Q: What is the full name of the person who ran for President of the United States in 1984, choosing Geraldine Ferraro as his running mate?  Answer the above question based on the context below:  Hubert Humphrey was a Minnesotan who became a nationally prominent politician. He first ran for mayor of Minneapolis in 1943, but lost the election to the Republican candidate by just a few thousand votes.  As a Democrat, Humphrey recognized that his best chance for political success was to obtain the support of the Minnesota Farmer-Labor Party.  Other members of the Farmer-Labor Party had been considering the idea, as encouraged by Franklin D. Roosevelt, but the merger only became reality after Humphrey traveled to Washington, D.C. to discuss the issue.  Rather than simply absorbing the Farmer-Labor party, with its constituency of 200,000 voters, Humphrey suggested calling the party the Minnesota Democratic-Farmer-Labor Party.  He was elected mayor of Minneapolis in 1945, and one of his first actions was to propose an ordinance making racial discrimination by employers subject to a fine.  This ordinance was adopted in 1947, and although few fines were issued, the city's banks and department stores realized that public relations would improve by hiring blacks in increasing numbers. Humphrey delivered an impassioned speech at the 1948 Democratic National Convention encouraging the party to adopt a civil rights plank in their platform.  He was elected to the United States Senate in 1948 and was re-elected in 1954 and 1960.In the early 1960s, the topic of civil rights was coming to national prominence with sit-ins and marches organized by Martin Luther King Jr. and other black leaders.  In 1963, President John F. Kennedy sent a comprehensive civil rights bill to Congress, based largely on the ideas that Humphrey had been placing before the Senate for the previous fifteen years.  The bill passed the House in early 1964, but passage through the Senate was more difficult, due to southern segregationists who filibustered for 75 days.  Finally, in June 1964, the Civil Rights Act of 1964 became law.  Humphrey called this his greatest achievement. Lyndon B. Johnson recruited Humphrey for his running mate in the 1964...
A: Walter Mondale
Question: What volcanic belts are separated by areas where no recent volcanism has occurred?  Answer the above question based on the context below:  Taapaca is part of the Central Volcanic Zone of the Andes, which along with the Northern Volcanic Zone, the Southern Volcanic Zone and the Austral Volcanic Zone is one of the four volcanic belts of the Andes; these volcanic belts are separated by areas where no recent volcanism has occurred.The Central Volcanic Zone has about 44 active volcanoes and several other caldera/ignimbrite and volcanic field centres. Older volcanoes are often well preserved owing to the dry climate. This volcanic zone features the highest volcanoes in the world, which reach elevations of 5,000–7,000 metres (16,000–23,000 ft) here. The largest historical eruption in the Central Volcanic Zone occurred at Huaynaputina in 1600 and Lascar is the most active volcano in the region; otherwise volcanic activity is poorly recorded as most edifices are remote from human habitation.Taapaca is located on the western margin of the Altiplano, where the Western Cordillera has developed since the Oligocene. The basement beneath the volcano is formed by several principally volcanic formations, including the Lupica and sedimentary Huaylas formations and the Lauca ignimbrite (2.72 million years old); this basement is of Oligocene to Pliocene age. In some places, a Proterozoic basement formed by amphibolites, gneisses and serpentinites crops out. The volcanoes of Condoriri, Pomerape, Larancagua and Parinacota lie to the east of Taapaca. The area of the volcano is subject to contractional tectonics, with a major thrust fault passing close by, but their relationship to Taapaca's volcanism is not clear.
Answer: Northern Volcanic Zone
Question: What is the last name of the person who was able to secure occasional commissions to compose theatrical works for the Gonzaga court?  Answer the above question based on the context below:  (English: "The Marriage of Thetis") After Duke Vincenzo's death in February 1612, Monteverdi found himself out of favour at the Mantuan court. Vincenzo's successor Francesco had no high regard for Monteverdi, and dismissed him from his post. Upon Francesco's sudden death in December 1612, the dukedom passed to his brother Ferdinando, but Monteverdi was not recalled to the court and was appointed maestro di capella in August 1613 at St Mark's, Venice. However, he remained in contact with Striggio and other highly placed Gonzaga courtiers, through whom he was able to secure occasional commissions to compose theatrical works for the Gonzaga court. Thus, late in 1616, Striggio asked him to set to music Scipione Agnelli's libretto Le nozze di Tetide, as part of the celebrations for Duke Ferdinando's forthcoming marriage to Catherine de' Medici. This story, based on the wedding of the mythical Greek hero Peleus to the sea-goddess Thetis, had previously been offered to the Mantuan court by Peri, whose setting of a libretto by Francesco Cini had been rejected in 1608 in favour of L'Arianna.Initially, Monteverdi had little enthusiasm for Le nozze di Tetide, and sought ways of avoiding or delaying work on it. He would accept the commission, he informed Striggio on 9 December 1616, because it was the wish of the duke, his feudal lord. However, the verses he was given were not, he felt, conducive to beautiful music. He found the tale difficult to understand, and did not think he could be inspired by it. In any event he was occupied for most of December in writing a Christmas Eve mass for St Mark's. On 29 December, perhaps hoping that the commission would be withdrawn, Monteverdi told Striggio that he was ready to begin work on Le Nozze di Tetide "if you tell me to do so". In January 1617, however, he became more enthusiastic on learning that the project had been scaled down and was now being projected as a series of intermedi. He informed Striggio that what he had first considered a rather monotonous piece he now thought...
Answer:
Monteverdi