Given the following context:  As a result of the Syrian Civil War, Palmyra experienced widespread looting and damage by combatants. In 2013, the façade of the Temple of Bel sustained a large hole from mortar fire, and colonnade columns have been damaged by shrapnel. According to Maamoun Abdulkarim, the Syrian Army positioned its troops in some archaeological-site areas, while Syrian opposition fighters positioned themselves in gardens around the city.On 13 May 2015, ISIL launched an attack on the modern town of Tadmur, sparking fears that the iconoclastic group would destroy the adjacent ancient site of Palmyra. On 21 May, some artifacts were transported from the Palmyra museum to Damascus for safekeeping; a number of Greco-Roman busts, jewelry, and other objects looted from the museum have been found on the international market. ISIL forces entered Palmyra the same day. Local residents reported that the Syrian air force bombed the site on 13 June, damaging the northern wall close to the Temple of Baalshamin. During ISIL's occupation of the site, Palmyra's theatre was used as a place of public executions of their opponents and captives; videos were released by ISIL showing the killing of Syrian prisoners in front of crowds at the theatre. On 18 August, Palmyra's retired antiquities chief Khaled al-Asaad was beheaded by ISIL after being tortured for a month to extract information about the city and its treasures; al-Asaad refused to give any information to his captors.Syrian government forces supported by Russian airstrikes recaptured Palmyra on 27 March 2016 after intense fighting against ISIL fighters. According to initial reports, the damage to the archaeological site was less extensive than anticipated, with numerous structures still standing. Following the recapture of the city, Russian de-mining teams began clearing mines planted by ISIL prior to their retreat. Following heavy fighting, ISIL briefly reoccupied the city on 11 December 2016, prompting an offensive by the Syrian Army which retook the city on 2 March 2017.  answer the following question:  What is the name of the city that was retaken by the Syrian Army on 2 March 2017?
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Answer: Palmyra


Given the following context:  A landscape can be seen through the window behind St. Catherine. Because of the miniature scale of the painting it can be seen only at close up. The view is built with extremely fine brushwork and shows a number of highly detailed buildings and hills before snowcapped mountains.A lance rests against the shoulder of a youthful-looking St. Michael. Michael is dressed in elaborately jewelled and coloured armour, his left arm holding his helmet, while his right hand rests on the shoulder of the donor as he is presented to Mary. The donor kneels in prayer before the Virgin, with his hands held upwards as if in prayer, although they are not clasped. He wears a gold ring on his right small finger, and is dressed in a long olive-green houppelande, at the time the height of fashion and an indicator of status within the Burgundian court. The gown has a fur-lined high collar and deep baggy sleeves, also lined with fur.  The donor's bowl-shaped haircut, rounded at the fringe but cut above his ears, is also typical of mid-1430s Netherlandish fashion. Except for the red hood, the garment closely resembles that worn by the groom in the Arnolfini Portrait.The capital of the pillar above the donor's head is lined with carvings of military scenes. Similar carvings are seen near the donor in van Eyck's earlier van der Paele and Madonna of Chancellor Rolin, and where they depict events or personal circumstances from the donor's life. Those in the present work likely serve a similar role, however because the donor is unidentified it is unknown as to what they may refer. Elisabeth Dhanens speculates that they might depict the sarcophagus of Hippolytus in Pisa, which she believes adds credibility to the belief the donor was of Italian origin; she also notes the military scene reflects St. Michael's status as military commander. Ward compares the carving to a similar one found in the Washington Annunciation. Unlike in van Eyck's earlier votive portraits the donor is positioned at a remove from the Marian apparition, and at a much...  answer the following question:  What is the name of the person that wears a gold ring on his finger?
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Answer: the donor


Given the following context:  Two songs taken from the album ("Mandatory Suicide" and "South of Heaven") have become near constant fixtures in the band's live setlist, notching up appearances on the following: the live DVDs Live Intrusion, War at the Warfield, Still Reigning, Soundtrack to the Apocalypse's deluxe edition's bonus live disc, and the live double album Decade of Aggression.  Lombardo guested with Finnish cellist group Apocalyptica on a live medley of the two tracks at 1998's Headbanger's Heaven festival in the Netherlands. Adrien Begrand of PopMatters described "South of Heaven" as "an unorthodox set opener in theory", noting "the song went over like a megaton bomb detonating the place: dozens of inverted crosses projected behind the high drum riser, the sinewy opening notes kicked in, followed by an overture of bass, cymbal crashes, and tom fills, leading up to the slowly building crescendo" in a concert review. Lombardo remembers listening to a live rendition of "South of Heaven" and thinking, "'Man! There's just so much groove in that song.' To my kids I was saying, 'Listen to that! Listen to how groovy that is!' And it's heavy." A live version of the track featured on the JÄGERMUSIC Rarities 2004 promotional CD, given away to attendees at the Spring 2004 Jägermeister Music Tour. A live rendition of "South of Heaven" was also included on a bonus DVD which came with the group's 2007 re-release of ninth studio album Christ Illusion, shot in Vancouver, British Columbia during 2006's Unholy Alliance tour."Behind the Crooked Cross" is rarely played live as Hanneman hates the track, though King has always wanted to play it "because it's got a cool intro" despite it not being his favorite song. King said "that's fine" when speaking of the situation, noting "there are songs that he wants to play that I always shoot down". "Ghosts of War" isn't King's favorite song either, which he attests "everybody always wants to hear" performed live. He confessed; "I like the ending, you know, I like the big heavy part and I always say, 'Let's...  answer the following question:  What is the name of the song that King admits he likes the end of, despite it not being his favorite?
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Answer:
Ghosts of War