1 code implementation • ICLR 2022 • Yusong Wu, Ethan Manilow, Yi Deng, Rigel Swavely, Kyle Kastner, Tim Cooijmans, Aaron Courville, Cheng-Zhi Anna Huang, Jesse Engel
Musical expression requires control of both what notes are played, and how they are performed.
no code implementations • 29 Sep 2021 • Halley Young, Vincent Dumoulin, Pablo Samuel Castro, Jesse Engel, Cheng-Zhi Anna Huang
To tackle the combinatorial nature of composing features, we propose a compositional approach to steering music transformers, building on lightweight fine-tuning methods such as prefix tuning and bias tuning.
no code implementations • 12 Oct 2020 • Cheng-Zhi Anna Huang, Hendrik Vincent Koops, Ed Newton-Rex, Monica Dinculescu, Carrie J. Cai
Machine learning is challenging the way we make music.
no code implementations • 14 Jul 2019 • Cheng-Zhi Anna Huang, Curtis Hawthorne, Adam Roberts, Monica Dinculescu, James Wexler, Leon Hong, Jacob Howcroft
To make music composition more approachable, we designed the first AI-powered Google Doodle, the Bach Doodle, where users can create their own melody and have it harmonized by a machine learning model Coconet (Huang et al., 2017) in the style of Bach.
4 code implementations • 18 Mar 2019 • Cheng-Zhi Anna Huang, Tim Cooijmans, Adam Roberts, Aaron Courville, Douglas Eck
Machine learning models of music typically break up the task of composition into a chronological process, composing a piece of music in a single pass from beginning to end.
Ranked #4 on Music Modeling on JSB Chorales
4 code implementations • ICLR 2019 • Curtis Hawthorne, Andriy Stasyuk, Adam Roberts, Ian Simon, Cheng-Zhi Anna Huang, Sander Dieleman, Erich Elsen, Jesse Engel, Douglas Eck
Generating musical audio directly with neural networks is notoriously difficult because it requires coherently modeling structure at many different timescales.
12 code implementations • ICLR 2019 • Cheng-Zhi Anna Huang, Ashish Vaswani, Jakob Uszkoreit, Noam Shazeer, Ian Simon, Curtis Hawthorne, Andrew M. Dai, Matthew D. Hoffman, Monica Dinculescu, Douglas Eck
This is impractical for long sequences such as musical compositions since their memory complexity for intermediate relative information is quadratic in the sequence length.
Ranked #3 on Music Modeling on JSB Chorales