Detailed Instructions: In this task, you are given a context, a subject, a relation, and many options. Based on the context, from the options select the object entity that has the given relation with the subject. Answer with text (not indexes).
Problem:Context: A melody ("singing, chanting"), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include successions of other musical elements such as tonal color. It may be considered the foreground to the background accompaniment. A line or part need not be a foreground melody., Coloratura has several meanings: The word is originally from Italian, literally meaning "coloring", and derives from the Latin word "colorare" ("to color"). When used in English, the term specifically refers to elaborate melody, particularly in vocal music and especially in operatic singing of the 18th and 19th centuries, with runs, trills, wide leaps, or similar virtuoso-like material. Its instrumental equivalent is ornamentation. It is also now widely used to refer to passages of such music, operatic roles in which such music plays a prominent part, and singers of these roles. (See also bel canto.), A chorale is a melody to which a hymn is sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a "chorale harmonization"., Opera (English plural: "operas"; Italian plural: "opere" ) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor., A voice type is a particular human singing voice identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura, vocal timbre, and vocal transition points ("passaggio"), such as breaks and lifts within the voice. Other considerations are physical characteristics, speech level, scientific testing, and vocal register. A singer's voice type is identified by a process known as voice classification, by which the human voice is evaluated and thereby designated into a particular voice type. The discipline of voice classification developed within European classical music and is not generally applicable to other forms of singing. Voice classification is often used within opera to associate possible roles with potential voices. Several different voice classification systems are available to identify voice types, including the German "Fach" system and the choral music system among many others; no system is universally applied or accepted., A soprano is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C) = 261 Hz to "high A" (A) =880 Hz in choral music, or to "soprano C" (C, two octaves above middle C) =1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody. 
The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. The lyric soprano is the most common female singing voice., Vocal range is the measure of the breadth of pitches that a human voice can phonate. Although the study of vocal range has little practical application in terms of speech, it is a topic of study within linguistics, phonetics, and speech and language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders. However, the most common application of the term "vocal range" is within the context of singing, where it is used as one of the major defining characteristics for classifying singing voices into groups known as voice types., Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist. Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists. Singers may perform as soloists, or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, religious music styles such as gospel, traditional music styles, world music, jazz, blues and popular music styles such as pop and rock., A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups, light and full., A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than other sopranos, and a darker timbre. They are often used for heroic, often long-suffering, tragic women of opera. Dramatic sopranos have a range from approximately low A (A) to "high C" (C). Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces). These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers. Wagnerian sopranos usually play mythic heroines. Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos., Scientific pitch notation (or SPN, also known as "American Standard Pitch Notation" (ASPN) and "International Pitch Notation" (IPN)) is a method of specifying musical pitch by combining a musical note name (with accidental if needed) and a number identifying the pitch's octave. , A boy soprano is a young male singer with an unchanged voice in the soprano range . Although a treble , or choirboy , may also be considered to be a boy soprano , the colloquial term `` boy soprano '' is generally only used for boys who sing , perform , or record as soloists , and who may not necessarily be choristers who sing in a boys ' choir . Usage of the term `` boy soprano '' is more prevalent in North America , and `` treble '' is used in the UK ., Spinto (from Italian, "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. (Sometimes the terms "lirico-spinto" or "jugendlich-dramatisch" are used to denote this category of voice.), A soubrette is a type of operatic soprano voice often cast as a female stock character in opera and theatre. The term arrived in English from Provençal via French, and means "conceited" or "coy"., In music, an octave (: eighth) or perfect octave is the interval between one musical pitch and another with half or double its frequency. It is defined by ANSI as the unit of frequency level when the base of the logarithm is two. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems"., Subject: boy soprano, Relation: instance_of, Options: (A) accidental (B) application (C) art (D) art form (E) base (F) category (G) character (H) chinese (I) choir (J) chorale (K) classical music (L) color (M) conductor (N) cut (O) fach (P) four (Q) frequency (R) handling (S) house (T) human (U) hymn (V) instrumental (W) libretto (X) line (Y) may (Z) melody ([) music (\) musical (]) notation (^) note (_) number (`) opera (a) orchestra (b) performance (c) phonetics (d) process (e) quality (f) range (g) religious music (h) sense (i) singing (j) single (k) sound (l) speech (m) study (n) style (o) system (p) term (q) text (r) three (s) tonality (t) two (u) variety (v) voice type (w) word
Solution:
fach