Problem: Given the below context:  Mikey, a young boy, is setting newspapers on fire in his basement. He blames his younger sister, Beth, when his foster mother, Grace, reprimands him for it. Grace slaps him, and he later yells at Beth, asking her why she didn't defend him. He ends up throwing her doll into the pool. When Beth reaches to get it, Mikey jumps up and down on the diving board, causing her to fall into the pool and drown. He goes upstairs to the bathroom, where he overhears Grace taking a bath and telling a friend on the phone that adopting Mikey might have been a mistake. The phone dies, and Grace notices Mikey standing in front of the tub. Startled, she chides him for not knocking before he came in. He accuses Grace and Harold of not loving him anymore, but she denies that, saying they both love him very much. However, Mikey doesn't believe her; he picks up her blow dryer, turns it on, and begins to taunt her. He throws it into the water and she is instantly electrocuted. Mikey goes downstairs and pours marbles onto the floor. When his foster father Harold arrives home, he calmly goes to greet him. They sit and talk for a moment until Harold sees his daughter floating lifelessly in the pool. He rushes towards the door, but slips on the marbles Mikey had laid down earlier. After Harold crashes through the door panel, Mikey proceeds to kill him by beating him in the head with a baseball bat. It is then revealed that Mikey has been taping the murders in secret. Soon after that, the police have arrived to investigate the murders and they finally finds Mikey "hiding" in a closet. He tells them a man came in and killed his family. A psychiatrist recommends that Mikey be fostered as soon as possible. His foster mother's sister is put forward as a prospective foster carer, but she does not want anything to do with Mikey. She states that he was adopted, and that it was suspected that he was abused by members of his family.  Guess a valid title for it!

A: Mikey (film)


Problem: Given the below context:  In 1654, after a decade in Rome, Wright travelled to Brussels where his abilities were recognised by Archduke Leopold Wilhelm of Austria then governor of the Spanish Netherlands. Leopold employed him not as an artist, but as an advisor on antiquities. As the younger brother of the Emperor Ferdinand III and cousin of Philip IV of Spain, the Archduke had the wherewithal to amass a large collection of paintings and antiquities. Moreover, in the spring of 1655, the Archduke was enjoying a period of cordial relations with Oliver Cromwell, then Lord Protector of England. (Indeed, the two had been exchanging gifts of horses, and Leopold had provided Cromwell with choice tapestries and other artefacts for the refurbishment of the Palace of Whitehall. Cromwell also received an embassy from the Habsburgs congratulating him on his new office.)  Since the execution of Charles I in 1649, Leopold had been purchasing artworks from the royal collections and those of various aristocrats, and, against this background, commissioned Wright to travel to London and acquire further specimens. A passport was issued to him as "'Juan Miguel Rita, pintor Ingles, qua va a Inglaterra a procurar pinturas, medalas, antiguedades, y otras costa señaladas, que le hemosencargado..." to allow him to travel to England. The passport is dated 22 May 1655, and signed by the Archduke at Brussels, indicating that Wright had left Italy for Flanders by this time. (The addition of the saint's name name, John, probably marks his conversion to Roman Catholicism at some time prior.) As one on an official mission, Wright would probably have offered greetings to Leopold's ambassador extraordinary in London, the Marqués de Lede, and to Alonso de Cárdenas, the regular Habsburg ambassador, who had also been engaged since 1649 in art procurement for the Spanish Monarch. The lack of records means that the timing and duration of this visit remain uncertain. However, de Lede left in late June, and de Cárdenas a few weeks later – as relations between Cromwell and...  Guess a valid title for it!

A: John Michael Wright


Problem: Given the below context:  The album  was recorded in Los Angeles, California with Reign in Blood producer Rick Rubin. PopMatters reviewer Adrien Begrand observed that Rubin's production "shoves [Dave] Lombardo's drumming right up front in the mix". Guitarist Jeff Hanneman has since said that South of Heaven was the only album the band members discussed before writing the music. Aware that they "couldn't top Reign in Blood", and that whatever they recorded would be "compared to that album", he believed they "had to slow down", something Slayer had never done on albums before, or since. Guitarist Kerry King cited the need to "keep people guessing" as another reason for the musical shift. "In order to contrast the aggressive assault put forth on Reign in Blood, Slayer consciously slowed down the tempo of the album as a whole", according to Slayer's official biography. "They also added elements like undistorted guitars and toned-down vocal styles not heard on previous albums."King has since been critical of his performance, which he describes as his "most lackluster". King attributes this to the fact he had recently married, and moved to Phoenix, Arizona. Describing himself as "probably the odd man out at that point", he stated he "didn't participate as much because of that".  Hanneman said: "We go through dry spells sometimes, but the good thing about having two guitar players that can write music is that you are never gonna go without. I guess at that time, Kerry was hitting a dry spell." King has also been critical of the album in general, describing it as one of his least favorite Slayer albums. He feels  vocalist Tom Araya moved too far away from his regular vocal style, and "added too much singing". Drummer Dave Lombardo has since observed: "There was fire on all the records, but it started dimming when South of Heaven came into the picture. And that's me personally. Again, I was probably wanting something else."Judas Priest's "Dissident Aggressor" is the first cover version to appear on a Slayer studio album. The song was chosen...  Guess a valid title for it!

A:
South of Heaven