Problem: Given the below context:  The movie begins with Huo Yuanjia fighting and defeating three Westerners: a British boxer, a Belgian lancer, and a Spanish fencer. While waiting for the fourth match to begin, Huo remembers his father Huo Endi teaching martial arts. The story is then told in an extended flashback. Watching his father fight, the young Yuanjia wants to participate, but his father is concerned about his asthma. Yuanjia sees his father in a match with Zhao, who dishonorably won by retaliating when Huo Endi held back a fatal blow. Humiliated by his father's defeat, Huo Yuanjia vows to regain the Huo family's honor and pride. He practices martial arts behind his father's back. As time goes by, Huo Yuanjia defeats several opponents (including Zhao's son) and becomes a famous martial artist in Tianjin. As he becomes successful, he grows arrogant and ruthless towards his opponents, unlike his late father who advocated showing mercy to opponents. This also leads to Huo gaining many followers and getting himself into financial trouble by spending his family's money on drinking and partying. When a rival martial arts master named Qin Lei injures one of his followers, Huo feels insulted and confronts Qin on his birthday, at a restaurant owned by Huo's childhood friend, Nong Jinsun. Failing to dissuade his friend from fighting and fed up with his ruthless behavior, Jinsun ends his friendship with Huo. The confrontation escalates into a fight that ends with Qin's death. Qin's godson seeks vengeance and kills Huo's mother and daughter. Huo goes to Qin's house, where Qin's godson admits to the murders before killing himself. Huo learns that it was his follower who had insulted and provoked Qin, which caused Qin to beat him.  Guess a valid title for it!

A: Fearless (2006 film)


Problem: Given the question: Given the below context:  From the age of six and for the rest of his life Saint-Saëns composed mélodies, writing more than 140. He regarded his songs as thoroughly and typically French, denying any influence from Schubert or other German composers of Lieder. Unlike his protégé Fauré, or his rival Massenet, he was not drawn to the song cycle, writing only two during his long career – Mélodies persanes ("Persian Songs", 1870) and Le Cendre rouge ("The Red Ash Tree", 1914, dedicated to Fauré). The poet whose works he set most often was Victor Hugo; others included Alphonse de Lamartine, Pierre Corneille, Amable Tastu, and, in eight songs, Saint-Saëns himself: among his many non-musical talents he was an amateur poet. He was highly sensitive to word setting, and told the young composer Lili Boulanger that to write songs effectively musical talent was not enough: "you must study the French language in depth; it is indispensable." Most of the mélodies are written for piano accompaniment, but a few, including "Le lever du soleil sur le Nil" ("Sunrise over the Nile", 1898) and "Hymne à la paix" ("Hymn to Peace", 1919), are for voice and orchestra. His settings, and chosen verses, are generally traditional in form, contrasting with the free verse and less structured forms of a later generation of French composers, including Debussy.Saint-Saëns composed more than sixty sacred vocal works, ranging from motets to masses and oratorios. Among the larger-scale compositions are the Requiem (1878) and the oratorios Le déluge (1875) and The Promised Land (1913) with an English text by Herman Klein. He was proud of his connection with British choirs, commenting, "One likes to be appreciated in the home, par excellence, of oratorio." He wrote a smaller number of secular choral works, some for unaccompanied choir, some with piano accompaniment and some with full orchestra. In his choral works, Saint-Saëns drew heavily on tradition, feeling that his models should be Handel, Mendelssohn and other earlier masters of the genre. In Klein's view, this approach...  Guess a valid title for it!
++++++++++++++++++++++++++++++++
The answer is:
Camille Saint-Saëns


[Q]: Given the below context:  Tulsa has two universities that compete at the NCAA Division I level: the University of Tulsa Golden Hurricane, and the Oral Roberts University Golden Eagles. The University of Tulsa's men's basketball program has reached the Sweet Sixteen three times, made an appearance in the Elite Eight in 2000, won the NIT championship in 1981 and 2001, and won the inaugural College Basketball Invitational in 2008. The Tulsa football team has played in 16 bowl games, including the Sugar Bowl (twice) and the Orange Bowl. Oral Roberts University's men's basketball team reached the Elite Eight in 1974 and won the Mid-Continent Conference title three straight years, from 2005 to 2007.The University of Tulsa also boasts one of the nation's top tennis facilities, the Michael D. Case Tennis Center, which was host to the 2004 and 2008 NCAA tennis championships.The Golden Hurricane Tennis program has string of success, including men's Missouri Valley championships in 1995 and 1996, men's Conference USA championships in 2006, 2007, 2008, 2009, and 2011 and women's Conference USA championships in 2007, 2008, 2010, and 2011. In 2007, Tulsa's top-ranked player Arnau Brugués-Davi ranked as high as #1 in the nation and a four time All-American, advanced to the quarterfinals of the singles competition at the NCAA Men's Tennis Championship, improving on his 2006 round of sixteen appearance.  Guess a valid title for it!
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[A]:
Tulsa, Oklahoma