Problem: Who dies aboard the Mayflower?  Answer the above question based on the context below:  The film tells a fictionalized version of the Pilgrims' voyage across the Atlantic Ocean to North America aboard the Mayflower. During the long sea voyage, Capt. Christopher Jones falls in love with Dorothy Bradford, the wife of William Bradford. The love triangle is resolved in a tragic way at the film's conclusion.  Ship's carpenter John Alden -- said to be the first person to set foot on Plymouth Rock in 1620—catches the eye of Priscilla Mullins, one of the young Pilgrims following William Bradford.  Alden ultimately wins Priscilla in another, if subtler, triangle with Miles Standish.   Lloyd Bridges provides comic relief as the first-mate Coppin, and child star Tommy Ivo gives a touching performance as young William Button, the only passenger to die on the actual voyage across the storm-swept Atlantic, who, according to this film, wanted to be the first to sight land and to become a king in the New World. "I'm going to be the first to see land. Keep me eye peeled, I will. Then I'll be the first. It'll be like the Garden of Eden and I'm going to be the first to see it".

A: William Button


Problem: What was Johnston tipped as the favourite to win?  Answer the above question based on the context below:  Johnston was entered as a competitor in the second series of Britain's Got Talent by his mother. He passed the first public audition, singing "Pie Jesu" from Andrew Lloyd Webber's Requiem. Amanda Holden, one of the competition's judges, was brought to tears, and the audience offered Johnston a standing ovation. Johnston was tipped as the favourite to win the competition. Later, Johnston described his initial audition as daunting, saying that "it was scary singing in front of 2,500 people. I had never sang on stage before – then there was also Simon, Amanda and Piers". He won his semi-final heat on 27 May 2008, receiving the most public votes on the night and thereby qualifying for the final. He sang "Tears in Heaven" by Eric Clapton; judge Holden told him he had "a gift from God in [his] voice". At the final on 30 May, he again sang "Pie Jesu". He finished in third place, behind the winner, the street dancer George Sampson and runners-up, the dance group Signature. Johnston left the stage in tears, later saying that he "was upset. But when you see the talent that was there, it was an honour just to be in the final". The day after the final, Cowell's publicist Max Clifford said that it was "quite possible" that Cowell would be offering record contracts to some of the finalists, including Johnston. Johnston and other contestants then embarked on a national arena tour.During his initial audition, Johnston claimed that he was bullied and victimised from the age of six because of his singing. When asked how he dealt with the issue, he stated "I carry on singing." There were claims in the Daily Mail, a UK-based tabloid newspaper, that the programme's producers had deliberately overstated the extent of Johnston's bullying as a "sob story", suggesting that sympathy rather than his singing got him many of the votes. However, in The Times, Johnston's success story was described as "the stuff of fairytales", as he was successful despite having been raised in "poverty". Johnston said he did not talk about being bullied...

A: the second series of Britain's Got Talent


Problem: In what year was the Rokeby Venus badly destroyed?  Answer the above question based on the context below:  The Rokeby Venus (; also known as The Toilet of Venus, Venus at her Mirror, Venus and Cupid, or  La Venus del espejo) is a painting by Diego Velázquez, the leading artist of the Spanish Golden Age.  Completed between 1647 and 1651, and probably painted during the artist's visit to Italy, the work depicts the goddess Venus in a sensual pose, lying on a bed and looking into a mirror held by the Roman god of physical love, her son Cupid. The painting is in the National Gallery, London. Numerous works, from the ancient to the baroque, have been cited as sources of inspiration for Velázquez. The nude Venuses of the Italian painters, such as Giorgione's Sleeping Venus (c. 1510) and Titian's Venus of Urbino (1538), were the main precedents. In this work, Velázquez combined two established poses for Venus: recumbent on a couch or a bed, and gazing at a mirror. She is often described as looking at herself on the mirror, although this is physically impossible since viewers can see her face reflected in their direction. This phenomenon is known as the Venus effect. In a number of ways the painting represents a pictorial departure, through its central use of a mirror, and because it shows the body of Venus turned away from the observer of the painting.The Rokeby Venus is the only surviving female nude by Velázquez. Nudes were extremely rare in seventeenth-century Spanish art, which was policed actively by members of the Spanish Inquisition. Despite this, nudes by foreign artists were keenly collected by the court circle, and this painting was hung in the houses of Spanish courtiers until 1813, when it was brought to England to hang in Rokeby Park, Yorkshire. In 1906, the painting was purchased by National Art Collections Fund for the National Gallery, London. Although it was attacked and badly damaged in 1914 by the suffragette Mary Richardson, it soon was fully restored and returned to display.

A: 1914


Problem: What site of battles taking place was suggested by Evans to not have been developed independently among the local population?  Answer the above question based on the context below:  In a 1946 paper, the folklorist John H. Evans recorded the existence of a local folk belief that a battle was fought at the site of the Coldrum Stones, and that a "Black Prince" was buried within its chamber. He suggested that the tales of battles taking place at this site and at other Medway Megaliths had not developed independently among the local population but had "percolated down from the theories of antiquaries" who believed that the fifth-century Battle of Aylesford, which was recorded in the ninth-century Anglo-Saxon Chronicle, took place in the area. Evans also recorded a local folk belief applied to all of the Medway Megaliths and which had been widespread "up to the last generation"; this was that it was impossible for anyone to successfully count the number of stones in the monuments. This "countless stones" motif is not unique to the Medway region, and can be found at various other megalithic monuments in Britain. The earliest textual evidence for it is found in an early 16th-century document, where it applies to the stone circle of Stonehenge in Wiltshire, although in an early 17th-century document it was applied to The Hurlers, a set of three stone circles in Cornwall. Later records reveal that it had gained widespread distribution in England, as well as a single occurrence each in Wales and Ireland. The folklorist S. P. Menefee suggested that it could be attributed to an animistic understanding that these megaliths had lives of their own.Several modern Pagan religions are practiced at the Medway Megaliths, with Pagan activity having taken place at the Coldrum Stones from at least the late 1980s. These Pagans commonly associated the sites both with a concept of ancestry and of them being a source of "earth energy". The scholar of religion Ethan Doyle White argued that these sites in particular were interpreted as having connections to the ancestors both because they were created by Neolithic peoples whom modern Pagans view as their "own spiritual ancestors" and because the sites were once...

A:
the site of the Coldrum Stones