Please answer this: Read the following paragraph and extract the answer for the question: What is the name of the person who considered three works by a French dramatist before proceeding with Madame Butterfly?  The one-act opera genre had become increasingly popular in Italy following the 1890 competition sponsored by publisher Edoardo Sonzogno for the best such work, which was won by the young Pietro Mascagni's Cavalleria rusticana. With Tosca essentially completed by November 1899, Puccini sought a new project. Among sources he considered, before proceeding with Madama Butterfly, were three works by French dramatist Alphonse Daudet that Puccini thought might be made into a trilogy of one-act operas.After Butterfly premiered in 1904, Puccini again had difficulty finding a new subject. He further considered the idea of composing three one-act operas to be performed together, but found his publisher, Giulio Ricordi, firmly opposed to such a project, convinced that it would be expensive to cast and produce. The composer then planned to work with his longtime librettist, Giuseppe Giacosa, on an opera about Marie Antoinette, a project frustrated by the librettist's illness. Puccini wrote in November 1905, "Will we go back to it? [Maria Antonietta] If I find three one-act works that suit me, I'll put off M.A."  Puccini pursued neither project, as Giacosa's illness led to his death in September 1906.In March 1907, Puccini wrote to Carlo Clausetti, Ricordi's representative in Naples, proposing three one-act operas based on scenes from stories by Russian novelist Maxim Gorky. By May the composer had set aside this proposal to concentrate on the project which became La fanciulla del West, although he did not wholly abandon the idea of a multiple-opera evening. His next idea in this vein, some years later, was for a two-opera bill, one tragic and one comic; he later expanded this to include a third opera with a mystic or religious tone. By November 1916 Puccini had completed the "tragic" element, which became Il tabarro, but he still lacked ideas for the other two works. He considered staging Il tabarro in combination with his own early work Le Villi, or with other two-act operas which might be used to round out the evening's...
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Answer: Puccini


Please answer this: Read the following paragraph and extract the answer for the question: What is the last name of the person who introduced Mussorgsky's opera Boris Godunov?  Igor Stravinsky was the son of Fyodor Stravinsky, the principal bass singer at the Imperial Opera, St Petersburg, and Anna, née Kholodovskaya, a competent amateur singer and pianist from an old-established Russian family. Fyodor's association with many of the leading figures in Russian music, including Rimsky-Korsakov, Borodin and Mussorgsky, meant that Igor grew up in an intensely musical home. In 1901 Stravinsky began to study law at Saint Petersburg University while taking private lessons in harmony and counterpoint. Stravinsky worked under the guidance of Rimsky-Korsakov, having impressed him with some of his early compositional efforts. By the time of his mentor's death in 1908 Stravinsky had produced several works, among them a Piano Sonata in F♯ minor (1903–04), a Symphony in E♭ major (1907), which he catalogued as "Opus 1", and a short orchestral piece, Feu d'artifice ("Fireworks", composed in 1908).In 1909 Feu d'artifice was performed at a concert in St. Petersburg. Among those in the audience was the impresario Sergei Diaghilev, who at that time was planning to introduce Russian music and art to western audiences. Like Stravinsky, Diaghilev had initially studied law, but had gravitated via journalism into the theatrical world. In 1907 he began his theatrical career by presenting five concerts in Paris; in the following year he introduced Mussorgsky's opera Boris Godunov. In 1909, still in Paris, he launched the Ballets Russes, initially with Borodin's Polovtsian Dances from Prince Igor and Rimsky-Korsakov's Scheherazade. To present these works Diaghilev recruited the choreographer Michel Fokine, the designer Léon Bakst and the dancer Vaslav Nijinsky. Diaghilev's intention, however, was to produce new works in a distinctively 20th-century style, and he was looking for fresh compositional talent. Having heard Feu d'artifice he approached Stravinsky, initially with a request for help in orchestrating music by Chopin to create the ballet Les Sylphides. Stravinsky worked on the opening "Nocturne" and the...
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Answer: Diaghilev


Please answer this: Read the following paragraph and extract the answer for the question: What is the full name of the person who meets F. Scott Fitzgerald at a party?  Sheilah Graham sails from England to the U.S. and meets with a newspaper  editor John Wheeler, telling him of her royal lineage and many connections. He hires her to write a column, and when its blunt and gossipy nature increases its popularity, Sheilah also is offered her own radio program. She meets acclaimed author F. Scott Fitzgerald at a party at the home of humorist Bob Carter, her friend. An immediate attraction is formed, although Scott is still married to wife Zelda, who has been institutionalized. To meet financial obligations, Scott has accepted a position in Hollywood writing film scripts, expressing the belief that his novels are no longer of interest. His excessive drinking affects his mood and his work. Scott is haunted by the memories of Zelda and the success and fun they had together. He learns that a play is being produced in Pasadena based on one of his stories and takes Sheilah to see it, only to discover that it is a production by high school students, some of whom are unaware that the writer is even still alive. Sheilah copes with his growing alcoholism and tries to leave him until Scott sends a goodbye note, sounding suicidal. She confesses to him that her own past haunts her, everything she claimed to be being a lie: Sheilah actually is a girl from the London slums. She appeals to Scott to write another book, but after he sends in the first four chapters, Scott receives a publisher's letter of rejection. Sheilah's radio show is based in Chicago, and as she travels there, Scott becomes abusive, first aboard an airplane and then to one of her colleagues. What she doesn't know is that Scott has been fired by the studio, which finds his script work unacceptable. Sheilah continues to stand by him, but eventually Scott's health gives out. He collapses and dies, a forlorn figure of the past.
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Answer:
Sheilah Graham