In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Input: Consider Input: Passage: Sandringham is recorded in the Domesday Book as "sant-Dersingham" and the land was awarded to a Norman knight, Robert Fitz-Corbun after the Conquest. The local antiquarian Claude Messent, in his study The Architecture on the Royal Estate of Sandringham, records the discovery of evidence of the pavements of a Roman villa. In the Elizabethan era a manor was built on the site of the present house, which, by the 18th century, came into the possession of the Hoste Henley family, descendants of Dutch refugees. In 1771 Cornish Henley cleared the site to build a Georgian mansion, Sandringham Hall. In 1834, Henry Hoste Henley died without issue, and the estate was bought at auction by John Motteux, a London merchant. Motteux was also without heirs and bequeathed Sandringham, together with another Norfolk estate and a property in Surrey, to the third son of his close friend, Emily Lamb, the wife of Lord Palmerston. At the time of his inheritance in 1843, Charles Spencer Cowper was a bachelor diplomat, resident in Paris. On succeeding to Motteux's estates, he sold the other properties and based himself at Sandringham. He undertook extensions to the hall, employing Samuel Sanders Teulon to add an elaborate porch and conservatory. Cowper's style of living was extravagant—he and his wife spent much of their time on the Continent—and within 10 years the estate was mortgaged for £89,000. The death of their only child, Mary Harriette, from cholera in 1854 led the couple to spend even more time abroad, mainly in Paris, and by the early 1860s Cowper was keen to sell the estate.

Output: What is the first name of the person who bequeathed Sandringham, together with another Norfolk estate and a property in Surrey, to the third son of his close friend?


Input: Consider Input: Passage: Four lifelong friends from the Boston neighborhood of Charlestown, Douglas "Doug" MacRay, James "Jem" Coughlin, Albert "Gloansy" MacGloan, and Desmond "Dez" Elden, rob a bank. They take the manager, Claire Keesey, hostage, but release her unharmed. When they find out Claire lives in their neighborhood, Doug begins to follow her to find out how much she has told the police, and to make sure that Jem does not eliminate her as a witness. Soon a romance grows between them, which Doug hides from the gang. As they grow closer, Doug tells Claire of his search for his long-lost mother, who he believes went to live with his aunt in Tangerine, Florida. He also recounts his chance to be a professional hockey player which he threw away for a life of crime, following in his father's footsteps. She in turn tells Doug that she saw a tattoo on one of the robbers, and he realizes that she can identify Jem and send them all to prison. He knows that Jem will kill her if he discovers the truth, so he persuades her that the authorities cannot protect her, and she decides not to tell the police.
After Claire tells Doug about being harassed and her car vandalized by Alex, a local Dominican thug, Doug enlists Jem for a favor, which they can never talk about. Doug and Jem don hockey masks and violently assault the offenders without Jem knowing the true reason for the favor is to protect Claire.

Output: What are the aliases of the people who take a hostage?


Input: Consider Input: Passage: Russ Ward is a Broadway producer with a 30-year record of success who has been out of town. On returning to New York, everybody wants a piece of him: ex-wife Kathryn Ward, hard-drinking playwright Jeremiah "Mac" MacDonald, magazine reporter Roy Morton, business manager Miles Atwood, and lawyer Charles Montgomery, one after another.
The main topic of discussion is Give Me Your Hand, the new play Russ is producing. The reporter hears it's in trouble, but Russ says that's untrue. It will be ready for its Boston tryout right on schedule, he vows.
Kathryn keeps reminding him of his age, which Russ likes to lie about. Russ tells loyal young secretary and student actress Ellie Brown it is likely time to retire because the new show is a mess. He and writer Mac have a story about a middle-aged man romancing a 22-year-old woman, and just can't seem to make it work.
Ellie is in love with Russ, so much so she proposes marriage to him. That gives him an idea. What if the play had the young woman pursuing the man? That way he wouldn't seem such a lecher. A delighted Mac rewrites it, and everyone involved works on it at the Long Island mansion where the former actress Kathryn lives, partly thanks to her alimony from Russ.
A rich backer named Bacos wants in, but Atwood says his money isn't needed because an anonymous angel is financing the whole show. Ellie reads the woman's part, and strikes everybody as perfect for it. Gordon Reynolds, an up-and-coming young actor in Ellie's acting class, gets the male lead, and promptly falls for Ellie, but she's being led on by Russ, who doesn't discourage her love for him.
Output: Who is the playwrite for Give Me Your Hand?