[Q]: Information:  - George Schnéevoigt (23 December 1893  6 February 1961) was a Danish film director, cinematographer, and actor of the 1930s and early 1940s.  - De blaa drenge is a 1933 Danish family film classic directed by George Schnéevoigt and written by frequent collaborator Fleming Lynge with the score by Kai Normann Andersen . The film stars performer Liva Weel .  - Liva Weel (31 December 1897  22 May 1952) was a Danish singer and actress. She is listed in the book of "The 20th century's 100 most important people in Denmark".  - Fleming Lynge (20 September 1896  3 November 1970) was a Danish screenwriter. He wrote for 72 films between 1929 and 1959. He was born and died in Denmark.  - A film director is a person who directs the making of a film. Generally, a film director controls a film's artistic and dramatic aspects, and visualizes the script while guiding the technical crew and actors in the fulfillment of that vision. The director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film.    What entity does 'de blaa drenge' has the relation 'country of origin' with?
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[A]: denmark


[Q]: Information:  - Na Gormonda de Monpeslier or Montpelher (fl. 12261229) was a trobairitz from Montpellier in Languedoc. Her lone surviving work, a "sirventes", has been called "the first French political poem by a woman."  - A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (11001350). Since the word "troubadour" is etymologically masculine, a female troubadour is usually called a trobairitz.  - Bernart de Ventadorn (1130/1140  1190/1200), also known as Bernard de Ventadour or Bernat del Ventadorn, was a prominent troubadour of the classical age of troubadour poetry. Now thought of as "the Master Singer" he developed the "cançons" into a more formalized style which allowed for sudden turns. He is remembered for his mastery as well as popularisation of the "trobar leu" style, and for his prolific "cançons", which helped define the genre and establish the "classical" form of courtly love poetry, to be imitated and reproduced throughout the remaining century and a half of troubadour activity.  - The trobairises (singular: trobairitz) were Occitan female troubadours of the 12th and 13th centuries, active from around 1170 to approximately 1260. The word "trobairitz" was first used in the 13th-century romance "Flamenca". It comes from the Provençal word "trobar", the literal meaning of which is "to find", and the technical meaning of which is "to compose". The word "trobairitz" is used very rarely in medieval Occitan, as it does not occur in lyrical poetry, grammatical treatises, or in the biographies of the "trobairitz" or troubadours. "Trobairitz" composed, wrote verses, and performed for the Occitan noble courts. They are exceptional in musical history as the first known female composers of Western secular music; all earlier known female composers wrote sacred music. The "trobairitz" were part of courtly society, as opposed to their lower class counterparts the "joglaressas". Although troubadours sometimes came from humble originsBernart de Ventadorn may have been the son of a castle's bakerthe "trobairitz" were nobly born. The most important "trobairitz" are Alamanda de Castelnau, Azalais de Porcairagues, Maria de Ventadorn, Tibors, Castelloza, Garsenda de Proença, Gormonda de Monpeslier, and the Comtessa de Diá.  - Azalais de Porcairagues ( also Azalaïs ) or Alasais de Porcaragues was a trobairitz ( woman troubadour ) , composing in Occitan in the late 12th century . The sole source for her life is her vida , which tells us that she came from the country round Montpellier ; she was educated and a gentlewoman ; she loved Gui Guerrejat , the brother of William VII of Montpellier , and made many good songs about him ; meaning , probably , that the one poem of hers known to the compiler had been addressed to Gui . Gui was perhaps born around 1135 ; he fell ill early in 1178 , became a monk , and died later in that year . Nothing is known of the dates of Azalais 's birth and death . From her name , and from the statement in the Biographies cited above , it can be concluded that she came from the village of Portiragnes , just east of Béziers and about 10 kilometers south of Montpellier , close to the territories that belonged to Gui and to his brothers . Aimo Sakari argues that she is the mysterious joglar ( `` jongleur '' ) addressed in several poems by Raimbaut of Orange ( a neighbour , and a cousin of Gui Guerrejat ) . One poem attributed to Azalais , classically simple and emotional , survives today . As usually printed it has 52 lines , but the text varies considerably between manuscripts , suggesting that it was not written down immediately on its composition . No music is attached to it . The poem alludes to the death in 1173 of Raimbaut of Orange ; it was possibly first composed before that date and emended afterwards . The poem 's envoi seems to mention Ermengarde of Narbonne ( 1143 -- 1197 ) , a well known patroness of troubadour poetry . As observed by Sakari , the third strophe of the poem seems to contribute to a poetical debate begun by Guilhem de Saint - Leidier as to whether a lady is dishonoured by taking a lover who is richer than herself . Raimbaut of Orange also comments in his poem A mon vers dirai chanso . Soon afterwards there follows a partimen on the topic between Dalfi d'Alvernha and Perdigon , and...    What entity does 'azalais de porcairagues' has the relation 'date of birth' with?
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[A]:
1140