input: Please answer the following: Given the below context:  Charismatic roving peddler Hank Martin falls in love at first sight with schoolteacher Verity Wade and soon marries her. On their wedding day, he rents a ramshackle home from his upper class lawyer friend Jules Bolduc. Hank rounds up some of his many friends to fix up the place, but Verity begins to realize that he is not as nice as he appears to be; while they do the work, he sees nothing wrong in going inside to read a law book. He confides to her that it is all a matter of manipulating people the right way. Jules invites the couple to dine with him that night, but Hank soon quarrels with another guest, Robert L. Castleberry IV. He accuses Castleberry, the owner of the company that buys cotton, of shortchanging the poor farmers. When Hank goes about his business, Verity accompanies him to the bayou. A young woman named Flamingo leaps into his arms, but when she learns that he is now married, she tries to arrange for an alligator to rid her of her rival. Verity is only injured.  However, Flamingo does not give up on the man she has loved since she was a teen. After Hank sends Verity home to recover, Flamingo tracks Hank down on the road. She overcomes his resistance, and they start an affair. Hank sets out to prove that Castleberry is cheating. When Hank proves that the weights used are seriously inaccurate, one of Castleberry's men aims a rifle at one of Hank's followers, and is killed by farmer Jeb Brown.  Guess a valid title for it!
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output: A Lion Is in the Streets


input: Please answer the following: Given the below context:  Hubert Humphrey was a Minnesotan who became a nationally prominent politician. He first ran for mayor of Minneapolis in 1943, but lost the election to the Republican candidate by just a few thousand votes.  As a Democrat, Humphrey recognized that his best chance for political success was to obtain the support of the Minnesota Farmer-Labor Party.  Other members of the Farmer-Labor Party had been considering the idea, as encouraged by Franklin D. Roosevelt, but the merger only became reality after Humphrey traveled to Washington, D.C. to discuss the issue.  Rather than simply absorbing the Farmer-Labor party, with its constituency of 200,000 voters, Humphrey suggested calling the party the Minnesota Democratic-Farmer-Labor Party.  He was elected mayor of Minneapolis in 1945, and one of his first actions was to propose an ordinance making racial discrimination by employers subject to a fine.  This ordinance was adopted in 1947, and although few fines were issued, the city's banks and department stores realized that public relations would improve by hiring blacks in increasing numbers. Humphrey delivered an impassioned speech at the 1948 Democratic National Convention encouraging the party to adopt a civil rights plank in their platform.  He was elected to the United States Senate in 1948 and was re-elected in 1954 and 1960.In the early 1960s, the topic of civil rights was coming to national prominence with sit-ins and marches organized by Martin Luther King Jr. and other black leaders.  In 1963, President John F. Kennedy sent a comprehensive civil rights bill to Congress, based largely on the ideas that Humphrey had been placing before the Senate for the previous fifteen years.  The bill passed the House in early 1964, but passage through the Senate was more difficult, due to southern segregationists who filibustered for 75 days.  Finally, in June 1964, the Civil Rights Act of 1964 became law.  Humphrey called this his greatest achievement. Lyndon B. Johnson recruited Humphrey for his running mate in the 1964...  Guess a valid title for it!
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output: History of Minnesota


input: Please answer the following: Given the below context:  York-born William Etty (1787–1849) had originally been an apprentice printer in Hull, but on completing his apprenticeship at the age of 18 moved to London to become an artist. Strongly influenced by the works of Titian and Rubens, he became famous for painting nude figures in biblical, literary and mythological settings. While many of his peers greatly admired him and elected him a full Royal Academician in 1828, others condemned the content of his work as indecent.Throughout his early career Etty was highly regarded by wealthy lawyer Thomas Myers, who had been educated at Eton College and thus had a good knowledge of classical mythology. From 1832 onwards Myers regularly wrote to Etty to suggest potential subjects for paintings. Myers was convinced that there was a significant market for very large paintings, and encouraged Etty to make such works. In 1834, he suggested the theme of Ulysses ("Odysseus" in the original Greek) encountering the Sirens, a scene from the Odyssey in which a ship's crew sails past the island home of the Sirens. The Sirens were famous for the beauty of their singing, which would lure sailors to their deaths. Ulysses wanted to hear their song, so had his crew lash him to the ship's mast under strict orders not to untie him, after which they blocked their ears until they were safely out of range of the island.The topic of Ulysses encountering the Sirens was well suited to Etty's taste; as he wrote at the time, "My aim in all my great pictures has been to paint some great moral on the heart ... the importance of resisting SENSUAL DELIGHTS". In his depiction of the scene, he probably worked from Alexander Pope's translation, "Their song is death, and makes destruction please. / Unblest the man whom music wins to stay / Nigh the curs'd shore, and listen to the lay ... In verdant meads they sport, and wide around / Lie human bones that whiten all the ground. / The ground polluted floats with human gore / And human carnage taints the dreadful shore."  Guess a valid title for it!
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output: The Sirens and Ulysses


input: Please answer the following: Given the below context:  Two songwriters, Frank P. Fogerty and Nathan Crow, sued Eon, MGM, Universal Music and Universal Studios for copyright infringement over "The World Is Not Enough", alleging that it derived from their song "This Game We Play", which was submitted to MGM executives in February 1999 for consideration for the soundtrack of The Thomas Crown Affair. Their claim centered on a four-note sequence in "The World Is Not Enough" which they alleged was identical to part of "This Game We Play". When the songwriters were gathering evidence, one posed as an employee of composer James Horner to contact Don Black and solicit his services for Ocean's Eleven. They recorded their conversation with Black, trying to get him to disclose when he and Arnold composed "The World Is Not Enough", and contacted Shirley Manson in a similar manner.The case was argued in the United States District Court for the Middle District of Tennessee in June 2004. The court rejected the plaintiffs' claim, concluding that Arnold independently composed "The World Is Not Enough" and it did not share a passage with "This Game We Play". The plaintiffs conceded that Arnold did not have access to "This Game We Play" after journal entries, delivery invoices, telephone and computer records, written declarations from  Michael G. Wilson and Barbara Broccoli and testimony from David Arnold, Don Black, Shirley Manson and Arnold's personal assistant provided "irrefutable evidence" that "The World Is Not Enough" had already been written and was not changed significantly—other than a lyrical alteration (the removal of one line to accommodate Shirley Manson) and an amendment to the score (the removal of the "three-note motif" to accommodate the MGM executives)—from the date that "This Game We Play" was submitted to MGM.  Guess a valid title for it!
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output:
"The World Is Not Enough" (song)