Detailed Instructions: In this task, you are given a context, a subject, a relation, and many options. Based on the context, from the options select the object entity that has the given relation with the subject. Answer with text (not indexes).
Q: Context: Augusto Boal (16 March 1931  2 May 2009) was a Brazilian theatre director, writer and politician. He was the founder of Theatre of the Oppressed, a theatrical form originally used in radical popular education movements. Boal served one term as a "Vereador" (the Brazilian equivalent of a city councillor) in Rio de Janeiro from 1993 to 1997, where he developed legislative theatre., Adrian Jackson is the founder - director and chief executive of a unique theatre company , Cardboard Citizens , in which most of the performers and many other employees are homeless and ex-homeless people , refugees or asylum - seekers . Founded in 1992 , the company tours theatre productions , especially inter-active Forum Theatre , to all sorts of venues , including hostels , day centres , schools and theatres ; apart from the interactive Forum Theatre shows the company is renowned for , it has also mounted a number of larger - scale usually site - specific productions , including The Beggar 's Opera ( with ENO ) , The Lower Depths ( with London Bubble ) , and Mincemeat . In September 2003 , Adrian directed a co-production of Pericles for Cardboard Citizens with the Royal Shakespeare Company . This was followed in November 2004 with a co-commissioning of playwright Sarah Woods , resulting in a new play Visible which was performed at the RSC 's New Work Festival , and in 2006 at Soho Theatre and touring . He is currently directing the full production of that play , which is touring in March , April and May . In Autumn 2006 he directed a site - specific production of Timon of Athens , for Cardboard Citizens as part of the RSC 's Complete Works festival , and at Belfast Festival . In 2007 , he devised and directed Down / Out , a reaction to George Orwell , and Going Going Gone for Cardboard Citizens , and Home and Away for Formaat Theatre in Rotterdam . As well as being Cardboard Citizens '' Artistic Director and the deviser of a large number of plays with the company , Adrian Jackson is a well - travelled teacher and translator . He has worked as Augusto Boal 's translator on four books -- most recently the Aesthetics of the Oppressed - and has collaborated with him on many occasions ; apart from workshops , they also worked together on The Art of Legislation , an Artangel - sponsored piece of Legislative Theatre at County Hall in London . He has taught the Theatre of the Oppressed work in many contexts , throughout Europe , as well as in Asia , Africa and Latin America . Adrian was previously Associate Director of London Bubble , a long - established London touring community theatre company , with whom he directed a number of productions including Once Upon a Time , Far Far from England by Farhana Sheikh , after Rudyard Kipling , Measure for Measure by Shakespeare and Too Much Too Young by Catherine Johnson , as well as a number of Forum Theatre projects with communities including Irish Travellers , Deaf people , and adults with learning difficulties . He is currently working on his own book , provisionally entitled The Art of the Joker ., The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1970s, initially in Brazil and later in Europe. Boal was influenced by the work of the educator and theorist Paulo Freire. Boal's techniques use theatre as means of promoting social and political change. In the Theatre of the Oppressed, the audience becomes active, such that as "spect-actors" they explore, show, analyse and transform the reality in which they are living.
History.
The Theatre of the Oppressed, a term coined by Augusto Boal, is a series of theatrical analyses and critiques developed in the 1950s. Boal is an avid supporter of utilizing interactive techniques, especially in the context of theatre. Many of his ideas are considered as "a new media perspective", despite the relatively early birth of these ideas. Since then, these ideas have been developed more, giving them meaning in a modern-day context. The creation of the Theatre of the Oppressed is largely based on the idea of dialogue and interaction between audience and performer. Moreover, these ideas have served as a framework for the development and evolution of stronger ideas., The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company employs over 1000 staff and produces around 20 productions a year from its home in Stratford-upon-Avon and plays regularly in London, Newcastle upon Tyne and on tour across the UK and internationally., Cardboard Citizens is the UK's only homeless people's professional theatre company, and the leading practitioner of Forum Theatre and the Theatre of the Oppressed methodology in the UK. The acclaimed Theatre Company works with people who have experience of homelessness or those at risk of becoming homeless to create theatre that makes a real and positive difference to society and those living in its margins., Forum theatre is a type of theatre created by the innovative and influential practitioner Augusto Boal as part of what he calls his "Theatre of the Oppressed." Boal created Forum theatre as a forum for teaching people how to change their world. While practicing earlier in his career, Boal would apply 'simultaneous dramaturgy'. In this process the actors or audience members could stop a performance, often a short scene in which a character was being oppressed in some way. The audience would suggest different actions for the actors to carry out on-stage in an attempt to change the outcome of what they were seeing. This was an attempt to undo the traditional actor partition and bring audience members into the performance, to have an input into the dramatic action they were watching. Eventually this 'simultaneous dramaturgy' became Forum theatre when audience members were asked not just to suggest different actions, but to come on stage and perform their own interventions., Subject: adrian jackson , Relation: occupation, Options: (A) actor (B) councillor (C) educator (D) founder (E) major (F) performer (G) theatre director
A:
theatre director