input question: Read the following paragraph and extract the answer for the question: What is the first name of the person who regrets hiring Jenny?  Cliff Richard stars as Jonnie, who works as a waiter on a traveling ferry with his bandmates (The Shadows) and his fellow waiter friends. Through a pyrotechnics accident, the power cuts on the ferry and the group are fired on the spot, stranded on a tiny boat with nothing but their instruments. They float around in the Mediterranean until they reach the Canary Islands, where they spot a young woman wearing tartan clothing, and they try to follow her, accidentally confusing her with a Scottish man wearing a kilt. The group ends up in a sand dune, miserable and confused, wondering what to do next. They are briefly confused by a mirage of a ferry but then decide to set off again in the direction they were originally heading. Jonnie spots a figure on an out-of-control camel and rushes to save her, but discovers that he had accidentally ruined a scene being filmed for a movie. Despite the disruption, Lloyd Davis the director offers him a job as a stunt double and gives the rest of Jonnie's group jobs as runners. Later that evening, Jonnie spots a blonde woman sitting at his opposite table reading from a script. Her name is Jenny and she explains that she was the woman in tartan that he and his group had met earlier, as well as the woman that he tried to "save" on the camel, wearing a dark wig to portray the daughter of a sultan. She is very nervous because she doesn't believe that she is a good enough actress to be the leading lady but Jonnie tells her to ignore the cameras and the crew watching her, and imagine that she isn't acting, as if she really was a princess. However, the advice does not help her and she continues to irritate Lloyd, who rants behind the scenes to the leading man about his regret of hiring her.???
output answer: Lloyd

input question: Read the following paragraph and extract the answer for the question: What is the name of the person who learned, a month or so later, that there had been no performance of L'Arianna at the duchess's birthday celebration?  Despite the positive reception accorded to L'Arianna at its premiere, the duke did not request a second showing, as he had with L'Orfeo the previous year". The next hint of a performance of L'Arianna is in 1614, when the Medici court in Florence requested a copy of the score, presumably with the intention of staging it. There is, however, no record of any such performance there. Early in 1620 Striggio asked Monteverdi to send him the music for a projected performance in Mantua as part of the celebration for the Duchess Caterina's birthday. Monteverdi went to the trouble and expense of preparing a new manuscript with revisions; had he had more time, he informed Striggio, he would have revised the work more thoroughly. Hearing nothing further from the Mantuan court, Monteverdi wrote to Striggio on 18 April 1620, offering to help with the staging. A month or so later, however, he learned that the duchess's celebrations had been scaled back, and that there had been no performance of L'Arianna.There is some evidence to suggest a possible performance in Dubrovnik, in or some time after 1620; a Croatian translation of the libretto was published in Ancona in 1633. However, the only known revival of the work came in Venice, in 1640. Public theatre opera had come to the city in March 1637, when the new Teatro San Cassiano opened with a performance of L'Andromeda by Francesco Manelli. The popularity of this and other works led to more theatres converting their facilities for opera; L'Arianna was chosen to inaugurate the Teatro San Moisè as an opera house during the 1639–40 Carnival (the precise date of this performance is not recorded). A revised version of the libretto had been published in 1639, with substantial cuts and revisions from the 1608 version to remove passages too specifically linked to the Mantuan wedding. The composer, who was by then 73 years old, had acquired considerable prestige in Venice, having been director of music at St Mark's Basilica since 1613. The dedication in the revised and republished...???
output answer: Monteverdi

input question: Read the following paragraph and extract the answer for the question: What are the first names of the people who meet Francis on the train?  When Ella Finch and her sister Kate inherit $30,000 each just after the end of World War I, Ella becomes dissatisfied with her dull life in South Bend, Indiana, and with Kate's butcher boyfriend Willis. She is convinced she can rectify both problems by taking Kate to New York City. Her wisecracking cigar salesman husband Ernie is unable to change her mind, so he reluctantly goes along, postponing a promotion at work by claiming to his boss, A. J. Gluskoter, that his wife is sick and needs a stay at a sanitarium. On the train, they meet New Yorker Francis Griffin. Ernie is less impressed with him than his wife and sister-in-law. In New York, Ella helps Katie try to win over Francis, but it turns out that he is actually infatuated with Ella. She has to punch him to fend off his unexpected advances. Ernie shows up later and knocks him down too. Ella then rents an apartment. Ella meets their wealthy neighbor, Lucius Trumball, who invites them all over for drinks. Ella is delighted, but Kate is not pleased when she discovers that Trumball is much older than her. Later she finds out he is also married when his wife returns unexpectedly from Timbuktu. They return to the hotel they stayed at before, where they meet Herbert Daley, who owns race horses. At the track, Daley persuades them to bet on his horse. It wins, but then Daley's jockey, Sid Mercer, shows interest in Kate, much to Daley's annoyance. Kate secretly sees Sid while also going to the track with Daley with Ella and Ernie. Daley returns early from a trip and catches Sid kissing Kate, but Kate assures him there is nothing serious going on, and they become engaged.???
output answer:
Ernie