Problem: What four bands went on a worldwide tour together?  Answer the above question based on the context below:  Opeth entered Fascination Street Studios in November 2007 to record their ninth studio album, with Åkerfeldt producing. By January 2008, Opeth had recorded 13 songs, including three cover songs. The finished album, Watershed, features seven tracks, with cover songs used as bonus tracks on different versions of the album. Watershed was released on June 3, 2008. Åkerfeldt described the songs on the album as "a bit more energetic". Opeth toured in support of Watershed, including headlining the UK Defenders of the Faith tour with Arch Enemy, an appearance at Wacken Open Air, and the Progressive Nation tour with headliner Dream Theater. Watershed was Opeth's highest-charting album to date, debuting at number 23 on the US Billboard 200, on the Australian ARIA album charts at number seven and at number one on Finland's official album chart. Opeth went on a worldwide tour in support of Watershed. From September to October, the band toured North America backed by High on Fire, Baroness, and Nachtmystium. They returned to tour Europe for the rest of the year with Cynic and The Ocean.In 2010, Opeth wrote and recorded the new track, "The Throat of Winter", which appeared on the digital EP soundtrack of the video game, God of War III. Åkerfeldt described the song as "odd" and "not very metal." To celebrate their 20th anniversary, Opeth performed a six-show, worldwide tour called Evolution XX: An Opeth Anthology, from March 30 through April 9, 2010. Blackwater Park was performed in its entirety, along with several songs never before performed. The concert of April 5, 2010, at the Royal Albert Hall in London, England was filmed for a DVD and live album package titled In Live Concert at the Royal Albert Hall. The set was released on September 21, 2010, in 2-DVD and 2-DVD/3-CD configurations. For the DVD the concert was split into two sets. The first set consists of the entire Blackwater Park album, while the second set contains one song from every album excluding Blackwater Park, in chronological order representing the...

A: Baroness


Problem: What is the first name of the person that is supposed to marry Jasmine?  Answer the above question based on the context below:  Set in Glasgow, the film tells the story of the Khan family. Casim is the only son of Pakistani Muslim immigrants to Scotland. He has a younger sister, Tahara, and an older sister Rukshana. Casim's parents, Tariq and Sadia, have arranged for him to marry his first cousin, Jasmine, and Casim is more or less happy with the arrangement. He then meets and falls in love with Roisin, an Irish Catholic immigrant (who is a part-time music teacher in Tahara's Catholic school). Roisin books a short holiday break for them both on seeing an advert in a travel agent's shop window, and while on holiday Casim tells her about the arranged marriage his family are planning for him. They then have to decide whether their love is strong enough to endure without the support of their respective communities. At the same time, rebellious Tahara struggles to find herself between the bullying of some Scottish schoolmates and her Pakistani relatives. Meanwhile, Rukhsana loses her fiancé because Casim's new relationship shames the family. Roisin loses her job because the Catholic school's direction does not accept her relationship since she is a married – though separated – woman and because she and Casim are living together. Roisin is finally moved by her hierarchy to a non-denominational school, Casim confronts his family, begging them to respect his choice before returning to her, while Tahara leaves to study Journalism at the University of Edinburgh against her parents' will.

A: Casim


Problem: What was found to "lack songform"?  Answer the above question based on the context below:  Spiderland received widespread critical acclaim from music critics, including Spin, NME, and The Village Voice. In a contemporary review for Melody Maker, Steve Albini, producer of Slint's 1989 album Tweez, gave the album ten stars and called it "a majestic album, sublime and strange, made more brilliant by its simplicity and quiet grace." Albini found its unadorned production impeccable and said that it vividly captures McMahan and Pajo's playing so well that their guitars "seem to hover in space directly past the listener's nose", while "the incredibly precise-yet-instinctive drumming has the same range and wallop it would in your living room." Select noted that the band's popularity in the college circuit was "probably due to the college circuit celebrity status of their drummer – Shannon Doughton, aka Britt Walford, the only male member of the 'all-female' indie supergroup The Breeders". Their review noted the multiple listens it may take to appreciate it, acknowledging the album as "immediate as a snail trail to hell, 'Spiderland' needs several plays to burn its way into your consciousness, but when it does..."In a retrospective review for AllMusic, Mark Deming said that Spiderland is "one of the most important indie albums of the '90s" and a "singular achievement" which found the band "working with dynamics that made the silences every bit as much presence as the guitars and drums, manipulating space and time as they stretched out and juggled time signatures, and conjuring melodies that were as sparse and fragmented as they were beautiful". Robert Christgau was less enthusiastic and wrote that, despite their "sad-sack affect", Slint are actually "art-rockers without the courage of their pretensions" with poor lyrics. In The New Rolling Stone Album Guide, Rolling Stone journalist Mac Randall felt that the album's music lacks songform, even though it sounds more accessible than Tweez: "[t]he absence of anything resembling a tune continues to nag."In 2003, Pitchfork wrote of Spiderland: "a heady, chilling...

A: Spiderland


Problem: What are the names of the missionaries of Britain that the sculptures in the north represent and are identifiable by their attributes??  Answer the above question based on the context below:  The sculptures on the west front at Wells include standing figures, seated figures, half-length angels and narratives in high relief. Many of the figures are life-sized or larger, and together they constitute the finest display of medieval carving in England. The figures and many of the architectural details were painted in bright colours, and the colouring scheme has been deduced from flakes of paint still adhering to some surfaces. The sculptures occupy nine architectural zones stretching horizontally across the entire west front and around the sides and the eastern returns of the towers which extend beyond the aisles. The strongly projecting buttresses have tiers of niches which contain many of the largest figures. Other large figures, including that of Christ, occupy the gable. A single figure stands in one of two later niches high on the northern tower. In 1851 the archaeologist Charles Robert Cockerell published his analysis of the iconography, numbering the nine sculptural divisions from the lowest to the highest. He defined the theme as "a calendar for unlearned men" illustrating the doctrines and history of the Christian faith, its introduction to Britain and its protection by princes and bishops. He likens the arrangement and iconography to the Te Deum.According to Cockerell, the side of the façade that is to the south of the central door is the more sacred and the scheme is divided accordingly. The lowest range of niches each contained a standing figure, of which all but four figures on the west front, two on each side, have been destroyed. More have survived on the northern and eastern sides of the north tower. Cockerell speculates that those to the south of the portal represented prophets and patriarchs of the Old Testament while those to the north represented early missionaries to Britain, of which Augustine of Canterbury, St Birinus, and Benedict Biscop are identifiable by their attributes. In the second zone, above each pair of standing figures, is a quatrefoil containing a half-length angel...

A:
Benedict Biscop