Question: Given the below context:  The musical opened on Broadway on May 28, 1953 at the Majestic Theatre. Large advance sales guaranteed a considerable run; by the start of November, it had paid back its advance, and closed after 358 performances, paying a small profit to RCA. Thomas Hischak, in his The Rodgers and Hammerstein Encyclopedia, suggests that business fell off after the advance sales were exhausted "because audiences had come to expect more from a Rodgers and Hammerstein musical". According to Frederick W. Nolan in his book about the duo's works, "despite a $500,000 advance sale, despite a ten-month run (which, for anyone except Rodgers and Hammerstein, would have represented a major success), and despite an eventual profit in excess of $100,000, Me and Juliet has to be classed as a failure".The backstage drama portrayed in the musical was matched by actual difficulties among the cast. McCracken, who played Betty, was the wife of choreographer Bob Fosse and became pregnant during the run. Bill Hayes later wrote that she lost her baby through miscarriage about the same time she lost her husband to Gwen Verdon. The baby was in fact aborted, because the pregnancy would have endangered McCracken's health as a result of her diabetes. Hayes noted that in the fifteen months he played Larry, he did not recall ever having a conversation with Isabel Bigley, who was supposedly his love interest and wife: "I doubt that the audience ever believed we were deeply in love." The show received no Tony Award nominations. During the run, Hammerstein followed his usual practice of visiting the theatre now and again to ensure that the performers were not taking liberties with his book. Upon his return, Hammerstein's secretary asked him how the show was going. The lyricist thought for a second, then said "I hate that show." According to Bill Hayes in his autobiography Like Sands Through the Hourglass published in 2005 he states We played nearly five hundred performances, however, all to full houses. Production costs were paid off and substantial profits...  Guess a valid title for it!
Answer: Me and Juliet


[Q]: Given the below context:  Impresario and author John Hollingshead, the lessee of London's Gaiety Theatre since 1868, had produced a number of successful musical burlesques and operettas there. Indeed, Hollingshead "boasted that he kept alight 'the sacred lamp of burlesque.'" Gilbert and Sullivan were each well acquainted with the Gaiety and its house artistes.  Gilbert's Robert the Devil (a burlesque of the opera Robert le Diable) had been on the programme on the theatre's opening night on 21 December 1868, with Nellie Farren in the title role, and played successfully for over 100 nights. Constance Loseby and Annie Tremaine (both of whom had roles in Thespis) were also in the cast of Robert, and Arthur Sullivan was in the audience on that opening night as one of Hollingshead's guests. It was a great success, "received with a storm of approbation". Less successfully, Gilbert had also written a play for the theatre in 1869 called An Old Score. Hollingshead would later say that the piece was "too true to nature". By late September or early October 1871, Gaiety programmes announced that "The Christmas Operatic Extravaganza will be written by W. S. Gilbert, with original music by Arthur Sullivan." There would be prominent roles for the popular comedian J. L. Toole, as well as Farren, the theatre's star "principal boy" in all of its burlesques. How and when the pair came to collaborate on Thespis is uncertain. Gilbert was a logical choice for the assignment. With seven operas and plays premièring that year and over a dozen other burlesques, farces and extravaganzas under his belt, he was well known to London theatregoers as a comic dramatist. Sullivan, however, was at this point mainly known for his serious music. His completed music that year included the choral cantata On Shore and Sea, a suite of incidental music for Shakespeare's The Merchant of Venice, and numerous hymns, including "Onward, Christian Soldiers". He did have two comic operas to his credit, Cox and Box (1866) and The Contrabandista (1867), but the latter was four years in...  Guess a valid title for it!
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[A]: Thespis (opera)


input: Please answer the following: Given the below context:  Taxi driver Joe Lourik gets into an argument with a finance company over payments owed on his new cab. Believing that he has been cheated, Joe reclaims his payments but is arrested for robbery. Escaping with a pair of handcuffs still attached, he jumps on a passing freight train where he meets a tramp who tells him to see Patian, a thief and a fence in San Diego, who can also remove his handcuffs. After meeting Patian, it is agreed that he will remove the cuffs on the condition that Joe drive the getaway car for a bank robbery. After the robbery, Patian sends Joe north to a boarding house in Sacramento to wait for his share of the take, but the boarding house owner informs Joe that Patian isn't good for the money.  Desperate for bus fare to return to San Diego to get his money from Patian, Joe considers robbing the cash register of the empty storefront of a downtown Sacramento flower shop. Once in the store, clerk Laura Benson emerges from the backroom before Joe can rob the register. Joe falls in love immediately and decides to go straight. With his winnings from a crap game, Joe buys a garage in Amesville and settles down, however, within a year, the police are on his trail. Joe then travels to San Diego to demand his money from Patian, but Patian's thugs force Joe to rob a post office. Desperate, and afraid that he will be caught if he returns home, Joe disappears. Some time later, Joe sees a picture of his newborn baby in the newspaper and meets with Laura, who pleads with Joe to give himself up and serve his time so that he can continue his new life. Hearing footsteps, Joe flees from the police who have followed Laura, and Laura is arrested and jailed as an accomplice.  Guess a valid title for it!
++++++++++
output:
I Stole a Million