Please answer this: Given the below context:  Among Dylan's contemporaries, Phil Ochs was impressed by Highway 61, explaining: "It's the kind of music that plants a seed in your mind and then you have to hear it several times. And as you go over it you start to hear more and more things. He's done something that's left the whole field ridiculously in the back of him." In 2003, Rolling Stone magazine described Highway 61 as "one of those albums that changed everything", and placed it at number four in its list of "The 500 Greatest Albums of All Time". The Rolling Stone list of "The 500 Greatest Songs of All Time" ranked "Highway 61 Revisited", "Desolation Row" and "Like a Rolling Stone" at number 373, number 187, and number one, respectively. In 2012, The Best 100 Albums of All Time book ranked Highway 61 Revisited as the greatest album of all time. The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in Christgau's Record Guide: Rock Albums of the Seventies (1981)—and in Robert Dimery's 1001 Albums You Must Hear Before You Die.Most of the songs on Highway 61 Revisited have remained important, in varying degrees, to Dylan's live performances since 1965. According to his website, he has played "Like a Rolling Stone" over 2,000 times, "Highway 61 Revisited" more than 1,700 times, "Ballad of a Thin Man" over 1,000 times, and most of the other songs between 150 and 500 times.The influence of the songs on Highway 61 Revisited can be heard in many cover versions. "Like a Rolling Stone" has been recorded by artists including the Rolling Stones, on their live album Stripped, David Bowie and Mick Ronson on Heaven and Hull, Johnny Winter on Raisin' Cain, and Jimi Hendrix at the Monterey Pop Festival. My Chemical Romance's version of "Desolation Row" was featured in the film Watchmen in 2009. The song has also been covered by the Grateful Dead on their album Postcards of the Hanging. "Just Like Tom Thumb's Blues" has been recorded by Judy Collins, Linda Ronstadt, Nina Simone and Neil Young. The title track was...  Guess a valid title for it!
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Answer: Highway 61 Revisited


Please answer this: Given the below context:  Soon after composing "Halo", Tedder worked with Kelly Clarkson on her fourth studio album, All I Ever Wanted (2009), for which they wrote "Already Gone" together. When the song came out, critics noted a resemblance to Beyoncé's "Halo". Clarkson, however, initially stated that she was unaware of any similarities between the two songs. She eventually realized their resemblance when she listened to both recordings closely; the similarities are most notable in the backing tracks, which in both cases feature a melancholy piano, loud drums, and handclaps. Clarkson tried to prevent "Already Gone" from being included on All I Ever Wanted, but it was impossible to make last minute changes, as her album was already being printed when I Am... Sasha Fierce was released. She accused Tedder of using the same arrangement on both "Already Gone" and "Halo", and complained that people would, incorrectly, assume she was stealing it from Beyoncé.Clarkson was furious, and confronted Tedder on the phone. In response, Tedder commented that he would never give two artists the same musical arrangement, and that her criticism was "hurtful and absurd". He asserted that the concept, melodies, and lyrics of "Already Gone" and "Halo" are completely different. Calling "Already Gone" one of the best songs he had ever composed, Tedder challenged people to "listen [to the two ballads] and form their own opinions". Clarkson also tried to stop her label, RCA, from releasing "Already Gone" as a single because she respected Beyoncé, but they went against her will and released it. She said, "It's one of those things I have no control over. I already made my album. At this point, the record company can do whatever they want with it." Clarkson later told James Montgomery of MTV News that it was unfortunate "Already Gone" and "Halo" sound so similar, but noted that at least they have different vocal melodies.  Guess a valid title for it!
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Answer: "Halo" (Beyoncé song)


Please answer this: Given the below context:  Tomas, a successful brain surgeon in Communist Czechoslovakia, is pursuing an affair with Sabina, an equally care-free artist in Prague. Dr Tomas takes a trip to a spa town for a specialized surgery. There, he meets dissatisfied waitress Tereza, who desires intellectual stimulation. She tracks him down in Prague and moves in with him, complicating Tomas's affairs. Tomas asks Sabina to help Tereza find work as a photographer. Tereza is fascinated and jealous as she grasps that Sabina and Tomas are lovers, but feels affection for Sabina. Nevertheless, Tomas marries Tereza, in a simple ceremony with both perpetually laughing, followed by her double standard distress about Tomas' promiscuity. Although she considers leaving Tomas, she becomes more attached to Tomas when the Soviet Army invades Czechoslovakia. Amidst the confusion, Tereza photographs demonstrations against the Soviet forces, then hands the rolls of film to foreigners to smuggle to the West. Facing the stultifying reality that replaced the Prague Spring, Tomas, Sabina and Tereza flee Czechoslovakia for Switzerland: first Sabina, then the hesitant Tomas and Tereza. In Geneva, Sabina encounters Franz, a married university professor: they begin a love affair. After some time, he decides to abandon his wife and family for her. After hearing the declaration, Sabina abandons Franz, feeling he would emotionally weigh her down. Meanwhile, Tereza and Tomas attempt to adapt to Switzerland, whose people Tereza finds inhospitable. When she discovers that Tomas continues womanizing, she leaves him and returns to Czechoslovakia. Upset by her leaving, Tomas follows Tereza to Czechoslovakia, where his passport is confiscated, trapping him in-country: nevertheless, his return elates Tereza. They are re-united.  Guess a valid title for it!
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Answer:
The Unbearable Lightness of Being (film)