Problem: The following article contains an answer for the question: What is the last name of the person whose refusal to modify his position in the postwar Cold War era led to a more prolonged semi-ostracism of his music? , can you please find it?   Alan Dudley Bush (22 December 1900 – 31 October 1995) was a British composer, pianist, conductor, teacher and political activist. A committed communist, his uncompromising political beliefs were often reflected in his music. He composed prolifically across a range of genres, but struggled through his lifetime for recognition from the British musical establishment, which largely ignored his works. Bush, from a prosperous middle-class background, enjoyed considerable success as a student at the Royal Academy of Music (RAM) in the early 1920s, and spent much of that decade furthering his compositional and piano-playing skills under distinguished tutors. A two-year period in Berlin in 1929 to 1931, early in the Nazi Party's rise to power, cemented Bush's political convictions and moved him from the mainstream Labour Party to the Communist Party of Great Britain which he joined in 1935. He wrote several large-scale works in the 1930s, and was heavily involved with workers' choirs for whom he composed pageants, choruses and songs. His pro-Soviet stance led to a temporary ban on his music by the BBC in the early years of the Second World War, and his refusal to modify his position in the postwar Cold War era led to a more prolonged semi-ostracism of his music. As  a result, the four major operas he wrote between 1950 and 1970 were all premiered in East Germany. In his prewar works, Bush's style retained what commentators have described as an essential Englishness, but was also influenced by the avant-garde European idioms of the inter-war years. During and after the war he began to simplify this style, in line with his Marxism-inspired belief that music should be accessible to the mass of the people. Despite the difficulties he encountered in getting his works performed in the West he continued to compose until well into his eighties. He taught composition at the RAM for more than 50 years, published two books, was the founder and long-time president of the Workers' Music Association, and served as chairman and...

A: Bush

Problem: Given the question: The following article contains an answer for the question: What  was discovered on 13 October 1935 by Egyptologist George A. Reisner during a joint Harvard University-Boston Museum of Fine Arts expedition? , can you please find it?   The only source from which Abuwtiyuw is known is a stone inscription tablet that may have come from the funerary chapel of the dog's owner. The tablet was apparently among spolia used to build another grave in approximately 2280 BC, a sixth-Dynasty mastaba, after the chapel's demolition. It was discovered on 13 October 1935 by Egyptologist George A. Reisner during a joint Harvard University-Boston Museum of Fine Arts expedition, and removed from the site four days later.The find was recorded by the main expedition photographer, Mohammedani Ibrahim, who took more than 9,321 large-format glass-plate images on Reisner's expeditions. The tablet is now held by the Egyptian Museum in Cairo (inventory number JE 67573).Neither the dog's grave nor mummy have been recovered. The tomb in which the tablet was unearthed is in Cemetery G 2100 in Giza West Field, close to the western side of the Great Pyramid of Giza (Pyramid of Khufu/Kheops). The white limestone tablet measures 54.2×28.2×23.2 cm (21.3×11.1×9.1 in) and is inscribed with ten vertical rows of hieroglyphs, separated from each other by vertical lines. Part of a leash is visible on the upper-right corner, suggesting that the tablet displayed an image of Abuwtiyuw with his owner.The text of the inscription translated by Reisner describes the gifts offered by the pharaoh in tribute at Abuwtiyuw's funeral: The dog which was the guard of His Majesty, Abuwtiyuw is his name. His Majesty ordered that he be buried (ceremonially), that he be given a coffin from the royal treasury, fine linen in great quantity, (and) incense. His Majesty (also) gave perfumed ointment, and (ordered) that a tomb be built for him by the gangs of masons. His Majesty did this for him in order that he (the dog) might be Honoured (before the great god, Anubis).
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The answer is:
The tablet

[Q]: The following article contains an answer for the question: What is the full name of the person that claimed they weren't a real band? , can you please find it?   Pavement was formed in 1989 in Stockton, California, by Stephen Malkmus and Scott Kannberg. Malkmus and Kannberg had previously performed together in the band Bag O' Bones. Pavement had its start playing at open mike nights at clubs and bars. The songs the band played during this time were mostly covers, although they also performed many original songs that would later be released on Slay Tracks. Malkmus recalls, "It was pretty reasonable to be able to make a single for $1,000, so we decided to go for it. We didn't have any real plans because we weren't a real band." Two local studios existed in Stockton, the cheaper and less professionally minded of which was Gary Young's Louder Than You Think Studio. The band decided to record at Young's studio due to their admiration of other local punk bands who had recorded there, including The Young Pioneers and The Authorities. Kannberg reportedly borrowed $800 from his father to record Slay Tracks.Slay Tracks was recorded during a four-hour session on January 17, 1989, at Young's studio. Kannberg, describing the studio and the recording process, said, "You go into his house and it's stuff everywhere, old dogs lying around, big pot plants everywhere, and Gary tells us that he got all his equipment by selling pot! It was us going in and pretty much just laying down the songs with a guide guitar and a detuned guitar through a bass amp and then we'd play drums over the top." Young, though bewildered by the band's sound, contributed by playing drums. He recalled, "[Malkmus and Kannberg] come in and they play this weird guitar noise and it just sounds like noise, with no background. My drums were in there so I said, 'Should I drum?' and they said 'Okay.'" Kannberg said, "We did it really fast. We probably spent one day tracking and one day mixing it." The title of the EP had been decided prior to its recording, and the pseudonyms S.M. and Spiral Stairs were used to credit Malkmus and Kannberg respectively.
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[A]:
Stephen Malkmus