Please answer this: Given the below context:  Pete and Joey drive their 1960 Chevrolet Impala from their home on Cape Breton Island in Nova Scotia to Toronto with the hope of meeting up with their relatives in the city who might be able to help them find jobs; but their relatives hide from what they see as the pair's uncouth behaviour and the two are set adrift in the city. The men find jobs at a local ginger-ale bottler for $80 per week, a job with tough working conditions that doesn't pay much better than what they could have had back home. They fill their days smoking, drinking beer, and hitting on young women along Toronto's busy Yonge Street strip. They soon turn their good fortune into residency in a small apartment, which they decorate with centerfolds from men's magazines and movie posters. Both men start romances; Joey decides to get married when his girlfriend, Betty, becomes pregnant. He pursues a credit-driven lifestyle undreamt of back home with his wife, buying a new colour television, stereo, and furniture on an installment plan. Disaster strikes when Pete and Joey get laid off at the end of the summer and the trio are forced to move to a smaller, less-comfortable apartment. Pete and Joey find new jobs washing cars and resetting pins in a bowling alley but at much smaller wages than what they received at the bottling factory. Tensions mount at the crowded living situation and the lack of money begins to wear on them, and Betty tells Joey she will soon need to stop working at her waitressing job because of her pregnancy. Pete accuses Joey of not making enough money to support his share of the costs, and Betty resents Pete for making the accusation.  Guess a valid title for it!
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Answer: Goin' Down the Road


Please answer this: Given the below context:  In addition to the knighthood bestowed in 1911, Wood's state honours were his appointments as Companion of Honour in 1944, to the Order of the Crown (Belgium; 1920), and Officer of the Legion of Honour (France; 1926). He received honorary doctorates from five English universities and was a fellow of both the Royal Academy of Music (1920) and the Royal College of Music (1923). Jacobs lists 26 compositions dedicated to Wood, including, in addition to the Vaughan Williams Serenade to Music, works by Elgar, Delius, Bax, Marcel Dupré and Walton. The Poet Laureate, John Masefield, composed a poem of six verses in his honour, entitled "Sir Henry Wood", often referred to by its first line, "Where does the uttered music go?". Walton set it to music as an anthem for mixed choir; it received its first performance on 26 April 1946 at St Sepulchre's, on the occasion of a ceremony unveiling a memorial stained-glass window in Wood's honour.Wood is commemorated in the name of the Henry Wood Hall, the deconsecrated Holy Trinity Church in Southwark, which was converted to a rehearsal and recording venue in 1975. His bust stands upstage centre in the Royal Albert Hall during the whole of each Prom season, decorated by a chaplet on the Last Night of the Proms. His collection of 2,800 orchestral scores and 1,920 sets of parts is now in the library of the Royal Academy of Music. For the Academy he also established the Henry Wood Fund, giving financial aid to students. The University of Strathclyde named a building at its Jordanhill campus after him. His best-known memorial is the Proms, officially "the Henry Wood Promenade Concerts", but universally referred to by the informal short version.His biographer Arthur Jacobs wrote of Wood: His orchestral players affectionately nicknamed him "Timber" – more than a play on his name, since it seemed to represent his reliability too. His tally of first performances, or first performances in Britain, was heroic: at least 717 works by 357 composers. Greatness as measured by finesse of...  Guess a valid title for it!
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Answer: Henry Wood


Please answer this: Given the below context:  In 2001, M.I.A. (Mathangi "Maya" Arulpragasam) had worked exclusively in the visual arts. While filming a documentary on Elastica's 2001 tour of the US, she was introduced to the Roland MC-505 sequencer/drum machine by electroclash artist Peaches, whose minimalistic approach to music inspired her. She found Peaches' decision to perform without additional instrumentation to be brave and liberating and felt that it emphasised the artist. Returning to London, she unexpectedly gained access to a 505 owned by her friend, former Elastica singer Justine Frischmann. M.I.A. used the 505 to make demo recordings in her bedroom. She initially planned to work as a producer. To this end, she approached Caribbean girls in clubs to see if they would provide vocals for the songs, but without success. M.I.A. secured a record deal with XL Recordings after Frischmann's manager overheard the demo. M.I.A. began work on the album by composing lyrics and melodies, and she programmed drum beats at home on the drum machine. Having produced rough tracks via trial and error, she honed the finished songs in collaboration with other writer-producers. Through these collaborations, she sought to produce a diverse style and "drag [her collaborators] out of their boxes, musically".DJ Diplo introduced elements of Brazilian baile funk to "Bucky Done Gun". Fellow composer-producer Richard X worked on the track "Hombre", which featured a drum pattern created from the sounds made by toys that M.I.A. had bought in India, augmented with sounds produced by objects such as pens and mobile phones. Steve Mackey and Ross Orton, known professionally as Cavemen, worked on "Galang", which M.I.A. had initially produced with her 505 and a basic four-track tape recorder. Working with Cavemen in a professional studio, she added a bass line and new vocals to give the song "a more analogue sound" than was possible with the 505. The track was co-written by Frischmann, whose input M.I.A. described as "refreshing". She initially hoped to feature guest vocalists on...  Guess a valid title for it!
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Answer:
Arular