Given the following context:  With 2008's obZen, Meshuggah moved away from the experimentation of 2002's Nothing and 2005's Catch Thirtythree to return to the musical style of its previous albums, such as Contradictions Collapse, Destroy Erase Improve and Chaosphere, while still maintaining its focus on musical and technical innovation. The album loses some of the mathematical-like rhythmal quick changes of past releases and the melodic orchestration of Catch Thirty-Three and uses "angular" riffs, mid-tempo and common 4/4 beats. The album is a culmination of the band's previous work. Meshuggah decided to self-produce because it sought to retain artistic control over the recording and mixing process.For obZen, Haake returned to the drum kit most notably with his performance on the song "Bleed". In an interview for Gravemusic.com, Haake stated, "['Bleed'] was a big effort for me to learn, I had to find a totally new approach to playing the double bass drums to be able to do that stuff. I had never really done anything like that before like the fast bursts that go all the way through the song basically. So I actually spent as much time practicing that track alone as I did with all of the other tracks combined. It's kind of a big feat to change your approach like that and I'm glad we were able to nail it for the album. For a while though we didn't even know if it was going to make it to the album." Hagström also stated, "obZen is one of the most highly technical offerings the band has ever put to tape". Revolver Magazine confirms this statement: "At first listen, obZen seems less challenging to the listener than some of the band's other records, and most of the songs flow smoothly from one syncopated passage to the next. However, careful examination reveals that the material is some of the group's most complicated".  answer the following question:  What is the name of the album that loses some of the mathematical-like rhythmal quick changes of past releases?
Ans: obZen

Given the following context:  Most of the film takes place in a pool hall run by Nick. Obsessed by the world of pool, Johnny could be one of the best. But his mentor Joe, a shady stakehorse, trains Johnny as a hustler, and decides how and who Johnny plays. Unbeknownst to Johnny, Joe has been holding him back from his dream: playing in the legitimate pro tour.  When Johnny finally learns that Joe intercepted and threw away an invitation for Johnny to join the pro tour, he breaks from Joe, throwing a game with a large pot.  Losing both that stake money and his hustler income source sparks Joe to violence, and he breaks Johnny's bridge hand outside the pool hall (an homage to a similar scene in the classic pool film The Hustler).  Joe is later beaten up by some of Johnny's friends as a warning to leave him alone. After an ultimatum from his girlfriend Tara, Johnny largely leaves the world of pool hustling, and finally commits to a "real" job in the construction business, but is soon miserable there. He finds himself spending most of his time with his younger brother Danny, a musician with aspirations of following in Johnny's hustler footsteps, despite Johnny's discouragement of this path.  Johnny meets Tara's wealthy uncle, Mike; he and Johnny hustle some of Mike's business associates, one an executive at Tara's employer. Rather than bet money or on himself, Johnny wagers a high-placed position for Tara, with Mike putting up an expensive car as their side of the stake.  Johnny wins a challenging trick-shot bet (to duplicate a difficult shot Mike had made in the previous game), and the promotion for Tara, but keeps the reason for her new opportunity a secret. (She eventually figures out the reason behind her advancement to such a competitive position, but understands that Johnny was just trying to help her the only way he knew how.)  answer the following question:  Who finds themselves spending most of the time with their younger brother?
Ans: Johnny

Given the following context:  Terry asks his boss's wife Sylvia to his apartment after an office party and the two go to bed. Later, while he is in the bathroom, she hears screams outside and goes naked to the window. Seeing a man attacking a young woman, she opens the window and the assailant runs away. When the media report the murder of a young woman near Terry's flat that night, he thinks the police should know what Sylvia saw but, to protect her, claims he was at the bedroom window.  At a police lineup, neither he nor the victim Denise is able to pick out the attacker Carl. Despite the feeble evidence against him, Carl is put on trial for the assault and during the proceedings his lawyer proves that since Terry is short-sighted he could not have witnessed the incident. Carl goes free, leaving not only the police and the prosecution but also Denise and Sylvia aghast at Terry's ineptness. In the courtroom, Carl recognised Sylvia as the woman at the window. Desperate to warn her, Terry finds her at a ballet performance and tells her she must go to the police, but she refuses all further involvement. As he leaves, he sees Carl's distinctive truck parked outside and rushes in again. He is too late, however, for in the dark she has been stabbed fatally and dies in Terry's arms.  He takes refuge with Denise, who first seduces him and then offers him a chance to redeem himself. She wants revenge, and with him devises a plot to provoke Carl into another attack. Disguising herself, she goes to a bar where Carl is drinking and signals her availability. Terry follows her as she leaves to go home and, when Carl attacks, the two are able to repel him. He escapes, only to be caught by the police who Terry forewarned.  answer the following question:  What is the first name of the person that takes refuge with Denise?
Ans: Terry