays such as fireworks and military parades, especially in Vitebsk and Minsk. The government's Ministry of Culture finances events promoting Belarusian arts and culture both inside and outside the country. Belarusian literature began with 11th- to 13th-century religious scripture, such as the 12th-century poetry of Cyril of Turaw.By the 16th century, Polotsk resident Francysk Skaryna translated the Bible into Belarusian. It was published in Prague and Vilnius sometime between 1517 and 1525, making it the first book printed in Belarus or anywhere in Eastern Europe. The modern era of Belarusian literature began in the late 19th century; one prominent writer was Yanka Kupala. Many Belarusian writers of the time, such as Uładzimir Žyłka, Kazimir Svayak, Yakub Kolas, Źmitrok Biadula, and Maksim Haretski, wrote for Nasha Niva, a Belarusian-language paper published that was previously published in Vilnius but now is published in Minsk. After Belarus was incorporated into the Soviet Union, the Soviet government took control of the Republic's cultural affairs. At first, a policy of "Belarusianization" was followed in the newly formed Byelorussian SSR. This policy was reversed in the 1930s, and the majority of prominent Belarusian intellectuals and nationalist advocates were either exiled or killed in Stalinist purges. The free development of literature occurred only in Polish-held territory until Soviet occupation in 1939. Several poets and authors went into exile after the Nazi occupation of Belarus and would not return until the 1960s.The last major revival of Belarusian literature occurred in the 1960s with novels published by Vasil Bykaŭ and Uladzimir Karatkievich. An influential author who devoted his work to awakening the...
Answer:
Svetlana Alexievich