Problem: Given the question: Given the below context:  Gil González Dávila set out from the Caribbean island of Hispaniola early in 1524, with the intention of exploring the Caribbean coast of Nicaragua. His course took him to the north coast of Honduras. After founding Puerto de Caballos, Gil Gónzalez sailed west along the coast to the Amatique Bay, and founded a Spanish settlement somewhere near the Dulce River, within modern-day Guatemala, which he named San Gil de Buena Vista. He launched a campaign of conquest in the mountainous region dividing Honduras from Guatemala. González left some of his men under the command of Francisco Riquelme at San Gil de Buena Vista, and sailed back east along the coast to Honduras. The colonists at San Gil did not prosper, and soon set out in search of a more hospitable location. They resettled in the important indigenous town of Nito, near the mouth of the Dulce River. Although they were in a desperate state, and near-starving, they were still there when Cortés passed through en route to Honduras, and were absorbed into his expedition.The Dominicans established themselves in Xocolo on the shore of Lake Izabal in the mid-16th century. Xocolo became infamous among the Dominican missionaries for the practice of witchcraft by its inhabitants. By 1574 it was the most important staging post for European expeditions into the interior, and it remained important in that role until as late as 1630, although it was abandoned in 1631.In 1598 Alfonso Criado de Castilla became governor of the Captaincy General of Guatemala. Owing to the poor state of Puerto de Caballos on the Honduran coast and its exposure to repeated pirate raids he sent a pilot to scout Lake Izabal. As a result of the survey, and after royal permission was granted, Criado de Castilla ordered the construction of a new port, named Santo Tomás de Castilla, at a favourable spot on the Amatique Bay not far from the lake. Work then began on building a highway from the port to the new capital of the colony, modern Antigua Guatemala, following the Motagua Valley into the...  Guess a valid title for it!
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The answer is:
Spanish conquest of Guatemala


Problem: Given the question: Given the below context:  In late 1833 Etty was commissioned by Williams-Wynn to paint a portrait of two of his seven children. Preparing for a Fancy Dress Ball depicts Williams-Wynn's daughters Charlotte and Mary, dressing up in lavish Italian-style costume. Although their dress is generally described as Italian, Dennis Farr's 1958 biography of Etty speculates that elements of the costumes were possibly intended to be Russian, based on Charlotte's headdress. The Italian-style clothing likely represents the high level of interest in Italian culture in early 19th-century England. The popularity of the style of music now known as bel canto, widely associated with Italy, was at its peak; likewise, the Italian plays of William Shakespeare had become extremely popular in the period. Etty, who had spent a good deal of time in Venice and other Italian cities, would have been very familiar with Italian clothing designs, and the costumes worn by the Williams-Wynn sisters closely resemble those of women in Venetian scenes painted by Etty, such as 1831's Window in Venice, During a Fiesta. As art historian Leonard Robinson points out, despite the title the sisters are not in fact shown preparing for the ball, but are fully dressed. The style of the work reflects that of Thomas Lawrence, who had been Etty's teacher in 1807–08, as well as that of Joshua Reynolds, of whom Etty was a great admirer and of whose works Etty had often made copies as an exercise.  Guess a valid title for it!
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The answer is:
Preparing for a Fancy Dress Ball 2


Problem: Given the question: Given the below context:  Olivier Eugène Prosper Charles Messiaen (French: [ɔlivje mɛsjɑ̃]; December 10, 1908 – April 27, 1992) was a French composer, organist, and ornithologist, one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called modes of limited transposition, which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. He travelled widely and wrote works inspired by diverse influences ranging from Japanese music, the landscape of Bryce Canyon in Utah and the life of St. Francis of Assisi. He said he perceived colours when he heard certain musical chords (a phenomenon known as synaesthesia in its literal manifestation); combinations of these colours, he said, were important in his compositional process. For a short period Messiaen experimented with the parametrisation associated with "total serialism", in which field he is often cited as an innovator. His style absorbed many global musical influences such as Indonesian gamelan (tuned percussion often features prominently in his orchestral works). Messiaen entered the Paris Conservatoire at the age of 11 and was taught by Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held until his death. He taught at the Schola Cantorum de Paris during the 1930s. On the fall of France in 1940, Messiaen was made a prisoner of war, during which time he composed his Quatuor pour la fin du temps ("Quartet for the end of time") for the four available instruments—piano, violin, cello and clarinet. The piece was first performed by Messiaen and fellow prisoners for an audience of inmates and prison guards. He was appointed professor of harmony soon...  Guess a valid title for it!
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The answer is:
Olivier Messiaen