In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Passage: After the Wicked Witch of the West is melted by a bucket of water, and Dorothy is sent back to her world, Glinda, the Good Witch of the South, decides to revive the Wicked Witch and remove her powers by storing them in a magic broom. Glinda then gives the magical broom to Dorothy's friends, Tin Woodman, Cowardly Lion, and Scarecrow, and they become the guardians of the broom.
Evilene, the Wicked Witch, conspires with her Flying Monkeys to retrieve her broom. However, a friendly little monkey named Ozzy forgets to close the gate of the castle and a battle ensues between the flying monkeys and the 'Bums of Oz.' Evilene retrieves her broom and repels the Champions of Oz from the castle. She then punishes Ozzy's father, transforming him into a chicken. Angered by the witch's spell on his father, Ozzy steals the broom from Evilene and runs away from the palace.
Ozzy reaches Glinda to find she has been paralyzed by accidentally drinking a magic potion created by her niece Gabby, who is unable to create an antidote without a vital ingredient based on wood. Gabby and Ozzy set off to find the Champions of Oz. They are pursued by the other Flying Monkeys.
They soon find Cowardly Lion, who is out of sorts due to the witch's spell, but with some effort they guide him to the north town, where they find the Tin Woodman, who is extremely depressed by the spell. The spell-raged Lion smashes the Tin Man to bits, but calms down when Ozzy accidentally hits him with the magic broom.
Ozzy, Gaby, and the Cowardly Lion take the Tin Man's parts to the Library of Oz where (due to the spell) Scarecrow is obsessively reading books in an effort to become more intelligent. He quickly repairs Tin with the help from a clue. However, the group is attacked by the Flying Monkeys, and in the chaos Ozzy cures Scarecrow of the spell's effects, but they are unable to save Gabby from being whisked away by the Flying Monkeys.
What are the names of the people who are pursued by Flying Monkeys?

Passage: In philosophy, Chinese Buddhism had waned in influence but it retained its hold on the arts and on the charities of monasteries. Buddhism had a profound influence upon the budding movement of Neo-Confucianism, led by Cheng Yi (1033–1107) and Zhu Xi (1130–1200). Mahayana Buddhism influenced Fan Zhongyan and Wang Anshi through its concept of ethical universalism, while Buddhist metaphysics deeply affected the pre–Neo-Confucian doctrine of Cheng Yi. The philosophical work of Cheng Yi in turn influenced Zhu Xi. Although his writings were not accepted by his contemporary peers, Zhu's commentary and emphasis upon the Confucian classics of the Four Books as an introductory corpus to Confucian learning formed the basis of the Neo-Confucian doctrine. By the year 1241, under the sponsorship of Emperor Lizong, Zhu Xi's Four Books and his commentary on them became standard requirements of study for students attempting to pass the civil service examinations. The East Asian countries of Japan and Korea also adopted Zhu Xi's teaching, known as the Shushigaku (朱子學, School of Zhu Xi) of Japan, and in Korea the Jujahak (주자학). Buddhism's continuing influence can be seen in painted artwork such as Lin Tinggui's Luohan Laundering. However, the ideology was highly criticized and even scorned by some. The statesman and historian Ouyang Xiu (1007–1072) called the religion a "curse" that could only be remedied by uprooting it from Chinese culture and replacing it with Confucian discourse. A true revival of Buddhism in Chinese society would not occur until the Mongol rule of the Yuan dynasty, with Kublai Khan's sponsorship of Tibetan Buddhism and Drogön Chögyal Phagpa as the leading lama. The Christian sect of Nestorianism, which had entered China in the Tang era, would also be revived in China under Mongol rule.
What religion did Ouyang Xiu call a curse?

Passage: In the central panel the Virgin and Child are enthroned in a church nave within a columned basilica running on either side. The columns are painted using a variety of dark red, orange and grey pigments, a colour scheme which Peter Heath describes as lending to a "sense of airy silence". The throne is positioned on a dais, before a lavishly detailed oriental carpet lying on a similarly geometrically designed tiled floor. The arms of the canopied throne and the arches to either side contain carved or sculptured figures, including tiny representations of Isaac, and David and Goliath, although art historian Antje Maria Neuner reads this carving as showing Jephthah sacrificing his daughter. Mary wears a richly embroidered and as is typical for van Eyck, voluminous red robe, which effectively serves as a cloth of honour. The robe is placed over a blue square-cut underdress edged with a jewelled border. In van Eyck's Marian paintings, he almost always clothes her in red writes Pächt, which makes her seem to dominate the space. The Christ Child is naked and holds towards the donor a banderole adorned with a phrase from the Gospel of Matthew (11:29), DISCITE A ME, QUIA MITIS SUM ET HUMILIS CORDE ("Learn of me, for I am meek and lowly in heart").
Mary's presence in the church is symbolic; she and the child occupy the area where the altar would normally be situated. Like van Eyck's two other late Madonna portraits (Virgin and Child with Canon van der Paele of 1436 and Madonna in the Church of c. 1438–40), Mary is unrealistically large and out of proportion to her surroundings. This reflects the influence of 12th- and 13th-century Italian artists such as Cimabue and Giotto, who in turn drew on the tradition of monumental depictions of Mary from Byzantine icons. According to Lorne Campbell, Mary is presented as if about to "rise from her throne and advance into the same plane as St. Michael and St. Catherine, she would tower above them and also above the columns of the church." This idea is in keeping with van Eyck's tendency in such portraits to present Mary as if she was an apparition materialising before the donor in response to his prayer and devotion. Van Eyck's Mary is here monumental, but less overwhelmingly large than in 13th century works. She is disproportionate to the architecture in her panel, but approximately proportional to the figures in the wings. This restraint evidences the beginning of van Eyck's mature phase, most evidently seen in the composition's "greater spatial depth".Christ's pose closely follows that of the Paele Madonna; his body still leans towards the donor but here his head faces the viewer more directly.
What is the name of the person that was influenced by Cimabue and Giotto?