Given the question: Information:  - A cantata (literally "sung", past participle feminine singular of the Italian verb "cantare", "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.  - Melodramma (plural: "melodrammi") is a 17th-century Italian term for a text to be set as an opera, or the opera itself. In the 19th-century, it was used in a much narrower sense by English writers to discuss developments in the early Italian libretto, e.g., "Rigoletto" and "Un ballo in maschera". Characteristic are the influence of French bourgeois drama, female instead of male protagonists, and the practice of opening the action with a chorus.  - Opera seria (plural: "opere serie"; usually called "dramma per musica" or "melodramma serio") is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to c. 1770. The term itself was rarely used at the time and only attained common usage once "opera seria" was becoming unfashionable and beginning to be viewed as a historical genre. The popular rival to "opera seria" was "opera buffa," the 'comic' opera that took its cue from the improvisatory commedia dell'arte.  - Italian Baroque (or "Barocco") is a stylistic period in Italian history and art that spanned from the late 16th century to the early 18th century.  - A Requiem or Requiem Mass, also known as Mass for the dead (Latin: "Missa pro defunctis") or Mass of the dead (Latin: "Missa defunctorum"), is a Mass in the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is frequently, but not necessarily, celebrated in the context of a funeral.  - Thésée ("Theseus") is a "tragédie en musique", an early type of French opera, in a prologue and five acts with music by Jean-Baptiste Lully and a libretto by Philippe Quinault based on Ovid's "Metamorphoses". It was first performed on 11 January 1675 by the Paris Opera for the royal court at the Château de Saint-Germain-en-Laye and was first performed in public in April at the Théâtre du Palais-Royal in Paris.  - The Château de Saint-Germain-en-Laye is a royal palace in the commune of Saint-Germain-en-Laye, in the "département" of Yvelines, about 19 km west of Paris, France. Today, it houses the Musée d'Archéologie Nationale (National Museum of Archaeology).  - Ottone, re di Germania ("Otto, King of Germany", HWV 15) is an opera by George Frideric Handel, to an Italianlanguage libretto adapted by Nicola Francesco Haym from the libretto by Stefano Benedetto Pallavicino for Antonio Lotti's opera "Teofane". It was the first new opera written for the Royal Academy of Music (1719)'s fourth season and had its first performance on 12 January 1723 at the King's Theatre, Haymarket in London. Handel had assembled a cast of operatic superstars for this season and the opera became an enormous success.  - A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.  - The Paris Opera() is the primary opera company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the ', but continued to be known more simply as the . Classical ballet as we know it today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the ', it mainly produces operas at its modern 2700-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1970-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille.  - Teseo ( `` Theseus '' , HWV 9 ; Italian pronunciation : ( tezo ) ) is an opera seria with music by George Frideric Handel , the only Handel opera that is in five acts . The Italian - language libretto was by Nicola Francesco Haym , after Philippe Quinault 's Thésée . It was Handel 's third London opera , intended to follow the success of Rinaldo after the unpopular Il pastor fido . First performed on 10 January 1713,Teseo featured `` magical '' effects such as flying dragons , transformation scenes and apparitions and had a cast of notable Italian opera singers . It was a success with London audiences , receiving thirteen performances even though the stage machinery for the `` magical '' effects broke down , and would have received more performances had not one of the theatre 's managers run away with the box office receipts .  - Flavio, re de' Longobardi ("Flavio, King of the Lombards", HWV 16) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Nicola Francesco Haym, after Matteo Noris's "Flavio Cuniberto". It was Handel's fourth full-length opera for the Royal Academy of Music. Handel had originally entitled the opera after the character of Emilia in the opera.  - Publius Ovidius Naso (20 March 43 BC  AD 17/18), known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. He enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to "carmen et error", "a poem and a mistake", but his discretion in discussing the causes has resulted in much speculation among scholars.  - Dramma per musica (Italian, literally: "drama for music", plural: "drammi per musica") is a term which was used by dramatists in Italy and elsewhere between the late-17th and mid-19th centuries. In modern times the same meaning of "drama for music" was conveyed through the Italian Greek-rooted word "melodramma" (from  = song or music +  = scenic action). "Dramma per musica" never meant "drama "through" music", let alone music drama.  - Theseus was the mythical king of Athens and was the son of Aethra by two fathers: Aegeus and Poseidon.  - Nicola Francesco Haym (6 July 1678  31 July 1729) was an Italian opera librettist, composer, theatre manager and performer, and numismatist. He is best remembered for adapting texts into libretti for the London operas of George Frideric Handel and Giovanni Bononcini. Libretti that he provided for Handel included those for "Giulio Cesare", "Ottone", "Flavio", "Tamerlano", "Rodelinda", and several others; for Bononcini, he produced two, "Calfurnia" and "Astianatte".  - An organ concerto is a piece of music, an instrumental concerto for a pipe organ soloist with an orchestra. The form first evolves in the 18th century, when composers including Antonio Vivaldi, Johann Sebastian Bach and George Frideric Handel wrote organ concertos with small orchestras, and with solo parts which rarely call for the organ pedal board. During the Classical period organ concerto became popular in many places, especially in Bavaria, Austria and Bohemia (whether called there a concerto, pastorella, or sonata), reaching a position of being almost an integral part of the church music tradition of "jubilus" character. From the Romantic era fewer works are known. Finally, there are some 20th- and 21st-century examples, of which the concerto by Francis Poulenc has entered the basic repertoire, and is quite frequently played.  - Opera (English plural: "operas"; Italian plural: "opere" ) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.  - The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music and dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Often the masquers, who did not speak or sing, were courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully.  - Poseidon (Greek: ) was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the "God of the Sea". Additionally, he is referred to as "Earth-Shaker" due to his role in causing earthquakes, and has been called the "tamer of horses". He is usually depicted as an older male with curly hair and a beard.  - Athens ("Athína" ) is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years, and its earliest human presence starting somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state that emerged in conjunction with the seagoing development of the port of Piraeus, which had been a distinct city prior to its 5th century BC incorporation with Athens. A centre for the arts, learning and philosophy, home of Plato's Academy and Aristotle's Lyceum, it is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political impact on the European continent, and in particular the Romans. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Greece. In 2015, Athens was ranked the world's 29th richest city by purchasing power and the 67th most expensive in a UBS study.  - Tamerlano ("Tamerlane", HWV 18) is an opera seria in three acts written for the Royal Academy of Music theatre company, with music by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Agostin Piovene's "Tamerlano" together with another libretto entitled "Bajazet" after Nicolas Pradon's "Tamerlan, ou La Mort de Bajazet".  - Tragédie en musique (Musical tragedy), also known as tragédie lyrique (French lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not have a tragic ending  in fact, they generally don't  but the atmosphere must be noble and elevated. The standard "tragédie en musique" has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias ("petits airs"), in which the main business of the plot occurs. Each act traditionally ends with a "divertissement", offering great opportunities for the chorus and the ballet troupe. Composers sometimes changed the order of these features in an act for dramatic reasons.  - George Frideric (or Frederick) Handel (born , ; 23 February 1685 (O.S.) [(N.S.) 5 March]  14 April 1759) was a German, later British baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.  - An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work and still more particularly to a specific form of Anglican church music.  - Giulio Cesare in Egitto (Italian for "Julius Caesar in Egypt", HWV 17), commonly known as Giulio Cesare, is a dramma per musica ("opera seria") in three acts composed for the Royal Academy of Music by George Frideric Handel in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. Composition history. "Giulio Cesare in Egitto" was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César  in which Cenesino and Cozzuna shine beyond all criticism  has been put on. The house was just as full at the seventh performance as at the first.  - A composer (Latin "compn"; literally "one who puts together") is a person who creates or writes music, which can be vocal music (for a singer or choir), instrumental music (e.g., for solo piano, string quartet, wind quintet or orchestra) or music which combines both instruments and voices (e.g., opera or art song, which is a singer accompanied by a pianist). The core meaning of the term refers to individuals who have contributed to the tradition of Western classical music through creation of works expressed in written musical notation (e.g., sheet music scores).  - Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since become a widespread, highly technical form of dance with its own vocabulary based on French terminology. It has been globally influential and has defined the foundational techniques used in many other dance genres. Becoming a ballet dancer requires years of training. Ballet has been taught in various schools around the world, which have historically incorporated their own cultures to evolve the art.  - Giovanni Bononcini (or Buononcini) (18 July 1670  9 July 1747) (sometimes cited also as Giovanni Battista Bononcini) was an Italian Baroque composer, cellist, singer and teacher, one of a family of string players and composers.  - Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world.  - Jean-Baptiste Lully (born Giovanni Battista Lulli ; 28 November 1632  22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France. He is considered a master of the French baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in 1661.  - A myth is any traditional story consisting of events that are ostensibly historical, though often supernatural, explaining the origins of a cultural practice or natural phenomenon. The word "myth" is derived from the Greek word mythos, which simply means "story". Mythology can refer either to the study of myths, or to a body or collection of myths. Myth can mean 'sacred story', 'traditional narrative' or 'tale of the gods'. A myth also can be a story to explain why something exists.  - Opera buffa (plural: "opere buffe"; Italian for "comic opera") is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as "commedia in musica", "commedia per musica", "dramma bernesco", "dramma comico", "divertimento giocoso".   - An oratorio is a large musical composition for orchestra, choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piecethough oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as well as to Biblical topics. Oratorios became extremely popular in early 17th-century Italy partly because of the success of opera and the Catholic Church's prohibition of spectacles during Lent. Oratorios became the main choice of music during that period for opera audiences.  - The characters of the "" usually represent fixed social types, stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The main categories of these characters include servants, old men, lovers, and captains. The characters are exaggerated "real characters", such as a know it all doctor called Il Dottore, a greedy old man called Pantalone, or a perfect relationship like the Innamorati.   - In Greek mythology, Aegeus or Aegeas, was an archaic figure in the founding myth of Athens. The "goat-man" who gave his name to the Aegean Sea was, next to Poseidon, the father of Theseus, the founder of Athenian institutions and one of the kings of Athens.  - Operetta is a genre of light opera, "light" in terms both of music and subject matter.    What is the relationship between 'teseo' and 'tragédie en musique'?
The answer is:
genre