Question: Given the below context:  When two grade-school boys get into a fight in the park that results in one boy, Zachary Cowan, hitting the other, Ethan Longstreet, in the face with a stick, their parents meet in a Brooklyn apartment to discuss the matter. Zachary's parents, Alan and Nancy Cowan, visit the home of Michael and Penelope Longstreet, Ethan's parents. Their meeting is initially intended to be short, but due to various circumstances, the conversation continues to draw out. In fact, Alan and Nancy begin to leave the apartment on two occasions, but are drawn back in to further discussion. At first, the couples are friendly to each other, but their respective comments start to hurt feelings, making everyone argue with one another. Apart from fighting among themselves, the couples blame each other about who is responsible for the fight between their sons. Nancy calls the Longstreets "superficially fair-minded" and Penelope and Michael complain about Alan's arrogant and dull attitude. Everyone also gets irritated with Alan when he accepts endless business phone calls on his BlackBerry, interrupting the discussion, and showing he has more interest in his business problems than the matter at hand. Michael also receives many phone calls from his ailing mother, to his frustration. Nancy accuses Michael of being a murderer because he, annoyed by the constant noise it made during the night, had earlier turned his daughter Courtney's pet hamster loose in the street. Penelope becomes emotional about the hamster and with everyone arguing with each other. Other issues include a risky drug Alan is working to defend and Michael's mother has been prescribed, and the question of idealism and responsibility that is part of Penelope's current work.  Guess a valid title for it!
Answer: Carnage (2011 film)


[Q]: Given the below context:  Good Girl Gone Bad received generally favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 72 based on 17 reviews. Uncut called it a "shiny, trans-atlantic blend of Europop vim, R&B grit and Caribbean bounce." Andy Kellman of AllMusic deemed it quintessential pop music and said each of its tracks was a potential hit. Quentin B. Huff of PopMatters praised the album, describing it as "more raw, perhaps edgier and more risqué" than Rihanna's previous material. Kelefa Sanneh of The New York Times wrote that the album "sounds as if it were scientifically engineered to deliver hits". Peter Robinson of The Observer commended her collaborators for "masking her own shortcomings" and commented that, "While Rihanna lacks her peers' charisma, she's a great vessel for exhilarating mainstream pop." Pitchfork Media's Tom Breihan found the album varied and satisfying. Neil Drumming of Entertainment Weekly felt that, although it "goes bad when Rihanna tries her hand at treacly ballads and glum sentiment", at times Good Girl Gone Bad is a "thrilling throwback to more than a decade ago, when upstart producers haphazardly mashed R&B with hip-hop to create chunky jeep anthems such as Mary J. Blige's 'Real Love'."In a mixed review, Rodney Dugue of The Village Voice felt that the album "never settles on a sound" and only cited its three Timbaland-produced songs as highlights. Although he found the ballads to be improvements from Rihanna's previous albums, Slant Magazine's Sal Cinquemani criticized the lyrics, particularly those written by Justin Timberlake, as an "Achilles' high heel for Rihanna". Alex Macpherson of The Guardian found Rihanna to be "ill-suited" for its dance-pop songs and stated, "The gimmicky samples and pounding beats bury her personality, and the summery reggae of her first two albums is sorely missed." Robert Christgau of MSN Music cited "Umbrella" as a "choice cut", indicating "a good song on...  Guess a valid title for it!
****
[A]: Good Girl Gone Bad


input: Please answer the following: Given the below context:  When the entire British royal family is killed in a freak accident outside Buckingham Palace, Sir Cedric Willingham leads a search for any surviving heirs to whom to pass the crown. After days of researching, his team finally locates a living heir in the form of an American named Ralph Jones. Shortly after being fired from his job as a lounge singer in Las Vegas, Ralph is informed by Cedric's assistant private secretary Duncan Phipps that his grandmother Constance had an affair with the first Duke of Warren while working as a hotel waitress when the Duke was visiting the United States, resulting in Ralph having royal blood. Phipps provides further proof by showing Ralph a duplicate of the ring his grandmother used to wear that the Duke had given her. Ralph is flown to London, where Cedric gives him a crash course on royal etiquette. In only his second day as King, he goes to a strip club and meets Miranda Greene, an out-of-luck exotic dancer and aspiring fashion designer, and dares her to go out on a date with him if the British press proves his claim to the monarchy. Meanwhile, Lord Percival Graves is opposed to having an American on the throne and proposes to declare the reigning House of Wyndham at an end and replace it with the House of Stuart, of which he is patriarch. Prime Minister Geoffrey Hale states that Ralph's succession is legitimate unless he commits a grievous error. With this in mind, Graves bribes a cash-strapped Miranda to stir up controversy by having a public relationship with Ralph. Despite warnings by Cedric not to commit a mistake similar to that of King Edward VIII, Ralph sneaks out of the Palace to have a romantic date with Miranda at Hyde Park. The next day, Miranda returns the money to Graves, but he already has photographs of her with Ralph. In order to preserve Ralph's reputation, Miranda breaks up with him.  Guess a valid title for it!
++++++++++
output:
King Ralph