In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

[EX Q]: Passage: The wind dropped on Tuesday evening, and the firebreaks created by the garrison finally began to take effect on Wednesday 5 September. Stopping the fire caused much fire and demolition damage in the lawyers' area called the Temple. Pepys walked all over the smouldering city, getting his feet hot, and climbed the steeple of Barking Church, from which he viewed the destroyed City, "the saddest sight of desolation that I ever saw." There were many separate fires still burning themselves out, but the Great Fire was over. The following Sunday, rain fell over the city extinguishing the fire. However, it took until the following March before embers stopped reigniting.Pepys visited Moorfields, a large public park immediately north of the City, and saw a great encampment of homeless refugees, "poor wretches carrying their good there, and every body keeping his goods together by themselves". He noted that the price of bread had doubled in the environs of the park. Evelyn also went out to Moorfields, which was turning into the main point of assembly for the homeless, and was horrified at the numbers of distressed people filling it, some under tents, others in makeshift shacks: "Many [were] without a rag or any necessary utensils, bed or board ... reduced to extremest misery and poverty." Evelyn was impressed by the pride of these distressed Londoners, "tho' ready to perish for hunger and destitution, yet not asking one pennie for relief."
Fears were as high as ever among the traumatised fire victims, fear of foreign arsonists and of a French and Dutch invasion. There was an outbreak of general panic on Wednesday night in the encampments at Parliament Hill, Moorfields, and Islington. A light in the sky over Fleet Street started a story that 50,000 French and Dutch immigrants had risen, widely rumoured to have started the fire, and were marching towards Moorfields to finish what the fire had begun: to cut the men's throats, rape the women, and steal their few possessions. Surging into the streets, the frightened mob fell on any foreigners whom they happened to encounter, and were appeased, according to Evelyn, only "with infinite pains and great difficulty" and pushed back into the fields by the Trained Bands, troops of Life Guards, and members of the court.
The mood was now so volatile that Charles feared a full-scale London rebellion against the monarchy. Food production and distribution had been disrupted to the point of non-existence; Charles announced that supplies of bread would be brought into the City every day, and safe markets set up round the perimeter. These markets were for buying and selling; there was no question of distributing emergency aid.
[EX A]: How was the city Pepys viewed destroyed?

[EX Q]: Passage: Agent Bart Langner finds Elsa Brinkmann, a would-be actress who looks and sounds just like  Lylah Clare, a flamboyant star who fell to her death in suspicious circumstances 20 years ago. He persuades arrogant director Lewis Zarkan, who had been married to Lylah, to see her. The two men then convince brash studio head Barney Sheean, who is equally struck, to back a picture with her as Lylah. 
Besides coping with the tyrannical Zarkan and easy access to alcohol and drugs, Elsa also has to contend with other hazards of Hollywood like malicious journalist Molly Luther and lesbian admirer Rossella. As filming continues, her identification with her rôle gets more intense. She also begins to fall in love with Zarkan, who is happy to sleep with her but his priority is to get his film finished. 
By the last day of shooting, her personality seems to have merged with that of the outrageous Lylah whose fatal fall, we learn, was prompted by the jealous Zarkan. To antagonise him, she first lets him find her in bed with the gardener. Then, as he directs her in a circus scene, she leaps to her death from the high-wire. The resulting publicity makes his film a huge success. Tragedy later comes when Zarkan himself is shot and killed by Rossella.
A final sequence (in this case, a TV commercial for dog food that interrupts the film itself) suggests that the world of Hollywood is literally one of dog eats dog.
[EX A]: Which person does Rossella admire?

[EX Q]: Passage: Credits are adapted from AllMusic.
David Alsina – bandoneon
Gelipe Alvarez – programming
Gian Arias – programming
Paul Bushnell, Dave Carpenter, Chris Chaney – bass guitar
Jorge Calandrelli – metales, orchestra director, string arrangements
Juan Camatano – assistant engineer
Gustavo Celis – mixing
Gustavo Cerati – composer, guest artist, guitar, keyboard, primary artist, producer, programming
Luis Conte – percussion
Pete Davis – keyboards, programming, trumpet
Bruce Dukov
Gary Foster – flute
Bryan Gallant – assistant engineer
Iker Gastaminza – engineer
Dan George – project manager
Serban Ghenea – mixing
Mauricio Guerrero – engineer, mixing
Victor Indrizzo – drums, percussion
Rob Jacobs – engineer, mixing
Humberto (Kiro) Judex, Frank Marocco – accordion
Steve Kajula – flute
Ben Kaplan – assistant engineer
Kevin Killen – engineer
Tim LeBlanc – engineer
Charles Loper, Bob McChensay – trombone
Warren Luening – flugelhorn
Terry Manning – engineer
Maria Paula Marulanda – art direction
David Massey – A&R
Farra Mathews – A&R
Vlado Meller – mastering
Lester Mendez – composer, keyboards, producer, programming
Jonathan Mover – drums
Teddy Mulet – trumpet
Luis Fernando Ochoa – composer
Carlos Paucar – engineer
Shawn Pelton – drums, percussion
Archie Pena – percussion
Tony Reyes – guitar, keyboards
Rick Rubin – executive producer
Alejandro Sanz – composer, guest artist, guitar, primary artist, très, vocal arrangement
Shakira – composer, vocals
Mario Sorrenti – photography
Ramón Stagnaro, René Toledo, Lyle Workman – guitar
José DeJesús Rosales "Halcón Dorado" Torres – production assistant, programming, remixing
Dave Way – mixing
Joe Wohlmuth – engineer.
[EX A]:
What is the name of the location that provided the credits for the person that played flugelhorn?