Given the below context:  People from Chadderton are called Chaddertonians. Historically, Chadderton was chiefly distinguished by the presence of ruling families, including the Asshetons, Radclyffes, Hortons and Chaddertons. Within the extended Chadderton/Chaderton family, two ecclesiastically notable persons were William Chaderton (medieval academic and bishop) and Laurence Chaderton (the first Master of Emmanuel College, Cambridge, a leading Puritan and one of the original translators of the Authorised King James Version of the Bible). John Ashton of Cowhill and Thomas Buckley of Baretrees in Chadderton were two victims of the Peterloo Massacre in 1819. Samuel Collins, 'The Bard Of Hale Moss', was a 19th-century poet and radical who lived at Hale Moss in southern Chadderton.Lydia Becker was a pioneer in the late 19th century of the campaign for Women's Suffrage and founder of the Women's Suffrage Journal, born in Chadderton's Foxdenton Hall. Chadderton born scientist Geoff Tootill helped create the Manchester Baby in 1948, the world's first electronic stored-program computer.  Terry Hall was a pioneering ventriloquist and early children's television entertainer born in Chadderton in 1926. He was one of the first ventriloquists to perform with an animal (the "cowardly and bashful" Lenny the Lion) as his puppet, rather than a traditional child doll. Other notable people from Chadderton include Woolly Wolstenholme, the Chadderton-born vocalist and keyboard player with the British progressive rock band Barclay James Harvest,  David Platt, former captain of the England national football team, and supermodel Karen Elson, who grew up in the town and attended North Chadderton School. Professor Brian Cox was born in Chadderton in 1968. William Ash, is a Chadderton-born actor who has appeared in productions such as Waterloo Road and Hush.  Guess a valid title for it!
Ans: Chadderton

Given the below context:  The arrival of the James Caird at King Haakon Bay was followed by a period of rest and recuperation, while Shackleton pondered the next move. The populated whaling stations of South Georgia lay on the northern coast. To reach them would mean either another boat journey around the island, or a land crossing through its unexplored interior. The condition of the James Caird, and the physical state of the party, particularly Vincent and McNish, meant that the crossing was the only realistic option.After five days, the party took the boat a short distance eastwards, to the head of a deep bay which would be the starting point for the crossing. Shackleton, Worsley and Crean would undertake the land journey, the others remaining at what they christened "Peggotty Camp", to be picked up later after help had been obtained from the whaling stations. A storm on 18 May delayed their start, but by two o'clock the following morning the weather was clear and calm, and an hour later the crossing party set out.. Their destination was the whaling station at Stromness which had been the last port of call of the Endurance on their outbound journey. This was roughly 26 miles (42km) away across the edge of the Allardyce Range of mountains. Another whaling station was known to be at Prince Olav Harbour, just six miles (10km) north of Peggotty Camp over easier terrain, but as far as the party was aware this was only inhabited during the summer months - Shackleton and his men did not know that during their two-year absence in Antarctica the station's owners had begun year-round operationsWithout a map, the route they chose was largely conjectural. By dawn they had ascended to 3,000 feet (910 m) and could see the northern coast. They were above Possession Bay, which meant they would need to move eastward to reach Stromness. This meant the first of several backtrackings that would extend the journey and frustrate the men. At the close of that first day, needing to descend to the valley below them before nightfall, they risked everything...  Guess a valid title for it!
Ans: Imperial Trans-Antarctic Expedition

Given the below context:  This is not to say that Sicily was completely isolated from trends elsewhere in Europe. Architecture in the island's major cities was strongly influenced by the family of the sculptor Domenico Gagini, who arrived from Florence in 1463. This family of sculptors and painters decorated churches and buildings with ornate decorative and figurative sculpture. Less than a century after his family had begun to cautiously decorate the island's churches (1531–37), Antonio Gagini completed the proscenium-like arch of the "Capella della Madonna" in the "Santuario dell'Annunziata" at Trapani. This pedimented arch to the sanctuary has pilasters — not fluted, but decorated heavily with relief busts of the saints; and, most importantly in terms of architecture, the pediment is adorned by reclining saints supporting swags linked to the central shield that crowns the pediment. This ornate pediment, although still unbroken, was one of the first signs that Sicily was forming its own style of decorative architecture. Similar in style is the Chiesa del Gesù (Illustration 14), constructed between 1564 and 1633, which also shows early signs of the Sicilian Baroque. Thus a particular brand of Baroque architecture had begun to evolve in Sicily long before the earthquake of 1693. While the majority of those buildings that can be clearly classified as Baroque in style date from around 1650, the scarcity of these isolated, surviving examples of Sicily's 17th-century architectural history makes it hard to fully and accurately evaluate the architecture immediately before the natural disaster: the earthquake destroyed not only most of the buildings, but also most of their documentation. Yet more information has been lost in subsequent earthquakes and severe bombing during World War II. The earliest example of Baroque on the island is Giulio Lasso's Quattro Canti, an octagonal piazza, or circus, constructed around 1610 at the crossroads of the city's two principal streets.  Around this intersection are four open sides, being the streets, and...  Guess a valid title for it!
Ans: Sicilian Baroque