Q: Read the following paragraph and extract the answer for the question: What did Chartwell have extensive views of?  Chartwell is a country house near the town of Westerham, Kent in South East England. For over forty years it was the home of Winston Churchill. He bought the property in September 1922 and lived there until shortly before his death in January 1965. In the 1930s, when Churchill was excluded from political office, Chartwell became the centre of his world. At his dining table, he gathered those who could assist his campaign against German re-armament and the British government's response of appeasement; in his study, he composed speeches and wrote books; in his garden, he built walls, constructed lakes and painted. During the Second World War Chartwell was largely unused, the Churchills returning after he lost the 1945 election. In 1953, when again Prime Minister, the house became Churchill's refuge when he suffered a devastating stroke. In October 1964, he left for the last time, dying at his London home, 28, Hyde Park Gate, on 24 January 1965. The origins of the estate reach back to the 14th century; in 1382 the property, then called Well-street, was sold by William-at-Well. It passed through various owners and in 1836 was auctioned, as a substantial, brick-built manor. In 1848, it was purchased by John Campbell Colquhoun, whose grandson sold it to Churchill. The Campbell Colquhouns greatly enlarged the house and the advertisement for its sale at the time of Churchill's purchase described it as an "imposing" mansion. Between 1922 and 1924, it was largely rebuilt and extended by the society architect Philip Tilden. From the garden front, the house has extensive views over the Weald of Kent, "the most beautiful and charming" Churchill had ever seen, and the determining factor in his decision to buy the house. In 1946, when financial constraints forced Churchill to again consider selling Chartwell, it was acquired by the National Trust with funds raised by a consortium of Churchill's friends led by Lord Camrose, on condition that the Churchills retain a life-tenancy. After Churchill's death, Lady Churchill...
A: Weald of Kent

Q: Read the following paragraph and extract the answer for the question: What is the full name of the person whose wife wants a roast duck for dinner?  The cartoon begins with Mr. Meek carrying an axe in his hands. He turns to the audience and explains that his wife, Sweetypuss, told him that if he didn't bring home a roast duck for dinner, she would 'cook (his) goose'. (A parody of Wallace Wimple and his wife "Sweetie Face".) The scene cuts to Daffy eating corn while singing "I Dream of Jeanie with the Light Brown Hair" minding his business. A shadow of Meek is show getting ready to chop off Daffy's head. Then he jumps and shouts "WATCH IT, BUB!!!" directly in his face. After a brief talk to Meek, he flicks his beak at his face and marches to a hay stack. Meek chops the stack various times and on the last chop, he thinks he kills the duck. Daffy fakes his death by squirting ketchup and throwing his feathers around ("You crushed my little head!") This fools Meek by pretending he is beheaded and runs rapidly. Meek feels sad and goes back to his house, where Daffy is seen putting lots of sugar cubes into a cup of coffee. Meek guiltily tells him that he has killed a duck. Daffy cheers up Meek into giving him a cup of coffee and asks how many lumps (of sugar) his wife usually gives him. Meek shows Daffy a 'lump' (a bump on his head), and Daffy hits him on the head (giving him another 'lump') and pours cream on it. Daffy dances on the cakes and pies, singing "Shortening Bread", and Meek immediately recognizes the duck he thought he killed ("Say. That's that Daffy Duck.") Daffy then utters 'YOU AIN'T JUST WHISTLING DIXIE!!!', then throws a pie at him, leading into a war between himself and Meek. Daffy goes into army plane mode, by dropping an egg on Meek as a "Secret Bomb Site." Next, he goes into battle weaponry mode, by making various sounds and smashing household items. After all the fun and games are over, Meek gets mad, which causes the egg to fry on his head.
A: Mr. Meek

Q: Read the following paragraph and extract the answer for the question: What is the full name of the person who was appointed as chorus master for a series of Wagner concerts at the newly built Queen's Hall in London?  In 1894 Wood went to the Wagner festival at Bayreuth where he met the conductor Felix Mottl, who subsequently appointed him as his assistant and chorus master for a series of Wagner concerts at the newly built Queen's Hall in London. The manager of the hall, Robert Newman, was proposing to run a ten-week season of promenade concerts and, impressed by Wood, invited him to conduct. There had been such concerts in London since 1838, under conductors from Louis Antoine Jullien to Arthur Sullivan. Sullivan's concerts in the 1870s had been particularly successful, because he offered his audiences something more than the usual light music. He introduced major classical works, such as Beethoven symphonies, normally restricted to the more expensive concerts presented by the Philharmonic Society and others. Newman aimed to do the same: "I am going to run nightly concerts and train the public by easy stages. Popular at first, gradually raising the standard until I have created a public for classical and modern music."Newman's determination to make the promenade concerts attractive to everyone led him to permit smoking during concerts, which was not formally prohibited at the Proms until 1971. Refreshments were available in all parts of the hall throughout the concerts, not only during intervals. Prices were considerably lower than those customarily charged for classical concerts: the promenade (the standing area) was one shilling, the balcony two shillings, and the grand circle (reserved seats) three and five shillings.Newman needed to find financial backing for his first season. Dr George Cathcart, a wealthy ear, nose and throat specialist, offered to sponsor it on two conditions: that Wood should conduct every concert, and that the pitch of the orchestral instruments should be lowered to the European standard diapason normal. Concert pitch in England was nearly a semitone higher than that used on the continent, and Cathcart regarded it as damaging for singers' voices. Wood, from his experience as a singing teacher,...
A:
Henry Wood