In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: The opera begins without any prelude; the opening chords of the Scarpia motif lead immediately to the agitated appearance of Angelotti and the enunciation of the "fugitive" motif. The sacristan's entry, accompanied by his sprightly buffo theme, lifts the mood, as does the generally light-hearted colloquy with Cavaradossi which follows after the latter's entrance. This leads to the first of the "Grand Tunes", Cavaradossi's "Recondita armonia" with its sustained high B flat, accompanied by the sacristan's grumbling counter-melody. The domination, in that aria, of themes which will be repeated in the love duet make it clear that though the painting may incorporate the Marchesa's features, Tosca is the ultimate inspiration of his work. Cavaradossi's dialogue with Angelotti is interrupted by Tosca's arrival, signalled by her motif which incorporates, in Newman's words, "the feline, caressing cadence so characteristic of her." Though Tosca enters violently and suspiciously, the music paints her devotion and serenity. According to Budden, there is no contradiction: Tosca's jealousy is largely a matter of habit, which her lover does not take too seriously.After Tosca's "Non la sospiri" and the subsequent argument inspired by her jealousy, the sensuous character of the love duet "Qual'occhio" provides what opera writer Burton Fisher describes as "an almost erotic lyricism that has been called pornophony". The brief scene in which the sacristan returns with the choristers to celebrate Napoleon's supposed defeat provides almost the last carefree moments in the opera; after the entrance of Scarpia to his menacing theme, the mood becomes sombre, then steadily darker. As the police chief interrogates the sacristan, the "fugitive" motif recurs three more times, each time more emphatically, signalling Scarpia's success in his investigation. In Scarpia's exchanges with Tosca the sound of tolling bells, interwoven with the orchestra, creates an almost religious atmosphere, for which Puccini draws on music from his then unpublished Mass of 1880. The final scene in the act is a juxtaposition of the sacred and the profane, as Scarpia's lustful reverie is sung alongside the swelling Te Deum chorus. He joins with the chorus in the final statement "Te aeternum Patrem omnis terra veneratur" ("Everlasting Father, all the earth worships thee"), before the act ends with a thunderous restatement of the Scarpia motif.

A: What is the name of the opera that the first of the "Grand Tunes" is "Recondita armonia"?
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Q: Passage: After the end of World War II, Peter Kuban, a Hungarian displaced person and survivor of the Nazi concentration camps, stows away on a ship bound for New York City. However, he is spotted and held for the authorities. When they arrive, he claims that he qualifies for entry under an exception for those who helped Allied soldiers during the war, but all he knows about the paratrooper he hid from the enemy is that his name is Tom and he plays clarinet in a jazz band in New York City's Times Square.The immigration authorities led by Inspector Bailey say that without better documentation he must be sent back to Europe.
He jumps off the ship, breaking some ribs, and starts searching for Tom. He encounters an unemployed ex-factory worker named Maggie Summers. When she steals a coat in a restaurant, Peter helps her elude the police. They go to her apartment, where she tends his injury as best she can and learns his story. When her landlady, Mrs. Hinckley, threatens to evict her for being behind on her rent, Peter gives her all the money he has. Eddie Hinckley, the landlady's  son, barges in and tries to get amorous with Maggie. Peter bursts out of hiding and starts fighting him, but gets the worst of it. Maggie knocks Eddie out with a chair and flees with Peter.  The Hinckleys notify the police. Meanwhile, Tom sees Peter's picture on the front page of a newspaper. He wants to go to the immigration department, but his girlfriend Nancy persuades him to attend an important audition instead. Tom impresses band leader Jack Teagarden, but leaves abruptly to try to help Peter.

A: What is the full name of the person who Inspector Bailey says must be sent back to Europe?
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Q: Passage: The film begins with Helen Hannah waking up in a jail cell, praying to God. A flashback reveals that she did not die at the end of the previous film.
At the O.N.E. Headquarters, Macalousso asks Vicky Thorne to be the prosecutor in what he heralds as "the biggest trial in history". Thorne then visits Mitch Kendrick, a lawyer and her ex-lover, informing him that he has been appointed as Hannah's defence attorney.
At the hideout of the Christian Underground, J.T. Quincy and the remaining cell members decide to rescue Hannah.
The trial begins. Kendrick tells the court that Helen Hannah is a pawn of God, and decides, in a publicity stunt, to put God himself on trial. Thorne and Judge Wells hate the idea, but Macalousso - eager to repair the recent blows to his reputation - approves the idea.
J.T. visits Colin McMahon, an underground doctor, to have a fake 666 mark imprinted on his hand. J.T. then visits his old friends Dawn and Dave, fugitives hiding in an old warehouse. He offers them food in return for their assistance.
Later that evening, Kendrick watches a tape at his house. The tape is one of the illegal broadcasts of the Christian Underground, which claims that O.N.E. is responsible for various atrocities blamed on 'The Haters'. Thorne comes upon Kendrick looking at an old abandoned church. She orders him to gain Hannah's trust so as to expose the key Resistance. Kendrick silently stays to witness the church be burnt down by agents of O.N.E. Kendrick then returns home, where he finds Macalousso waiting for him. The Antichrist tells Kendrick not to allow Helen Hannah to testify on God's behalf, and that he wishes to be called to the stand when the trial ends. 
Doctor McMahon is shot in his home by a group of agents of O.N.E, who then have his hand cut off and taken to a laboratory.

A:
What is the first name of the person who offers food for assistance?
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