Given the below context:  From the time of his earliest recordings in the 1960s, Bowie employed a wide variety of musical styles. His early compositions and performances were strongly influenced by rock and rollers like Little Richard and Elvis Presley, and also the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, David Bowie (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk, and pop.Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register ... his voice has an almost crooner-like richness."Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's role playing is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them ... His voice changes dramatically from section to section." In a 2014 analysis of 77 "top" artists' vocal ranges, Bowie was 8th, just behind Christina Aguilera and just ahead of Paul McCartney. In addition to the guitar, Bowie also played a variety of keyboards, including piano, Mellotron, Chamberlin, and synthesizers; harmonica; alto and baritone saxophones; stylophone; viola; cello; koto (in the Heroes track "Moss Garden"); thumb piano; drums (on the Heathen...  Guess a valid title for it!
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Answer: David Bowie


Given the below context:  Nigel Reuben Rook Williams (15 July 1944 – 21 April 1992) was an English conservator and expert on the restoration of ceramics and glass. From 1961 until his death he worked at the British Museum, where he became the Chief Conservator of Ceramics and Glass in 1983. There his work included the successful restorations of the Sutton Hoo helmet and the Portland Vase. Joining as an assistant at age 16, Williams spent his entire career, and most of his life, at the British Museum. He was one of the first people to study conservation, not yet recognised as a profession, and from an early age was given responsibility over high-profile objects. In the 1960s he assisted with the re-excavation of the Sutton Hoo ship-burial, and in his early- to mid-twenties he conserved many of the objects found therein: most notably the Sutton Hoo helmet, which occupied a year of his time. He likewise reconstructed other objects from the find, including the shield, drinking horns, and maplewood bottles. The "abiding passion of his life" was ceramics, and the 1970s and 1980s gave Williams ample opportunities in that field. After nearly 31,000 fragments of shattered Greek vases were found in 1974 amidst the wreck of HMS Colossus, Williams set to work piecing them together. The process was televised, and turned him into a television personality. A decade later, in 1988 and 1989, Williams's crowning achievement came when he took to pieces the Portland Vase, one of the most famous glass objects in the world, and put it back together. The reconstruction was again televised for a BBC programme, and as with the Sutton Hoo helmet, took nearly a year to complete. Williams died at age 47 of a heart attack while in Aqaba, Jordan, where he was working on a British Museum excavation. The Ceramics & Glass group of the Institute of Conservation awards a biennial prize in his honour, recognising his significant contributions in the field of conservation.  Guess a valid title for it!
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Answer: Nigel Williams (conservator)


Given the below context:  Shirley, goes to visit Dr. Evans with family friend, Aunt Bam about her cancer and finds out that it has gotten worse, and that she may only have a few weeks to live. She asks Aunt Bam to call her children so she can invite them to dinner to tell them all at the same time. Cora and Mr. Brown (David and Tamela Mann) are also at the hospital, to get Mr. Brown a check-up. Dr. Evans tells them he has to do a colonoscopy on Mr. Brown, and they find a growth that needs to be removed surgically. Meanwhile, Madea furiously and violently drives her car through a restaurant named 'Smax', because they stopped serving breakfast for the day, and because the manager had been very rude to her. Shirley's children Byron (Shad "Bow Wow" Moss), Tammy, and Kimberly arrive at Shirley's house later that day for a dinner Shirley has planned for them in order to tell them the sad news about her recent prognosis. Byron arrives with his girlfriend Renee and his baby Byron Jr. Tammy arrives with her husband Harold and their two kids, with the former two subsequently carrying their argument over directions to the house with them. Kimberly arrives with her husband Calvin. Tammy and Kimberly then start to argue when Byron's ex-girlfriend Sabrina and "baby mama" (Byron Jr.'s biological mother) arrives. Sabrina quickly gets on Byron's nerves by addressing him as a "drug dealer" (since he was one when he was young and got arrested for it). She also lies excessively, uses her son's child support money and supplies for herself, and also tries to goad Byron back into selling drugs, so she can get more money for herself in the process. Moreover, she also turns out to be the manager of 'Smax', the restaurant that Madea crashed her car into earlier that day.  Guess a valid title for it!
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Answer:
Madea's Big Happy Family (film)