Within Music Information Retrieval (MIR), prominent tasks -- including pitch-tracking, source-separation, super-resolution, and synthesis -- typically call for specialised methods, despite their similarities.
We introduce the Free Music Archive (FMA), an open and easily accessible dataset suitable for evaluating several tasks in MIR, a field concerned with browsing, searching, and organizing large music collections.
To date, the best performing techniques, such as the pYIN algorithm, are based on a combination of DSP pipelines and heuristics.
Following their success in Computer Vision and other areas, deep learning techniques have recently become widely adopted in Music Information Retrieval (MIR) research.
This data set is the first publicly available set in OMR research with sufficient size to train and evaluate deep learning models.
These problems can often be reduced to a combination of 1) sequentially recommending items to the user, and 2) exploiting the user's interactions with the items as feedback for the machine learning model.
To this end, an established classification architecture, a Convolutional Recurrent Neural Network (CRNN), is applied to the artist20 music artist identification dataset under a comprehensive set of conditions.
Based on this, we introduce a method for descriptor-based synthesis and show that we can control the descriptors of an instrument while keeping its timbre structure.
Mapping signals onto complex basis functions learned by the CAE results in a transformation-invariant "magnitude space" and a transformation-variant "phase space".
We present a unique neural network approach inspired by a technique that has revolutionized the field of vision: pixel-wise image classification, which we combine with cross entropy loss and pretraining of the CNN as an autoencoder on singing voice spectrograms.