Please answer this: The following article contains an answer for the question: What does the caretaker say she was to Charlie before she disappears? , can you please find it?   On her 18th birthday, India Stoker (Mia Wasikowska)—a girl with a strong acuteness of the senses—has her life turned upside down after her loving father Richard dies in a horrific car accident. She is left with her unstable mother Evelyn. At Richard's funeral, Evelyn and India are introduced to Richard's charming and charismatic brother Charlie, who has spent his life traveling the world. India, who didn't know Charlie existed, is perturbed by his presence. He announces that he is staying indefinitely to help support India and Evelyn, much to Evelyn's delight and India's chagrin. Shortly after, India witnesses Charlie argue with Mrs. McGarrick, the head caretaker of the house. Mrs. McGarrick complains to Charlie that she has been his "eyes and ears" since he was a boy. Mrs. McGarrick then disappears. Charlie and Evelyn grow intimate while India continues to rebuff his attempts to befriend her. Later, her great aunt Gwendolyn visits the family, much to Evelyn and Charlie's dismay. At dinner, Gwendolyn shows surprise at Charlie's claims of traveling the world and tells Evelyn that she needs to talk to her about Charlie. Gwendolyn ends up changing hotels due to an unexplained fear and suspicion of Charlie. However, she loses her cell phone and tries to call the Stokers' home from her hotel payphone. Charlie corners her in the phone booth and strangles her to death with his belt. Meanwhile, India discovers Mrs. McGarrick's body in the freezer and realizes Charlie is a murderer.
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Answer: his "eyes and ears" since he was a boy

Problem: The following article contains an answer for the question: Whose house burned down? , can you please find it?   Xavier Quinn is the chief of police on a small Caribbean island. When Donald Pater, the millionaire owner of a luxury resort hotel, is found murdered, everyone assumes that the culprit is Maubee, a petty crook who also is Quinn's best friend.  Quinn doesn't believe it and clashes with the island's inept Governor Chalk and his arrogant political fixer Thomas Elgin.  Quinn's worries over the murder exacerbate his troubles at home; he is estranged from his wife, Lola, and rarely has time to see his son. Maubee eludes the police at every turn. Quinn questions a witness, who says that Maubee had a (rare) US$10,000 bill. Trying to track down Maubee, Quinn questions Ubu Pearl, the local witch and aunt of Maubee's girlfriend, Isola.  Chalk introduces Quinn to Fred Miller, an affable American said to represent Pater's company. Pater had been found floating in a hot tub, decapitated.  Against Chalk's instructions, Quinn has the body autopsied and finds that Pater died of a venomous snake bite and was already dead when his head was cut off.  Quinn arrests Jose Patina, who claims to be on vacation, but has also been questioning people about Maubee's whereabouts.  After Patina is bailed out of jail, he confers with Miller in a seedy hotel.  Miller tells him the "operation" is over, then kills Patina.  Miller goes to Ubu Pearl and demands that to know where Maubee is.  When she refuses, he burns down her house, with her inside. Quinn discovers that Pater, a close associate of the President of the United States, brought stacks of $10,000 bills to the island to be picked up by Patina. The President wants to fund an anti-Communist revolution in Latin America, but Congress would not support this. The President acts illegally, using the C.I.A. to deliver discontinued currency that is still good but will not be missed from its storage at the US Department of the Treasury.  The murder messed up the plan, so the C.I.A. has sent Miller to retrieve the money and "plug up the holes."

A: Ubu Pearl

Q: The following article contains an answer for the question: What is the name of the person who believes that the set of very spare and simple preludes in the eight Gregorian modes, published in 1859, reveal "Alkan's essential spiritual modesty"? , can you please find it?   The Esquisses of 1861 are a set of highly varied miniatures, ranging from the tiny 18-bar no. 4, Les cloches (The Bells), to the strident tone clusters of no. 45, Les diablotins (The Imps), and closing with a further evocation of church bells in no. 49, Laus Deo (Praise God). They were preceded in publication by Alkan's deceptively titled Sonatine, Op. 61, in 'classical' format, but a work of "ruthless economy [which] although it plays for less than twenty minutes ... is in every way a major work."Two of Alkan's substantial works from this period are musical paraphrases of literary works. Salut, cendre du pauvre, Op. 45 (1856), follows a section of the poem La Mélancolie by Gabriel-Marie Legouvé; while Super flumina Babylonis, Op. 52 (1859), is a blow-by-blow recreation in music of the emotions and prophecies of Psalm 137 ("By the waters of Babylon ..."). This piece is prefaced by a French version of the psalm which is believed to be the sole remnant of Alkan's Bible translation. Alkan's lyrical side was displayed in this period by the five sets of Chants inspired by Mendelssohn, which appeared between 1857 and 1872, as well as by a number of minor pieces. Alkan's publications for organ or pédalier commenced with his Benedictus, Op. 54 (1859). In the same year he published a set of very spare and simple preludes in the eight Gregorian modes (1859, without opus number), which, in Smith's opinion, "seem to stand outside the barriers of time and space", and which he believes reveal "Alkan's essential spiritual modesty." These were followed by pieces such as the 13 Prières (Prayers), Op. 64 (1865), and the Impromptu sur le Choral de Luther "Un fort rempart est notre Dieu" , op. 69 (1866). Alkan also issued a book of 12 studies for the pedalboard alone (no opus number, 1866) and the Bombardo-carillon for pedalboard duet (four feet) of 1872.Alkan's return to the concert platform at his Petits Concerts, however, marked the end of his publications; his final work to be issued was the Toccatina, Op. 75, in 1872.
A:
Smith