Q: Given the below context:  Genetic engineers Clive Nicoli and Elsa Kast hope to achieve fame by splicing animal DNA to create hybrids for medical use at the company N.E.R.D. (Nucleic Exchange Research and Development). Their work previously yielded Fred, a dog-sized vermiform creature intended as a mate for their female specimen, Ginger. After successfully mating them, Clive and Elsa plan to create a human-animal hybrid that could revolutionize science. Their employers Joan Chorot of N.E.R.D. and William Barlow forbid them from doing this. Instead, they are to find and extract proteins used for commercial drug production from Fred and Ginger. Clive and Elsa, however, disobey their superiors and pursue their own agenda in secret, developing a viable prepubescent female creature. Although they had planned to terminate the hybrid before it reached full term, Elsa persuades Clive to let it live. They discover that she is aging at a vastly accelerated rate. Elsa discovers that the creature is undergoing mental development such as that of a young human child. Elsa names the creature "Dren" after the creature spells out NERD, having seen the letters on Elsa's shirt. After moving Dren to a new location for fear of discovery, they find she has a dangerously high fever. In an attempt to save her they place her in a large industrial sink filled with cold water. Later on Clive fully submerges Dren in the sink, and in doing so discovers that Dren is amphibious, but remains ambiguous in whether he tried to save Dren or kill her. While studying Dren, Elsa and Clive neglect their work with Fred and Ginger. At a highly publicized presentation of their work, Fred and Ginger savagely fight to the death. It is subsequently discovered that Ginger had spontaneously changed to a male, but Elsa and Clive failed to notice because they were focused on Dren.  Guess a valid title for it!
A: Splice (film)


Question: Given the below context:  The story begins in England approximately two centuries after the Norman Conquest, or around 1300 A.D. Saxon scholar Walter of Gurnie is the illegitimate son of the Earl of Lessford and has been dispossessed of his inheritance by his father's Norman widow. After joining a group of Saxons who free hostages held by Lessford, Walter is forced into exile when he is recognized. Walter flees England, accompanied by his friend Tristram Griffen, a Saxon archer, and sets out to make his fortune in Cathay during the times of Pax Mongolica.  Walter seeks the patronage of Mongol warlord General Bayan of the Hundred Eyes and agrees to fight for him.  The "Black Rose" of the title is the beauteous Maryam, a half-English, half-Mongol girl who has escaped from the harem Bayan is escorting to China.  Disguised as a servant boy, she travels with Walter and Tristram in the caravan. Maryam loves Walter, but he is too interested in his adventure to pay her any attention. Tristram doesn't like all the killing and decides to get away. He takes Maryam with him because she wants to go to England. Bayan sends Walter on a mission to see the Sung Dynasty Empress of that part of China not yet under Mongol rule When he arrives he is told that he must stay in China as a "guest" for the rest of his life. Then he finds Tristram and Maryam had also been. captured and imprisoned. During this time, Walter realizes he loves Maryam. The three of them decide to escape. Tristram dies. The small boat in which Maryam is waiting for Walter in drifts away before Walter can catch her. Walter returns to England alone.  Walter is welcomed back by the Norman King Edward because of all the cultural and scientific knowledge (including gunpowder) he has brought back from China. The king knights Walter and grants him a coat of arms. Two Mongol emissaries from Bayan show up. They have brought the Black Rose to England to join Walter there.  Guess a valid title for it!
Answer: The Black Rose


Question: Given the below context:  While travelling, Nielsen discovered and then turned against Richard Wagner's music dramas, heard many of Europe's leading orchestras and soloists and sharpened his opinions on both music and the visual arts. Although he revered the music of Bach and Mozart, he remained ambivalent about much 19th-century music. In 1891 he met the composer and pianist Ferruccio Busoni in Leipzig; they were to maintain a correspondence for over thirty years. Shortly after arriving in Paris in early March 1891 Nielsen met the Danish sculptor Anne Marie Brodersen, who was also travelling on a scholarship. They toured Italy together and married in St Mark's English Church, Florence, on 10 May 1891 before returning to Denmark. According to Fanning, their relationship was not only a "love match", but also a "meeting of minds"; Anne Marie was a gifted artist and a "strong-willed and modern-minded woman, determined to forge her own career". This determination would strain the Nielsens' marriage, as Anne Marie would spend months away from home during the 1890s and 1900s, leaving Carl, who was susceptible to opportunities with other ladies, to raise their three young children in addition to composing and fulfilling his duties at the Royal Theatre.Nielsen sublimated his anger and frustration over his marriage in a number of musical works, most notably between 1897 and 1904, a period which he sometimes called his "psychological" period. Fanning writes, "At this time his interest in the driving forces behind human personality crystallized in the opera Saul and David and the Second Symphony (The Four Temperaments) and the cantatas Hymnus amoris and Søvnen". Carl suggested divorce in March 1905 and had considered moving to Germany for a fresh start, but despite several extended periods of separation the Nielsens remained married for the remainder of the composer's life.Nielsen had five children, two of them illegitimate. He had already fathered a son, Carl August Nielsen, in January 1888, before he met Anne Marie. In 1912, an illegitimate...  Guess a valid title for it!
Answer:
Carl Nielsen