Answer the following question: What type of details about dembo konte and kausu kuyateh  can be gathered from the following bio?  Bio: dembo konte '' -lrb- or konté -rrb- '' -lrb- d.january 2014 -rrb- the jali sings the praises of his friends and benefactors , warns the politicians of their errors and admonishes the listeners to live right . their music encapsulates the mandinka culture . konte and kuyateh have taken the kora to a new level , having modified their instruments to expand the kora 's range by adding extra bass strings to the classic 21 - string harp-like instrument . roots world describes the interplay of the two musicians as '' `` fascinating , as they twist and turn around the melody , fighting against each other and then suddenly forming a unison that shimmers up and down a scale before parting ways again . '' '' their repertoire includes `` mamma manneh '' , a rolling dance tune from the wolof tradition and `` saliya '' , one of the oldest songs written for the kora . since 1987 , they have toured worldwide and their albums have been acclaimed as the most accessible from this tradition . in 1998 journalist and world music proponent charlie gillett stated '' `` nothing is ever quite the same after the first time you hear a kora played live in a west african setting . dembo konte was the musician who opened my ears , and he made these recordings with kausu kuyateh soon afterwards . they still sound powerful and raw , evocative and timeless . '' '' usually performing as a duo , konte -lrb- from the gambia -rrb- and kuyateh -lrb- from senegal -rrb- have also collaborated with british musicians to create a fusion of west african and western musical styles , retaining the kora and their voices as the primary centres of attention . in 1989 they toured the uk and , on 5 september recorded a session for the john peel show on bbc radio . they also collaborated that year with hijaz , houzam , and sabah habas from 3 mustaphas 3 . the main feature of the resultant album -lrb- jali roll -rrb- is the duo 's vocals and kora , but once john kirkpatrick 's button accordion comes in , it creates a mood which belongs to neither europe nor...
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