Problem: Given the below context:  Mercury booked the New York Dolls at The Record Plant in New York City, where they recorded their self-titled debut album in April 1973. Rundgren was originally concerned that they had taken "the worst sounding studio in the city at that time" because it was the only one available to them with the short time given to record and release the album. He later said that expectations for the band and the festive atmosphere of the recording sessions proved to be more of a problem: "The Dolls were critics' darlings and the press had kind of adopted them. Plus, there were lots of extra people around, socializing, which made it hard to concentrate." New York Dolls was recorded in eight days on a budget of $17,000 (equivalent to $96,000 in 2018). With a short amount of studio time and no concept in mind for the album, the band chose which songs to record based on how well they had been received at their live shows. In Johansen's own words, "we went into a room and just recorded. It wasn't like these people who conceptualize things. It was just a document of what was going on at the time."In the studio, the New York Dolls dressed in their usual flashy clothes. Rundgren, who did not approve of their raucous sound, at one point yelled at them during the sessions to "get the glitter out of your asses and play". Sylvain recalled Rundgren inviting Buell and their Chihuahua to the studio and putting the latter atop an expensive mixing console, while Johansen acknowledged that his recollections of the sessions have since been distorted by what he has read about them: "It was like the 1920s, with palm tree décor and stuff. Well, that's how I remember it, anyway." He also said Rundgren directed the band from the control room with engineer Jack Douglas and hardly spoke to them while they recorded the album. According to Scopa, the group's carefree lifestyle probably conflicted with Rundgren's professional work ethic and schedule: "He doesn't put up with bullshit. I mean, [the band] rarely started their live sets before midnight,...  Guess a valid title for it!

A: New York Dolls (album)


Problem: Given the below context:  The drama begins with a murder and a screaming witness.  The witness to the crime tells the police that she can identify the murderer and will never forget his face.  Mob attorney Walter Colby is called by crime boss Hap Richie in the middle of the night to arrange the release of Caesar, one of his mobsters arrested for the murder.  After Colby does so he tells his girlfriend, the unscrupulous mob-connected showgirl Flaxy Martin, that he wants to quit the organization and become respectable. Meanwhile, the syndicate arranges for Peggy Farrar to falsely testify on behalf of Caesar.  After Caesar is cleared of the charges, however, she changes her mind.  Flaxy and Caesar go visit Peggy at her apartment to force her into silence, and Caesar ends up killing her. Due to circumstantial evidence, Flaxy is suspected of murdering Peggy. Not realizing her involvement in the killing, Colby tells the police that he did it, his plan being to defend himself so well that he gets both himself and Flaxy off.  Unfortunately, Flaxy and Hap Richie set him up during the trial and Colby is sentenced for Peggy's murder. As Colby awaits transportation to prison, Sam Malko, a friend of Colby and a former client, tells him that Caesar had been getting drunk and bragging that Colby was sentenced for a killing (the murder of Peggy) that he (Caesar) committed. Sam wonders why Flaxy was not helping Colby since she must know the same information. On his way to prison to serve 20 years, Colby escapes and when he gets to the highway he passes out in front of motorist Nora Carson.  Nora helps Colby get to the city to find out how he was framed. Colby realizes that Flaxy was not the woman she pretended to be.  Guess a valid title for it!

A: Flaxy Martin


Problem: Given the below context:  In Santa Monica, California, a pair of Mormon missionaries—by-the-book Elder Farrell, and his soon-to-leave companion, Elder Lozano (Ignacio Serricchio)—proselytize until they are caught between a gang drive-by shooting targeting nearby thugs. The shootout kills one thug and wounds another, Carl, whom Elder Lozano saves. After being released from the hospital, Carl tracks down the two missionaries, thanking Lozano for saving his life, who gives Carl a Book of Mormon.  Later, the missionaries notice an unconscious street preacher lying behind a Dumpster. Despite Farrell's hesitation, the missionaries bring the man—later identified as Louis (Jo-sei Ikeda)—to rest in their apartment. Meanwhile, Carl, who has been reading the Bible and Book of Mormon, is eager to be baptized and begins taking lessons from the missionaries. While they do so, the missionaries ask their next-door neighbor, Holly, to check on the homeless preacher in their home. Upon their return, they have dinner with Holly and Louis and continue to do so for a few days.  In this time, the missionaries learn that Louis once was a preacher who lost his congregation due to alcoholism and that Holly—a struggling actress—acted in a few adult movies, her parents back home discovering and cutting off contact with her as a result. Elder Farrell promises that God will never stop loving her regardless of her mistakes. At a local ward luau, another missionary interviews Carl for baptism, teaching him the story of Ammon, a missionary who teaches a group of people  to give up their weapons and bury them deep in the ground, vowing never to use them again. The night before his baptism, Carl buries his weapons in the yard and Elder Lozano baptizes him the following day.  Guess a valid title for it!

A:
States of Grace