Information:  - Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions of horror to World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief.  - The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum located at 1071 Fifth Avenue on the corner of East 89th Street in the Upper East Side neighborhood of Manhattan, New York City. It is the permanent home of a continuously expanding collection of Impressionist, Post-Impressionist, early Modern and contemporary art and also features special exhibitions throughout the year. The museum was established by the Solomon R. Guggenheim Foundation in 1939 as the Museum of Non-Objective Painting, under the guidance of its first director, the artist Hilla von Rebay. It adopted its current name after the death of its founder, Solomon R. Guggenheim, in 1952.  - Abstract art uses a visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time.  - Morris Louis , born Morris Louis Bernstein ( November 28 , 1912 -- September 7 , 1962 ) , was an American painter . During the 1950s he became one of the earliest exponents of Color Field painting . Living in Washington , D.C. Louis , along with Kenneth Noland and other Washington painters formed an art movement that is known today as the Washington Color School .  - Abstract expressionism is a postWorld War II art movement in American painting, developed in New York in the 1940s. It was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine "Der Sturm", regarding German Expressionism. In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky.  - The Walker Art Center is a multidisciplinary contemporary art center in the Lowry Hill neighborhood of Minneapolis, Minnesota, United States. The Walker is one of the most-visited modern and contemporary art museums in the United States and, together with the adjacent Minneapolis Sculpture Garden and the Cowles Conservatory, it has an annual attendance of around 700,000 visitors. The museum's permanent collection includes over 13,000 modern and contemporary art pieces including books, costumes, drawings, media works, paintings, photography, prints, and sculpture.  - The Hirshhorn Museum and Sculpture Garden is an art museum beside the National Mall, in Washington, D.C., the United States. The museum was initially endowed during the 1960s with the permanent art collection of Joseph H. Hirshhorn. It was designed by architect Gordon Bunshaft and is part of the Smithsonian Institution. It was conceived as the United States' museum of contemporary and modern art and currently focuses its collection-building and exhibition-planning mainly on the postWorld War II period, with particular emphasis on art made during the last 50 years.  - The Washington Gallery of Modern Art was a short-lived gallery promoting contemporary art near Dupont Circle in Washington, DC, United States, during the 1960s. Its collection of 153 works was purchased by the Oklahoma City Museum of Art in 1968 for $110,000. The collection included 20th-century artists, Ellsworth Kelly, Robert Indiana, Grace Hartigan and Marcel Duchamp.  - Tate is an institution that houses the United Kingdom's national collection of British art, and international modern and contemporary art. It is a network of four art museums: Tate Britain, London (until 2000 known as the Tate Gallery, founded 1897), Tate Liverpool (founded 1988), Tate St Ives, Cornwall (founded 1993) and Tate Modern, London (founded 2000), with a complementary website, Tate Online (created 1998). Tate is not a government institution, but its main sponsor is the Department for Culture, Media and Sport.  - Helen Frankenthaler (December 12, 1928  December 27, 2011) was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades (early 1950s until 2011), she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 "Post-Painterly Abstraction" exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as Color Field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.  - Kenneth Noland (April 10, 1924  January 5, 2010) was an American painter. He was one of the best-known American Color Field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s he was thought of as a minimalist painter. Noland helped establish the Washington Color School movement. In 1977, he was honored by a major retrospective at the Solomon R. Guggenheim Museum in New York that then traveled to the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Ohio's Toledo Museum of Art in 1978. In 2006, Noland's "Stripe Paintings" were exhibited at the Tate in London.  - Color Field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to Abstract Expressionism, while many of its notable early proponents were among the pioneering Abstract Expressionists. Color Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favour of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."  - A visual-art movement of the late 1950s through the late-1960s centered in Washington, D.C., the Washington Color School describes a form of abstract art that developed from color field painting, itself a form of abstract art that explored ways to use large solid areas of paint, as exemplified by the work of Mark Rothko and Helen Frankenthaler. The Washington Color School originally consisted of a group of painters who showed works in an exhibit called the "Washington Color Painters" at the now-defunct Washington Gallery of Modern Art in Washington from June 25 to September 5, 1965. This exhibition, which subsequently traveled to several other venues in the United States, including the Walker Art Center, solidified Washington's place in the national movement and defined what is considered the city's signature art movement. The exhibition's organizer was Gerald "Gerry" Nordland and the painters included Gene Davis, Morris Louis, Kenneth Noland, Howard Mehring, Thomas "Tom" Downing, and Paul Reed.    What is the relationship between 'morris louis' and 'abstract expressionism'?
Answer:
movement