Information:  - Louis XIV (5 September 16381 September 1715), known as Louis the Great (') or the Sun King ('), was a monarch of the House of Bourbon who ruled as King of France from 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any monarch of a major country in European history. In this age of absolutism in Europe, Louis XIV's France was a leader in the growing centralization of power.  - The House of Bourbon is a European royal house of French origin, a branch of the Capetian dynasty. Bourbon kings first ruled France and Navarre in the 16th century. By the 18th century, members of the Bourbon dynasty also held thrones in Spain, Naples, Sicily, and Parma. Spain and Luxembourg currently have Bourbon monarchs.  - The Menus-Plaisirs du Roi was, in the organisation of the French royal household under the Ancien Régime, the department of the Maison du Roi responsible for the "lesser pleasures of the King", which meant in practice that it was in charge of all the preparations for ceremonies, events and festivities, down to the last detail of design and order.  - Jean Berain the Elder (Saint-Mihiel, Meuse, 1640  24 January 1711, Paris) was a draughtsman and designer, painter and engraver of ornament, the artistic force in the Royal office of the Menus-Plaisirs du Roi where all the designs originated for court spectacle, from fêtes to funerals, and many designs for furnishings not covered by the Bâtiments du Roi. The "Berainesque" style of light arabesques and playful grotesques was an essential element in the "style Régence" that led to the French rococo.  - Rococo (or ), less commonly roccoco, or "Late Baroque", is an early to late French 18th-century artistic movement and style, affecting many aspects of the arts including painting, sculpture, architecture, interior design, decoration, literature, music, and theatre. It developed in the early 18th century in Paris, France as a reaction against the grandeur, symmetry, and strict regulations of the previous Baroque style, especially of the Palace of Versailles, until it was redone. Rococo artists and architects used a more jocular, florid, and graceful approach to the Baroque. Their style was ornate and used light colours, asymmetrical designs, curves, and gold. Unlike the political Baroque, the Rococo had playful and witty themes. The interior decoration of Rococo rooms was designed as a total work of art with elegant and ornate furniture, small sculptures, ornamental mirrors, and tapestry complementing architecture, reliefs, and wall paintings.  - Henri ( de ) Gissey ( ca 1621 -- 1673 ) was a French draughtsman and designer who held the post of dessinateur de la Chambre et du cabinet de Roi in the Menus Plaisirs du Roi in the early years of Louis XIV of France . Jean Bérain the Elder , who succeeded him in the post , is likely to have been in some sense his pupil . Gissey 's appointment made him responsible for the expressions of court style , above all in the elaborately costumed and produced ballets de cour , in which the young king danced among his courtiers ; following Colbert 's remodelling of the royal household , the Cabinet du Roi , to which Gissey was also attached , produced the sumptuous engraved festival books that often followed such events and are sometimes the only surviving record of them . His court position demanded in addition to designs for costumes , designs for other kinds of court ceremonial festivities , carried out under the general direction of Louis Trelons - Cochon Hesselin , `` Overseer of the King 's pleasures '' , the part of the royal household -- the Maison du Roi -- in charge of entertainments . Hesselin was a grand collector , patron and amateur of art ; for Hesselin 's own lavish entertainments for the king , Gissey 's office produced the costumes and sets . Several of his pen - and - wash designs for ballets de cour are at the Victoria and Albert Museum . There are several designs for costumes for Louis XIV as Apollo , a role he repeated in numerous court ballets : several are at the Bibliothèque de l'Institut de France . They are reminders of the extent to which the `` Sun King '' would identify himself as Apollo through consistent iconography at Versailles and in the sculptural program of its gardens and fountains . Gissey seems to have worked as an engraver as well as a designer .  - Since at least the 18th century (in French and German as well as English), grotesque (or grottoesque) has come to be used as a general adjective for the strange, fantastic, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, "grotesque" may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. More specifically, the grotesque forms on Gothic buildings, when not used as drain-spouts, should not be called gargoyles, but rather referred to simply as grotesques, or chimeras.  - Saint-Mihiel is a commune in the Meuse department in Grand Est in north-eastern France.  - The Bâtiments du Roi ("The King's Buildings") was a division of Department of the household of the Kings of France (the "Maison du Roi") in France under the Ancien Régime. It was responsible for building works at the King's residences in and around Paris.    What is the relationship between 'henri de gissey' and 'paris'?
The answer to this question is:
place of birth