Q: Given the following context:  In 1993, the Breeders released their second album, Last Splash. At this time, the group's lineup  consisted of sisters Kim and Kelley Deal on guitar and vocals, Josephine Wiggs on bass and vocals, and Jim Macpherson on drums. Last Splash was successful in various countries worldwide, and the group toured extensively and played at Lollapalooza 1994. In November 1994, Kelley Deal was arrested on drug-related charges, and in 1995, Wiggs left to pursue other musical projects. Macpherson continued playing with Kim Deal in her side-project group, the Amps, and then in the 1996 incarnation of the Breeders, but quit the band in 1997. The Breeders' lineups for their albums Title TK (2002) and Mountain Battles (2008) included the Deal sisters, Mando Lopez, and Jose Medeles. In 2013, Wiggs and Macpherson rejoined the Deals to tour the 20th anniversary of Last Splash—the LSXX Tour.On December 31, 2013, the Breeders performed their final concert on the 60-date tour in Austin, Texas. The group enjoyed the LSXX concerts, and decided they would like to record new music together. Throughout 2014, Wiggs traveled from her home in Brooklyn, New York to Dayton, Ohio, near where Macpherson and both Deals lived. The group began practicing new material in Kim Deal's basement, including compositions by her and one by Wiggs. By August, there were three new songs they could play well, two less so, and others they had not yet practiced. Reported titles were "Skinhead #2", "Simone", "All Nerve", and "Launched". The band Neutral Milk Hotel asked the Breeders to open for them at a Hollywood Bowl concert to be held on September 18. The latter decided to go on tour leading up to this show and to perform some new compositions in preparation for their eventual recording.  answer the following question:  What were the names of the songs the band could play well after practicing in a basement in 2014?
A: Skinhead #2

Question: Given the following context:  Gloria Fuentes is a Latin-American makeup artist from Los Angeles who goes on a trip to visit her best friend Suzu in Tijuana, Mexico.  When the pair go to a local night club, Suzu wants to impress to help her chances in a beauty competition she has entered. When Gloria goes to the bathroom, armed gunmen break in through the vents and attempt to kidnap Gloria out of her stall but ultimately give her time to escape while they attack the building. The next morning, Gloria is unable to get contact from Suzu and decides to ride with a police officer to try to find her. When the officer takes a break, Gloria is taken by members of the Las Estrellas gang, the same men who shot up the club.  The gang take her to their headquarters, where Lino, the boss, agrees to help her find her friend if she agrees to work for them. Gloria is reluctant but eventually agrees and is told to get into a car and park it on a corner. Gloria does the job, and when she leaves the car and joins the men at the top of the hill, they blow up the building, revealed to be a DEA Safehouse containing three agents.  Lino then sends Gloria to the Miss Baja California pageant, where she attempts an escape through the bathroom. Gloria escapes and encounters a DEA officer who takes her into custody and eventually lets her go but not before he puts a tracking device on her since the DEA are aiming to monitor Las Estrellas. Gloria returns to the gang and is sent to San Diego with blood money and drugs attached to her car. Upon crossing the border Gloria is given an arsenal of guns to bring back to Mexico by a gangster named Jimmy, and then told to meet in a large parking lot. Gloria gets to the lot, and the men in Las Estrellas get their weapons. However the police show up, and Lino runs to seize Gloria but is shot in the leg, and Gloria helps him to safety.  answer the following question:  Who is the makeup artist looking for when she is taken by the gang?
Answer: Suzu

Question: Given the following context:  The French playwright Victorien Sardou wrote more than 70 plays, almost all of them successful, and none of them performed today. In the early 1880s Sardou began a collaboration with actress Sarah Bernhardt, whom he provided with a series of historical melodramas. His third Bernhardt play, La Tosca, which premiered in Paris on 24 November 1887, and in which she starred throughout Europe, was an outstanding success, with more than 3,000 performances in France alone.Puccini had seen La Tosca at least twice, in Milan and Turin. On 7 May 1889 he wrote to his publisher, Giulio Ricordi, begging him to get Sardou's permission for the work to be made into an opera: "I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music."Ricordi sent his agent in Paris, Emanuele Muzio, to negotiate with Sardou, who preferred that his play be adapted by a French composer. He complained about the reception La Tosca had received in Italy, particularly in Milan, and warned that other composers were interested in the piece. Nonetheless, Ricordi reached terms with Sardou and assigned the librettist Luigi Illica to write a scenario for an adaptation.In 1891, Illica advised Puccini against the project, most likely because he felt the play could not be successfully adapted to a musical form. When Sardou expressed his unease at entrusting his most successful work to a relatively new composer whose music he did not like, Puccini took offence. He withdrew from the agreement, which Ricordi then assigned to the composer Alberto Franchetti.  Illica wrote a libretto for Franchetti, who was never at ease with the assignment. When Puccini once again became interested in Tosca, Ricordi was able to get Franchetti to surrender the rights so he could recommission Puccini.  One story relates that Ricordi convinced Franchetti that the work was too violent to be successfully staged. A Franchetti family tradition holds that Franchetti gave the work back as a grand...  answer the following question:  What is the last name of the person who warned that other composers were interested in adapting La Tosca?
Answer:
Sardou