Question: Given the following context:  Carson Morris is a former straight-A student that has been using drugs for the past year, having begun shortly after she enrolled in a prestigious Catholic high school. She has agreed, albeit reluctantly, to allow a film crew to monitor her for an Intervention-esque documentary show as she checks into a rehab clinic. Carson is quickly made a target of ridicule by the other patients, as she has been taking drugs because she believes that she has been demonically possessed. Jason, a production assistant for the film crew, is sympathetic and quickly bonds with Carson - even going so far as to believe her claims after her behavior turns increasingly erratic. During all of this Carson also has several displays of supernatural behavior that is captured on camera but only when she is alone. There are suggestions of bringing in an exorcist, however the clinic's physician Dean Pretiss thinks that this would be detrimental to Carson's mental well being. When Carson attacks Jason the show's producer Suzanne begins to push Pretiss for an exorcist, only for him to state that he wants to transfer Carson to a mental institution.  answer the following question:  Who is the producer of the show that follows the former straight-A student?
Answer: Suzanne

Question: Given the following context:  People have used resources on and around the Mono–Inyo Craters for centuries. Mono Paiutes gathered obsidian from the Mono–Inyo Craters to make sharp tools and arrow points. Unworked obsidian was carried by the Mono Paiutes over passes in the Sierra Nevada to trade with other Native American groups. Chips of Mono–Inyo obsidian can still be found at many ancient mountain campsites. Gold rush–related boomtowns sprang up near Mono Basin in the 19th century to exploit bonanzas. The largest of these, Bodie (north of Mono Lake), was founded in the late 1870s and grew large enough to need a tree mill, which was located at Mono Mills, immediately northeast of Mono Domes. Trees directly around the domes and on their slopes were felled to provide timber for the mill. As part of the California Water Wars, the Los Angeles Department of Water and Power purchased large tracts of land in the 1930s within Mono Basin and Owens Valley in order to control water rights. Excavation of an 11.5-mile (18.5 km) water tunnel under the southern part of the Mono Craters dome complex started in 1934 and was completed in 1941. Tunnel workers had to deal with loose and often water-charged gravels, pockets of carbon dioxide gas and flooding. About one man was lost for each mile excavated. Water diverted from its natural outlet in Mono Lake passes through the tunnel on its way to the Los Angeles Aqueduct system. The United States Pumice Company, based in Chatsworth, California, has mined the area for pumice since 1941. The company markets the pumice in slabs for use in commercial scouring and in large irregular chunks sold as yard decoration.Apollo 16's John Young and Charlie Duke did some of their geologic training here in June 1971.  William R. Muehlberger was one of the geology instructors.Exploratory drilling for geothermal power occurred near the Mono Craters on the south shore of Mono Lake in 1971. The wells did not show promising results, so the effort was abandoned.  answer the following question:  What is the full name of the company that markets pumice in slabs for use in commercial scouring?
Answer: The United States Pumice Company

Question: Given the following context:  Handel joined the Hamburg opera house when it was experiencing a period of considerable artistic success. This blossoming followed the arrival of Reinhard Keiser, who had become musical director at the Gänsemarkt in about 1697, and in 1703 succeeded Johann Kusser as the theatre's manager. Born in 1674, Keiser had studied under Johann Schelle and probably Johann Kuhnau at the Thomasschule zu Leipzig.  In 1694 he was employed as a court composer at Brunswick, where in three years he composed seven operas, at least one of which (Mahumeth) was performed in Hamburg. According to Handel's biographer Donald Burrows, Keiser was a good judge of popular taste, with a flair for writing Italian-style arias.  Between 1697 and 1703, prior to Handel's arrival, about a dozen more Keiser operas had been staged at the Gänsemarkt. Despite his on-stage successes, Keiser was an unreliable general manager, with expensive private tastes and little financial acumen, often at odds with his creditors.It is possible that Keiser, who had connections in the Halle area, had heard of Handel and was directly instrumental in securing the latter's post in the Gänsemarkt orchestra; certainly he was a considerable influence on the younger man in the three years that Handel spent in Hamburg. Another important Gänsemarkt colleague was the house composer and singer Johann Mattheson, who noted Handel's rapid progress in the orchestra from back-desk violinist to harpsichord soloist, a role in which, said Mattheson, "he showed himself a man—a thing which no one had before suspected, save I alone". Mattheson was less complimentary on Handel's early efforts at composition: "He composed very long, long arias, and really interminable cantatas", before, it seems, "the lofty schooling of opera ... trimmed him into other fashions".  answer the following question:  What is the full name of the person that studied at the Thomasschule zu Leipzig?
Answer:
Reinhard Keiser